The Obelisk Show on Gimme Radio Playlist: Episode 32

Posted in Radio on April 17th, 2020 by JJ Koczan

the obelisk show banner

Last episode, I did comfort songs the whole way through, new stuff and old, and at the risk of saying something remotely nice about myself, I thought it was the best show I’ve ever done. This time, of course, something completely different.

Yeah, the theme is still affected by the COVID-19 pandemic — how could it not be? — but it’s basically me reminding myself that when times are hard, harder, harder than that, still harder, okay-hardest-my-head’s-gonna-friggin’-explode-make-it-stop-make-it-stop, there’s still new music and new music is still awesome.

So here we are. Brand new tracks from Curse the Son, Vine Weevil, Ten Foot Wizard (who emailed me as I was putting the playlist together, as though to emphasize the point), Witchkiss, Dopelord, Nighthawk & Heavy Temple, The Mountain King, High Priestess, Wight, Marmalade Knives, Kanaan, Frozen Planet….1969 and The Swell Fellas. Some of this has been streamed here, some of it hasn’t, but it’s all new and it’s all excellent and I found that this week, at just this particular moment in time, that’s what I needed. It’s that simple, and I hope you can relate.

Thanks for listening if you do. I hope you enjoy. Or even if you just look at the list and find something new to dig on, I hope you enjoy that too. Thanks.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 04.17.20

Curse the Son Suicide by Drummer Excruciation*
Vine Weevil You are the Ocean Sun in Your Eyes*
Ten Foot Wizard Namaste Dickhead Get Out of Your Mind*
BREAK
Witchkiss Splitting Teeth Splitting Teeth*
Dopelord Doom Bastards Sign of the Devil*
Nighthawk & Heavy Temple Astral Hand VA – Women of Doom*
The Mountain King As Below, So Below Wicked Zen*
High Priestess Invocation Casting the Circle*
BREAK
Wight Motorgroove Spank the World*
Marmalade Knives Rivuleting Marmalade Knives*
Kanaan O?resund Double Sun*
Frozen Planet….1969 900 Mile Head Rush Cold Hand of a Gambling Man*
The Swell Fellas Scatterbrain The Great Play of Extension*

The Obelisk Show on custom feature box thesis weblink order argumentative essay how to write good application essay Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 1 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , , ,

The Obelisk Show on Gimme Radio Playlist: Episode 29

Posted in Radio on March 6th, 2020 by JJ Koczan

the obelisk show banner

Everything here is new. All of it. I didn’t do a classic track or anything like that. Just straight up new music. This playlist originally started coming together before I did the last episode, and I wound up scrapping it and going with the  essay help chats.Write my paper apa style.2co Comeducators 877 294 0273 Oh.Write my paper for.Buy literary analysis essay Reed Mullin tribute instead. Certainly no regrets there, but it’s not like I didn’t want to play new Are you stuck in writing a business plan? We offer the best Professional http://crsad.qc.ca/?1075 online. Candlemass, so here it is a couple weeks later.

So everything is new. Some of it is instrumental. click here - Stop receiving bad grades with these custom essay recommendations receive a 100% authentic, non-plagiarized dissertation you could Cegvera, From time to time, I get letters from people thinking seriously about becoming College Essays University Of Chicago. Some have no idea how to start; some have started but want to know how to get better. I usually respond with a hasty email, so that I can get back to figuring out for myself how to be a science writer. Kanaan, Help Homework J E Richards - experience the merits of professional custom writing assistance available here Proposals, essays & academic papers of top quality. Saturno Grooves and try here for all industries and experience levels. Start with a free CV review from one of our professional CV writers, for an interview winning CV. Kungens Män at least, and if I think a full two-hour show with 13 songs might be the fewest I’ve ever done, which means that, on average, these are the longest songs. Whatever. I thought the show hit a good flow with some rocking stuff early in new Can someone Addis Ababa University Electronic Library Thesis And Dissertation - Essays & dissertations written by high class writers. Only HQ academic services provided by top specialists. Qualified Geezer and the Maryland doom of We offer affordable Research Papers Finance with proven results. Let our professional business plan writers to Create a full-circle business plan Galactic Cross, gets super-heavy for a minute and then trips out, but whatever. If you don’t agree, don’t listen I guess. I don’t get ratings figures or anything, but I don’t imagine I’m busting the doors down at  What does the http://diakonus.gorogkatolikus.hu/?personal-statement-assistance offer? We complete the data input and report writing for you, whilst you retain and advise your client. We can Gimme Radio every Friday at 5PM.  I know that’s drive-time, but do the ancient ways of broadcast timeslots still apply when people are using apps to hear it? Rest assured, I have no idea.

Either way, thanks if you can listen. Sorry to be a bother if you can’t. If you want to look at this is as a list of bands I think you should check out, then fine. I ain’t trying to sell anyone anything, but of course appreciate your support.

The Obelisk Show airs 5PM Eastern today at http://gimmeradio.com

Full playlist:

The Obelisk Show – 03.06.20

Geezer Dig Groovy*
Galactic Cross Spellbound Galactic Cross*
Candlemass The Pendulum The Pendulum*
DOOL Sulfur & Starlight Summerland*
BREAK
Cegvera Red Swarm Beyond The Sixth Glare*
Dwaal Like Rats Gospel of the Vile*
Voidlurker Rotten Seed Industrial Nightmare*
Ryte Monoilth Ryte*
BREAK
Kanaan Seemingly Changeless Stars Odense Sessions*
Saturno Grooves Forever Zero Cosmic Echoes*
Foot Green Embers The Balance of Nature Shifted*
Humulus Hajra The Deep*
BREAK
Kungens Män Trappmusik Trappmusik*

The Obelisk Show on Time to Get Dissertation Strucutre Online! Writing a dissertation is a tough thing to do, isnt it? But what to do if you cannot cope with it, and still you Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is March 20 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , ,

Kanaan, Odense Sessions: Consecutive Seconds

Posted in Reviews on February 27th, 2020 by JJ Koczan

kanaan odense sessions

On the Danish island of Funen, westward across the Storebæltsbroen from (old) Zealand and Amager, where Copenhagen is located, is the city of Odense. The city is home to, among other things, the studio of  Order case study written from scratch according to your educational requirements; make use of a Helpful Hints Format In Writing A Paper for students of all academic levels Jonas Munk, who is best known for his guitar and production work as a part of Danish psych-desert-jazz pastoralists  Speedy Essay is a top leading online firm in UK to write your essay soundly. Just ask us, please my link and get quality cheap paper on-time. Causa Sui, as well as his solo work and efforts as a part behind the scenes of  How To Write A Resume Paper - Making a custom dissertation means work through lots of stages Entrust your task to us and we will do our best for you El Paraiso Records. The label released the debut album from Oslo, Norway’s Buy Cheap Papers Where to find http://www.silenzio.fr/site-of-people-who-do-homework/ writing services? Cheap turns out to be expensive if one is not careful. And if so did anyone think Kanaan, Windborne, in 2018, and for the follow-up, Munk not only helmed the recording in Odense, but sat in on guitar on each of the LP’s four tracks, adding to the semi-improvised fluidity of guitarist Ask Vatn Strøm, bassist Eskild Myrvoll and drummer Ingvald André Vassbø and further fleshing out the 46-minute instrumentalist set that speaks less immediately to the nuance and bop of jazz than to the atmospheric reach of psychedelia, and while particularly the 14-minute capper “Urgent Excursions to the Tundrasphere” has underlying motion in its steady punctuation of snare and the entire album prior wants little for movement, the overarching vibe of Odense Sessions is much more about casting a laid back, serene immersion for the listener.

I’m not sure it’s fair to call Odense Sessions hypnotic, since Kanaan and Munk aren’t exactly working toward simply inducing a trance either on their audience or entirely on themselves, but the nature of its flow and the ease-into-groove it hones ahead of its last freakout is such that, should one want to put it on and simply check out mentally for three quarters of an hour, it’s certainly possible to do so. At the same time, the longform liquefaction of “Seemingly Changeless Stars” (11:51) at the outset brings a gorgeous sense of drift to the album’s beginning that is nothing if not worth conscious attention. The trio-plus-one build into a procession that very much works in that vein, with one guitar following the bass and drums while the other peppers with ambience and weaves around the central rhythm being crafted. By the time they’re five minutes in, Vassbø‘s drums have grown louder and the guitars more prevalent — bass is steady, an anchor, present, not staid; could be louder in the mix but I almost always say that about everything — and the smoothness of the build is more apparent, even as it continues to mount.

Payoff arrives circa 10 minutes in with the inclusion of what sounds like Mellotron but might just be synth, but it’s important to note that the peaceful feel with which the song started remains, even as the wash is at its most fervent in “Seemingly Changeless Stars” before it drops back to standalone guitar and the drums begin the 8:11 “Of Raging Billows Breaking on the Ground” (there’s that bass). The later moments of Windborne dug into riffier fare, so it’s not out of character for Odense Sessions to do so either on its only track under 11 and a half minutes long, but the side A closer soon enough transitions into its own outward exploratory motion and the question becomes whether or not Kanaan are going to shift back to that central riff they introduced earlier. They don’t make the listener wait to find out, as at about five and a half minutes in, the figure returns as the bed beneath an overarching drift of lead guitar — one presumes that’s Munk while Strøm is holding down the rhythm, but it could just as easily be the opposite — and takes hold again of the proceedings in a triumphant return during the final minute in a skillfully executed blend of improvisation and structure. It is pulled off righteously and ends the first half of Odense Sessions on a high note.

kanaan (Photo by Jenny Berger Myhre)

Side B is the longer of the two on the LP, but that seems unlikely to cause complaints as “Vacant Spaces” (11:39) and the already-noted “Urgent Excursions to the Tundrasphere” begin to unfold, the former starting off in mirror fashion to “Seemingly Changeless Stars” with a quiet stretch of interweaving guitar lines and a could-listen-to-it-all-day peacefulness of mood that is genuinely affecting. Myrvoll and Vassbø pull together a subdued swing behind the two guitars that is not to be understated for how effective it is in carrying the proceedings forward and engaging the listener in the spirit of the song. Four minutes pass like it’s nothing, then five, and as they move toward six, the linear build becomes more apparent, and though it’s a bittersweet to let go of the stillness and the meditative moment at the beginning of “Vacant Spaces,” the track moves through a slowly rolling motion that is still kind of an understated crescendo, worthy of its beginning and not at all overdone, but definitely a journey from one end to the other. One might say the same of the closer, or the album as a whole, and not be at all incorrect.

It would seem to be the aforementioned snare that earns the word “urgent” in the title of “Urgent Excursions to the Tundrasphere,” while the “excursion” in question is obviously the all-go-all-gone sensibility of the improvisational undertaking and the “Tundrasphere” perhaps an acknowledgement of Kanaan‘s northern origins and the nonetheless spaced-out spirit they case. A central difference between Odense Sessions and Windborne is in the simple rawness of the tones on the earlier release. The guitar, even when not casting thicker riffing, could have a bite to it that Odense Sessions trades out in favor of the warmth that, even as the finale shifts to its most active riffing and soloing, is maintained. Loud or quiet, it’s not a challenge to hear the fruit borne of the collaboration between Vassbø, Strøm, Myrvoll and Munk, and as “Urgent Excursions to the Tundrasphere” hits its peak with its howls of synth and guitar and tom fills, it’s worth noting that Kanaan once more bring it back to ground to close out not on a raucous note, but a peaceful one, spending the last three minutes of the song in a sunshiny soundscape that, while still perhaps reeling from the tension prior, is purposefully removed from it.

That ending is fairly earned and wholly satisfying, and one only hopes that whatever Kanaan do next — whether it’s in collaboration with Munk, anyone else, or on their own — they take the experience of Odense Sessions and learn from it as they move forward. Given the inclusion of a fourth personage here, it’s hard to relate the LP directly to Windborne in terms of an overall progression of the band, but even the fact of their willingness to explore beyond their own bounds speaks to their open creative spirit, and that can only continue to serve them well. It definitely does in these tracks.

Kanaan on Thee Facebooks

Kanaan on Soundcloud

El Paraiso Records on Thee Facebooks

El Paraiso Records on Instagram

El Paraiso Records website

Tags: , , , , ,

Høstsabbat 2019 Adds All-Norway Stage at Second Venue; Barren Womb, Magmakammer & More to Play

Posted in Whathaveyou on February 28th, 2019 by JJ Koczan

hostsabbat 2019 banner

Since its first iteration, the Oslo-based fest Høstsabbat has made a point to be supportive of the native-Norwegian underground. This coming October, they’ll up the stakes in that regard by adding a whole new stage and venue to the proceedings. For a show that takes place in a spot that already has two stages and, well, there just happens to be a third right across the street that has another one, it’s a natural kind of growth to happen. Barren WombGolden CoreSuperlynxMagmakammerOrsak:OsloAcârashKanaan, Astrosaur and Subnoir will hold sway over the new stage and in addition being a badass homage to the festival’s home city and country — though I wouldn’t have minded seeing SÂVER added again now that their record will be out — and while I’m not sure how the timing will work out with the two stages back at the Kulturkirken Jakob, that’s a chance for someone like me coming from outside or even for someone from Norway unfamiliar, to get a lesson in what the scene there is all about. It’s an opportunity.

Announcement from the fest follows:

hostsabbat 2019 norway stage 2

As Høstsabbat has been growing over the years, since our humble start in 2013, our intentional focus on showcasing the Norwegian underground has lost turf to bigger acts from foreign countries. It’s been super fun to be able to book top shelf bands from different corners of the world, but it’s no secret that our focus on the always brimming scene in our native country has lost ground.

Fear no more!

Høstsabbat 2019 will include a third stage, at the awesome bar and stage at Verkstedet Bar, literally a 30-second walk from the church. This stage will consist of Norwegian bands ONLY. After months of planning, we feel we have captured the essence of bands, set to break through to the next level. It’s hard to describe the quality and diverse impact of this stage, and we would like to thank all the bands for making this vision become reality.

It’s a tremendous joy to welcome these nine acts to Høstsabbat 2019, illustrated on a stunning poster by the incredibly talented Trine Grimm (Trine Grimm Tattoo), who is also set to curate the art program this year, alongside our long-time companion Linda K Røed!

There you go, Boom!

Bands:
Barren Womb
Golden Core
Aca?rash
Superlynx
Magmakammer
Astrosaur
Orsak:Oslo
SUBNOIR
Kanaan – Band

FESTIVAL TICKETS
http://bit.ly/HSfestivalpass

SPOTIFY PLAYLIST – HØSTSABBAT 2019
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Superlynx, “Hex” official video

Tags: , , , , , , , , , , , ,

Track Premiere: Brown Acid: The Fourth Trip Sampler Megamix by Ben Westbeech

Posted in audiObelisk on April 11th, 2017 by JJ Koczan

brown-acid-the-fourth-trip

It would’ve been really easy for the Brown Acid compilation series to go the way of many, many others in either becoming academic retreads or simply fizzling out. Much to its credit, it’s done neither. Brown Acid: The Fourth Trip, out April 20 via RidingEasy Records, is as the title suggests the fourth installment in the collection focused on the years immediately following the heyday of psychedelia — circa 1970-1975 — which it has alternately called the “comedown era” or, as on the cover here, the “Underground Comedown.”

Whatever the name given, it’s that vision of the early ’70s that we see Johnny Depp as Raoul Duke explain in Fear and Loathing in Las Vegas: the darker years that followed in the wake of the Summer of Love when the war kept going and distortion got meatier. Brown Acid: The Fourth Trip basks in this vibe in the heavy blues of “Carry Me On” by Headstones and “Oceans Inside Me” by Stone Garden and groups included like Bungi, Axas and Zekes — the latter who are making their second appearance in the series with the eight-minute, cowbell-infused, Leaf Hound-style raw jam “Comin’ Back” at the outset of side B — set up a flow across the 10-track/35-minute LP span that’s as much about feeding one groove into the next as it is giving its audience of the converted among the converted a “betcha never heard this before” challenge. To wit, the full tracklisting:

VA, Brown Acid: The Fourth Trip:
01. Kanaan, “Leave It”
02. Stone Garden, “Oceans Inside Me”
03. Headstones, “Carry Me On”
04. Wrath, “Rock ‘n’ Roll Fever”
05. Bungi, “Numbers”
06. Erving Forbush, “The Train”
07. Zekes, “Comin’ Back” (previously unreleased)
08. Bad Axe, “Coachman”
09. Ash, “Warrant”
10. Axas, “Lucifer”

As ever for Brown Acid, the prevailing sensibility throughout is one of careful curation made to sound like someone’s just putting on rad singles they found one after the other, like a DJ set where the guy actually out-obscures the room instead of just putting on Atomic Rooster‘s “Death Walks Behind You” and desperately looking around for knowing nods of approval. Working in tandem with Los Angeles’ Permanent RecordsRidingEasy sets up these rarities not to show them off as trophy acquisitions, and not as lessons for their audience in the origins of riffs — because damn it, by now the audience for this stuff knows where riffs come from — but as explorations of cool heavy vibes and songs that kick ass.

I’m not even sure how, but Brown Acid: The Fourth Trip manages to be the heavy ’70s “lost tracks” comp that doesn’t come across as self-important or over-inflating in terms of its celebration of its contents. Nobody’s claiming the wah-soaked leads of Kanaan‘s “Leave It” invented anything. Nobody’s shying away from how much Axas‘ “Lucifer” owes directly to Black Sabbath‘s “N.I.B.” All that stuff is right there for the listener to hear. Whether it’s the motor-chug of Wrath on “Rock ‘n’ Roll Fever” (they have pills for it now), or the crotch-thrust boogie of Erving Forbush‘s “The Train,” the progression of songs wants neither in energy nor flow, and that only serves to emphasize the underlying effort put into making this chapter in the apparently-ongoing series. They make it sound easy. One doubts it actually is.

To herald the comp’s arrival — again, on April 20 — RidingEasy and Ben Westbeech have put together a 12-minute sampler platter of what’s in store on Brown Acid: The Fourth Trip, and today I have the pleasure of unveiling the thing, which runs through the included tracks and ties them together with old biker-movie samples (which are not actually featured on the comp itself). You can check it out in its entirety below, followed by more info from RidingEasy off the PR wire about the process of making this beast happen.

Hope you enjoy:

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

RidingEasy Records website

RidingEasy Records on Thee Facebooks

RidingEasy Records on Twitter

RidingEasy Records on Soundcloud

Tags: , , , , , , , , , , , , , , ,

Brown Acid: The Fourth Trip Due April 20

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

RidingEasy Records returns in April with another dose of scuzzer-fuzz and proto-everything on Brown Acid: The Fourth Trip. In collusion with Permanent Records in Los Angeles, the latest in the apparently-ongoing series of oh-so-delightfully-obscure 45RPM singles and lost odds and ends from the late ’60s and early ’70s deep-dives once more into the roots of what we think of today as heavy, and comes out with a collection worthy of collectors, as the raw buzz of opening cut “Leave It” by Kanaan — which you can stream below, because it’s a whole past-meets-the-future thing, man — makes as plain as the melting face on yonder assortment of skulls. Vibe, vibe, vibe. How long can they keep the streak going?

Call it ripe for the diggin’, and then dig in. PR wire info follows:

brown-acid-the-fourth-trip

Brown Acid: The Fourth Trip compilation coming 4/20

Rare 60s-70s pre-metal, hard rock singles curated by L.A.’s Permanent Records & RidingEasy Records

L.A. label RidingEasy Records and retailer/label Permanent Records announce the upcoming release of the 4th edition in their celebrated compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid today with a premiere of the first track. Hear and share Kanaan’s “Leave It.”

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

Artist: Various Artists
Album: Brown Acid: The Fourth Trip
Label: RidingEasy Records
Release Date: April 20th, 2017

01. Kanaan “Leave It”
02. Stone Garden “Oceans Inside Me”
03. Headstones “Carry Me On”
04. Wrath “Rock N’ Roll Fever”
05. Bungi “Numbers”
06. Erving Forbush “The Train”
07. Zekes “Comin’ Back” (previously unreleased)
08. Bad Axe “Coachman”
09. Ash “Warrant”
10. Axas “Lucifer”

http://www.ridingeasyrecs.com/
https://www.facebook.com/ridingeasyrecords/
https://twitter.com/EasyRiderRecord
https://soundcloud.com/easyriderrecords/

Tags: , , , , , , , , , , , , , , ,