There are a few reasons I like hosting College Admission Essay - Exciting discounts and always quick delivery. Most trusted drugstore online welcomes you. efficient drugs with fast delivery. Cursed Tongue Records announcements like this one. Most of them are painfully obvious — things like “the music’s good” — but also it’s been a joy to see how the label’s taste and reach has grown and how it has gained a reputation for a quality product both in concept and execution. The label’s picking up outline for college essay List Of Essay Service Academy online phd programs my dog ate my homework BoneHawk for an LP release of the Michigan-based band’s second album, Source Homework essay with homework essay writers know for me to the best academic writing. An ielts essay writer will need to buy essays are the why should be. Give your responsibility to clever motifs graphic design solutions 4 webmasters forum my homework. Iron Mountain, is another example of Get Assigning Ip Addresses In A Network from top dissertation writing service at affordable rates. Team of expert UK dissertation writers providing online dissertation help. Cursed Tongue knowing what they want and making it happen.

basics. If you are looking for professional help with your scholarship essays, please call us now! BoneHawk, for whom urban planning phd thesis - Learn all you need to know about custom writing Professionally crafted and HQ academic papers. Let specialists accomplish their Iron Mountain serves as the follow-up to their debut, 2014’s What about delegating your task to reliable Best Psychology Dissertations service? There is one in view. Only quality content. Fair prices & discounts. Qualified staff. Albino Rhino (discussed here) — later picked up by Essay On Marketing - All kinds of writing services & custom essays. Forget about those sleepless nights working on your coursework with our Ripple Music — and their 2016 split 12″ with Choose a Proficient like it to Complete All Your Writing Requirements. We are writing experts, thanks to more than 1000 writers from all parts Kingnomad (review here), also on Pay Someone To Write A Uni Essay is one of the most demanded services by students online. Thousands of academicians seek assistance with too challenging essays, too complicated Math problems, too time-consuming research papers and other types of too nerve wrecking academic written chores. Ripple, have a new lineup as well as the new album. They posted the record to Bandcamp in June, so for them this continues a pattern of releasing on their own — they have a limited CD version available on Bandcamp — before subsequently getting a label on board for a wider release. You won’t hear me argue.

You will, if you go down to the bottom of the post, hear  my posse don t do homework http://bebcho.net/?defend-thesis-dissertations editing research paper best resume writing service dc engineers Iron Mountain streaming in full. Following immediately is the announcement from  We will help you with Essay writing, ap english language essay helps, Write my essay for me, and Argumentative essay, Essay, go now! Cursed Tongue, which again, it is my pleasure to host.

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KALAMAZOO, MI FUZZ-HEAVY BLUES ROCKERS BONEHAWK SIGN TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF ‘IRON MOUNTAIN’ SEPTEMBER 18, 2020.

Cursed Tongue Records is beyond stoked to announce the signing of Kalamazoo, Michigan hard hitting psychedelic heavy blues rock quartet BoneHawk and look forward to release their sophomore album entitled ‘Iron Mountain’ on premium vinyl come September 18, 2020 (Vinyl pre-order starts August 14).

Since the inception of Cursed Tongue Records, it has been on our bucket list to work with premiere fuzzy riff slingers and party bringers BoneHawk. Back when CTR was still a pipedream, and even before its embryonic stages, BoneHawk released their debut album, entitled ‘Albino Rhino’ and that release would soon encapsulate what this record label is striving to release; Music so pure, energetic, and vibrant you can fuel an entire parade of boogie vans filed with rock ‘n roll-loving peace-seeking stoner rock hippies.

BoneHawk has went and done it again. The band has once more conjured up another kickass album of otherworldly catchy grooves, addictive riffs, and leads so melodic they leave the insides of your vans’ windows dripping wet. Hot damn, their new album ‘Iron Mountain’ is a phenomenal sonic excursion and showcase on how to turn out one infectious fuzzy rock opus after the other.

Their sophomore album builds on the strength from ‘Albino Rhino’ and utilizes the vital formula the BoneHawk boys invented back then and take it to the next level with an even more coherent and focused approach. Thus the 4-headed beast the makes up the bone, brain, and muscles of BoneHawk serves up nine songs and 42+ mins of twin guitar rock ‘n roll galore.

A term like ‘masterpiece’ is way too often tossed abound, but in case of ‘Iron Mountain’, we won’t refrain from branding this release as exactly that, as the BoneHawk guys are returning from the mountain of iron having mined their own rich vintage brand of rock ‘n roll from a gold-capped ore. This is truly high-grade rock of the heaviest caliber and it is here to allure your heart and ears.

BoneHawk is finally back and bring forth their richly mined organic rock from the depths of Iron Mountain consisting of fuzzy riffs and grooves of solid steel come September 18, 2020

BoneHawk are:
Matt Helt -Vocals/Guitar
Nate Cohn – Drums
Cam Mammina – Guitar
Matt Smith – Bass/Vocals

http://www.facebook.com/bonehawkkzoo
https://www.instagram.com/bonehawk_band/
https://bonehawk.bandcamp.com/
http://bonehawkriffs.com/
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/
https://instagram.com/cursedtonguerecords

BoneHawk, Iron Mountain (2020)

Spanish heavy rockers Once you use our live chat support and say �Please write my assignment for me online� you will not worry about �college speech buy For Me�. Horizon will release their third album, Win With Custom-writing.co.uk http://oide.panda.gr.jp/2019/11/27/essay-writing-mobile-phone/ Scholarship essay is used to determine whether a person behind the application deserves a scholarship The White Planet Patrol, through http://gomoawda.gov.gh/custom-dissertation-writing-services-doctoral/ Acquire the Most Effective Services When You Hunt for Do My Assignment. Handling overloaded homework is not very simple � no matter what is the level of your study. If you are a student, then you have to complete all your tasks provided by the teacher. Cursed Tongue Records this Fall. I’m not allowed to show you the cover for it yet or I would — it’s pretty cool — and there isn’t any audio yet to go with the announcement — the audio’s pretty cool too — so I guess you’re going to have to take my word for it at this point. The LP version that Cursed Tongue is putting out runs eight tracks and the CD/DL has two more cuts on top of that, bringing the full beast up to 53 minutes long, but the Alicante, Spain, trio spend their time and yours wisely, meting out heavy rock with a fluid variety in pacing and intent and atmosphere. It’s the kind of thing that, if you dig it, you’re gonna dig it. That’s about all I can tell you.

If you’re up for some tunes, you can check out Horizon‘s 2019 EP, Pigs, at the bottom of this post. I’m sure you’ve already heard it, because you’re down with the Bandcamping like that, but just in case.

Here’s the announcement:

SPACE STONER ROCKERS HORIZON SIGNS TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF THEIR THIRD ALBUM OCTOBER 16 2020

Cursed Tongue Records is very happy to announce the signing of Alicante, ES based trio Horizon and look forward to release their new album entitled ‘The White Planet Patrol’ on premium vinyl. Horizon is no new acquaintance to Cursed Tongue Records as we have been fans of the band for years and were among some of the first to support the band and buy their debut album ‘Last Man in Terminus’ back in 2014 once it (initially self-released by the band) was put out on vinyl.

We were mesmerized already back then, by the groove and riffs a plenty that seem to flow from the band in endless streams. It thus only requited little to no brain-activity (a pleasant change, ha ha) to decide on a collaboration when the band approached the label some months back earlier in 2020. We can, with confidence say that ‘The White Planet Patrol’ is the most accomplished, coherent and straight-out rocking material the band has conjured up to date and we super excited for all of you to hear it when the floodgates opens in October for the full ordeal.

Luckily, you will not have to wait that long as the band has prepared a nice release schedule with lots of chunks of tasties along the road to the release in October. This way it has seeped from the Horizon HQ that a first single should be ready and dropping in early July.

This album will once more remind the Heavy Underground why this Spanish trio is not easily forgotten and why they are a fuzz tour-de-force to be reckoned with. On this their third album Horizon delivers their most focused and heavy album to date, packed to the brim with metal-tinged, yet warm and fuzzy riffs, pulsating bass and hard-hitting grooves. The White Planet Patrol takes you on mind-melting trip through familiar territories to the outskirt of our planet of stoned out heavy retro desert rock.

While Cursed Tongue Records handles the vinyl only release, the band has kept busy and ensured that, the Spanish labels La Rubia Producciones, Aneurisma Records, Aladeriva Records, and Surnia Records undertake the CD format release of ‘The White Planet Patrol’. As novelty act, the album also releases on cassette tape by the Polish label Three Moons Records.

Horizon’s third full-length album ‘The White Planet Patrol’ releases digitally on Bandcamp and all major streaming outlets on October 16 2020. Same day sees the release of the album in all sort of tangible media including 180 grams vinyl, CD and cassette tape formats – Get Psyched!

ALBUM BACKGROUND

“The White Planet Patrol” is the name of Horizon’s third full-length album of which we cannot give you any further details yet, but those who have been fortunate enough having been given the opportunity to listen to it and to give it some thought can testify that we are still faithful to our constant riff salad style.

Recorded in Red Records Estudios and mastered by Tony Reed (Mos Generator) and counting again with the artwork of Creu Estudio (“Pigs”) this album also counts with the collaboration of two greats of the scene and already known as they are Judit Aliaga (Violins) and Juan Angel Slang (Synths). Mastered for optimal vinyl playback by Tony Reed (of Mos Generator, Seedy Jeezus, many more) at HeavyHead Rec.

Horizon is:
*Paula Dominguez // Drums
*Nicolás D’Andrea // Voice and Guitars
*César Tenorio // Bass and Synths effects

https://horizonrockband.bandcamp.com/
https://www.facebook.com/Horizonrockband/
https://instagram.com/horizonrockband
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/
https://instagram.com/cursedtonguerecords

Horizon, Pigs (2019)

Bradford, UK, kebab aficionados and groove purveyors Psychlona will release their second album, Venus Skytrip, on Aug. 21 through Ripple Music (CD/DL) and Cursed Tongue Records (LP). It is the follow-up to 2018’s Mojo Rising (discussed here) and sees the four-piece upping their game thematically and in terms of songcraft, presenting eight tracks across 49 minutes that won’t be pushed when they don’t want to go and yet seem to have no trouble whatsoever finding momentum when it suits them. To wit, the seven-minute opener, “Blast Off” — video premiering below — has a head of steam almost before you realize it in listening, and yet even as the subsequent “10,000 Volts” explodes in volume from its quiet beginning, setting up trades back and forth across its eight-minute span, Psychlona in no way sound rushed or out of step with what best suits the song.

“10,000 Volts” takes off in its second half, pushing out out out until finally it recedes to end quiet, and from there the beast that is Venus Skytrip unfolds a succession of shorter pieces, with “Blow” (6:05) making its presence felt through a combination of earthbound chug and swing and airy vocal melody while the each-under-four-minutes pair of “Star” and “Edge of the Universe” seem set to motor full-on terrestrial desert-style until the latter winds up in atmospheric hypnosis for a stretch in its second half. They bring it back around — to their credit — but the journey’s a joy just the same, and more shifts between languid stoner vibes and massive volume play out through “Resin” and “Tijuana” seems to bring with it a new level of tonal fullness in following, so the band readily break out a series of tricks along the way before they get around to rounding out with “The Owl,” which fills the last nine minutes of Venus Skytrip with a purpose somewhere between heavy psychedelia and hard-edged stomp, at least until the riff builds into its crash just after five minutes in, the bass takes hold and leads into and out of the record’s last build, which like the thing itself, is a trip well worth taking.

If flashing lights, colors or ladies dancing in silhouette isn’t your thing, I guess maybe “Blast Off” is best left to play in the tab so you can listen while you go back to checking the news or staring at other people’s pretend lives on social media or whatever it is hu-mans do these days on their phones. Gotta be something. Maybe you caught a glimpse of Psychlona in Freak Valley‘s consolation stream last weekend. The band showed up to say hi and that they were already confirmed to appear in 2021, so that’s something to look forward to, and one expects they’ll do much supporting of Venus Skytrip when the opportunity presents itself, as surely it will sooner or later.

Until then, there’s nothing like starting an album with a launch sequence, and yes, “Blast Off” has one. I’m happy to host the premiere of the track and the video below.

The band give their own view on things after the player, and you should read that because it rules.

Please enjoy:

Psychlona, “Blast Off” official video

Behind The Trip – Psychlona on Venus Skytrip:

After the unexpected memorialisation (hmm) of our debut, we started to think about where we should go boldly with the next one. We knew we didn’t want to lose too much of the rawness and homespun vibe that defined the scratchy fun of the first album, but we also wanted to go one step further with this effort and really focus the sound. So the two-step plan would be number one: make it heavier and two: turn up the spaciness to the nth. As is tradition around these parts we hunted down a stack of the area’s finest grilled kebabs and various fermented beverages, descending on The Cave – a place of pure tyranny and filth, but also home – for writing sessions taking place between October and January (a leisurely pace was also integral to the process, natch).

The songs were coming on nicely, we had fallen upon a winning formula that was something along the lines of more chilli = better song, but we needed to decide on a venue to match our aspirations of ‘going nuclear’. Step forward Andy Hawkins and The Nave. We were made aware of Andy by our regular sound tech who had recorded his band’s last album with Andy and recommended we work with him. Instantly Andy ‘got’ us and with a punk rock pedigree to boot we knew he was our guy – regaling us deep into the night with chaotic tales of Captain Sensible and traffic cone theft (events may or may not be true).

Anyway, come February Andy began putting us through our paces and by way of the incredible live room at The Nave – an old church hall – we were able to capture some truly huge drum sounds (see The Owl). Technical wizardry abounds (Andy), fuzz pedals galore, sausage rolls and a cauldron full of Yorkshire Tea later guitars, bass and vocals (real tape echo, obvs) were all down. Notwithstanding a much welcome intervention from a global pandemic, we emerged from the back door of the church stumbling towards the light – battered, bruised and with a suspected case of rickets among the maladies – clutching a grubby acetate of spaced out hard rock jams.

So there it was, behold, an album, eight tracks of new Psychlona. When the fog receded from our scorched minds it appeared we’d taken a year long ride through space taking in Venus and Mars before doing a quick lap of the Sun (Blast Off), encountered 27 club rock ‘n’ roll tragedy (Star), drifted around in a smoke fuelled beachside dream (Resin) before taking a lengthy acid trip courtesy of The Owl himself. Who knows where chapter 3 could take us?

Psychlona on Bandcamp

Psychlona on Thee Facebooks

Psychlona on Instagram

Cursed Tongue Records store

Cursed Tongue Records on Thee Facebooks

Cursed Tongue Records on Instagram

Ripple Music on Thee Facebooks

Ripple Music on Instagram

Ripple Music on Bandcamp

Ripple Music site

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Phil Hey of Psychlona (Bradford, UK)

—

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It’s been a bit tricky for us as we’re currently recording our new album which is scheduled for release in August. It’s nearly finished but we’ve had to grab days here and there and go to the studio separately to record our relevant instruments. Will be worth the effort though as it’s sounding cool so far. Think pretty much all our live stuff we had planned for the year will be cancelled which sucks as we had a few major festivals lined up. The main thing is getting through all this together, there’s always another year. All of us have managed to remain virus free so far…

What are the quarantine/isolation rules where you are?

We’re currently on lockdown here in the UK which is okay so far but I see a lot of people not taking it seriously and bending the rules. Rules are usually there to be broken but not this time. I was over in Spain a couple of weeks ago and was on lockdown there for a week also.

How have you seen the virus affecting the community around you and in music?

It’s all been pretty positive so far with many bands doing the live streaming n stuff. It’s not so good for us as we haven’t got a live set at the moment due to the time consuming writing and recording for the album. I hear of some small venues closing their doors maybe for good already which is sad. We need to have a massive party at the end of all this to get things moving again.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We love playing music but the world is in bad shape at the moment. We’ll all be there after all this has passed. Speaking for Ppsychlona as a collective I’ll just say love, respect, peace and we’ll see you at a venue as soon as possible. stay safe.

psychlona.bandcamp.com
http://www.facebook.com/Psychlona/
http://instagram.com/psychlona
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords
https://www.instagram.com/cursedtonguerecords
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Heading out from their home base in Portland, Oregon, heavy rockers Hippie Death Cult will do a weekender this month headed into Washington for a couple dates that will serve as a precursor to broader ranging as Spring takes hold. They’re booked on consecutive April nights at Electric Highway Fest and Rocky Mountain Riff Fest in Calgary and Montana, respectively, and they’ll continue to peruse the West Coast later in May en route to Stoned and Dusted in Joshua Tree while they and the rest of the universe await the advent of 2020’s Psycho Las Vegas, which is sure to be the endtimes madness you and I and everyone we know have been craving all along. Certainly nice to seeing them do more than twiddle their thumbs until that arrives, however, as their Cursed Tongue Records-issued debut, 111 (review here), was both well received and a cause worthy of supporting.

So get out there, you crazy kids, and do that rock and roll thing. I think it’s gonna be big. Like Hula-Hoops big.

PR wire me ASAP:

Portland Oregon’s heavy Rock N’ Roll outfit Hippie Death Cult have announced upcoming tour dates in western US and Canada for this spring and summer in support of their debut record “111” (Cursed Tongue Records).

As part of the trek, the band will be appearing at Calgary, Alberta’s The Electric Highway Festival, The Rocky Mountain Riff Fest in Kalispell, Montana, Stoned And Dusted in the Mojave Desert and Psycho Las Vegas 2020 this summer. The band will be joined by an array of local and touring bands city to city. More information regarding each line up will surface in the coming weeks and months.

Though there is no official release information at this time, the group has confirmed that they will be entering the studio intermittently between these dates to record a follow up to “111”. They have also confirmed that they will be peppering in new material during their live sets throughout the tour.

Guitarist Eddie Brnabic comments on the new music:

“We are extremely excited about this new material. Some of it is heavier and faster, some of it is more mellow and trippy … it’s definitely us, but it doesn’t sound like anything on “111”. I hope everyone else will dig it as much as we do. There’s certainly a lot of love and passion going into it and I personally couldn’t be happier with how the band is maturing and evolving together”

3.19 Chehalis, WA @ McFiler’s
3.20 Seattle WA @ Substation
3.21 Portland, OR @ High Water Mark
3.22 Eugene, OR @ Sessions
4.5 Portland, OR @ Lola’s Room w/King Buffalo
4.15 Spokane, WA @ Big Dipper
4.16 Missoula, MT @ The Badlander
4.17 Calgary, AB @ Royal Canadian Legion Branch 1 (Electric Highway Fest)
4.18 Kalispell, MT @ Eagles 234 (Rocky Mountain Riff Fest)
4.30 Seattle, WA @ El Corazón
5.1 Vancouver, BC @ East Van Live
5.2 Bellingham, WA @ The Shakedown
5.8 Reno, NV @ Jub Jub’s
5.9 Oakland, CA @ Elbo Room w/ Psychic Hit
5.10 Santa Cruz, CA @ The Catalyst
5.21 Las Vegas, NV @ Count’s Vamp’d
5.22 Anaheim, CA @ Doll Hut
5.23 San Diego, CA @ Pour House
5.24 Joshua Tree, CA @ Stoned & Dusted Fest
8.7 Portland, OR @ Star Theater w/ Elder
8.14 Las Vegas, NV @ Psycho Las Vegas 2020

Poster art by Eddie Brnabic
Photo Credit : Mick Olorsky

Hippie Death Cult is:
Eddie Brnabic – Guitar
Laura Phillips – Bass
Ryan Moore – Drums
Ben Jackson – Vocals & Keys

https://hippiedeathcult.bandcamp.com/
https://instagram.com/hippiedeathcultband/
https://www.facebook.com/hippiedeathcultband/
https://soundcloud.com/hippie-death-cult
https://www.hippiedeathcultband.com/
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords
https://www.instagram.com/cursedtonguerecords

Hippie Death Cult, “Treehugger” official video

They’re keeping some info close to their (battle) vest, but with the announcement of the May 22 LP release of Wolftooth‘s second album, Valhalla, comes word that not only will Cursed Tongue Records be handling that vinyl, but that tapes will be done through new imprint Ice Fall Records, and indeed Ripple Music, which reissued the band’s 2018 self-titled debut (review here), will be on board as well for the CD. The multi-format approach covering all flanks is only fitting for a release so concerned with battles among the gods, and though they’re a ways out from unveiling a single, the tracklisting, or even the cover art, rest assured that all of these things are duly epic. If you don’t want to take my word for it, consider the quality of the label endorsements they’ve earned.

Preorders May 1, as the PR wire informs. Please expect more to come on this one:

RICHMOND, IN RIFF-WELDERS WOLTOOTH RE-SIGNS TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF THEIR SOPHOMORE ALBUM MAY 22 2020

Cursed Tongue Records is super pleased to announce the re-signing of Richmond, IN based riff-welding behemoth Wolftooth and look forward to release their sophomore album entitled ‘Valhalla’ on premium vinyl come May 2020. This release will be a joint venture between a glorious trinity of Cursed Tongue Records (vinyl), Ripple Music (CD/digital) and Ice Fall Records (Cassette Tape) that all have joint forces to bring forth a tangible testament to ‘Valhalla’.

On their sophomore album Wolftooth has truly upped the ante, expanded on their already tested and tied formula, added more layers of sound and variation in the song writing and overall musical execution. The production has improved markedly and the tracks oozes of the much attention that has gotten into capturing both detail, feel and vibe during the recording. As the band members themselves express it: “We started work on this album back in August 2019; it is our masterpiece haha.”

‘Valhalla’ is everything you would come to expect from a follow-up album to Wolftooth’s über popular self-titled debut album – and then some! And even more! Seriously we have been heavy-nodding, head-banging and fist pumping on a daily bases since these four hoosiers submitted their new stellar opus. God damn ‘Valhalla’ is great, oh yeah! As if there would ever be a more suiting set of rock hymns to accompany the Aesir Gods to their sacred halls at Asgard after having slain all giants (Jætter, ed.) at the battlefield it has to be ‘Valhalla.’

Wolftooth’s Valhalla’ album is out May 22 2020 on premium vinyl (Cursed Tongue Records), CD/digital (Ripple Music) and Cassette Tape (Ice Fall Records). Vinyl pre-orders open May 1!!

It is with much joy, that Cursed Tongue Records can roll out the red carpet and give this utterly blatant head-banging, neck-snapping, skull-cracking, fist-pumping HM, riff-rock fest a well-deserved vinyl treatment. We open the doors for the vinyl pre-order on May 1 with official vinyl release May 22 2020.

Time of Victory Is Nigh, a Warrior on His Horse Ascending, the Throne of Valhalla to Claim

Wolftooth is:
Chris Sullivan Guitar/ Vocals
Terry McDaniel Bass
Jeff Cole Guitar
Johnny Harrod Drums/Vocals

https://www.facebook.com/wolftoothmetal/
https://www.instagram.com/wolftooth_metal/
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/
https://www.facebook.com/icefallrecords/
https://icefallrecords.bigcartel.com/

Wolftooth, Wolftooth (2019)

What, you thought just because they’re not a band anymore that might stop a vinyl release? Oh no, no, no, my friends. Because while the members of Vienna classic-style proto-metal-tinged heavy rockers Pastor may have already moved onto new bands like Ryte, Mothers of the Land, White Scorpion, Avalanche and Galactic Pot Healer, they did so by posting their second and final album, Unveil, on Bandcamp like it wasn’t no thing. Except it was a thing. It was a cool record. And cool records get vinyl releases on Cursed Tongue. That’s just the way of life.

So don’t expect to see Pastor anytime soon on a bunch of festival lineups or think there’s a long list of tour dates coming, because really what the May 8 vinyl issue of Unveil is doing is serving as a proper sendoff and a thanks-for-kicking-ass-while-you-did to the four-piece, who released their 2015 debut album, Evoke (review here) and prior 2014 single, Wayfaring Stranger/The Oath (review here), on Who Can You Trust? Records, earning kudos all the while for their combined manner of boogie and shred. Whether or not the band end up doing anything else at any point down the line, I don’t think you can listen to Unveil and not agree it earns its platter.

Preorders start April 3, as the label informs:

HEAVY PSYCH RIFF ROCKERS PASTOR SIGN TO CURSED TONGUE RECORDS FOR A GLOBAL VINYL RELEASE OF THEIR NEW ALBUM ‘UNVEIL’ MAY 8 2020

Cursed Tongue Records is very happy to announce the signing of Vienna, AU based riff-4some Pastor and look forward to release their sophomore and (potentially last) album entitled ‘Unveil’ premium vinyl. Pastor has yet again created an energetic, engaging and riff-heavy psych rock album full of heft and groove. ‘Unveil’ will kick your face in, knock you over, shred your skin to pieces, melt your brain and crush your skull to powder and all that will be left is your burned skin, shattered bones and knackered grinning skull.

Pastor is no new acquaintance to Cursed Tongue Records, as we have known about this band since their brilliant debut album ‘Evoke’ was released some 4+ years ago. So, when news about the digital release of a sophomore album pierced our radar, there was no hesitation and the quest for a vinyl release of this new album quickly formed in the deep dungeons at CTR headquarters. It didn’t take long for band and label to reach a common understanding that the world needed this album on the paramount medium and we quickly engaged in a plot to unveil the new album on vinyl.

The plot thickens, the plans solidify, and come May 8 2020 ‘Unveil’ will hit doom street and the Heavy Underground can rejoice in the heavy riffage that’s about to commence. Pre-orders for vinyl will run one months prior with a launch date scheduled for April 3rd 2020.

ALBUM BACKGROUND

‘Unveil’ is Pastor second album following a successful debut album entitled ‘Evoke’ released via Austrian label Who can you trust? Records in 2015. The band has the following insight to the story behind the creation of the follow-up album ‘Unveil’:
“So after our first record ‘Evoke’ was released we started gathering some songs. We did a couple weekenders here and there and ended up being on tour for a couple of weeks. During that time our tunes got slightly darker and more psych and we wanted to write songs reflecting the heavier side of our influences. It seemed we were going the direction we wanted to in the first place. “Unveil” documents this process very well, as we find.

In July 2017 we ended up again in lower Austria, where our first 7” was done and recorded there again. Bazoka Jürxn, who was our man of choice this time, captured perfectly what we wanted. Lots of beers were slammed and this time recording was way more of a party than a studio experience. We guess it was just because we knew what to expect and what we exactly wanted.

After the record was done we sort of mellowed out for a while. We started some new bands and Pastor kind of went on hiatus. The songs didn’t come naturally and we called it an end before writing stuff we couldn’t really identify with anymore. Our time was just up. We wanted to release “Unveil” somewhere, somehow and so we ended up putting it on Bandcamp. From there the good people from Cursed Tongue Records got aware of us and our last album and Niels was crazy enough to engage in releasing a record by a band that just split up.

We are more than happy that our last release is finding its way on vinyl, which was the way we wanted it to be right off the bat! So, sit back, grab a beverage of your preference and enjoy our last jams as Pastor called ‘Unveil’ Pastor was arik, shardik, alex & georg.”

Pastor might be done as a band (for now) in its current constellation, but the music lives on and we in Cursed Tongue Records firmly believe that music of this order demands a vinyl release no matter the situation – and we are pretty convinced that you, after having listened to ‘Unveil’, will testify to this as well! So in that in that we spirit we say: “For those about to riff, we salute you”!

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Pastor, Unveil (2019)

[Click play above to hear the premiere of ‘Wizard Slayer’ from Sleepwulf’s self-titled debut, out digitally March 6 with LP preorders up the same day.]

Traditionalist heavy rock has itself become a generation-spanning tradition, most especially in Sweden, where more than 20 years ago, early purveyors of hyper-stylized heavy ’70s analog-worshipers began to coalesce an aesthetic that continues to resonate with bands domestic and international. Though many of the microgenre’s once-lead advocates in acts like Witchcraft and Graveyard and last-decade comers like Blues Pills and Kadavar have moved on to more modern sounds in their particular approaches, there have been plenty of others to pick up the slack in bands like Dunbarrow, Demon Head, MaidaVale or any number of Sverige boogie acts. Newcomers Sleepwulf take a doomier approach to vintage vibes on their self-titled Cursed Tongue Records debut long-player.

Having signed to the label following two well-received singles spread widely through social media word of mouth, the Kristianstad four-piece of vocalist Owen Robertson, guitarist Sebastian Ihme, bassist Viktor Sjöström and drummer Carl Lindberg present nine tracks and 36 minutes of proto-doomed songcraft, willfully familiar as it should be but marked out nonetheless by warmth of tone, catchiness of the songwriting and the band’s clear ability to affect a mindset in their listener. Sleepwulf, which includes the two singles “Lucifer’s Light” and “Misty Mountain” on sides A and B, respectively, is a beginning point of what one hopes will be a longer-term progression, but its fluidity speaks to the band’s commitment to what they’re doing in style as well as the substance of the tracks themselves.

They are not dabbling, not getting their feet wet. They’re schooled in the methods and the modes, and whether it’s the sweeping groove of closer “One Eyed Jailor” or the shuffling jive of pieces like “Beasts of Collision” and “Tumbling Towers,” Sleepwulf effectively convey the tenets of vintage heavy doom without losing sight of bringing something of themselves to the proceedings, whether that’s in Ihme‘s soloing style or the melodies of Robertson‘s vocals, Sjöström‘s bass tone or Lindberg‘s clever snare work.

These are, again, familiar elements, and the spectre that looms over much of Sleepwulf‘s Sleepwulf is that of Pentagram‘s First Days Here, their ultra-seminal collection of early and/or lost recordings which, compiled in 2004, helped ease the path to set a generation of retro heavy in motion. And the dictates of trend have perhaps left vintage doom behind over the last few years, but that suits a band like Sleepwulf just fine as they roll through the immediately nodding riff of “Wizard Slayer” at the outset or tap Witchcraft‘s “Her Sisters They Were Weak”-riffing for their own finale.

The album as a whole is not necessarily slow in terms of pace, but seems to crawl just the same, or perhaps ooze as its tones unfurl themselves in the songs, and that makes its actually-downtempo stretches all the more effective. Cuts like presumed side A capper “Standing Stones” are spacious and emblematic of the patience that might emerge in Sleepwulf‘s sound over time, and even as it picks up pace to stand next to the likes of “Beasts of Collision,” there’s a sense of the return pending that does nothing to undercut appreciation for it when it arrives.

That’s a skill in itself — to telegraph a thing and then pull it off anyway — but it speaks to the quality of the turns Sleepwulf are able to make all throughout the tracks here. They didn’t give much indication of such proclivities in “Lucifer’s Light,” keeping largely to a bouncing rhythm for the abidingly-unpretentious three-minute single, but the more insistent feel that comes to a head in “Misty Mountain” offers some clue as to where they’re coming from overall, though the subsequent “Wicked Man” — the opening line, “You were born a wicked man,” immediately bringing to mind Uncle Acid and the Deadbeats‘ “I’ll Cut You Down” — turns back to a more dead-ahead, hairy-toned style of riffing.

Rather, it’s in moments like the centerpiece interlude/side B opener “God of the Gaps” that Sleepwulf reinforce the atmosphere in which they’re working, and having done so, they’re all the more free to let loose a moment of boogie in “Tumbling Towers” as they do. You can have all the gear in the universe, record live to tape in a cave 5,000 meters below the surface of the earth with microphones made of mammoth bones or in the moldiest of decrepit low-ceiling basements, but the most necessary component to pull off a vintage approach is vibe, and that’s exactly what Sleepwulf have working most in their favor on their debut album.

Of course, the last remaining question about the band and their impressive debut is what will come next. There are a couple newer acts out there — the above-cited among them — who to one degree or another have carried across retro stylizations without losing their edge or creative progression, even if those who helped forge the path have largely let it languish. But it can be a tricky balance, and as ever, even more than the commitment to genre tenets, what’s going to help Sleepwulf most in the longer term is their songwriting, which is readily on display throughout these tracks, if in nascent form. The real trick will be to discover how Sleepwulf grow their doom over time. Will their sound expand to incorporate outside elements? What will that inherently do to the shuffle and roll that serves them so well here? Can they twist the tradition of traditionalism?

Naturally, it’s hard to even guess at this point, but even the simple curiosity should speak to the quality of the work Sleepwulf are doing and the fact that their project, whatever it ends up being, is worth pursuing, wherever it might lead. For what it’s worth, if one reads into the self-titled the idea that the prior singles were written earlier, then some of the material that surrounds, particularly in the longer side-ending tracks, does find a way to balance sonic complexity without giving up the basic sonic foundation underscoring the record as a whole. It’s another angle at which Sleepwulf‘s potential can be seen, but really, through any you might view, the picture is the same.

Sleepwulf, “Lucifer’s Light” official video

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