Album Review: Bongzilla, Weedsconsin

Posted in Reviews on April 28th, 2021 by JJ Koczan

bongzilla weedsconsin

None crustier. None more stoned. That’s the reputation that precedes Bongzilla headed into Weedsconsin, their first album in 16 years. That’s the standard. And while the Madison, Wisconsin, trio of Michael “Muleboy” Makela (bass/vocals, formerly guitar/vocals), guitarist Jeff “Spanky” Schultz and drummer Michael John “Magma” Henry have no doubt been busy in the intervening years working as high-power lobbyists toward the ultimate goal of marijuana legalization on the federal level in the US — an argument they state efficiently if not clearly in Muleboy‘s rasp on “Free the Weed” — their return to more riff-led weedian proselytizing is notable on its own merits in addition to the influence the band has had largely in their absence on a generation of underground listeners and players who’ve come to prominence in the years since 2005’s Amerijuanican was issued through Relapse Records.

Weedsconsin finds the band aligned with Heavy Psych Sounds, and with production by the late John Hopkins, who passed away in Nov. 2020 following a heart attack, Bongzilla sound utterly unmistakable. Their closest sonic kin have always been Weedeater — they would seem to pay homage with a short interlude that opens side B called simply “The Weedeater” — but the six-song/43-minute run of this collection makes that North Carolinian outfit seem accessible by comparison. Of course, the album arrives some six years after Bongzilla returned to touring, so they’ve had plenty of time work work out material, but the truth is that in 95 percent of cases, the prospect of a new full-length from this band was going to be a no-doubter. What, Bongzilla were going to become math metal? Embrace their inner djent? They’re fucking Bongzilla. The biggest favor they might do their attendant listenership, new and old, is to sound like it, and that’s exactly what they do on Weedsconsin.

The album opens sharp and purposeful with “Sundae Driver.” It’s the shortest inclusion at about four and a half minutes, and it builds a massive wall of lumbering fuzz to set a high tonal standard for the rest of what follows. If the message is to reassure their audience that Bongzilla know what’s expected of them and are ready to deliver, the harsh-lung gutturalism of “Sundae Driver”‘s verse dispenses immediately with all doubt. Atop a chugging riff that opens into a rolling hook, Muleboy earns copious nodules in nothing-too-fancy lines that are made impressive through the excruciating-sounding execution. The great balance of Bongzilla has always been between the stoned and the brutal. “Sundae Driver” calls out both in deceptively clear fashion, and “Free the Weed” follows with a bigger central riff that holds its line out and lets Magma‘s hi-hat hold the procession together until the next round of lurch kicks in. It is pummeling and arguably the highlight of Weedsconsin for how its second half flows into its solo section with the bass and guitar taking their respective whims for a walk, but really, pick your poison. If it’s jams you’re looking for, the best is surely yet to come.

bongzilla

To wit, side A wraps with “Space Rock,” the first of two inclusions on Weedsconsin to top 10 minutes long. Time well spent. A first few minutes lull the listener into hypnotic nod before the full low end weight kicks in circa 2:30 and continues to cycle through until the big slowdown into the stoner softshoe riff about a minute later, all classic swagger as the bed for the verse, echoing and largely indecipherable. They pick up speed, subtly, but ultimately make their way back to the mellower movement and use that as the launch point for a jam that consumes the rest of the song leads the way out of side A, with the 35-second “The Weedeater” following its rumbling end with a slow drum beat, sample and maybe a keyboard of some sort or guitar playing some sparse notes. There’s a hard stop before the subsequent, 15-minute “Earth Bong/Smoked/Mags Bags” arrives, but the two pieces connect just the same, and the three stages of Weedsconsin‘s sprawling exercise in instrumentalist fuckall likewise flow into each other as they inevitably would.

There are tempo shifts throughout — and maybe the coughing 10 minutes in signals a turn to “Mags Bags,” which puts the bass more forward before oozing out its central riff, more stoner than sludge if it even matters by then — but Bongzilla were right to put all this stuff into a single track and just roll it out, because by the time the drums and whatever percussion is included finishes out, they’ve well established they can do whatever the hell they want anyway and still come out on the other end red-eyed but otherwise unscathed. Slow stick-clicks later and the six-minute “Gummies” wraps with more mostly-instrumental plodding — there’s voice there, but it’s buried deep — as the band cap their first album in more than a decade and a half by getting willfully lost in the fog of their own making and inviting their listenership to do largely the same. That’s not to say they’re not following a plan throughout Weedsconsin, but the plan sounds like it was to get high and wander off, letting one heavy riff after the next lead where they will.

If you can think of a more fitting showing for Bongzilla to make than to return with a six-track album and jam out for more than half its runtime, I’d love to hear about it. The fact of the matter is Bongzilla after a quarter-century since their inception know what they’re about, and Weedsconsin is Bongzilla being Bongzilla. I don’t know what various hyperbole has been tossed the album’s way, but its central achievement is that it is Bongzilla. If you know the band, you know what they do, and this is what they do. If you’re new to the band, then consider Weedsconsin your representative start as you head deeper into their catalog. It’s not that they’re not trying anything new here, but the overarching context is so much the band’s own that it is simply inescapable. And that’s the point. You would ask no less of Bongzilla. That’s their standard, and they meet it dead-on, without flinching.

Bongzilla, Weedsconsin (2021)

Bongzilla on Thee Facebooks

Bongzilla on Instagram

Bongzilla on Bandcamp

Bongzilla website

Heavy Psych Sounds on Bandcamp

Heavy Psych Sounds website

Heavy Psych Sounds on Thee Facebooks

Gungeon Records on Bandcamp

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The Obelisk Show on Gimme Metal Playlist: Episode 55

Posted in Radio on March 19th, 2021 by JJ Koczan

the obelisk show banner

I was putting the show together the other day — like everything else in the last two weeks, I had to push off doing so owing to family stuff — and when I was picking tracks, it just kind of occurred to me that I might as well do a whole show of Heavy Psych Sounds stuff. It was like, “Oh, I’ll play Bongzilla and those new Hippie Death Cult and Acid’s Trip tracks,” and then it was “Well I haven’t played any of the new Sonic Flower yet and that’s Tatsu from Church of Misery so that’s cool,” and then from there filling out an entire two hours’ worth of Heavy Psych Sounds stuff was shockingly easy.

New 16, 1782, Cosmic Reaper, Acid Mammoth, on and on, and some other awesome stuff that’s come out in the last couple years, and two hours later, it still only barely scratches the surface of what the Italian label has done. To wit, the catalog reissues from Doze and Nebula and Brant Bjork go unrepresented here. As does the last Yawning Man or the upcoming Yawning Sons, both of which I’ve played recently on the show. But yeah, there’s so much stuff to go through, I simply didn’t have room for it all, especially knowing that I wanted to end with the 19-minute track from Orgöne because that record is so weird and out there even in comparison to other stuff the label does.

I talk a bit here, mostly just to be like, “Duh that was awesome” about one song or another. Despite my verbal bumbling and constant “uh”-ness, I hope you enjoy the show.

Thanks for listening and/or reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 03.19.21

Bongzilla Free the Weed Weedsconsin
Hippie Death Cult Red Meat Tricks Circle of Days
Acid’s Trip Faster, Chopper, Boogie! Strings of Soul
Sonic Flower Super Witch Rides Again
16 Death on Repeat Doom Sessions Vol. 3
VT
Black Rainbows Sacred Graal Cosmic Ritual Supertrip
Fatso Jetson Flesh Trap Blues Split with Farflung
Ecstatic Vision Grasping the Void For the Masses
Acid Mammoth Ivory Towers Caravan
Crypt Trip Hard Times Haze County
VT
Big Scenic Nowhere Tragic Motion Lines Vision Beyond Horizon
High Reeper Bring the Dead Higher Reeper
The Pilgrim Waiting for the Sun …From the Earth to the Sky and Back
Geezer Black Owl Groovy
Cosmic Reaper Hellion Cosmic Reaper
1782 The Chosen One From the Graveyard
VT
Orgöne Erstes Ritual Mos/Fet

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 2 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Bongzilla Stream “Sundae Driver”; Weedsconsin Preorders Available

Posted in Whathaveyou on February 3rd, 2021 by JJ Koczan

Well, the cover art certainly gets the point across, and I don’t think Bongzilla were likely to be accused of subtlety anyhow. April 20 — of course — is the release date for Weedsconsin, and preorders are up not through Heavy Psych Sounds. The opening track, “Sundae Driver,” was previously available as a live-room jam, and can now be streamed in its studio version, which somehow feels even crustier. Stoned stays stoned.

You’re not going to listen to “Sundae Driver” and think it’s some other band, let’s put it that way. I’m kind of curious to hear “The Weedeater,” since there’s a decent chance it’s about the band Weedeater, but even if not, whatever. I’ll take it either way. New Bongzilla. Riffs and such.

From the PR wire:

bongzilla weedsconsin

BONGZILLA release new single “Sundae Driver”; ‘Weedsconsin’ out 4/20 and available to preorder on Heavy Psych Sounds!

Midwest’s sludge behemoths and all-time weed metal pioneers BONGZILLA unleash their brand new single “Sundae Driver” exclusively on Decibel Magazine today! The song is taken from their forthcoming fifth album ‘Weedsconsin’, due out April 20th and available to preorder now through Heavy Psych Sounds.

Featuring a three-piece lineup of all original members—bassist/vocalist Muleboy, guitarist Spanky and drummer Magma— “Sundae Driver” delivers the kind of hazy, heavy-as-hell doom that BONGZILLA earned their reputation peddling. The riffs on “Sundae Driver” are low and slow, sounding like they originate in a smoke-filled room; paired with a flattening rhythm section, the instruments create the ideal backdrop for Muleboy’s throat-shredding, smoke-destroyed vocals.

On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken. World pioneers of Weed Metal BONGZILLA return with their new full-length album, sixteen years after their last record ‘Amerijuanican’. Over the span of ‘Weedsconsin’ six tracks, Bongzilla delivers heavy doses of crushing stoner doom and psychedelic space rock that sets it apart from earlier material.

This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band’s first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three-piece has created more space musically and allowed the band to showcase their musicianship in a different way, resulting in a sound that is very heavy, along the lines of ‘Gateway’ tone-wise, but sonically clearer.

‘Weedsconsin’ was written by Muleboy (bass, vocals), Spanky (guitar), and Magma (drums) and recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. It was mastered by Carl Saff at Saff Mastering in Chicago, Illinois, with an artwork design by Eli Quinn. It will be released on April 20th, 2021 on various limited edition vinyls, black vinyl, CD and digital.

BONGZILLA New album ‘Weedsconsin’
Out April 20th on Heavy Psych Sounds
PREORDER: https://www.heavypsychsounds.com/shop.htm#HPS160

TRACKLIST:
1. Sundae Driver
2. Free the Weed
3. Space Rock
4. The Weedeater
5. Earth Bong, Smoked, Mags Bags
6. Gummies

Bongzilla are:
Mule Boy – Bass / Vocals
Spanky – Guitar
Magma – Drums

https://www.facebook.com/Bongzilla/
https://www.instagram.com/bongzillaband
https://bongzilla.bandcamp.com/
https://bongzilla666.com/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

Bongzilla, “Sundae Driver”

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Bongzilla Sign to Heavy Psych Sounds

Posted in Whathaveyou on January 21st, 2021 by JJ Koczan

Wisconsin weedian institution Bongzilla have signed to Heavy Psych Sounds to release their awaited Weedsconsin LP. If that feels somewhat momentous, I think that’s justified. Though Bongzilla have been reunited for over a half-decade at this point, they haven’t had a new studio album since Relapse put out Amerijuanican in 2005. Some 16 years between records is not insignificant. To those wondering what Bongzilla might sound like circa 2021 — my guess is they fucking sound like Bongzilla. Weed, sludge, supreme.

Weedsconsin was recorded by John Hopkins, also known for his front-of-house work for SleepUncle AcidHigh on Fire and scores of others, who passed away just weeks after finishing the sessions. The band has overseen numerous reissues and other works through their own Crash Assailant Records and the ever-righteous Totem Cat Records, but in signing to Heavy Psych Sounds, they not only herald the new album, but link up with European booking as well, which — should touring ever become a thing again — will surely see them once again hitting the international market. The more the merrier.

The PR wire makes it official:

Bongzilla-signing

Bongzilla – Weedsconsin

We’re incredibly stoked and honored to announce that Cannabeasts BONGZILLA are now members of the HPS family !!

The Wisconsin Doom-Sludge legends singed to HPS Records for the new album called “WEEDSCONSIN” – 16 years since their last record !!!

BONGZILLA is also now part of the Heavy Psych Sounds Booking roster for Europe !!

We are ready to bring the band all over the best spots on our territory !!

NEW ALBUM PRESALE + FIRST TRACK PREMIERE and more surprises STARTS:
FEBRUARY 2nd at 16.00 CET

Mule Boy Quote: “I’m high! I’m Heavy Psyched on the Sounds! I’m Heavy Psyched on signing to HPS! Weedsconsin coming very soon! The Cannabeast has awoken! Stay Safe! Stay High!”

Bongzilla are:
Mule Boy – Bass / Vocals
Spanky – Guitar
Magma – Drums

https://www.facebook.com/Bongzilla/
https://www.instagram.com/bongzillaband
https://bongzilla.bandcamp.com/
https://bongzilla666.com/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

Bongzilla, “Sundae Driver” live rehearsal

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Bongzilla Post Lyrics for New Album Currently Being Recorded

Posted in Whathaveyou on November 3rd, 2020 by JJ Koczan

It does not matter your perspective on politics or social issues. Even if you’re someone who stays out of that particular fray, keeps your head down to the best of your ability and just tries to get through one day and into the next, there’s no question that doing so this year and in this moment is harder and more stressful than it was, say, in 2019 at this time. That’s as blanket a statement as I can make, and whether or not you believe in math, the numbers bear that out. “Everybody had a hard year,” said John Lennon.

Fine. You see where this is going. Wisconsin weed-sludge institution Bongzilla are currently in the studio recording their next LP — reportedly a double-album, maybe and hopefully called Weedsconsin — and their first in some terrifying amount of years and they’ve posted the lyrics for it. And much as one might seek and/or find some measure of momentary escape in smoke or edibles or whatever it is the kids do these days with their super-weed, I find too I’m able to put a modicum of distance between myself and the day’s anxious air just by reading the lyrics to “Sundae Driver” or “Earth Bong” or, indeed, “Weedsconsin.” The band posted the full markerboard on social media and have a couple quick studio updates to coincide. I’ve gathered and posted them below, in case they might also help you roll out your own brief escapism. Or whatever.

Incidentally, legal weed is on the ballot in my beloved home state of NJ today, and as someone who was arrested at the age of 18 for possession, I happily voted in favor. I doubt I’d be able to afford any at this point in my life, but it’s nice to think some other kids might not get screwed over by cops in that specific fashion, however else they still might.

Free the weed, and so on:

bongzilla lyrics

BONGZILLA STUDIO UPDATES:

Oct. 27 – Back in the studio! Home for the next week is Future Apple Tree Studios in Rock Island IL. Thank you to Jason Parris for loaning us the furnaces and 74 Slingerland kit for this session. Gt120mv and a od120. Full length coming soon brothers and sisters.

Oct. 30 – Vocals are done!! On to Spanky’s Geetar over dabs!!

Bongzilla are:
Mike “Muleboy” Makela – Guitar/Vocals
Jeff “Spanky” Schultz – Guitar
Cooter Brown – Bass
Mike “Magma” Henry – Drums

https://www.facebook.com/Bongzilla/
https://www.instagram.com/bongzillaband
https://bongzilla.bandcamp.com/
https://bongzilla666.com/
https://crawlspacebooking.com/

Bongzilla, “Sundae Driver” live rehearsal

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Descendants of Crom IV Lineup Announced: Bongzilla, Evoken, Ruby the Hatchet, Orodruin & More Confirmed

Posted in Whathaveyou on March 1st, 2020 by JJ Koczan

descendants of crom iv logo

The annual Descendants of Crom in Pittsburgh has become a reliable assemblage of heavy, with a lineup diverse in sound woven together by a consistent quality of taste that unites across styles. For evidence of the ongoing nature of this phenomenon, look no further than the first two names on the poster of Descendants of Crom IV — Bongzilla and Ruby the Hatchet. The former, a recongealed stoner-sludge exercise in Midwestern working-class bomber crust, and the latter, a more urbane newschool-via-oldschool heavy rock outfit laced with keys and nigh-on-glam melodicism.

Those differences are stark, but I’ll be damned if both don’t fit well at the top of the bill here, which includes plenty of shouldn’t-be-missed names in the likes of OrodruinValley of the Sun, Heavy TempleRebreatherPale DivineHorehoundCavern, on and on. I guess I could probably just run down the whole list at that point. It’s a good fest, and more even than last year, you begin to see the sense of curation and the personality of the festival emerge in its blend of styles. It’s not just about more, more, more, in an overwhelming onslaught of bands, but about what each specifically brings to the lineup as a whole. Kudos, as ever, to Shy Kennedy and her crew on a job on its way to being well done.

Here’s the announcement:

descendants of crom iv poster

DESCENDANTS OF CROM IV – A GATHERING OF THE HEAVY UNDERGROUND

FRIDAY, OCTOBER 2nd & SATURDAY, OCTOBER 3rd

CATTIVO NIGHTCLUB – ­­­PITTSBURGH, PA, USA

The fourth annual Descendants of Crom will be held this year again in Pittsburgh on both floors of Cattivo Nightclub. The events begin early Friday evening and are followed by a Saturday all-dayer.

The underground scene of heavy rock and metal here is healthy and thriving and we’re feeding great regional bands to a hungry crowd and utilizing legendary, international fan-favorites to entice music fans in the door with the support of our amazing local artists. Descendants of Crom was planted in 2017 as a little black seed and has been growing and strong contender among other established annual music festivals. We aspire to become the premier music event of the Northeast and invite you to become part of the 2020 event. After all, we are all Descendants of Crom!

This year’s DESCENDANTS are:

Bongzilla, Ruby the Hatchet, Black Tusk, Valley of the Sun, Evoken, Orodruin, Rebreather, Horseburner, Heavy Temple, Horehound, Cavern, Pale Divine, Howling Giant, Ironflame, Cruces, God Root, Zom, The Long Hunt, Makeshift Urn, and We, the Creature.

Schedule and tickets will be on sale Friday, March 6th for single-day as well as two-day passes.

We’re looking for sponsors, vendors, and any entity that supports the heavy underground and all things psych, stoner, doom, sludge, and occult to reach out and be a part of our event and community.

Additionally, in anticipation for this year’s Descendants of Crom, there will be a DOC showcase held at Cattivo on Saturday, March 21st featuring bands that have all been part of the Descendants of Crom history. Urns, The Long Hunt, Horehound, Horesburner (WV), and Ironflame. This showcase is a taster of what sort of musicianship and energy that DOC brings to the stages.

Rritual event page: https://www.facebook.com/events/509381869977026/

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/437759083832580/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Ruby the Hatchet, Live in Atlanta, GA, Dec. 5, 2019

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Desertfest NYC 2020 Makes First Lineup Announcement with Corrosion of Conformity, Conan, Stoned Jesus and More

Posted in Whathaveyou on February 3rd, 2020 by JJ Koczan

Desertfest New York 2020 has made its first lineup announcement, with Corrosion of Conformity, Stoned Jesus, Bongzilla, Dead Meadow, Conan, Crypt Trip, Yatra, Toke, Leather Lung, R.I.P., Huntsmen, High Reeper and The Atomic Bitchwax confirmed. That’s a first North American appearance for Stoned Jesus, and I’ll be honest, I was gonna show up anyway after being there for the inaugural Desertfest NYC this past Spring, but even if I wasn’t, that would be enough to get me on board. Throwing in C.O.C.Dead MeadowConan and The Atomic Bitchwax, along with Bongzilla and, well, everybody, is a righteous bonus. One way or another, you got me early with this one, Desertfest. The calendar was marked. I’ll mark it again just to be safe.

Early-bird tickets are gone, but regular-type tickets are on sale now.

Just off the PR wire:

DESERTFEST NEW YORK REVEALS FIRST ACTS FOR 2ND EDITION TAKING PLACE SEPTEMBER 2020

DESERTFEST NYC 2020 11th – 13th September 2020 | Brooklyn, NY, USA

– TICKETS NOW ON SALE –
http://www.desertfest.nyc

Desetrfest returns to Brooklyn in September 2020, after a wildly successful first edition in April 2019 the globally renowned stoner and doom event solidifies its position in the U.S.A. Adding an additional day at Bushwick venue, The Well from Friday 11th – Sunday 13th September, whilst moving its already cult status pre-party at Saint Vitus Bar to Thursday night. Early-birds have sold out already, but regular 3-day & 4-day passes are now on sale, as the first 13 bands are announced for the second celebration of underground heavy music.

Desertfest NYC is pleased to welcome genre defining legends CORROSION OF CONFORMITY to proceedings, the masters of Southern boogie will bring their signature stomp and impeccable live show to The Well in September 2020. After the recent loss of founding member Reed Mullin, we can’t wait to show C.O.C some serious Desertfest love.

Joining C.O.C across the weekend will be psychedelic stoners DEAD MEADOW, dreamy trips into a galaxy of guitar laden fuzz and the melodic drawl of frontman Jason Simon puts the band in a league of their own when it comes to genre-bending rock’n’roll.
Making the trip from further afield we are pleased to welcome long-time friends of the Desertfest clan, Liverpool’s most revered doom band of the modern age, the battle-hammer of CONAN will make a mighty blow upon New York with the uttermost ferocity. Britain seems like the town next door compared to the distant lands of Ukraine, where STONED JESUS will make the pilgrimage for their long-awaited American debut at DF NYC. Heavily regarded as one of the leading bands in the stoner/doom scene in Eastern Europe, the bands defiant anthem ‘I’m the Mountain’ is close to perfection in eyes, and ears, across the globe.

After their unfortunate tour cancellation in 2019, we are pleased to welcome back riff-centric power trio THE ATOMIC BITCHWAX for a high octane set of thunder-boogie. Some of our favourite people to get loose with, Wisconsin premier party-starters BONGZILLA will fire off a sativa induced bacchanal of sludge. Street-walkin’ sleaze demons R.I.P have honed a sound, look and attitude that is entirely their own and will make no apologies or explanations for how utterly crushing it is. Whatever’s in the water in North Carolina seems to cultivate some of our favourite sounds and you’re damn right in thinking that includes TOKE, old-school 70’s worship comes in the form of doom metal quartet HIGH REEPER – a band who repeatedly turn our heads with their unique take on breaking new ground. Speaking of new ground, Americana doom pioneers HUNTSMEN have grabbed our attention with their fresh take on metal, an exceptional blend of Springsteen-equse melodies with crushing heaviness makes an otherworldly combo. Finally, to round off this excellent first reveal, we’re pleased to play host to the superb, CRYPT TRIP, YATRA and LEATHER LUNG.

3-day passes (The Well only) and 4-day passes which includes access to the pre-party at Saint Vitus, are on sale NOW via THIS LINK

https://facebook.com/events/2433172340128497
https://www.ticketweb.com/event/desertfest-nyc-2020-the-well-tickets/10315455
https://facebook.com/Desertfestnyc/
https://www.instagram.com/desertfest_nyc/
http://www.desertfest.nyc/

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Bongzilla Reissuing Apogee on Vinyl Through New Label

Posted in Whathaveyou on January 22nd, 2020 by JJ Koczan

Wisconsin-based masters of the stoner crust riff Bongzilla announce they’re reissuing 2001’s Apogee on vinyl through their newly-formed label. The album has been remastered by Adam Gonsalves at Telegraph Mastering and features revamped artwork based on the original cover’s theme by gERM?. Info is pretty sparse on the label end at this point, but Crash Assailant Records and Flail Records are handling distribution and orders are being taken now.

Among Bongzilla‘s discography, it’s fair to consider Apogee a classic for “H.P. Keefmaker” alone, never mind “Grim Reefer” or the live tracks. The nastiness of Bongzilla‘s scorched-lung approach is on full display, to be sure, and as they celebrate the release with a slew of tour dates in March — there may be more in addition to what you see below; that’s around SXSW time, so keep an eye out — and herald an upcoming appearance at Muddy Roots this summer in Tennessee, a new visit to Apogee‘s weedian fields could hardly be more suitable. I don’t care how stoned you think you are. You ain’t more stoned than Bongzilla.

Art, info, links, and exclamation points came down the PR wire:

bongzilla apogee

Bongzilla – Apogee – Repress

For the first time in about 20 Years Apogee will be released on Vinyl!!! Remastered!!! New Album Art!!! Available now for pre-order in Clear, Opaque Green, Purple Kush, and Black Vinyl!!!

https://crashassailantrecords.com/product/bongzilla-apogee/

The members of Bongzilla are putting this one out independently as they start their own label. More to come about that soon! New Artwork by gERM?! Cascade Record Pressing is handling the pressing!!! Adam at Telegraph Mastering did the Mastering!!! And Crash Assailant Records and Flail Records are helping with the distribution!!!

BONGZILLA Live:
– Minneapolis!!! March 11th!!! Bongzilla w/ Lord Dying at First Avenue & 7th St Entry!!!
– Milwaukee!!! March 13th at Walker’s Point Music Hall!!! Bongzilla w/ Gravedirt and Cold Black River!!!
– Bongzilla in Omaha, NE!!! March 16th at Lookout Lounge!!!
– Bongzilla in St Louis on St Paddy’s!!! March 17th at Red Flag!!!
– March 18th!!! Bongzilla at the The Riot Room in Kansas City!!!
– March 20th!!! Houston, TX!!! Bongzilla at Secret Group!!!
– Bongzilla will be blazing up at Muddy Roots Music Festival 2020

Bongzilla are:
Mike “Muleboy” Makela – Guitar/Vocals
Jeff “Spanky” Schultz – Guitar
Cooter Brown – Bass
Mike “Magma” Henry – Drums

https://www.facebook.com/Bongzilla/
https://www.instagram.com/bongzillaband
https://bongzilla.bandcamp.com/
https://crawlspacebooking.com/

Bongzilla, Apogee (2001)

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