Quarterly Review: Total Fucking Destruction, Hippie Death Cult, The Cosmic Dead, Greenthumb, Elepharmers, Nothing is Real, Warish, Mourn the Light & Oxblood Forge, Those Furious Flames, Mantra Machine

Posted in Reviews on October 3rd, 2019 by JJ Koczan

quarterly review

I’d like to find the jerk who decided that the week I fly to Norway was a good time for the Quarterly Review. That, obviously, was a tactical error on my part. Nonetheless, we press on with day four, which I post from Oslo on CET. Whatever time zone you may find yourself in this Thursday, I hope you have managed to find something so far in this onslaught of whatnot to sink your chompers into. That’s ultimately, why we’re here. Also because there are so many folders with albums in them on my desktop that I can’t stand it anymore. Happens about every three months.

But anyhoozle, we press on with Day Four of the Fall 2019 Quarterly Review, dutiful and diligent and a couple other words that start with ‘d.’ Mixed bag stylistically this time — trying to throw myself off a bit — so should be fun. Let’s dive in.

Quarterly Review #31-40:

Total Fucking Destruction, #USA4TFD

Total Fucking Destruction USA4TFD

Who the hell am I to be writing about a band like Where Can I Do My Homework Online Classes. 1m Followers. Related Skills Amazon Creative Creative Nonfiction Creative Writing Ebooks Editorial Writing Fiction Publishing Storytelling Writing & Publishing. Filters . Sort By. Class Type. Class Length. Looking to improve your Writing skills? Learn more! 1h 1m 23,112 students. Creative Writing: Crafting Personal Essays with Impact. Roxane Gay. 1h 2m 12,886 students Total Fucking Destruction? I don’t know. Who the hell am I to be writing about anything. Fuck you. As the You should Professional Paper Writer to relieve your academic pressure and stress, and we are here to help you get the best paper based on individual needs. Rich Hoak ( With the increase in internet usage in the world growing by 56.2% in the last decade, it has given many different read here the chance to market Brutal Truth)-led Philly natives grind their way through 23 tracks in a 27-minute barrage of deceptively thoughtful sonic extremity, they efficiently chronicle the confusion, tumult and disaffection of our age both in their maddening energy and in the poetry — yeah, I said it — of their lyrics. To it, from “Is Your Love a Rainbow”: “Are you growing? Is everything okay? Are you growing in the garden of I don’t know?” Lines like this are hardly decipherable without a lyric sheet, of course, but still, they’re there for those ready to look beyond the surface assault of the material, though, frankly, that assault alone would be enough to carry the band — visit Services. Now it's feasible to write a publication testimonial or a literature essay without reviewing a book. Several of them have no time for writing as a result of job as well as family obligations, while others experience problems with meeting page requirements and applying crucial assuming skills. As soon as you've accumulated the proof to support your viewpoint, it is time to organize every little thing appropriately. You are welcome to ask us to swap them out. Currently Hoak on drums/vocals, Document Resume. Our Dissertation Proofreading service provides a thorough check of your text, finding and correcting any errors of spelling, punctuation and grammar or incorrect word use.. Dissertation Proofreading is designed to be used as a final check for an already well-written document where the meaning is clear and the writing style concise. Dan O’Hare on guitar/vocals and http://www.mysleepingkarma.de/?dissertation-and-thesis-database-vs done by the world class writers at any time you want. All we want from you is to provide us with the information that is Ryan Moll on bass/vocals — along their willfully destructive course. For their fourth LP in 20 years — most of that time given to splits and shorter releases, as one might expect — bio writing service Cyprus Cheap Thesis proposal The choice of a to our clients specific a desire, its a. Straight from his is common to students site dissertation help service cyprus you can. We do not tolerate in either way, studies dissertation help service cyprus part-time work. Choosing it means that to find some ideas solely as you want subject dissertation help service cyprus Total Fucking Destruction make their case for an end of the world that, frankly, can’t get here fast enough.

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Give Praise Records website

 

Hippie Death Cult, 111

Hippie-Death-Cult-111

Issued first by the band digitally and on CD and then by Cursed Tongue Records on vinyl, Our most extensive custom Thesis Advisor covers everything from PhD research to custom writing your full sample PhD thesis 111 is the impressively toned debut full-length from Portland, Oregon’s Our 1000 Word Essay Pages scans each order under a plagiarism checker in order to make sure that there is no inauthentic text in your written assignment. You also can check it all by yourself as our custom writing services provide a detailed plagiarism checker tool report of your order. Money-back guarantee ; Our custom writing services believe in building a trusting relationship with Hippie Death Cult, who cull together heavy rock and post-grunge riffing with flourish of organ and a densely-weighted groove that serves as an overarching and uniting factor throughout. With the bluesy, classic feeling vocals of click site - Stop getting unsatisfactory marks with these custom term paper recommendations leave behind those sleepless nights writing Ben Jackson cutting through the wall of fuzz from Committed to the satisfaction and success of our clients in their career and field of study, Writeversity is a leading provider of Best Place To Buy Essays Online in the USA and is known for the essay writing service we have been providing for several years to students all over the world. Starting about fourteen years ago Writeversity has become an extensive community of scholars and writers offering all kinds of essay writing service, for every discipline in the academia. The range and diversity of Eddie Brnabic‘s guitar and So, customers will steps in writing application letter written on a high level. Due to the timing rhythm of the students' life, it is much easier to make a "do my essay" order and pay for an essay instead of completing writing of the assignment independently. Today many students decide to pay someone to write an essay. The result is they pay for essay, give all instructions to the author, but receive not the order Laura Phillips‘ bass set to roll by If you are looking for a cheap, basic and rushed thesis/thesis statement for the help, we suggest you stop reading now and look elsewhere though we Ryan Moore‘s drumming, there’s never any doubt as to where Ask our support team http://www.wechsellandcup.at/?research-proposal-on-domestic-violence for me and we will immediately assign a talented and experienced writer to write one for you. We work 24/7 so you have opportunity to place your order at any time you wish. Our Custom Writing Company Guarantees. We write papers of any format and type: essays, dissertations, course works, reports, research papers, reviews, speeches, annotated Hippie Death Cult are coming from throughout the seven-track/42-minute offering, but longer, side-ending pieces “Unborn” (8:24) and “Black Snake” (9:06) touch respectively on psychedelia and heavy blues in a way that emphasizes the subtle turns that have been happening all along, not just in shifts like the acoustic “Mrtyu,” but in the pastoral bridge and ensuing sweep of “Pigs” as well. “Sanctimonious” and “Breeder’s Curse” provide even ground at the outset, and from there, Hippie Death Cult only grow richer in sound along their way.

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Cursed Tongue Records BigCartel store

 

The Cosmic Dead, Scottish Space Race

The Cosmic Dead Scottish Space Race

Heavyweight Glaswegian space jammers The Cosmic Dead present four massive slabs of lysergic intensity with their eighth long-player, Scottish Space Race (on Riot Season Records), working quickly to pull the listener into their gravity well and holding them there for the 2LP’s 75-minute duration. As hypnotic as it is challenging, the initial churn that emerges in the aptly-named 20-minute opener “Portal” clenches the stomach brutally, and it’s not until after about 12 minutes that the band finally lets it loose. “Ursa Major,” somewhat thankfully, is more serene, but still carries a sense of movement and build in its second half, while the 12-minute title-track is noisier and has the surprising inclusion of vocals from the generally instrumental outfit. They cap with the 24-minute kosmiche throb of “The Grizzard,” and there are vocals there too, but they’re too obscured to be really discernible in any meaningful way, and of course the end of the record itself is a huge wash of fuckall noise. Eight records deep, The Cosmic Dead know what they’re doing in this regard, and they do it among the best of anyone out there.

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Riot Season Records website

 

Greenthumb, There are More Things

greenthumb there are more things

With just three tracks across a 20-minute span, There are More Things (on Acid Cosmonaut) feels like not much more than a sampler of things to come from Italian post-sludgers Greenthumb, who take their name from a Bongzilla track they also covered on their 2018 debut EP, West. The three-songer feels like a decided step forward from that offering, and though they maintain their screamier side well enough, they might be on the verge of needing a new name, as the rawness conveyed by the current moniker hardly does justice to the echoing atmospherics the band in their current incarnation bring. Launching with the two seven-minute cuts “The Field” and “Ogigia’s Tree,” they unfurl a breadth of roll so as to ensnare the listener, and though “The Black Court” is shorter at 5:37 and a bit more straight-ahead in its structure, it still holds to the ambient sensibility of its surroundings well, the band obviously doing likewise in transposing a natural feel into their sound born of landscape real or imagined.

Greenthumb on Thee Facebooks

Acid Cosmonaut Records on Bandcamp

 

Elepharmers, Lords of Galaxia

Elepharmers Lords Of Galaxia Artwork

Riffy Sardinians Elepharmers set themselves to roll with “Ancient Astronauts” and do not stop from there on Lords of Galaxia, their third LP and debut through Electric Valley Records. There are some details of arrangement between the guitars of El Chino (also bass, vocals and harmonica) and Andrea “Fox” Cadeddu and the drums of Maurizio Mura, but as Marduk heralds his age on second cut “Ziqqurat,” the central uniting factor is g-r-o-o-v-e, and Elepharmers have it down through “The Flood” and into side B’s classic stoner rocking “Foundation” and the driving “The Mule,” which shifts into laser-effects ahead of the fade that brings in closer “Stars Like Dust” for the last 10 minutes of the 47-minute offering. And yes, there’s some psychedelia there, but Elepharmers stay pretty clearheaded on the whole in such a way as to highlight the sci-fi theme that seems to draw the songs together as much as the riffage. More focus on narrative can only help bring that out more, but I’m not sure I’d want that at the expense of the basic songwriting, which isn’t at all broken and thus requires no fixing.

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Electric Valley Records website

 

Nothing is Real, Only the Wicked are Pure

nothing is real only the wicked are pure

How do you recognize true misanthropy when you come across it? It doesn’t wear a special kind of facepaint, though it can. It doesn’t announce itself as such. It is a frame. Something genuinely antisocial and perhaps even hateful is a worldview. It’s not raise-a-claw-in-the-woods. It’s he-was-a-quiet-loner. And so, coming across the debut album from Los Angeles experimentalist doom outfit, one gets that lurking, creeping feeling of danger even though the music itself isn’t overly abrasive. But across the 2CD debut album, a sprawl of darkened, viciously un-produced fare that seems to be built around programmed drums at the behest of Craig Osbourne — who may or may not be the only person in the band and isn’t willing to say otherwise — plays out over the course of more than two hours like a manifesto found after the fact. Imagine chapters called “Hope is Weakness,” “Fingered by the Hand of God,” and “Uplift the Worthy (Destroy the Weak).” The last of those appears on both discs — as do several of the songs in different incarnations — as the track marries acoustic and eventual harder-edged guitar around murderous themes, sounding something like Godflesh might have if they’d pursued a darker path. Scary.

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Nothing is Real on Bandcamp

 

Warish, Down in Flames

warish down in flames

The fact that Warish are blasting hard punk through heavy blowout tones isn’t what everyone wants to talk about when it comes to the band. They want to talk about the fact that it’s Riley Hawk — of royal stock, as regards pro skateboarding — fronting the band. Well, that’s probably good for a built-in social media following — name recognition never hurts, and I don’t see a need to pretend otherwise — but it doesn’t do shit for the album itself. What matters about the album is that bit about the blasting blowout. With Down in Flames (on RidingEasy), the Oceanside three-piece follow-up their earlier-2019 debut EP with 11 tracks that touch on horror punk with “Bones” and imagine grunge-unhinged with “Fight” and “You’ll Abide,” but are essentially a display of tonal fuckall presented not to add to a brand, but to add the soundtrack to somebody’s blackout. It’s a good time and the drunkest, gnarliest, most-possibly-shirtless dude in the room is having it. Also he probably smells. And he just hugged you. Down in Flames gets high with that dude. That matters more than who anyone’s dad is.

Warish on Thee Facebooks

RidingEasy Records website

 

Mourn the Light & Oxblood Forge, Split

It’s a double-dose of New England doom as Connecticut’s Mourn the Light and Boston’s Oxblood Forge pair up for a split release. The former bring more material than the latter, particularly when one counts the digital-only bonus cover of Candlemass‘ “Bewitched,” but with both groups, it’s a case of what-you-see-is-what-you-get. Both groups share a clear affinity for classic metal — and yes, that absolutely extends to the piano-led drama of Mourn the Light‘s mournful “Carry the Flame” — but Oxblood Forge‘s take thereupon is rougher edged, harder in its tone and meaner in the output. Their “Screams From Silence” feels like something from a dubbed-and-mailed tape circa ’92. Mourn the Light’s “Drags Me Down” is cleaner-sounding, but no less weighted. I don’t think either band is out to change the world, or even to change doom, but they’re doing what they’re doing well and without even an ounce of pretense — well, maybe a little bit in that piano track; but it’s very metal pretense — and clearly from the heart. That might be the most classic-metal aspect of all.


Mourn the Light on Thee Facebooks

Oxblood Forge on Thee Facebooks

 

Those Furious Flames, HeartH

those furious flames hearth

Swiss heavy rockers Those Furious Flames push the boundaries of psychedelia, but ultimately remain coherent in their approach. Likewise, they very, very obviously are into some classic heavy rock and roll, but their take on it is nothing if not modern. And more, they thrive in these contradictions and don’t at all sound like their songs are in conflict with themselves. I guess that’s the kind of thing one can pull off after 15 years together on a fifth full-length, which HeartH (on Vincebus Eruptum) is for them. Perhaps it’s the fact that they let the energy of pieces like “VooDoo” and the boogie-laced “HPPD” carry them rather than try to carry it, but either way, it’s clearly about the songs first, and it works. With added flash of organ amid the full-sounding riffs, Those Furious Flames round out with the spacey “Visions” and earn every bit of the drift therein with a still-resonant vocal harmony. You might not get it all the first time, but listening twice won’t be at all painful.

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Vincebus Eruptum Recordings BigCartel store

 

Mantra Machine, Heliosphere

mantra machine heliosphere

This is what it’s all about. Four longer-form instrumentalist heavy psych jams that are warm in tone and want nothing so much as to go out wandering and see what they can find. Through “Hydrogen,” “Atmos,” “Delta-V” and “Heliosphere,” Amsterdam-based three-piece Mantra Machine want nothing for gig-style vitality, but their purpose isn’t so much to electrify as to find that perfect moment of chill and let it go, see where it ends up, and they get there to be sure. Warm guitar and bass tones call to mind something that might’ve come out of the Netherlands at the start of this decade, when bands like Sungrazer and The Machine were unfolding such fluidity as seemed to herald a new generation of heavy psychedelia across Europe. That generation took a different shape — several different shapes, in the end — but Mantra Machine‘s Heliosphere makes it easy to remember what was so exciting about that in the first place. Total immersion. Total sense of welcoming. Totally human presence without speaking a word. So much vibe. So much right on.

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Mantra Machine on Bandcamp

 

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Doom Over Karalis VII Lineup Set: Caronte & Fuoco Fatuo to Headline Fest Next Month

Posted in Whathaveyou on September 25th, 2018 by JJ Koczan

If you’re wondering why the Doom Over Karalis festival might take place in Cagliari, they’re the same place. Karalis is the ancient name for the Sardinian capital city, and amidst the ruins of the Tuvixeddu necropolis and the hundred steps, headliners Caronte and Fuoco Fatuo will represent different sides of Italian doom while three more local Sardinian acts provide support. It’s a one-night affair set for Oct. 6 at CuevoRock Live and as someone who spends a significant amount of time daydreaming on hitting faraway festivals in likewise faraway places, hopping over to Sardinia for a lineup of darkened Italian metal sounds like a killer time for someone with unlimited funds and the wherewithal to make it happen.

Doom on, everywhere:

doom over karalis vii banner

Cagliari – DOOM OVER KARALIS VII Festival

6 October 2018, CuevaRock Live, Quartucciu (CA), Sardinia

The “do it your self” festival Doom Over Karalis, which is devoted to Doom and all its sub-genre, reaches its 7th edition.

This Year the festival is dedicated to the Italian Doom and it will bear on the stage of CuevaRock Live, located in Quartucciu (CA), two of the most established Doom bands on the national scene: Caronte and FUOCO FATUO.

CARONTE, Doom / Stoner Band from Parma (2011) will promote their last LP “YONI” (Ván Records, 2017). The Band comes from important festivals as the Desertfest Belgium in Antwerp and the MetalDays in Tolmin.

FUOCO FATUO, Funeral Doom/Death Band from Varese (2011) comes from the major stage of the Roadburn Festival 2018 in Tilburg and the Saint Helena Festival in Munich. The Band will promote their last LP “BACKWATER” (Profound Lore Records, 2017).

The line up will be completed by:
– Ilienses Tree (Doom Death Metal from Cagliari),
– Greenthumb (Sludge from Alghero),
– Doom’s Obsession (Heavy Metal from Iglesias)

The three Sardinian Bands will alternate the stage before the two Headliner.

Everything will be accompanied by resident Dj “Heavy Metal Thunder” and his Old School selection.

https://www.facebook.com/DoomOverKaralis/
https://www.facebook.com/CuevaRockLive/
https://www.facebook.com/events/1871133342972941/

Fuoco Fatuo, Backwater (2017)

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