The Penitent Man Premiere “A Long Deep Breath of Sadness” from Legends of the Desert Vol. 2

Posted in audiObelisk, Reviews on June 1st, 2021 by JJ Koczan

the penitent man

cortege

This Friday, June 4, marks the release of Essays That Are Done September 17, 2013 by Jeff, the Coffee Lover. Online Dissertation Writing Provider: A Help or A Traitor in Disguise. Photo: Facebook.com. There are lots of companies that claim to be a genuine essay and dissertation writing companies targeting to serve the Americas, UK and other European and American countries. Essay or dissertation writing companies offers a wide Legends of the Desert Vol. 2, the second in an intended series of seven splits put together at the behest of New Mexican imprint Want to buy dissertations Online? MyAssignmenthelp.com is the best place to Help On Dissertation Of Change. Leave your dissertation problems behind and Buy Desert Records. And while the two bands differ some in aesthetic and certainly in composition —  Can You Sample Proposal For Dissertation,Thesis paper help - Best Essay Ever The Penitent Man a five-piece from Salt Lake City, Utah, and Buy Research Paper Cheap online strictly follows all customers’ requirements and care of quality to be at the highest level, so if you notice any deviation from your initial requirements, you may demand the money back. Our attitude to all the demands is very responsible, especially concerning deadlines. It goes without saying, that a customer need some time to check quality of the essay or even learn it CortĂ©ge a duo from Austin, Texas — they’re united here by a focus on atmosphere and an underlying heavy Western theme. On a more practical level, neither act is a stranger to the Custom Admission Essay Length. We provide structure and guidance to help students complete a doctoral thesis or dissertation. In addition, we help post-doctoral fellows turn dissertations into a book or journal articles and help faculty members organize their research agenda. Please schedule a free initial Zoom or Skype discussion so we can best explain how this works. Dissertation Editing Desert Records sphere.  The Advantages Of http://www.jazz-frankfurt.de/it-homework/s. We appreciate the complexity of writing a thesis and are familiar with the grading guidelines of academic institutions. Our writing company allows you to employ the most proficient authors in the industry ensuring your work will come out to the highest standard. Every time! Writing a dissertation is a challenge to most students at college or university, but not for our experts who have written many research projects and other complex The Penitent Man issued their previously self-released, self-titled debut (review here) through the label in Fall 2020, while Custom Writing – College Paper Writing Service that offers Argumentative Research Paper Example, thesis papers, essays. Prices start at per page. Limited November Offer! CortĂ©ge‘s two-songer The customers who Help Writing An Observation Essay or buy thesis should make sure that inexperienced writers would not write their thesis since the availability of unprofessional sites that hire non-native writers is huge. If they want to buy thesis of a high quality, they need to perform relevant differentiation within the ocean of writing services, some excellent and others with suspicious reputation. Chasing Daylight EP (review here) landed in February. As each one follows up recent work, it shouldn’t be a surprise that there’s consistency of sound, but as with 2020’s  When choosing How To Write A College Application Essay High Schools or not, you need to know, that every paper is unique, well-researched and solid. The value the fact that sometimes deadlines can be pressurizing. That is why we make sure that your work is delivered on time, or sometimes even earlier. In our company, every staff member is dedicated and working hard to give you the highest quality for the lowest price in Legends of the Desert Vol. 1 (discussed here), the intention here leans toward storytelling, and from the lyrics and moody vibes in see how to find someone to write a biography top 10 dissertation writing companies reputation management Dissertation help ireland nyc. Chat homework help live. Writing service in angular 2 review of ladders resume writing services custom thesis writing service cheapest customized dissertation uk us custom admissions essays cheap. Dissertation writing services malaysia french The Penitent Man‘s three songs to the gunslinger samples that provide the transition between The easiest way to Dissertation Papers Term Thesis Writer. Don't waste time finding and vetting writers for your blog. We recruit specialist writers with deep industry knowledge. CortĂ©ge‘s two, there’s a classic balladeerism happening one way or the other.

For “A Long Deep Breath of Sadness,” which stands on its own in addition to serving as an intro for the subsequent “The Butcher,” and across those two as well as “Rest My Weary Head,” which rounds out, the band pays particular attention to arrangement and presentation. Todd Ogren of  We checked Custom Papers for scam and fraud. Our comprehensive How To Write The Best Essay.com review will show you if Custompapers is legit and whether it is safe. Rival Sons steps in on keys and makes an argument for the group acquiring a sixth member, following up the  Do you spot errors easily? Learn to produce clear, factually-accurate and legally-compliant proofread copy with CMP's accredited http://www.bantigerpost.ch/?buy-essays-online-with-no-plagiarism. 10,000 Days-era  Homework Help Stoichiometry Of A Reaction From Best Dissertation Writing Services UK. best-uk-dissertation.com offers is the custom dissertation writing service UK Tool guitar moodiness and ambient echoing lead lines of “A Long Deep Breath of Sadness” the penitent man cortege legends of the desert vol 2with  High-quality research Key Points To A Business Plan for all purposes. Affordable prices, the best specialists on the web and 24/7 service Deep Purple-style Hammond and ’60s-ish maybe-Hohner flourish later into “The Butcher,” taking the band’s patient unfurling and depth of mix to another level entirely. They readily cross genre boundaries between heavy country, blues and prog, but beneath that is a core of bedrock from which they explore outward. The acoustic that serves to underscore “Rest My Weary Head” feels earned and organic, and the buildup that surrounds over the track’s nine minutes is much the same, somehow grunge while being largely disconnected from that sound in its entirety. Maybe it’s just dirt. Downer dirt rock, and brimming with purpose in that.

“As it Lay (Heavy in the Air)” (10:26) and “Circling Above” (8:37), at just over 19 minutes put together, actually run longer than did  Chasing Daylight earlier this year, but unless they’re actually scoring a film — and, really, why aren’t they? — the single-vinyl-side length suits CortĂ©ge. It’s consistently a challenge to write anything about them without mentioning Ennio Morricone, but that’s more a credit than a critique since it coincides so much with their stylistic intent. Their use of tubular bells to convey melody as opposed to their guitar adds to the Western feel and plays especially well off the bass in “As it Lay (Heavy in the Air),” an Earth-ier drone march underway quickly (such as it is quick) in the drums with footsteps made that much heavier for the ringing aspect that cuts through the backing ethereal effects. It’s not so much a build, but ricocheting pistol shots ring out ahead of a crying vulture as the first cut ends, and that brings in “Circling Above” to continue the theme. The explosion, topped with horns or something like them, happens after three minutes in, and is gone within a minute’s time, but returns later as “Circling Above” rounds out in surprising cacophony, CortĂ©ge loosing the reins for a bit of free jazz crashout before the wind fades.

Beneath all the hard stylization and attention to detail, Legends of the Desert Vol. 2 also functions on the simple level of showcasing two of Desert Records‘ associated acts, and it does well in that, such that the listener will be more drawn to find the common ground between them rather than to see each in opposition to the other. CortĂ©ge build on what The Penitent Man establish, and going back to the start again, the entire release seems peopled with characters who resonate with stories of their own to tell.

You can stream “A Long Deep Breath of Sadness” premiering on the player below ahead of the release on Friday. Think of it as the opening credits. More info follows, courtesy of the PR wire.

Enjoy:

Side A:
The Penitent Man is a 5-piece from Salt Lake City. Blending Desert Rock, Classic Rock, Heavy Blues. These exclusive songs featuring the special guest, Todd Ogren from Rival Sons on keyboard for all three tracks! Sounds like Led Zeppelin teamed up with Alice in Chains to make an album in the desert.

A Long Deep Breath of Sadness–4:26
The Butcher–6:32
Rest My Weary Head–9:01
All songs written and produced by The Penitent Man
Drum Tracking and Mixing by Greg Downs at Pale Horse Sound

Steve King–Guitars
Phill Gallegos–Guitars
Allan Davidson–Vocals
Chris Garrido–Drums
Ethan Garrido–Bass
Todd Ogren–Keyboards (from Rival Sons).

Side B:
Cortége is a duo from Austin, TX. They play Ambient Doom mixed with post-western cinematic scores. Heavy bass guitar, drums, and tubular bells. Sounds like if Earth and Pink Floyd teamed up to do a soundtrack to a David Lynch film.

1. As it Lay (Heavy in the Air) – 10:25
2. Circling Above – 8:39

All songs written and recorded by Cortége.
Recorded and mixed by Kevin Sparks.

Mike Swarbrick – Bass, Tubular Bells
Adrian Voorhies – Drums

The Penitent Man on Facebook

The Penitent Man on Instagram

The Penitent Man on Bandcamp

Cortége on Facebook

Cortége on Instagram

Cortége on Bandcamp

Desert Records on Facebook

Desert Records on Instagram

Desert Records on Bandcamp

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The Penitent Man & Cortége Pair for Legends of the Desert Vol. 2 Split

Posted in Whathaveyou on March 23rd, 2021 by JJ Koczan

There’s a lot of info below, and fair enough, but if you’re looking for the essentials, it goes like this: Desert Records is bringing together Salt Lake City’s The Penitent Man and Austin duo CortĂ©ge for the second in its seven-part Legends of the Desert split series. June 4 is the release date. You might recall Vol. 1 (discussed here) came out last year, and this will be Vol. 2.

Both bands are Desert Records veterans, with releases out through the New Mexico-based imprint, and it goes without saying that the intention here is to write legends rather than bask in those longstanding of yore. Ls are limited, as will happen, and CDs and downloads will all be out — all that fun stuff. I don’t have preorder info or any audio yet, but you can hear releases from both bands below, and I think it’ll come through one into the next that each one brings something of its own to the release, with The Penitent Man handling more of the rocking traditionalism while CortĂ©ge offer a cinematic take with their tubular-belled instrumentals. Looking forward to hearing this one.

Announcement follows courtesy of the label:

the penitent man cortege legends of the desert vol 2

LEGENDS OF THE DESERT: VOL 2 – The Penitent Man & CortĂ©ge

Legends of the Desert: Volume 2 releases on June 4th, 2021. Vol. 2 brings us further into the desert showcasing new and classic Desert Rock bands geographically located in the Southwestern United States. Continuing the vision of Vol.1, the second installment will introduce the world to two new “Legends” bands, carefully curated by Desert Record’s owner Brad Frye.

All the music for Legends of the Desert is exclusive to the series.

Maintaining the quality and consistency throughout the 7-part series, we will see the return of the Legends team.

New & stunning album artwork by the series artist, Joshua Mathis, features an album cover with a Gunslinger riding a Gila Monster.

The timeless, classic looking graphics and layout from Garrett Hellman will be featured along with Mathis’s artwork.

Mastering will be handled by the series audio mastering engineer, Mark Fuller.

Vinyl LP’s will be available in a limited edition of 500, including highly limited special color variants. CD’s and digital downloads will be available. Digital streaming will be available worldwide.

Desert Records is excited to announce the bands: The Penitent Man (Utah) and Cortége (Texas).

Side A:
The Penitent Man is a 5-piece from Salt Lake City. Blending Desert Rock, Classic Rock, Heavy Blues. These exclusive songs featuring the special guest, Todd Ogren from Rival Sons on keyboard for all three tracks! Sounds like Led Zeppelin teamed up with Alice in Chains to make an album in the desert.

A Long Deep Breath of Sadness–4:26
The Butcher–6:32
Rest My Weary Head–9:01
All songs written and produced by The Penitent Man
Drum Tracking and Mixing by Greg Downs at Pale Horse Sound

Steve King–Guitars
Phill Gallegos–Guitars
Allan Davidson–Vocals
Chris Garrido–Drums
Ethan Garrido–Bass
Todd Ogren–Keyboards (from Rival Sons).

Side B:
Cortége is a duo from Austin, TX. They play Ambient Doom mixed with post-western cinematic scores. Heavy bass guitar, drums, and tubular bells. Sounds like if Earth and Pink Floyd teamed up to do a soundtrack to a David Lynch film.

1. As it Lay (Heavy in the Air) – 10:25
2. Circling Above – 8:39

All songs written and recorded by Cortége.
Recorded and mixed by Kevin Sparks.

Mike Swarbrick – Bass, Tubular Bells
Adrian Voorhies – Drums

https://www.facebook.com/thepenitentmanband
https://www.instagram.com/thepenitentmanband/
https://thepenitentman.bandcamp.com/

cortege.bandcamp.com/
facebook.com/cortegeatx/
instagram.com/cortegeatx/

https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

The Penitent Man, The Penitent Man (2020)

Cortége, Capricorn (2019)

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Palehorse/Palerider & Lord Buffalo: Legends of the Desert Vol. 1 Split out Aug. 21

Posted in Whathaveyou on July 29th, 2020 by JJ Koczan

Okay, so when I originally posted about Desert Records starting its Legends of the Desert series of splits with Palehorse/Palerider and Lord Buffalo, it was set to release in June. And — get this — it was going to coincide with LIVE SHOWS! Can you imagine living in that world? Well, just about everyone else on the planet is starting to imagine things like that (sorry, Brazil), but apparently an essential component of all things modern Americana is being fucked over unless you’re impossibly wealthy, so here we are. Legends of the Desert Vol. 1 — which rules, by the way — is out Aug. 21, and if you’re holding your breath for live shows, well, I hope you have something soft to land on when you pass out.

Desert Records notes below that the series will run seven LPs over the course of three years. That seems smart to me. Two or three a year max, and it’s probably planned out well in advance. Of course, anyone currently alive knows that plans can change — and these already have if you’re going by release dates — but we can see here Desert Records operating in the spirit of Ripple Music‘s The Second Coming of Heavy, if more specific in its mission.

More on that below, courtesy of the PR wire:

palehorse palerider lord buffalo legends of the desert vol 1

LEGENDS OF THE DESERT Vol. 1 Featuring Palehorse/Palerider & Lord Buffalo Drops August 21st

Desert Records is excited to announce this new compilation series. Spanning seven albums total over the course of three years, the series will include legendary Desert Rock bands (to be announced) mixed in with new and upcoming bands.

“This is the soundtrack to the New West. The focus of the Legends of the Desert is to provide a modern perspective to the antiquated ‘Wild West’ we have etched in our brains. These songs and tales are not told by the same ol’ perspective of the white male Cowboy. These are narratives told by those who never got their stories heard. We will hear from musicians, artists, Natives, outlaws, desert rats, desert dwellers, cactuses and mesas, ravens and roadrunners, snakes and endless skies. Fuck John Wayne, Fuck his lame racist ass, and Fuck the horse he rode in on. This is Legends of the Desert.”

-Brad Frye
Owner/Operator
Desert Records

Pre-orders for Legends of the Desert Vol. 1 on limited edition vinyl, CD and digital are located at:
https://desertrecords.bandcamp.com/album/legends-of-the-desert-volume-1-palehorse-palerider-lord-buffalo

desertrecords.bandcamp.com/
https://palehorsepalerider1.bandcamp.com/
https://lord-buffalo.bandcamp.com/

https://www.facebook.com/palehorse.palerider.denver/
https://www.instagram.com/palehorsepalerider/
https://www.facebook.com/lord.buffalo.band/
https://www.instagram.com/lordbuffalo/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Palehorse/Palerider & Lord Buffalo, Legends of the Desert Vol. 1 (2020)

Lord Buffalo, Tohu Wa Bohu (2020)

Palehorse/Palerider, Fire Gone Out/Haxan (2019)

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Desert Records Announces Legends of the Desert Splits; Lord Buffalo & Palehorse/Palerider Due Jun 12

Posted in Whathaveyou on February 25th, 2020 by JJ Koczan

Albuquerque-based imprint Desert Records would seem to be working on the Ripple Music model in terms of embarking on a new series of splits, which it has opted to call Legends of the Desert, and you might note that the first installment of the series — which isn’t to be confused with that of the same name run by H42 Records to coincide with Desertfest London and Berlin — comes with a definitive end date in mind as well. Given production schedules and the fact that this isn’t all Desert Records is planning to put out in that time, seven vinyl releases of any sort over two years is an ambitious undertaking, as I think PostWax could probably confirm if Ripple can’t, but they’ve got their modus in the right place with the first pairing, which brings together Austin’s Lord Buffalo and Denver’s Palehorse/Palerider and is due out June 12.

You ever have one of those bands you avoided listening to because you knew you’d dig it and you kind of felt like maybe you didn’t have the energy to spare for the emotional commitment of actually undertaken a considered listen of their work? That’s me and Palehorse/Palerider. I knew I’d be into it, but I hadn’t actually listened to them for the first time until putting this post together. And you know what? I dig it. Not a surprise.

Desert Records sent the announcement down the PR wire. For what it’s worth, I heart-emoji Sister Bar, should you happen to be in the neighborhood:

lord buffalo

palehorse palerider

“Legends of the Desert” new album series by Desert Records

Desert Records is excited to announce a new compilation series called “Legends of the Desert”. The series kicks off on June 12th with the release featuring the split with Lord Buffalo (Austin, TX) and Palehorse/Palerider (Denver, CO).
Spanning seven albums total over the course of two years, the series will include legendary Desert Rock bands (to be announced) mixed in with new and upcoming bands.

“Legends of the Desert” meaning is a double entendre, with the most obvious referring to the legendary Desert Rock bands that will be featured throughout the series. The second meaning is “musical tales or legends of the desert”, reflected in the songs from all the bands.

The artist for the series will Joshua Mathus (Phoenix, AZ) , the creator of the comic Sherbet Lock and stunning album covers for bands over the years.

The albums will be released on limited edition 12″ Vinyl LP, deluxe CD, and on all digital platforms worldwide via Desert Records.

Each album release will be accompanied by the “Legends of the Desert release shows in each of the band’s cities.

Lord Buffalo / Palehorse/Palerider “Legends of the Desert” upcoming shows
June 26th – Albuquerque, NM – Sister Bar
June 27th – Denver, CO – High Dive

https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Lord Buffalo, Tohu Wa Bohu (2020)

Palehorse/Palerider, Fire Gone Out/Haxan (2019)

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Review & Full Album Premiere: Various Artists, Legends of the Desert Desertfest 12″

Posted in audiObelisk, Reviews on March 16th, 2018 by JJ Koczan

va legends of the desert 4 way split

For the last several years, German imprint H42 Records has partnered with Desertfest to create a special limited split release for in honor of the Spring festivals in London and Berlin. Past editions have included Karma to Burn and Sons of Alpha Centauri, Raging Speedhorn together with Monster Magnet, and Greenleaf locking heads with Steak — the tracks generally with some measure of exclusivity, be they previously unreleased, a remastered oldie (which I seem to recall was the case with Greenleaf), etc. In 2018, a year where the entire universe has unveiled its conspiracy against humanity to be completely overwhelming, H42 has also decided to up its game, though it does so in particularly serene fashion.

This year’s Desertfest split is titled Legends of the Desert, and in addition to jumping from 7″ vinyl to a full 12″, it also doubles the amount of acts included from two to four, bringing together the interrelated projects Fatso Jetson, Yawning Sons, WaterWays and Mario Lalli und Matthias Schneeberger to each present one cut seemingly representing one aspect or another of the Californian desert that the principle figures involved call home. Speaking of, while there are four groups included on Legends of the Desert, the platter is really telling the story of two key figures of California’s initial low desert rock scene in Mario Lalli and Gary Arce. Arce‘s trademark shimmering surf-derived guitar tone features on two of the four inclusions — Yawning Sons’ “Down in the Street,” and WaterWays‘ “Three Rivers” — while Lalli is aboard for three as a member of Fatso Jetson, WaterWays and of course his solo-project with Schneeberger, whose production work not only for Fatso Jetson but also the likes of earthlings?, Nick Oliveriand Gutter Twins, among many, many others, has made him a crucial presence behind the board in that scene.

As they should, Fatso Jetson lead off the proceedings with “Semi Lost,” which even if it weren’t the only track to include vocals would probably still be the catchiest song here. Aside from their “desert legends” status, which is basically irrefutable more than 20 years into their career, Fatso JetsonMario Lalli on guitar/vocals, Dino von Lalli on guitar, Larry Lalli on bass and Tony Tornay (now also of All Souls) on drums — have retained the experimentalist sensibility of their songwriting. As their last album, 2016’s Idle Hands (review here) reminded, their songwriting process is deeply varied, and as they open side A with “Semi Lost,” it’s a more laid back feel than some of their more forward punk-blasting groovers. Just so happens — total coincidence, I’m sure — that in addition to providing that landmark hook, it suits the vibe of the split really well.

Last I heard, Mario Lalli and Tony Tornay were both in WaterWays as well, featuring as the rhythm section alongside Gary Arce‘s inimitable guitar tone, derived from surf and goth rock but unmistakably of the desert itself. Though the two groups are very different, Arce serves as the uniting force between WaterWays closing out side A with the four-minute just-too-active-to-really-be-drift-but-kind-of-drifting-anyway “Three Rivers,” his guitar tone echoing out spacious as ever and evocative of the desert in a manner that groups from around the world have done their best to emulate and generally fallen flat in the effort. “Three Rivers” is resoundingly hypnotic, despite being just four minutes long, and though it’s twice the length and has a much fuller arrangement owing to the complete lineup of UK progressive instrumentalists Sons of Alpha Centauri, Yawning Sons‘ “Down in the Street” might dip lower in low end tone, but ultimately winds up in a similarly broad sphere, the ambience stretching out comfortably and patiently for the song’s duration, no less trance-inducing leading off side B than “Three Rivers” was in capping side A, though I will readily admit to being a sucker for Yawning Sons as I still consider their lone full-length, 2009’s Ceremony to the Sunset (review here, vinyl review here), among the finest releases Californian desert rock has ever produced. Anything new from them is welcome as far as I’m concerned.

Legends of the Desert ends with a particular note of intrigue in Mario Lalli und Matthias Schneeberger‘s “Spector,” which at 4:17 brings together the clear collaborative elements of the former’s guitar and the latter’s keys, but there are also drums and bass involved and I’m not sure who handled them. If it’s a studio project, it could’ve certainly been either party or someone like Tornay stopping through for the afternoon, but the real question is why “Spector” isn’t a Fatso Jetson song. Sure it’s instrumental, but Fatso Jetson have done plenty of instrumentals over the years, and Schneeberger, aside from producing, has been a regular guest contributor to their work. One can easily imagine, then, it was a conscious decision to adopt the Lalli/Schneeberger banner, and extrapolate from that the curiosity as to whether the two will collaborate directly on some future release apart from Lalli‘s work in Fatso Jetson, and what that might sound like. “Spector,” for what it’s worth, continues in the open-feeling spirit of Yawning Sons and WaterWays before it — a bit darker in tone — and whether or not it’s a harbinger of things to come, it makes a satisfying closing argument to Legends of the Desert, each side of which tells the tale of arid-climate-born fluidity and resonates with a creative force unlike anything from anywhere else. These Legends are still being told, still being shaped, but there’s no question that the impact they’ve had on the worldwide underground is massive, and if that’s what’s being celebrated here, you’ll get no argument from me.

I have the pleasure today of streaming the complete Legends of the Desert 12″, which officially releases May 4. You’ll find it below courtesy of H42 Records and Desertfest, and it is presented with my gratitude to both of them as well as to you for reading and listening.

Please enjoy:

DESERTFEST is just around the corner in May. 2018. For the past three years we contributed in collaboration with the DesertFest team the vinyl for the FEST. We decided to change the format into the 12″ vinyl format this year.

And what fits better to the DesertFest, as an album with bands with a very big relation to the ‘desert’? So we called the album LEGENDS OF THE DESERT (RELEASE MAY 4th 2018). For this fantastic vinyl we could won great bands and musicians, each of them with a previously unreleased song:

FATSO JETSON, YAWNING SONS, WATERWAYS and a solo project under the direction of MARIO LALLI & MATHIAS SCHNEEBERGER. As always ALEXANDER VON WIEDING was responsible for artwork and layout: a slightly variation of the original 7″ art.

Desertfest London website

H42 Records on Thee Facebooks

H42 Records on Bandcamp

H42 Records website

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