Pontiak to Tour Canada Supporting Sleep

Posted in Whathaveyou on May 28th, 2019 by JJ Koczan

As far as opening gigs go, supporting Sleep is about as good as it gets, at least for heavy shows. Virginian three-piece Pontiak will head out this September with the stoner metal kingpins on a Canadian run, following up on a gig tonight — yes, this very evening — in RVA alongside Dead Meadow. Also not too shabby a spot to land.

Pontiak‘s most recent album is 2017’s Dialectic of Ignorance (review here), which took the lessons of classic heavy to heart and built an earnest vibe therefrom without losing a kind of modern harmonized chic. Cool record from a cool band playing a cool tour. Sounds pretty cool, right? It is!

The PR wire has dates:

pontiak

Powerhouse psych trio Pontiak touring Canada with Sleep this September

Pontiak’s Dialectic of Ignorance out now

This September, powerhouse psych trio Pontiak will be touring throughout Canada with stoner rock outfit Sleep. Ahead of the tour, the Pontiak brothers will also be playing with Dead Meadow in Richmond on May 28th.

In 2017, Pontiak released their latest collection of acid-scorched guitar workouts Dialectic of Ignorance, an album that takes the trio’s colossal riffing into heady new territory. Live, the music takes on a new dimension, free to reach even deeper out into the cosmos. Snaking melodies and irresistible grooves erupt from the brother’s instruments like billowing plumes of psychedelic smoke, expanding to fill the space, with the Carney brothers’ shimmering vocal harmonies providing an anchor through the trip.

Pontiak Tour Dates
May 28 – Richmond, VA – Richmond Music Hall *
Sep. 1 – Victoria, BC – Capitol Ballroom #
Sep. 2 – Vancouver, BC – Commodore Ballroom #
Sep. 3 – Nelson, BC – Spiritbar #
Sep. 4 – Calgary, AB – The Palace Theatre #
Sep. 6 – Edmonton, AB – The Ranch Roadhouse #
Sep. 7 – Saskatoon, SK – Coors Event Centre #
Sep. 8 – Winnipeg, MB – The Garrick #
Sep. 11 – Guelph, ON – Guelph Concert Theatre #
Sep. 12 – Ottawa, ON – Algonquin Commons Theatre #
Sep. 13 – Montreal, QC – MTelus #
Sep. 14 – Quebec City, QC – Theatre Imperial #
Sep. 16 – Halifax, NS – Marquee Ballroom #

* w/ Dead Meadow
# w/ Sleep

thrilljockey.com/products/dialectic-of-ignorance
https://www.facebook.com/BrothersPontiak/
https://www.instagram.com/brotherspontiak/
http://brotherspontiak.com/

Pontiak, “Ignorance Makes Me High” official video

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Roadburn 2017 Audio Streams Mega-Batch Posted Featuring Bongzilla, Slomatics, Valborg, Warning and More

Posted in audiObelisk on September 15th, 2017 by JJ Koczan

warning-1-Photo-by-JJ-Koczan

It’s been tradition around these parts for I don’t even know how long to post the annual audio streams as they come out from each Roadburn, and I hope the case will be no different as we move further away from Roadburn 2017 this past April in Tilburg, the Netherlands, and inexorably toward the first announcements for Roadburn 2018 to come. This process — the posting — used to require a slew of links and media players, which I actually kind of liked because it allowed for emphasis on just how much material there was emerging from the festival, how much work Marcel van de Vondervoort and his team put into the recording and mixing of these sets for all the bands, and so on.

Well, it’s the future now — or I guess it was the future like five years ago? I may have missed when it actually became the future; whatever — and we apparently don’t even need to have 22 different media players to post 22 different streams from Roadburn 2017. We need one. Netherlands-based media company 3voor12, which has always hosted the sets, brings forth a mega-batch today featuring the likes of (alphabetically) Atala, Author and Punisher, Bongzilla, Carpenter Brut, Casual Nun, Cobalt, Disfear, Forn, GNOD, Inter Arma, Joy, Les Discrets, Nadra, Pontiak, Serpent Venom, Slomatics, Temple ov BBV, Trans Am, Ultha, Valborg, Warning and Wolvennest.

Not inconsiderable. It’s been mere hours since Slomatics‘ Futurians: Live at Roadburn was reviewed here, but I also had occasion to see Warning (pictured above), JoyLes DiscretsAtalaValborg and others on that list, and I can attest to their being a joy to behold. Part of the fun of these streams is also getting some sense of what you missed at Roadburn due to making the inevitable hard choice of a schedule conflict, so I guess this is my shot at hearing what Bongzilla got up to during their time on stage. If you need me I’ll be doing that.

Hope you enjoy as well:

Thanks as always to Walter for sending the embed my way. For all this site’s Roadburn 2017 coverage, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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Quarterly Review: Alcest, Galley Beggar, Pontiak, White Light Cemetery, Fever Dog, Duel, Seven Nines and Tens, Automatic Sam, The Next Appointed Hour, Blown Out

Posted in Reviews on March 29th, 2017 by JJ Koczan

cropped-Charles-Meryon-Labside-Notre-Dame-1854

Always a special moment in the Quarterly Review when we pass the halfway mark. That’s where today’s batch brings us, and in rocking style as well. You might say I’ve been taking it easy on myself with the selections this time out — albums there’s plenty to say on and generally good stuff — but the basic fact of the matter is even with 50 reviews in a week, this is still just a fraction of what’s out there and still just a fraction of what I’d cover if I had the time. I couldn’t in terms of my own sanity, but one could probably do 10 reviews a day every day of the year and still have room for more. I do the best I can. Picking and choosing is a part of that process. Let’s get to it.

Quarterly Review #21-30:

Alcest, Kodama

alcest kodama

After the bold departure presented in 2014’s Shelter (review here) toward even-airier, more indie-hued fare, French post-black metal innovators Alcest make a no-less-bold return to their core sound – screams included, as they’re quick to show on “Eclosion” – with 2016’s Kodama (on Prophecy Productions). It’s a less progressive move, and for that distinct in Alcest’s discography, but one can’t argue with their execution of a track like “Je Suis d’Ailleurs” and the immediately recognizable melodic wash they craft, as resonant emotionally as it is heavy in its tone. Most of the six cuts seem contented to have (re-)found their place, but “Onyx” finishes out with just under four minutes of layered guitar droning, and so Alcest seem to tease that perhaps they’re not completely ready to settle the issue of their aesthetic just yet. One hopes that’s the case, and in the meantime, the reorientation that Kodama brings with it should no doubt please those longtime fans who bristled at the turn they made their last time out.

Alcest on Thee Facebooks

Prophecy Productions on Bandcamp

 

Galley Beggar, Heathen Hymns

galley-beggar-heathen-hymns

Galley Beggar’s fourth offering and second for Rise Above, Heathen Hymns, brings 42-minutes of the traditional acid folk one has come to expect from them over the last half-decade plus, no less graceful in its melodies, harmonies and weaving into and out of psychedelia, Eastern inflections on the sitar-laced “The Lake” and cleverly rhythmic in the post-rocking electric flourish of “Let No Man Steal Your Thyme.” Knowing what to expect, however, does nothing to diminish the joy of the listening experience. Rather, the return of Galley Beggar’s fluid string and/or more rock-based arrangements, memorable songcraft and gorgeous vocal treatments is welcome, and perhaps most of all on closer “My Return,” which draws their multiple sides together in a cohesive vision of futures past that only benefits from the maturity they’ve grown into. With poise as a defining feature as much as their British folk stylistic lineage, Galley Beggar remain a special outfit doing deeply individualized and satisfying work.

Galley Beggar on Thee Facebooks

Rise Above Records website

 

Pontiak, Dialectic of Ignorance

pontiak-dialectic-of-ignorance

A steady foundation of low-end drone underpins songs like “Ignorance Makes Me High” and “Hidden Prettiness” on Pontiak’s Dialectic of Ignorance (released via Thrill Jockey), and though they move away from it somewhat in the more active freakout “Dirtbags,” the patience shown by the Virginian trio forms a key part of the album’s personality. To wit, they open with “Easy Does It,” essentially telling their listener their intention for what will ensue throughout the eight-track/46-minute offering. Brothers Jennings, Van and Lain Carney bring forth willful drift in that opener and across the percussive-but-still-shoegazing “Tomorrow is Forgetting,” finding an organ-laced folkadelic middle ground later in “Youth and Age” and punctuating the dreamy harmonized gorgeousness of “Herb is My Next Door Neighbor” with fervent tom runs and ping ride before closer “We’ve Fucked this Up” starts out amid blistering chaos only to smooth itself as it goes. Serene and somewhat moody to the same degree their last outing, 2014’s Innocence, was raw, Dialectic of Ignorance carries the feel of a personal journey undertaken, but is ultimately too warm in tone and melody not to welcome its audience to be a part of that as well.

Pontiak on Thee Facebooks

Pontiak at Thrill Jockey Records

 

White Light Cemetery, Careful What You Wish For

white-light-cemetery-careful-what-you-wish-for

Nearing the mark of their first decade together, Louisiana Southern heavy four-piece White Light Cemetery issue their second full-length, Careful What You Wish For, through Ripple Music and keep a steady focus on songcraft throughout. Heavy riffs, a bit of boogie on “Sky River” and the stomping “Better Days,” boozy Southern-isms on the directly countrified “On a Dime” and a cowbell-infused finish with “Bullet to Erase” – it’s only fair to say White Light Cemetery hit all the marks. The beery post-Deliverance execution of “Looking Out (For Number One)” will likely ring familiar to many who take it on, but that’s the idea, as vocalist/guitarist Shea Bearden, guitarist Ryan Robin, bassist Tara Miller and drummer Thomas Colley are clearly less concerned with reinventing rock in their own image than honoring the pantheon of those who’ve come before them in the style. Hard to argue with the ethic preached or the dual-guitar harmonies of “Quit Work, Make Music,” though the record as a whole seems awfully “workingman’s rock” for any such bohemian aspirations.

White Light Cemetery on Thee Facebooks

Ripple Music on Bandcamp

 

Fever Dog, Mainframe

fever dog mainframe

It’s been three years since next-gen Californian desert trio Fever Dog released their last album, Second Wind (review here), which was long on potential, big on songwriting and resonant in vibe. I’d been hoping for a third long-player in 2017, but even the arrival of new single Mainframe – which of course doesn’t preclude a subsequent album release – is fine by me, the three-piece of guitarist/vocalist Danny Graham, bassist Nathan Wood and drummer/organist/synthesist/vocalist Joshua Adams digging into progressive vibes on the title-track and the subsequent, talkbox-inclusive “Let Me Out.” I don’t know if they’re planning to press a 7” – somebody call H42 Records! – but the cover art certainly justifies one if the songs themselves don’t (and they do), and the name-your-price download comes with the raw 19-minute classic heavy rock jam “Alpha Waves Medley Live at Club 5,” which emits buzz like it’s a bootleg from 1973. If Mainframe is the process of Fever Dog getting weirder, it bodes well. All the more reason one might keep their fingers crossed for a new full-length.

Fever Dog on Thee Facebooks

Fever Dog on Bandcamp

 

Duel, Witchbanger

duel witchbanger

“If you see him it’s much too late/Close your eyes, girl, accept your fate.” So goes the title-track hook of Duel’s Witchbanger, the Austin-based rockers’ second album for Heavy Psych Sounds. Released on a quick turnaround from last year’s debut, Fears of the Dead (review here), the eight-track/34-minute swaggerfest delves into fantasy themes drawn from classic metal – hard not to look at six-minute closer “Tigers and Rainbows” and not think of Dio, at least thematically – but cuts like “Astro Gypsy” and “Heart of the Sun” in the record’s midsection build on the ‘70s loyalism of the first outing and find guitarist/vocalist Tom Frank, guitarist Jeff Henson, bassist/vocalist Shaun Avants and drummer JD Shadowz clear in their intentions in that regard. Though it takes a sizable grain of salt to get over that title, Duel’s heavy rock traditionalism comes complemented by efficient songwriting and a natural-sounding recording that’s neither completely retro nor totally modern but draws strength and fullness from both sides. A worthy and rousing follow-up.

Duel on Thee Facebooks

Heavy Psych Sounds website

 

Seven Nines and Tens, Set the Controls for the Heart of the Slums

seven-nines-and-tens-set-the-controls-for-the-heart-of-the-slums

If the dates are to be believed, the second full-length from Vancouver’s Seven Nines and Tens, cleverly-titled Set the Controls for the Heart of the Slums, has roots going back to 2014, when basic live tracks were recorded and subsequently built on for about two years. Indeed, the four-song offering – whose tracks “I Come from Downtown,” “Metropolis Noir / Rigs” and closer “Rave Up” have been presented in the meantime as singles and/or on early 2017’s Live at the Smilin’ Buddha Cabaret – has plenty of layers in its heavy post-rock wash, and it’s with depth and heft that guitarist/bassist/vocalist David Cotton and drummer Mario Nieva (the current incarnation of the band has a different lineup), make their prevailing impression, be it in the roll of 13-minute “Metropolis Noir / Rigs” or the loud/quiet trades of “Dope Simple,” which follows. With a focus on atmosphere over structure, Seven Nines and Tens offer a quick 32-minute immersion that feels less pretentious than purposeful and would seem to have been worth the time it took to construct.

Seven Nines and Tens on Thee Facebooks

Seven Nines and Tens website

 

Automatic Sam, Arcs

automatic sam arcs

With their third album, Nijmegen’s Automatic Sam bring together a straightforward and coherent collection of well-intentioned semi-psychedelic heavy rock. Their past works, 2011’s Texino and 2013’s Sonic Whip, have been conceptual or at least thematic pieces, and it may be that the 13-track/38-minute Arcs (on Goomah Music) is as well, but if so, it would seem to find that theme in a vision of post-grunge ‘90s alt rock, cleanly and clearly executed and vibrant in the performance of vocalist/guitarist Pieter Holkenborg, guitarist/vocalist Rense Slings, bassist/vocalist Erik Harbers and drummer/vocalist Lars Spijkervet, who open with the five-minute “Ukiyo” (their longest inclusion; immediate points) and then run through a varied swath of shorter pieces from the attitude-laden “City Lights” through the uptempo post-punk of “This is Not a Holiday” and the fuller push of “Parnassia.” Side B seems more flowing, with that song, “Tarantula,” a complementary reprise, the title-track and drifting acoustic closer “So Long in E Minor,” but Automatic Sam manage to hone a diverse approach across Arcs’ span while skillfully directing themselves around choppier waters.

Automatic Sam on Thee Facebooks

Automatic Sam at Goomah Music

 

The Next Appointed Hour, Not the End of the World

the-next-appointed-hour-not-the-end-of-the-world

Ambition may be the defining aspect of Not the End of the World. The 2016 self-released debut from Birmingham, Alabama’s The Next Appointed Hour willfully refuses easy categorization, basking in bright psychedelic space rock harmonies one minute and digging into folkish melancholia the next in a way that one is left with no other option but to call “progressive.” What ultimately makes songs like “Keeper’s Heart” and the ethereal pop of “Back to You back to Me” work is an underlying cure of songcraft, and whatever ground the six-piece cover on the 10-track outing, from the fuzzy rush of “Drone Riot” to the trippy shimmer of the penultimate “Red Flame,” that core is maintained, uniting the material and making Not the End of the World a work of scope rather than haphazard. It requires an open mind, but rewards open-mindedness with moments like the accordion on “Valley,” or the rhythmic drift of “Any Who but Here,” the nuance of which is no less gracefully held together than the overarching flow of the album as a whole.

The Next Appointed Hour on Thee Facebooks

The Next Appointed Hour on Bandcamp

 

Blown Out, Superior Venus

blown out superior venus

Already sold out on preorders, the vinyl edition of Superior Venus from UK cosmic jammers Blown Out features two tracks – one per side – of space-wash heavy righteousness. “Impious Oppressor” and “Superior Venus” both top 15 minutes (and are accompanied by demo versions if you get the download), and proffer the kind of progressive improvisation-based flow that, indeed, might make one inclined to get an order in while the getting’s good. Blown Out, with members of Bong and Pigs Pigs Pigs Pigs Pigs Pigs Pigs, have put out a slew of live and studio releases over the last three years, but as planets invariably revolve in cyclical patterns, so too does the regular frequency of their work become part of the expression itself. If you’re going to jam, do it all the time. On Superior Venus, Blown Out once more bring this ethic to life, and the resulting material spreads itself wide over its still relatively brief span. A short trip to orbit, perhaps, but well worth the undertaking.

Blown Out on Thee Facebooks

Riot Season Records on Bandcamp

 

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Pontiak Announce US Dates; Dialectic of Ignorance out March 24

Posted in Whathaveyou on February 21st, 2017 by JJ Koczan

We’re just about a month out from the March 24 release of the new Pontiak album, Dialectic of Ignorance, so I wouldn’t expect it to be all that long before audio starts making its way out. The brotherly, beery Virginian three-piece will do a few quick US dates around the release in Brooklyn, Louisville, and Chicago to mark the record coming out, and then in April they head abroad, where they’ll do a couple select dates alongside Thrill Jockey labelmates Sumac as well as True Widow and King Woman in addition to appearing at Roadburn in the Netherlands and at Desertfest in London and Berlin.

Bit of back and forth in the routing, looks like, but it’s pretty impressive in the ground it covers. And since Dialectic of Ignorance will be out by then, all the better to hit as many ears as possible.

To that end, they’ll reportedly have more shows in the States after they get back from Europe in May. So you know, more to come and whatnot. But you knew that anyway.

Here’s the latest off the PR wire:

pontiak

Pontiak squeeze in Brooklyn, Louisville, and Chicago shows ahead of European tour

Pontiak to tour throughout U.S. in May

Pontiak’s hazy, infectious Dialectic of Ignorance is out March 24th

In support of the release of their dazzling new album Dialectic of Ignorance, the Virginia brothers of Pontiak have announced they’re squeezing in a handful of U.S. dates before their European tour this Spring, which will include a set at Roadburn Festival and at Desertfest in the UK and in Germany. Pontiak will be returning to hit the road in the U.S. in May.

Whereas Pontiak’s 2014 album Innocence tore through rowdy riffs and melancholic balladry in a neat half hour, it’s immediately clear from the reverb-heavy trip of opener “Easy Does It” that Dialectic of Ignorance is altogether a different beast. Euphorically defying spatial constraint, brothers Van, Jennings, and Lain Carney instead opt to guide each song along its own cosmic trajectory: confident in the outcome, but even more excited to enjoy the ride.

Having opened their own brewery, Pen Druid Brewing, in August 2015, the Carney brothers were afforded a rare opportunity to reassess their creative process, through the medium of brewing. The lessons learned from this experimentation have had a formative effect on both the process underlying and subsequent sound of Dialectic of Ignorance.

Pontiak Tour Dates
Mar. 23 Brooklyn, NY Alphaville
Mar. 25 Louisville, KY Haymarket Whiskey Bar
Mar. 27 Chicago, IL Empty Bottle
Apr 21 Fluc Vienna, Austria
Apr 22 Jubez w/ Sumac, Oxbow Karlsruhe, Germany
Apr 23 013 Roadburn, Tilburg, Netherlands
Apr 26 De Gude Wellen Luxembourg, Luxembourg
Apr 27 VK w/ True Widow, King Woman Brussels, Belgium
Apr 28 Desertfest London, United Kingdom
Apr 29 Stereo Wonderland Köln, Germany
Apr 30 Desertfest Berlin, Germany
May 01 UT Connewitz Leipzig, Germany
May 02 Lucerna Music Bar Prague, Czech Republic

thrilljockey.com/products/dialectic-of-ignorance
https://www.facebook.com/BrothersPontiak/
http://brotherspontiak.com/

Pontiak, “We’ve Got it Wrong” official video

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Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

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Desertfest Berlin 2017: John Garcia to Headline; 1000mods, Suma, Pontiak and Riff Fist Added

Posted in Whathaveyou on December 22nd, 2016 by JJ Koczan

desertfest berlin 2017 john garcia

Once the reunited Slo Burn had been announced for London, I had been wondering how Desertfest Berlin 2017 might manage to work them into the lineup despite what had been revealed previously as a German-exclusive show at Freak Valley 2017 just weeks later. We have our answer in the latest update that frontman John Garcia and his solo band will do a set spanning material from the Kyuss and Slo Burn catalogs for the Berlin-based festival, thereby avoiding conflict with the Freak Valley slot and giving Desertfesters something special in their own right. I recall seeing Garcia Plays Kyuss at Roadburn in 2010 and they did Slo Burn‘s “Pilot the Dune.” Sat pretty well next to the Kyuss material if I do say so myself.

As Garcia will be performing with Slo Burn the same weekend in London, I’d be very interested to know the lineup for this incarnation of his solo band, whether it’s the same players working under a different name or if anyone is swapping out from one show to the next. Everything’s politics, folks. Make no mistake.

In addition to this bit of intrigue, 1000mods, Suma, Pontiak and Riff Fist have been added to Desertfest Berlin 2017, who sent over this pre-holiday update:

desertfest-berlin-2017-first-poster

JOHN GARCIA & BAND (playing from SLO BURN to KYUSS) to HEADLINE Desertfest Berlin 2017

DESERTFEST BERLIN 2017 – APRIL 28-29-30

Christmas is approaching, and before you all go away for the Holidays, we wanted to give you 5 more names confirmed for Desertfest Berlin 2017, including our second headliner. So we are proud to have for this sixth edition of the festival:

JOHN GARCIA (USA)
The original and legendary voice of the desert pays us a visit with a suitcase packed with everything from Kyuss to Slo Burn.

SUMA (SWE)
Doomy, sludgy and so heavy that the Berlin buildings will tremble for weeks after Malmös finest has destroyed all Desertfesters ears.

1000mods (GR)
The Greek tornado will hit us with their energetic and fuzz loaded rock, it’s gonna be a show that will be remembered.

PONTIAK (USA)
We’ve been able to lure them away from Virginia to perform their trippy and psychedelic tunes, then they’ll take us on a trip for a lifetime.

RIFF FIST (AUS)
It’s always a pleasure to welcome back who defends the riff and Riff Fist are the true defenders.

Also confirmed for our 2017 edition of DESERTFEST BERLIN: SLEEP, SAMSARA BLUES EXPERIMENT, MARS RED SKY, LOWRIDER, TOUNDRA, ECSTATIC VISION, THE COSMIC DEAD, TUBER, SATAN’S SATYRS, WUCAN, VENOMOUS MAXIMUS, THE WELL, GOLD, TSCHAIKA 21/16.

There are still many more acts to be unveiled, including our last headliner, so stay tuned! And do not miss your chance to be part of the amazing DESERTFEST BERLIN experience… Check out our Website to get your tickets, or the links below in this release! We were sold out last year in February, so better be quick! Let’s turn all together the DESERTFEST BERLIN 2017 into another milestone when it comes to Berlin and festivals!

http://www.desertfest.de/tickets
https://www.facebook.com/DesertfestBerlin
http://woolheads.com/shop-2/festivalmerchandise/desertfest-berlin-2016-early-bird-ticket-action-1/
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John Garcia, “Pilot the Dune” live in 2014

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Roadburn 2017 Adds 24 New Bands: Bongzilla, Disfear, Serpent Venom, Lycus, Ruby the Hatchet, Harsh Toke, Joy and Many More

Posted in Whathaveyou on December 13th, 2016 by JJ Koczan

Roadburn 2017 banner

As one has come to expect by now, there’s an awful lot of badassery in this latest announcement from Roadburn 2017. The Tilburg-based festival doesn’t seem to do anything small at this point — though it boasts not one, but two delightfully intimate venues, so take that assertion with a grain of reality’s salt — and that certainly includes this round of 24 lineup additions. For me, particularly notable is the West Coast heavy psych invasion underway with the likes of Joy and Harsh Toke added — Tee Pee labelmates Ruby the Hatchet are no slouches themselves in that regard — and UK doomers Serpent Venom, who, as noted in the expansive update below, are overdue for an appearance at this showcase of showcases. I’ve included the stream of their last album as a refresher of its righteousness, in case you need one.

Also dig Bongzilla added to perform Gateway in its entirety. They’ll be part of a killer Main Stage lineup that day that’s basically untouchable and bound to engender much whining when the schedule is released and is packed as ever in all the other rooms. See also Big Business, Pontiak, Radar Men from the Moon, The Devil and the Almighty Blues, Lycus and so on. In the immortal words of pre-cold-dead-hands Charlton Heston, “it’s a madhouse.”

Check it out:

Twenty-four new additions to Roadburn’s 2017 line up

• John Dyer Baizley adds four new bands to his curated event, plus confirms a live interview at Roadburn 2017.
• Bongzilla confirm their first trip to Roadburn
• Big Business return to Roadburn ten years after their last performance at the festival.
….and more

JOHN DYER BAIZLEY

John Dyer Baizley has confirmed four more bands for his curated event, with the line up now almost complete. In addition, he will also take part in a live interview at Roadburn 2017 as part of the festival’s side programme.

Few others, if any, hardcore bands carry so much weight and impose so much respect outside their own scene as INTEGRITY do, perhaps because they have always transcended their “root” genre, both stylistically and conceptually. Baizley comments: “I hope to see you all there, while Integrity proves to all present that the ferocity has neither dulled nor become disingenuous throughout their career. Reality is bleak, but through darkness we are able to find connectivity and community.”

DISFEAR have been one of the leading lights of the Swedish d-beat scene in the almost three decades they have existed. They might not record of perform often, but when they do, you know it’s going to be something extraordinary, as John says: “I don’t know exactly what to expect from this re-emergence, but I’m sure it won’t be a gentle one. This should be a no-hold-barred, fists-in-the-air, mandatory-circle-pit set, and you better believe I’m not missing a minute of it.”

OATHBREAKER have wowed audiences around the world with the release of their latest album, Rheia. John counts himself among the devoted, commenting of the album: “Therein exists a healthy reverence and understanding of the genres it references; yet it’s a record that is beholden to no style, genre or convention. There are layers upon layers of sound that recall black metal, pop, indie, hardcore, shoe-gaze, you-name-it; yet as I listen, I am aware of none of this – it has been presented so artfully and with such earnest and unpretentious conviction.”

If you trace the history of post-rock, you’ll go all the way down the family tree to find Nathan Means, Philip Manley and Sebastian Thomson, the three members of TRANS AM, at the very root of it all. “I have always been a massive Trans Am fan, and I think their performance at Roadburn will be an incredible moment during next year’s festival,” John says, “I’m sure Sebastian will have his work cut out for him, playing two very intense and completely different sets, with both Baroness and Trans Am (Friday and Saturday, respectively). Do not miss this show, it will be a truly incomparable experience during Roadburn 2017.”

John Dyer Baizley will also be participating in Roadburn’s popular side programme, having confirmed that he will take part in a live interview hosted by Ula Gehret. John will talk through his personal and professional highs and lows before taking questions from the audience.

BONGZILLA

In an unparalleled stoner celebration, reformed Wisconsin riffmasters BONGZILLA have been confirmed to perform their classic album Gateway in its entirety at Roadburn Festival 2017. Next year marks 15 years since BONGZILLA originally released Gateway in 2002. Their third album, it indeed was for many listeners a doorway into a new world – a dimension of crust-laden sludge that, in the years since, has gone on to put an entire generation of bands under its influence. Unmatched in its dankness, coated in purple and green tonal wash, Gateway’s weedian righteousness is no less potent today than a decade and a half ago.

BIG BUSINESS

The last time this dynamic duo set foot at Roadburn was way back in 2007, in the company of their Melvins bros, but now, fully grown up and with a bunch more records, experience and exactly the same amount of boundless creativity, they will return on their own, as the singular, unique musical force they are.

WHORES.

Their live shows have a reputation for being way beyond the norm in terms on intensity, so we are super stoked to bring this power trio, WHORES.to Roadburn for the first time. We have the feeling it just might be one of those shows that everyone will talk about for years afterwards, so make sure you don’t miss WHORES. when they play Roadburn 2017 – they have a curious knack for melody that’ll ensure these tunes stay with you long after the bruises have healed up.

ALSO CONFIRMED:

Alaric will deliver a hybrid of post-punk’s tense, angular structures with the size and spread of extreme metal’s most dynamic sonic components.
Author & Punisher heralds the rise of the machines with a unique take on industrial doom.
Cobalt offer atypical excursions through black metal via apocalyptic tribalism, old Americana, and a doom-laden, ritualistic atmosphere.
Fórn bring both soul-crushing lows and groovy assaults at higher moments.
Gnaw Their Tongues have promised “something special” for their Roadburn set. Prepare for aural torture.
Harsh Toke will perform a set comprised entirely of Roky Ericsson covers.
Hedvig Mollestad Trio touch on genre-blurring hardrock and metal riffery as well as the noisier realms of jazz improvisation.
Joy are a San Diego heavy psych power trio, inviting you to ride along with them at Roadburn.
King Woman heavy, dark, emotional, beguiling, confrontational.
Lycus – monolithic, mournful, and massive sounding doom.
Pinkish Black will be making waves and breaking hearts with their chilling synthesiser dirges.
Pontiak are primal and fiery and often fuzzy and psyched out; ready to give a lesson in rock.
Radar Men From The Moon will team up with Roadburn 2017 artist in residence GNOD for a collaborative performance known as Temple Ov BBV, as well as playing their own show.
Ruby The Hatchet invite you to follow them on their kosmiche trip.
Serpent Venom – they’re trippy, they’re heavy, they are long overdue a Roadburn appearance.
The Devil & The Almighty Blues are heavily inspired by Delta blues, and standing at the crossroads of both American and British blues-based rock.
True Widow return with more sultry yet syrupy fuzzed out trips.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver and Hypnopaz?zu (David Tibet & Youth) and Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale on January 12 priced at 59 Euro.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Serpent Venom, Of Things Seen and Unseen (2014)

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audiObelisk Transmission 034

Posted in Podcasts on January 20th, 2014 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

I was all set to pat myself on the back for making a podcast and posting it when someone might actually see it, unlike the last two (033 and 032), which rather impractically both went up on the eve of a major holiday, and then I remembered today was Martin Luther King, Jr. Day. Whoops. Seemed like a good idea at the time. Oh well. There’s always next month.

This one took kind of a strange and fun turn in the making and got very languid, very spaced out and sort of dreamy but still heavy in the bottom end. We start out with new stuff from We Hunt Buffalo, Truckfighters and Dwellers right in a row, and I guess that set the tone for a heavy roll that carried through a lot of the rest of the nearly-two-hour span. Not a complaint. I think it flows really well, and of course I hope you do too.

Once again, no real theme, though in addition to the aforementioned, you’ll also find new tracks from Sahg, Papir, Radar Men from the Moon, Pontiak and The Wounded Kings, the latter providing a grim finish after All Them Witches and Black Skies offer prime terrestrial psychedelia. It’s a good mix, all told. It grooves. It nods.

First Hour:
We Hunt Buffalo, “Blood from a Stone” from Blood from a Stone (2014)
Truckfighters, “Get Lifted” from Universe (2014)
Dwellers, “Creature Comfort” from Pagan Fruit (2014)
Salitter, “But I am Not Consoled” from Salitter EP (2013)
Papir, “I” from IIII (2014)
Radar Men from the Moon, “Surrealist Appearance” from Strange Wave Galore (2014)
The Ravenna Arsenal, “The Desert Shows No Mercy” from I (2013)
Pontiak, “Surrounded by Diamonds” from Innocence (2014)
Sahg, “Blizzardborne” from Delusions of Grandeur (2014)

Second Hour:
Doctor Cyclops, “Cobweb Hands” from Oscuropasso (2014)
Mammatus, “Brainbow/Brain-Train” from Heady Mental (2013)
Sun Voyager, “Space Queen” from Mecca (2013)
All Them Witches, “Swallowed by the Sea” from Lightning at the Door (2013)
Black Skies, “Lifeblood” from Circadian Meditations (2013)
The Wounded Kings, “Consolamentum” from Consolamentum (2014)

Total running time: 1:58:52

 

Thank you for listening.

Download audiObelisk Transmission 034

 

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