Stoned Jesus Enter the Studio; “Bright Like the Morning” Acoustic Video Posted

Posted in Bootleg Theater on July 13th, 2021 by JJ Koczan

stoned jesus

Kyiv heavy forerunners Stoned Jesus have, as of today, begun the recording process for their next full-length. What’s being billed thus far only as the hashtag #stjvth will serve as the follow-up to 2019’s Pilgrims (review here), and likely not see release until sometime in the first half of 2022. It could be May, folks. It could be September for all I know, but assuming everything goes to plan, who doesn’t enjoy a bit of Stoned Jesus in Springtime?

The trio played all of one show last year, but to look at their upcoming schedule they’re clearly looking to make up for lost time. It saddens me — sincerely, I mean this — that I’ve never seen the band live. They were confirmed for Desertfest New York 2020, and, well, poof went that idea. They’re on fest bills now in their native Ukraine as well as Switzerland, which is certainly a start, Will the new Stoned Jesus record be done by the time those take place? Certainly stranger things have happened.

Two videos have been posted — one from each set — from the aforementioned 2020 gig. The plugged-in “Apathy” and “Bright Like the Morning” from their acoustic set, which just came out. Originally featured on 2012’s Seven Thunders Roar (review here), the song should be readily familiar to anyone who’s dug into that record owing to its bending the algorithms that rule our lives and listening habits to its will over the last nine years. Someone had to do it, we’re just lucky Stoned Jesus don’t suck.

And that latter point is a big part of why I’m looking forward to their next album. Bet it doesn’t sound like the last one, but also bet it’s still cool. Adventures in songwriting with Igor & Co.

Enjoy the clip:

Stoned Jesus, “Bright Like the Morning” acoustic live 2020

Igor Sidorenko on “Bright Like the Morning”:

“We’ve always been very skeptical about bands doing unplugged versions of their tracks, but the funny thing with like 80% of StJ numbers is that I actually wrote them on the acoustic guitar and they are SONGS! So playing a handful of them last year in stripped down variant felt really natural and lotta fun. This particular “Bright Like the Morning” is currently our favorite version of the track!”

Acoustics September 1, Kyiv Tickets:

Filmed by
Aleksandr Sinkin
Dmytro Burko
Sergii Burko

Edited by
Sergii Sliusar

Thanks to
Eugene Kibets and HMG
Vlad Lyashenko and InshaMuzyka

Support us on Patreon:

Summer 2021 Festivals:
30.07 – Faine Misto (Ternopil, UA)
8.08 – PALP festival (Switzerland)
14.08 – tba, UA
28-29.08 – ????? Family (Kharkiv, UA)

Stoned Jesus is:
Igor Sydorenko – Vocals & Guitars
Serhij Sljussar – Bass
Dmytro Zinchenko – Drums

Stoned Jesus, “Apathy” live 2020

Stoned Jesus store

Stoned Jesus on Twitter

Stoned Jesus on Facebook

Stoned Jesus on Instagram

Napalm Records website

Napalm Records on Facebook

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The Obelisk Show on Gimme Metal Playlist: Episode 59

Posted in Radio on May 14th, 2021 by JJ Koczan

the obelisk show banner

Don’t tell anyone — or better yet, do! — but this show turned out pretty solid. I kind of put it together following a couple whims, things I’ve wanted to put in my own head, plus some of the recent Bandcamp Friday stuff — hello Spaceslug and Geezer — and things I’ve covered here recently in Tuna de Tierra and Worshipper and Carlton Melton, etc. Then I just wanted to hear the Shogun and LáGoon tracks for myself, and I’ve been meaning to cover that White Powder record more for weeks, and then I started thinking about songs that have “mountain” in the title and decided to do a whole block of those just for the hell of it, so that’s where we wound up. Mountain climbing.

But in addition to starting off with the maddeningly catchy “It’s Already Written” by Tau and the Drones of Praise — whose Roadburn Redux stream was posted here first thing this week — this one makes a few cool turns and flows and kind of breaks up nicely from one thing to the next, even as “Mountain” gets into “Mountain” into “Longing to Be the Mountain” and “Holy Mountain” and “I’m the Mountain.” This is the sort of thing I think is fun. That’s me. That’s who I am.

Anyway, thanks for listening and/or reading. As always, I hope you enjoy.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at

Full playlist:

The Obelisk Show – 05.14.21

Tau and the Drones of Praise It’s Already Written Tau and the Drones of Praise
Carlton Melton Waylay Where This Leads
Spaceslug The Event Horizon The Event Horizon
Worshipper Pictures of Home VA – Bow to Your Masters Vol. 2: Deep Purple
LáGoon Hill Bomb Skullactic Visions
White Powder Rula Jabreal Blue Dream
Shogun Delta Tetra
Tuna de Tierra Mountain Tuna de Tierra
Colour Haze Mountain Colour Haze
King Buffalo Longing to Be the Mountain Longing to Be the Mountain
Sleep Holy Mountain Sleep’s Holy Mountain
Stoned Jesus I’m the Mountain Seven Thunders Roar
Geezer Solstice Solstice

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 28 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Video Interview: Igor Sidorenko of Stoned Jesus

Posted in Bootleg Theater, Features on December 18th, 2020 by JJ Koczan

stoned jesus

Last month, Stoned Jesus played. On a stage. With people there. Some people, anyway. The show, held in their hometown of Kyiv, Ukraine, was of course set up for social distancing, and in addition to that new territory, it also marked the first time the three-piece of guitarist/vocalist Igor Sidorenko, Serhij Sljussar and drummer Dmytro Zinchenko performed acoustically. It was reportedly taped for posterity and videos will likely surface at some point later or sooner. As it is, the photos the band has posted on social media make it look all the more like the special night it must’ve been.

Count Stoned Jesus among the multitudes with ‘best laid plans’ for 2020. Among other tours they had in the works for Europe, South America, etc., they were to have made their US debut at the second Desertfest New York and tour around that — an initial incursion to American soil that would have only furthered their status as one of Europe’s leading purveyors of heavy rock. Instead, a live stream of a show at Green Theatre from 2019, pro-shot, pro-audio, pro-edit, was aired for fans missing seeing them on stage — or those like myself, who’ve yet to be so fortunate — and unlike other come-and-gone livestreams, the band and Napalm Records have been kind enough to keep it available for the public. I’ve included it here, if only because it’s worth watching.

It’s hard to do interviews these days and not talk about what could’ve been in an alternate reality 2020, but Sidorenko is a personable cat. In addition to the November show and the livestream, he chatted about songwriting, the deeply personal relationship he has to the songs on the band’s most recent LP, 2018’s Pilgrims (review here), the enduring legacy of 2012’s Seven Thunders Roar (review here), the reissue of their debut album, 2010’s First Communion (complete with product placement!), his love of Elephant Tree‘s latest record and much more. Of special note is the section where he discusses the direction of the next Stoned Jesus full-length, for which writing is in progress, and the idea of songwriting as an end unto itself in a multimedia-driven age. Also his foray into stand-up, at which one imagines he’s quite good.

It was a fun conversation. I hope you enjoy it. Thanks for reading and watching:

Stoned Jesus Interview with Igor Sidorenko, Dec. 11, 2020

Stoned JesusPilgrims and the reissue of First Communion are out now and you can still watch the Green Theatre live show below.

Stoned Jesus, Live at Green Theatre

Stoned Jesus on Twitter

Stoned Jesus on Thee Facebooks

Stoned Jesus on Instagram

Napalm Records website

Napalm Records on Thee Facebooks

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Stoned Jesus to Reissue First Communion Aug. 21

Posted in Whathaveyou on June 11th, 2020 by JJ Koczan

stoned jesus (photo by Yuriy Milchak)

This reissue of Stoned Jesus‘ 2010 debut album, First Communion (discussed here) follows on the heels of Napalm Records compiling their demos onto last year’s From the Outer Space release, as well of course as their fourth long-player, 2018’s Pilgrims (review here). The band canceled tour dates earlier this year celebrating the 10th anniversary of the album and their existence more generally, and that’s a bummer if a universal one, but at least the record’s getting back out there. When I heard it in 2011 the Sleep vibe hit me heavy, but I wasn’t complaining about it then and I’m not complaining about it now either. These cats have always known how to make an impression.

I’m a little wistful here because I was hoping to see them for the first time in the US at Desertfest NYC in September and that’s been called off, but so it goes. “Life sucks and then you die,” as my dear mother used to tell me.

On that note, to the PR wire:

stoned jesus first communion reissue

STONED JESUS to Re-Release Groundbreaking Debut Album First Communion on August 21, 2020 via Napalm Records!

STONED JESUS’ electrifying re-release of First Communion on CD and vinyl (incl. new bonus track)!

In celebration of the 10th anniversary of their trailblazing debut album, stoner prog visionaries STONED JESUS are turning back the clocks and re-releasing their stoner doom offering, First Communion, on August 21st via Napalm Records.

Four hard hitting, sludgy originals are enriched with an unreleased demo version of “Red Wine”, presenting a heavy blend of uncompromising rawness and previously unheard nuances. Tracks such as “Black Woods”, with over four million of hits on YouTube, mark their peerless standing in the scene. With First Communion, STONED JESUS lays the raw cornerstone for their unmistakable signature style, melting barriers across genre boundaries in its wake.

Pre-Order your version of First Communion HERE

First Communion tracklist:
1. Occult
2. Black Woods
3. Red Wine
4. Falling Apart
5. Red Wine (Demo Version)

First Communion will be available in the following formats:**
– CD
– 1 LP Gatefold Black
– 1 LP Gatefold Purple (Napalm Records Shop / limited to 100 / EU only)
**See the North American Napalm Mailorder Webstore for more merch bundles!

Stoned Jesus is:
Igor Sydorenko – Vocals & Guitars
Serhij Sljussar – Bass
Dmytro Zinchenko – Drums

Stoned Jesus, First Communion (2011)

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Friday Full-Length: Voida, Colour Me Darkness

Posted in Bootleg Theater on April 24th, 2020 by JJ Koczan


I’ll readily admit that I had never heard Voida‘s Colour Me Darkness until yesterday. That was kind of the point. On thee social medias, I put out a request for something mellow with which to end the week. I wasn’t feeling anything too aggro, more subdued, and there were some really cool suggestions that came back. This one came courtesy of Igor Sidorenko of Kyiv-based Stoned Jesus and I followed the link immediately because, well, when The Mountain speaks, you listen. So I listened. It wasn’t until I actually looked at the Bandcamp though that I realized Voida was his own project — respect the hustle — with contributions of mellotron/organ from Alexey Klabukov of Vespero and some added sax from bnk of Selma. Right on. Igor also warned, via GIF, that it was depressing, and fair enough. While second cut “Erased” opens up to flourish of mellotron melody and is one of the three out of total six tracks that features drums, the roots of Voida are very much in acoustic songwriting, and there are plenty of moments — the opening of “No Sanctuary for the Sinking Ship,” and, to an extent, the opening title-cut — that hinge on guitar-and-voice minimalism.

At the same time, Colour Me Darkness, in that same “No Sanctuary for the Sinking Ship” no less, also explores a particularly Floydian melancholia, giving the entire affair a more contemplative feel. Sidorenko weaves in a sense of structure throughout. “Colour Me Darkness” establishes its hook in its verses and there’s a sense of drama thanks to the mellotron that gives a sense of build to “Erased,” even as the song takes on a full-band vibe, with bass and drums layered in beneath the electric guitar solo that, while not scorching, still provides a tie to Sidorenko‘s work in his main outfit. Still, some of the stylistic difference is part of what makes Colour Me Darkness engaging, particularly as a first/second/third listen, etc. The emotive crux of “The Last Date” serves as an example of something that, in a form that was outwardly heavier in tone, would be nearly impossible. Surrounded by his own acoustic strum and Klabukov‘s flowing keys, Sidorenko‘s voice lets loose in a way that weighted distortion would simply swallow up, and the backdrop enhances the sincerity of the lyrics. That song caps with backward guitar transitioning into “The First Snow,” and the connection is purposeful as the two songs comprise the ‘Disintegration Duology.’ It’s no stretch to hear a lonely spirit in a recording of solo voice and acoustic guitar, but the rougher edge in Sidorenko‘s voice, the way he reaches for some of the notes, Voida Colour Me Darknessthe dryness (that is, sans-reverb) of the vocal recording — all of this feeds into a central idea of organic expression that, once again, is the root from which Colour Me Darkness stems.

And it does stem. “Erased” gave some tease, but Voida‘s drums return on both “The First Snow” and 14-minute closer “Poison in the Wells.” The penultimate track shifts into tambourine-laced psych-folk, with sitar-esque guitar drone and all, before its quiet conclusion rounds out the duology and, one assumes, the disintegration, with a sense more of acceptance than misery. Meanwhile, the finale is essentially an album unto itself, as its runtime spans not just a significant portion of Colour Me Darkness‘ 44-minute stretch, but it moves from hypnotic and moody Scott Kelly-style strum-and-woe into multi-layered vocals on a linear path that eventually takes it into a launch at 7:25 that puts it in atmospheric territory not unlike Paradise Lost or even Judgement-era Anathema in a spacious, progressive and surprising finish. Mellotron returns, the drums and bass march out in dirge fashion, and yes, there’s still an acoustic guitar at the base of it that’s the last thing to go, plucking the notes that started the song off on its encompassing path, but so much is put forth in “Poison in the Wells” that it’s easy to gloss over such subtleties in the wake of what’s just passed. Such is all the more fodder for repeat listens.

Voida issued a series of four seasonally-named EPs between 2010 and 2014, but Colour Me Darkness, which came out in 2011, was the project’s lone full-length, and since 2014’s Autumn EP, it would appear to have been put to rest. Perhaps that’s due to the shifting priorities of Sidorenko himself, with Stoned Jesus hitting the road ever harder after releasing their second album, 2012’s Seven Thunders Roar (review here), resulting in an even busier schedule for 2015’s The Harvest (review here) and their eventual pickup by Napalm Records ahead of 2018’s Pilgrims (review here), their ascent fueled not only by the hit-the-algorithm internet word of mouth, but through their own continued efforts in terms of touring and progressing in terms of sound. Last year, Stoned Jesus began to mark their 10th anniversary with a series of tours, dividing Europe into different territories and covering them one by one. Their first US appearance is currently still slated for Desertfest New York in Sept. 2020, but like everythig else in New York, it is a question as to whether or not this will take place.

Either way, the point here was that I wanted to hear something new to me, and here was a solo-project by someone whose work I’ve respected for the better part of a decade — Stoned Jesus made their debut in 2010 with First Communion, which I picked up in 2011 and dug — that I’d never heard. These are hard times. I know that. We all know it. Human beings aren’t made to sit still. We’re made to go, even if it’s just from one place to another to serve our capitalist overlords. But while we’re forced to stop that process, it’s important to remember that there are still ways to encounter new things, new ideas, both that are coming out now and that we might have missed. People are still making art, and people still have made art forever, and I don’t care who you are, there’s no way you’ve seen it all. If we’re all stuck, at least we can unstick our minds a little, and maybe when the plague lockdown is over, we’ll all come out a little better for it.

As always, I hope you enjoy. Thanks for reading.

Week’s over, right? Next week, I intend to wrap up the Days of Rona series. Last posts. It’s starting to feel like data-entry on my part and that’s a bit of a drag. Not really what my day needs. Plus I was kind of disappointed at the lack of response from women or anyone who wasn’t a dude with a beard, but I guess that’s heavy rock at this point. So it goes.

I asked The Patient Mrs. if she wanted to do one. I don’t know if she’s going to or not. She’s pretty busy these days.

Beyond that, Monday I’m reviewing the Elder record, Tuesday I’m reviewing High Priestess (finally!) and there are some other premieres set for this and that along the way too. Cool stuff to come.

Regular news is also starting to trickle in again, which is good. I wouldn’t say it’s “back to normal,” as far as that standard goes — not a lot of tour announcements — but there are things to talk about that aren’t directly related to COVID-19, and, if nothing else, I could use a break. If we all wind up in lockdown until June or July, August, October, three years from now, whenever, I reserve the right to start the series back up.

It’ll probably be all the same people answering. Ha. At least I’ll have pics to go with.

I noted such on Thee Facebooks, but today’s probably the busiest release day 2020 has seen, with new stuff from Elephant Tree, Elder, Wight, 1000mods, Soldati, King Witch, Gaffa Ghandi, Lord Fowl and a ton of others out. Obviously no one knew there’d be a pandemic on when they were doing their scheduling, so whatever you can do to support these people vis a vis buying records, it’s something you might consider doing. Because more art.

Have a great and safe weekend. Thanks again for reading.


The Obelisk Forum

The Obelisk Radio

The Obelisk merch

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Days of Rona: Igor Sidorenko of Stoned Jesus

Posted in Features on April 8th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

stoned jesus igor sidorenko

Days of Rona: Igor Sidorenko from Stoned Jesus (Kyiv, Ukraine)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Hey, Igor’s here! Thanks, we’re all in good health for now. The main problem logistics-wise is that our drummer Dima lives in Kharkiv, which is like 400 miles away from Kyiv, where the rest of the band is located (me and Sergii). We haven’t seen each other in person for months. So basically I’m sending new-song ideas to the guys and then we discuss those online -– long live the internet, amirite? We’ve already lost some money on the postponed March tour flights and other stuff. We should’ve had FIVE more legs of our Xth Anniversary Tour this year — including US and Canada for the first time ever and South America for the first time in three years. Then there was studio time booked for fifth LP’s recording sessions… now we’re splitting this money to make it at least till summer. What’s next –- no one knows.

What are the quarantine/isolation rules where you are?

Not strict enough, unfortunately. I mean, thankfully the authorities closed all public places like cinemas and cafes, ordered to close most businesses and set some limitations for food stores and public transportation, but the main problem is the regular people. I’m watching them from my window just hanging around like nothing is wrong, and this is driving me mad. For them quarantine means extra vacation, that’s it. STAY INDOORS YOU HACKS!

How have you seen the virus affecting the community around you and in music?

Well, literally 90 percent of everyone I know are in music industry in one way or another, so yeah, every social media feed I follow is filled with people talking about losing their jobs/not being able to rehearse/not being able to tour, etc. Honestly, I think when this thing is over like two-thirds of artists/bands we all know and love won’t be able to bounce back from it. No one understands yet what kind of job a former musician/roadie/tour manager will be able to find in this new terrifying post-covid-19 world, but one thing is certain –- at the end of the day we all need bread on the table. If this means putting your music project on hold in order to concentrate on your day job, so be it. And I’m afraid this is the future for many of us.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Glad you asked! I’m starting my Patreon channel – – to help StJ survive. As far as I’m concerned this thing [Patreon] is not very popular within doom/stoner/psych-community but this is literally the only way for us to get through this all. Of course I understand there are billions of way more essential things money could buy, and money will be tight for all of us this year. But hey, if you feel like helping –- please join! Also don’t forget to wash your hands and please stay home!!!

(Photo above by Yuri Milchak)

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Stoned Jesus Postpone March Tour Owing to Coronavirus

Posted in Whathaveyou on March 10th, 2020 by JJ Koczan

Ukrainian heavyweights Stoned Jesus have pulled the plug on a round of tour dates originally announced about a month ago that would have been part of their ongoing 10th anniversary celebration. On the scale of reasons to cancel a tour, surely “looming plague” has to be somewhere on the side of, “yeah that’s reasonable,” and should the response to COVID-19 continue to be so inept, one suspects this won’t be the last tour to get the axe. Hard to hit the road when you’re under quarantine. Schools are closing, colleges putting classes online — they shitbagged SXSW, for crying out loud! — part of me doesn’t know if this thing is real or a goof and part of me is suddenly thankful I already keep an apocalypse-ready amount of toilet paper in the house.

The tour that would’ve been can be seen below, and fair enough for the band to reschedule. Their announcement follows, as per the social medias:

stoned jesus tour postponed

Stoned Jesus – March Tour Postponed

The third leg of Xth Anniversary Tour, which starts this week, consists of shows booked in Italy, France, Switzerland and Spain. These are FOUR countries out of FIVE affected by coronavirus in Europe the most. Oh, and we should’ve landed in Germany, so it’s five out of five!

Taking into account that all three of us have just been through nasty seasonal flu, we’re pretty sure our immune systems are simply not ready to face the new threat – nor do we want to become a danger to our dearest fans. A Stoned Jesus show must remain ‘a sick place to be’, not become ‘a place to get sick’ ;)

Unfortunately we have no other choice but to POSTPONE our upcoming March dates. This is not something we decided overnight since we live off touring, but don’t worry, the rest of Xth Anniversary Tour stays intact. IT, SP, CH and FR – we’ll definitely see y’all later in the year.

Stay hydrated and wash your hands! Sorry and thanks for understanding

Effected dates:
11.03 – CH Olten, Coq d’Or
12.03 – FR Metz, Les Trinitaires
13.03 – CH Martigny, Caves du Manoir
14.03 – IT Caramagna Piemonte, Spazio Polivalente
15.03 – FR Marseille, Le Molotov
17.03 – SP Barcelona, Razzmatazz 3
19.03 – SP Vigo, Sala Rebullón
20.03 – SP Bilbao, Shake Bilbao
21.03 – FR Bordeaux, Sidéral Bordeaux Psych Fest
22.03 – FR Montpellier, Secret Place

Stoned Jesus is:
Igor Sydorenko – Vocals & Guitars
Serhij Sljussar – Bass
Dmytro Zinchenko – Drums

Stoned Jesus, From the Outer Space (2019)

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Stoned Jesus Touring in March for 10th Anniversary

Posted in Whathaveyou on February 10th, 2020 by JJ Koczan

stoned jesus

Already confirmed for Freak Valley Festival this June in Germany and set to make their debut appearance on American soil at Desertfest New York in September, Kyiv progressive heavy rockers Stoned Jesus have announced a tour this March going for 11 days as part of their ongoing celebration of their 10th — or as they put it, “Xth” — anniversary. They’ll roll through Switzerland, France, Italy and Spain en route to Bordeaux Psych Fest on March 21, then hit Montpelier on their way home. It’s the third part of a so-far-trilogy of tours covering Europe, but I wouldn’t be the least bit surprised if more dates were forthcoming around either of the above-noted festivals, as Stoned Jesus are nothing if not in continual demand, anniversary or no.

I have to think they’re somewhere in the neighborhood of thinking about their next record as well. They may have said as much and I missed it, so if that’s an old consideration, I’m sorry. Either way, they reissued their 2009 demos last year through Napalm as From the Outer Space, and are an act who constantly move forward, so don’t be surprised if they’re plugging away behind the scenes somewhere.

Sound of Liberation, which is presenting the run, booked the dates thusly:



Surprise, friends! Stoned Jesus enjoyed the last run of their Xth Anniversary tour so much, they simply continue it and will stop by in Switzerland, France, Italy and Spain this time!

Says Stoned Jesus: “We started our Xth Anniversary Tour back in September with Eastern Europe, continued it with Central Europe in November, and now WE GO WEST! Grab them tickets while/when they’re available!”

Catch them playing their best tunes from the past ten years on one of these dates:

11.03 – CH Olten, Coq d’Or
12.03 – FR Metz, Les Trinitaires
13.03 – CH Martigny, Caves du Manoir
14.03 – IT Caramagna Piemonte, Spazio Polivalente
15.03 – FR Marseille, Le Molotov
17.03 – SP Barcelona, Razzmatazz 3
19.03 – SP Vigo, Sala Rebullón
20.03 – SP Bilbao, Shake Bilbao
21.03 – FR Bordeaux, Sidéral Bordeaux Psych Fest
22.03 – FR Montpellier, Secret Place

Look out for pre-sale links and grab your tickets before they’re long gone!

Stoned Jesus is:
Igor Sydorenko – Vocals & Guitars
Serhij Sljussar – Bass
Dmytro Zinchenko – Drums

Stoned Jesus, From the Outer Space (2019)

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