The Obelisk Show on Gimme Metal Playlist: Episode 46

Posted in Radio on November 13th, 2020 by JJ Koczan

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Here’s how I figure it. The usual episode of The Obelisk Show on Gimme Metal runs about an hour and 50 minutes. Somewhere between 1:45:00 and 1:50:00, anyhow. That accounts for two voice tracks each roughly three minutes long and whatever promo pieces they want/need to throw in between songs. Okay.

This episode is 1:56:00. So that’s the two voice tracks gone. There’s still some room for a few promo pieces, but I didn’t really feel like talking anyway. I felt like mellow psych jams and space rock, and dammit, that’s what I got. Honestly, if you were to hear me yammering on about how good Electric Moon or Mugstar are, it would add nothing to the experience of listening to the show. You know it and I know it. These jams, many of which are instrumental, speak for themselves, and by the time I got around to AXIOM9, my feeling was a fervent “screw it, go all in.” So we go from Causa Sui easing into the proceedings with the closing track of their just-streamed LP Szabodelico to the 45-minute epic exploration of the final included cut from the aforementioned AXIOM9. And if you’ve got a problem with it, well, you have my permission to go do something else with your life for these two hours. This is what I wanted this episode to be.

If you tune in, I hope you enjoy. Thanks for listening and reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 11.13.20

Causa Sui Merging Waters Szabodelico* 0:09:51
Mugstar Ghost of a Ghost Graft* 0:12:16
Hermitess Phone Call Celestial* 0:04:59
Electric Moon Increase Live at Freak Valley Festival 2019* 0:19:28
Øresund Space Collective Summit Four Riders Take Space Mountain* 0:21:20
Face Off September Machines* 0:03:22
AXIOM9 Cosmic Slime Space Debris* 0:45:23

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Nov. 27 (subject to change). Thanks for listening if you do.

Gimme Metal website

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Review & Full Album Premiere: Causa Sui, Szabodelico

Posted in audiObelisk, Reviews on November 11th, 2020 by JJ Koczan

causa sui Szabodelico

[Click play above to stream Causa Sui’s Szabodelico in full. Album is out Nov. 13 on El Paraiso Records and can be ordered here.]

Recorded over a period of months between 2019 and early 2020,  Sales Resources to WBS element. This question is Assumed Answered. AK K 23-May-2007 18:59 Can somebody tell me Where a Sales order is assigned to a Szabodelico — named for its own centerpiece track in homage to Hungarian jazz guitarist How To Write Proposal For Dissertation at our website and you will get best suggestions from our tor essay writing service. We can deal with all the types of dissertation topics! Gábor Szabó, see also second cut “Gabor’s Path” — revels a bit in its sense of disconnection, in the flourish each of its total 13 pieces brings on its own. And yet, with the long-established chemistry of Danish instrumentalists  Assignment Help Experts offer Online Assignment Help and essay on the principle of populations in Australia and US. Paper will be written by US and Australian Experts. Causa Sui behind it, and a stated focus on capturing early takes, minimal overdubs, recording themselves, etc., there is an overarching flow and immersion taking place over the 2LP’s 63 minutes that is unmistakable.  You can buy an essay with plagiarism-free, on-time delivery and 100% satisfaction guarantee. So Phd Dissertation Help Nash today for complete satisfactory work. Causa Sui are nothing less than a treasure of the European psychedelic underground. Their ongoing progression and exploratory impulses have in the past 15 years made them essential and influential listening, and as they’ve moved over the last half-decade toward bringing together tonal-presence-minded heavy psych and various manifestations of jazz, the “voice” they’ve found — such as it is with no vocals — has become their own in a way that is vibrant and encompassing.

Last heard from with 2017’s Grammar Chic, Inc. offers Written Essay Papers to busy professionals. We can accommodate a variety of writing & editing projects & same day service. Vibraciones Doradas With 3 levels of manuscript How To Write A Narrative Dissertation, Editage addresses the needs of all researchers. Choose from our comprehensive online editing services  (review here) and the http://gooddogmarketing.com/help-write-my-research-paper/ is a reliable and popular way to keep your grades safe and deadlines met. Make your order now and let us help you. Live in Copenhagen (review here) live album issued earlier that year, they bring a sense of grace and spontaneity to  mba admission essay buy answers. We have a highly professional and qualified writing staff. Our writers have great writing experience and always do their Szabodelico that transcends the stylistic shifts between ethereal free-jazz warmup in the opener “Echoes of Light,” spaghetti westernism on “Under the Spell” and organ/guitar call-and-response dueling on “Sole Elettrico.” There are a couple heavier-ish moments of distorted guitar and so on brought forth by guitarist  official site - Papers and essays at most attractive prices. 100% non-plagiarism guarantee of unique essays & papers. Benefit from our Jonas Munk, drummer  Best Essay About Life - Fast and efficient treatment that costs less. Moneysaving shopping for drugs at our pharmacy. Efficient medical care and full Jakob Skøtt, keyboardist  Textuar offers superior great post to read in India. As a skilled content writing company in India, we offer a range of content writing for online Rasmus Rasmussen and bassist  Why You Need Us for Your Research Paper On Solar Water Heater And Customer Relationship Management Service. Do you know how to tweak essay in the shortest time possible? Rewriting an essay requires someone who is Jess Kahr, to be sure, but  free essay writer online Where Can I Payroll Thesis Introduction how to write your dissertation 3 days master dissertationswriting a masters dissertation guide Szabodelico is more about mellow freedom. About finding out where you’re going when you get there. About playfulness and engaging with the creative process as it’s happening. It has become a pandemic-era cliché to note the additional poignancy of such things, so I’ll say instead that To provide a human powered Essay Writing Services In Kenya. Buy Rewrite-Related Services Starting at . Hire people to do Rewrite related work for , on. Causa Sui are simply unmatched when it comes to the melding of progressive spirit and instrumental conversation, and the patience of craft they display in these works is no less theirs than anything jammed out across the multi-part Looking for the Term Paper Methodology that delivers great quality for a low price? Our expert writers are waiting for your order! Summer Sessions series (review herediscussed here), their live outings, or their other studio work.

As one might expect, the album is structured to highlight the vinyl presentation. Each of the two component platters begins with a kind of introductory short work in the aforementioned “Echoes of Light” (2:33) and its dreamy, key-inflected side C counterpart “Honeydew” (2:58), which gives way with an especially smooth transition into “Lucien’s Beat,” suitably more percussive but still otherworldly. On the other end of these, rounding out sides B and D, are “Szabodelico” itself at 7:14 and the 9:52 album finale “Merging Waters.” The former builds up to become about as full-on rock as Causa Sui get throughout, so it’s only fitting that its companion should be as deeply entrenched in a liquid psychedelia as possible; the quiet lake as opposed to a flowing river, if we’re talking about water.

causa sui (Photo by Danny Kotter)

With the range Causa Sui demonstrate in cuts like the winding “Vibratone,” with its folk-boogie emergence marked out by waves of synth, or the quick cinematic krautrock excursion that is “Premonitions,” Szabodelico can be seen as unpredictable, and it is. On some level, it’s a collection of jams and quick installments gathered from multiple sessions and compiled together as a release. It’s inherent to the form that there would be disparity in purpose and delivery. The genius — and yes, I mean that — of the album is that it doesn’t hide from that so much as make it the point of the thing in the first place, so that each turn Causa Sui make becomes not a hardship for the listener, but a joy to relish along with the band. And on the most basic level of listening, when one puts on Szabodelico, it is anything but a challenge to make the leap from one song to the next. Each side and each movement occurs with such a sure and gentle guiding hand that to not follow where one is being lead is to fail as an audience. The answer is to go with it. Go with it and know it’s all going to work out because, yes, it absolutely does.

The trust is well earned on the part of Causa Sui, and will only be more so going forward because of the work they do on Szabodelico. It is a standout among their catalog of now-six full-lengths, various sessions-type offerings and sundry live albums, and is intended to be precisely that, right unto the ultra-chill percussion drips on “Rosso Di Sera Bel Tempo Si Spera” and the penultimate sunshine rocker “La Jolla” echoes and expands on some of the meditations in “Under the Spell,” bringing singular warmth ahead of the cool dive in “Merging Waters.” Wherever Causa Sui go in a given track, they go with purpose, even if that purpose is simply the going itself, and while some who’ve basked in their desert-style fuzz progressions might be surprised by what Szabodelico is doing, the basic fact of the matter is it’s not a high hurdle to jump.

That is to say, Causa Sui make it easy for the listener to expand their palette (and consciousness), to keep an open mind, because the material itself has such a correspondingly open approach. Maybe this is the band proving they can go anywhere. Maybe this is the shape of psych-jazz to come. Maybe it’s a one-off. You never really know with Causa Sui what direction their output might next take, and when the result of that is material like they bring to Szabodelico, which retains its vitality even at its most subdued and is lush without sacrificing the organic nature of its performance to craft a wash of effects, it is their righteousness reaffirmed. This record feels like a gift built by masters of the form, and it is precisely that. Whatever it may lead to, if anything, is for future hindsight to dictate. As of now, it is a welcoming for anyone ready to be welcomed.

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Esbjerg Fuzztival 2020 Announces Causa Sui to Headline

Posted in Whathaveyou on February 3rd, 2020 by JJ Koczan

Well that’s only appropriate. Causa Sui headlining Esbjerg Fuzztival 2020 in their native Denmark, on a bill that includes the likes of DhidalahSacri MontiVokonisHazemaze and Vinnum Sabbathi, among others? Yeah, that makes sense to me.

Given the recent stirrings in the Causa Sui camp — they’ll be at Sonic Whip in the Netherlands as well in May and Høstsabbat in Norway in October — and the fact that their last proper studio LP was Vibraciones Doradas (review here), which came out in 2017, I’m wondering if we won’t get a new record from them sometime this year. They’ve done a few reissues of late, with re-pressed Summer Sessions stuff and Free Ride (review here), but they’re probably due a new record at some point in 2020, if you believe in “due.” Could be the shows are a way of trying new material in front of a crowd, or could be it’s all already hammered out and ready to record, or could be recorded or could be they haven’t yet jammed out a note. We live in a universe of infinite possibilities, friends. Causa Sui‘s music is nothing if not a reminder of that.

I applied to cover Esbjerg Fuzztival 2020. Wrote a bio for myself — which was awkward in a hilarious, absurdist kind of way — as part of a grant application and everything. I haven’t heard anything about it so I’d assume it’s a no-go, and my travel schedule isn’t hurting at this point, but if it had happened, I know Causa Sui would be high on the list of reasons I’d be excited to make the trip. I put the entire El Paraiso Records playlist for the band at the bottom of this post, just to make your day better.

Enjoy:

esbjerg fuzztival 2020 causa sui

Causa Sui will HEADLINE Fuzztival 2020!

One of the biggest names in free-form jazz influenced instrumental heavy psych in the world will join our small fest! We’re still celebrating the news, and we imagine that you will too! This party will be absolutely legendary – hope to see you there!

Causa Sui consists of Jakob Skøtt, Jonas Munk, Rasmus Rasmussen and Jess Kahr, and have released eight albums since 2005. The trilogy set Summer Sessions that saw the band move away from the heavy-psych of their two first albums to more abstract, instrumental sounds that owes as much to electric Miles Davis or Can as to american stoner-rock.

Causa Sui’s sound has been described as the sound of a giant wave rolling up through the last four decades of rock.

TICKETS AVAILABLE AT www.fuzztival.com

Huset Esbjerg
May 8+9 2020

https://www.facebook.com/events/2277251089027506/
https://www.facebook.com/esbjergfuzztival/
https://www.fuzztival.com/

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Sonic Whip 2020 Completes Lineup; 1000mods, Causa Sui, Spaceslug, Samavayo & More Added

Posted in Whathaveyou on January 20th, 2020 by JJ Koczan

sonic whip 2020 banner

This looks like fun, simple as that. Well, maybe not three two-headed, four-armed, knife-and-pill-wielding snake beast on the poster. Though obviously cool looking too, that just kind of looks like it would kill you after opening your third eye. But the event itself, Sonic Whip 2020. That looks like a good time. It’s important to be specific about these things.

The Netherlands-based Spring festival to be held May 1 and 2 has completed its lineup, adding seven more names to an already impressive initial batch. Newcomers include Spaceslug, Big Business, and Greek heavy rock forerunners 1000mods, the latter whose addition to the bill makes me wonder if they’ll be on tour at the time, and if so, if their new album might be out to coincide. If that’s so, an announcement would be coming shortly, I’d think. An exciting prospect, whether it pans out that way or not.

You can see the full list of new adds and the complete final lineup below. Dig:

sonic whip 2020 finished poster

SONIC WHIP 2020 – NEW NAMES – LINE-UP COMPLETE

1000MODS (gr), Causa Sui (dk), Big Business (usa), Somali Yacht Club (ukr), Samavayo (ger), Netherlands (usa) and Spaceslug (pol) have been added to the line-up of Sonic Whip 2020.

With these last seven names the line-up is complete. We are proud to have been able to book these twenty artists for the upcoming edition. In our opinion a nice cross section of what the sonic and psychedelic -heavy rock- genre has to offer at the moment. From old heroes and established names to new artists who know how to push the boundaries again. Next to that also a number of special acts that can rarely be admired live in the Netherlands like Masters of Reality, Pissed Jeans, Causa Sui and Rotor. Look for the daily schedule on the website or event of Sonic Whip.

Day tickets: http://bit.ly/SonicWhip2020
Combi-tickets: http://bit.ly/SonicWhip2020Combi

Sonic Whip, the multi-headed rock monster that combines roaring guitars riffs with steaming bass lines, pounding drums and other sonic, psychedelic excesses, is preparing for the third edition. We kick off on May 1 with a pre-party deluxe in Doornroosje to completely unleash sonically on May 2 at the same location.

LINE-UP
MASTERS OF REALITY
KADAVAR
1000MODS
BRANT BJORK
CAUSA SUI
PISSED JEANS
BIG BUSINESS
ROTOR
SOMALI YACHT CLUB
MAIDAVALE
THE COSMIC DEAD
SAMAVAYO
SACRI MONTI
FORMING THE VOID
ACID ROOSTER
SPACESLUG
GUM TAKES TOOTH
NETHERLANDS
BONNACONS OF DOOM
DHIDALAH

https://www.facebook.com/events/427908701471605/
https://www.facebook.com/Sonicwhipfestival/
https://www.instagram.com/doornroosjenl/
https://www.doornroosje.nl/event/sonic-whip-2020/

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Høstsabbat 2020: Causa Sui Join Lineup

Posted in Whathaveyou on December 18th, 2019 by JJ Koczan

So it turns out that life’s awesome. My proof, you ask? Well, Causa Sui are going to play Høstsabbat 2020. I’ve been invited for what will be my fourth trip to Oslo for the festival held at Kulturkirken Jakob and you bet your ass I’m going. After seeing Colour Haze and Ufomammut there this year and Elephant Tree, pre-album-release SÂVER and Slomatics, Conan and Siena Root in years past, I had my suspicions that maybe things weren’t as horrendously awful as I’ve always made them out to be, but I feel like the fact that I’m finally going to see Causa Sui play live confirms it. They’ve been a bucket-list band for me for years, and unless a piano falls on my head between now and then, it’s finally going to happen. I cannot wait.

They join recent-additions Novarupta as well as Mars Red Sky, Gösta Berlings Saga, Obliteration and Superlynx in the still-building lineup. Frankly, if it was just Causa Sui and Mars Red Sky, it’d still be worth the flight to Norway, but like the anticipatory days between now and next October, it’s just all the more to sweeten the deal. Get stoked. Get tickets. See you there.

Can’t wait:

Høstsabbat 2020 causa sui

Høstsabbat 2020 – CAUSA SUI (DK)

One more before the holidays!

Causa Sui has been on the Høstsabbat wishlist for quite some time now, and yes, it finally worked out.

The experience of Causa Sui stands in huge contrast to what we’re currently dealing with here in Oslo. Rain, fog and altogether shitty weather. Put on one of the 12 records released since 2005 by these Danish instrumental psych/kraut rock legends, and they will teleport you to a hot summer day, with a salty breeze following the waves rolling across the beach.

Causa Sui blends kraut, psych, boogie and classic-style riffs with a somewhat quintessential sound of what stoner rock used to be back in the desert generator daze. It’s hard to grasp that they’ve never been to Norway before, given that Causa Sui has taken part in pretty much every underground festival there is across Europe. Well, now they’re coming to Høstsabbat.

It’s with great pleasure we’re able to announce one of the most requested bands of our crowd.

From all of us to all of you, welcome Causa Sui.

https://www.facebook.com/events/431138574088425/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

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Jonas Munk & Nicklas Sørensen to Release Always Already Here in August

Posted in Whathaveyou on July 4th, 2019 by JJ Koczan

Alright, now you listen to me because I’m probably only going to say this seven or eight more times. You set some silly little alert on your phone or you sign up for an email list from El Paraiso Records or you do whatever you have to do, and when Jonas Munk & Nicklas Sørensen‘ debut collaborative album, Always Already Here, is back in for preorder, you get that order in and you make that happen, because it’s the only way they’re going to keep doing records together and FOR THE SAKE OF ALL HUMANITY, that is a thing we very much want. Munk, of course of Danish heavy prog-psych instrumentalists Causa Sui, and Sørensen, of countrymen expansive jammers Papir, have both done solo outings through El Paraiso in the past, and that’s super, but if you’re curious why I might be approaching this topic with such a measure of urgency, listen to the track “Shift” below. True, it’s only one song, and I’m sure it doesn’t necessarily speak to the character of the entire album, but god damn it, this is the kind of shit that when the aliens come to destroy our species because we wasted the planet, we’ll be able to point to and say, “Yeah, but some of us made this stuff,” and maybe, just maybe, get away unvaporized.

Release date is Aug. 16.

Make it so:

jonas munk nicklas sorensen always already here

Jonas Munk & Nicklas Sørensen: Always Already Here

We’re proud to announce this collaborative effort from Jonas Munk (Causa Sui) and Nicklas Sørensen (Papir), out August 16th! Read more and swim away in the 10 minute opening track here.

Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music – both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation.

Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic music and kosmische (Brian Eno, Manuel Göttsching), still it doesn’t sound derivative or retrospective. The type of hypnotic bliss Munk and Sørensen strive for is distinctly timeless.

https://www.facebook.com/elparaisorecords
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https://elparaisorecords.com/

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Causa Sui, Free Ride: Enduring Vibe

Posted in Reviews on November 7th, 2018 by JJ Koczan

causa sui free ride

If you only know Causa Sui through their latter day work in their Summer Sessions series (review herediscussed here), or on their 2016 and 2017 studio albums bringing together heavy psychedelic exploration with progressive krautrock/jazz fusion, Return to Sky (review here) and Vibraciones Doradas (review here), a revisit to 2007’s Free Ride is going to highlight just how different a band they’ve become in the ensuing 11 years. Out of print in its original edition as their first outing for Elektrohasch Schallplatten following their 2005 self-titled debut on Nasoni (some day that CD will be mine), Free Ride is given a new art treatment in 2018 to bring its original cover in line with the aesthetics of their imprint El Paraiso Records and is presented as a 71-minute 2LP remastered by the band’s own Jonas Munk that includes a side D comprised entirely of a 19-minute rendition of the song “El Paraiso” for which the label is named, recorded live at Roadburn 2007.

The inclusion of that signature piece has been listed as the definitive version, though it’s also appeared on the band’s live outings, 2014’s Live at Freak Valley (review here) and 2017’s Live in Copenhagen (review here), so indeed it’s a staple of their performances. And it’s not a minor inclusion here, even next to Free Ride closer “Newborn Road,” which consumes side C and is 15 minutes long, but it doesn’t necessarily define the vibe of the album itself. That work is done more by the way the album unfolds with the increasing immersion of its side A, with the acoustics of the opening title-track leading to the spacier push of “Lotus” and the fuzzy-crunch into spacious, Made in Japan-style buildup of “White Sun.” That song is a riot and has been for 11 years, but again, for those who’ve taken on Causa Sui really at any point since the release of 2013’s Euporie Tide (discussed here), Free Ride is going to be a surprise in its rock-based sound and even more for the inclusion of vocals.

Understand, it’s not a completely different sonic context, and with cuts like “White Sun,” side B leadoff “Passing Breeze” and “Newborn Road” ranging upwards and north of 10 minutes apiece — not to mention “El Paraiso” as a bonus track pushing the outing to eight songs in 71 minutes — the adventurousness of sound for which Causa Sui have become known is still visible in hindsight in this material. Even “Free Ride” and the easy-flowing “Flowers of Eventide” that caps side B with its acoustic guitars, flutes and tambourine speak to the open vibe with which the Copenhagen-based outfit were working at the time, but the presence of Kasper Markus on vocals as frontman along with Munk (who also recorded, mixed and mastered the album originally) on guitar, organ, electrics and vocals, bassist Jess Kahr, drummer/percussionist/cover artist Jakob Skøtt puts Free Ride roundly in the territory of heavy psychedelia. The classic boogie on “Lotus,” the atmospheric organ work on “White Sun,” the sweeping fuzz, drift and final culmination of “Newborn Road” all seem to commune with a heavy ’70s mindset, but at the same time it’s impossible to ignore the influence of what was then Europe’s burgeoning heavy psych scene, and I don’t think we’re meant to.

causa sui free ride lp

In the guitar tones, in Markus‘ vocal approach and in the propensity for fluid, well-directed jamming, Free Ride has always been a smooth fit in the Elektrohasch canon of the time, along with records by Colour Haze, Josiah and even The Kings of Frog Island, which isn’t to mention others like Sgt. Sunshine or fellow Danish groups Gas Giant and the more garage-minded Baby Woodrose. What distinguished Causa Sui then still distinguishes them now: their instrumental chemistry. Listening to the winding blast of fuzz in “El Paraiso” or the sheer forward movement of “Lotus” earlier in the record, the foundation of what the band has become in the years since is right there in the work of Kahr, Skøtt and Munk. They’d go on to develop it in various directions, of course, but there’s no taking away from the prowess or how well they work together on Free Ride, the live-sounding production of which is organic enough to transition easily into “El Paraiso” such that it feels more like the closing of a set than the end of an album.

And of course, underscoring the instrumentality of a reissue from a band who’d go on to work instrumentally is a good deal of historical lensing, but that’s not to take away from what Markus does on vocals either. He’s a significant contributor to the heavy psych feel of these tracks, whether it’s the echo stretching out to lead into the midsection jam of “White Sun” or his standing out front of the charge of the raucous fuzzer “Top of the Hill,” providing a human anchor to the frenetic momentum built as the track shifts into its second-half nod-out. Markus had appeared on the self-titled as well, and at the time it wasn’t known this would be his final studio offering with them so this isn’t like a guest dropping by the studio and, “Oh hey, while I’m here I’ll be the frontman.” He was a member of this band, and especially in that light, including the “El Paraiso” recording from Roadburn seems prudent, since it so excellently captures this form of Causa Sui on stage, which is clearly how they were meant to be experienced given the live feel of the recording itself.

But if Free Ride is arguing in favor of its listeners showing up to a Causa Sui gig, one can only count that point as having been made in the years since, given their position at the forefront of Europe’s heavy psychedelic underground, their fostering of acts through El Paraiso RecordsMunk and Skøtt‘s solo work, etc. They are, in fact, relentlessly creative, and what this reissue does — aside from the simple fact of making the album available again; which is enough reason on its own for it to exist — is capture that creativity as it was just beginning to bloom. A year later, they’d start their Summer Sessions series and continue it through 2008-2009, and from there expand their sound immensely as their interests led them along various other directions for the Pewt’r SessionsEuporie Tide and their work since. What Free Ride does, though, is present one of the two examples of the foundation from whence that expansion grew, and whether being viewed as a document of modern heavy psych in the making or just as a killer heavy rock record with immersive jams, natural tones and a soulful vocal and instrumental execution, there’s no question it stands up to the 11 years since it first arrived.

Causa Sui on Thee Facebooks

El Paraiso Records

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SonicBlast Moledo 2018, You Broke My Heart.

Posted in Whathaveyou on May 10th, 2018 by JJ Koczan

Alright, book my flight. I’ll crash on somebody’s couch; I don’t care as long as there’s wifi. SonicBlast Moledo 2018, you’ve won my heart. 1000mods, Causa Sui, Samsara Blues Experiment and The Atomic Bitchwax on the same bill? By the beach? Plus Atavismo and Earthless and Nebula and Naxatras and Conan are playing? Come on. It’s like the people who put this fucking thing together all sat around a table and said, “What’s gonna make that dickweed from that shitty American website really wish he could come to Portugal in August?”

Note: I’m not actually narcissistic enough to believe that happened — though if it was going to, it would definitely be that phrasing — but yeah, wow. It’s pretty hard to stare at this lineup and process it as something I have zero chance in hell of experiencing for myself. What a bummer. If you make it to Moledo, I hope you fucking treasure it. Because you should.

Gadzooks:

sonicblast moledo 2018 header

SONICBLAST MOLEDO 2018

Stoner Doom Psych Heavy – Sea Beach Camping Pool Surf Skate

With the dates settled for August 10th and 11th, the eighth edition of SonicBlast Moledo is stoked to announce Causa Sui, Samsara Blues Experiment, 1000mods, Mantar, The Atomic Bitchwax, The Black Wizards, Solar Corona and Greengo! They join the previously confirmed acts Earthless, Kadavar, Nebula, Conan, Ufomammut, Naxatras, Purple Hill Witch, Atavismo and Ruff Majik!

They could be simply described as Psychedelic Rock, however Causa Sui goes far beyond the term. With more than eight albums released, the Denmark’s group creates a distinctive musical universe with diverse influences such as Krautrock, Progressive Rock, Stoner or Jazz, in order to achieve unique instrumental feats. Their first performance ever in Portugal, for one of their rare concerts during the year, could not be more expected.

Six years after their debut in Portugal, right at the second edition of SonicBlast, the German trio Samsara Blues Experiment is preparing to make the long-awaited return to Moledo. Considered one of the greatest precursors of the European Psychedelic Stoner, the group brings now with them their latest album “One With The Universe,” one of the most acclaimed records within the genre last year, which shows the band’s full maturity and their way to outdo themselves.

Formed only by two elements, the German Mantar view their sound as a brutal sonic destruction, where genres like Doom, Black Metal and Punk unite in a primal rage. On the road since 2013, the duo has released three albums, one of them being recorded live, demonstrating the hard work they’ve done over the past years. Their concerts are known for being absolutely demolishing and intense, which manage to elevate the duo name to another level. Forget about Rock ‘n Roll, this will hurt!

Recognized as one of the most important bands within the Stoner Rock universe, 1000mods return to Portugal with the aim of showing the overwhelming power of their fuzz. Hailing from southern Greece, the quartet already counts with three EP’s and three albums, several European tours and a North American tour. From their live concerts, we can only expect one thing; an astounding and memorable experience.

Present at the festival back in 2014, the power-trio The Atomic Bitchwax, visit us again to spread a great amount of “Super Stoner Rock”. This time, the North Americans Finn Ryan, Chris Kosnik and Bob Pantella (also from Monster Magnet) bring with them their seventh studio album “Force Field”, a refreshing and stimulating record, where Psychedelic influences and Rock n ‘Roll are never missing.

The Black Wizards are no longer unknown to the majority fans of the Heavy Rock subculture, whose immense work evidences their enormous value and dedication to their music. With their undisputed talent, they can skillfully play blues, psychedelic or sheer rock n’ roll, as it’s well demonstrated on their latest album “What the Fuzz”.

From Barcelos to Moledo, Solar Corona arrive moved by cosmic psychedelia and spacey grooves. Now counting with a new rhythm section, the trio certainly knows how to induce each listener into a increasingly hypnotic atmosphere, which will guarantee a monumental musical journey.

Born between the union of massive fuzz noise and greenish fumes, the duo Greengo practices a Sludge Stoner Metal filled with massive riffs, dominant vocals and trembling sonic vibrations, capable of shaking any stage where they appear.

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1000mods, Repeated Exposure To… (2016)

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