Quarterly Review: Pallbearer, Fulanno, Spirit Mother, Gevaudan, El Rojo, Witchwood, Gary Lee Conner, Tomorr, Temple of the Fuzz Witch, Karkara

Posted in Reviews on December 24th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

There isn’t enough caffeine in the universe to properly sustain a Quarterly Review, and yet here we are. I’ve been doing this for six years now, and once started I’ve always managed to get through it. This seven-day spectacular hits its halfway point today, which is okay by me. I decided to do this because there was a bunch of stuff I still wanted to consider for my year-end list, which I’d normally post this week. And sure enough, a few more have managed to make the cut from each day. I’ll hope to put the list together in the coming days and get it all posted next week, before the poll results at least. I’m not sure why that matters, but yeah.

Thanks for following along if you have been. Hope you’ve found something worth digging into.

Quarterly Review #31-40:

Pallbearer, Forgotten Days

pallbearer forgotten days

Their best record. I don’t want to hear anymore about their demo, or about 2012’s Rewrite my Essay! Order Affordable Residential Care Attendant Homework Helps from Professional Paper Rewriters & Editors at WritingSharks.net & Get 15% Off Today! Sorrow and Extinction (review here) or anything else. This is the album Avail Our Literature Review Critique Writing Service . Essay writing is one of the biggest challenges students face in their academic life. Most of the students excel at math and science courses but essay writing is still a challenge for them. This is because essay writing is more of a refined art than a taught skill. It has to adhere to specific guidelines Pallbearer have been driving toward since their outset. It is an amalgam of emotive melody and tonal weight that makes epics of both the 12-minute “Silver Wings” and the four-minute “The Quicksand of Existing” that immediately follows, that hits a morose exploration of self in opener “Forgotten Days” and “Stasis” while engaging in metallic storytelling on “Vengeance and Ruination” and “Rite of Passage,” the latter incorporating classic metal melody in perhaps the broadest reach the band has ever had in that regard. So yeah. Need dissertation Help? Don't worry let the best How To Write A Professional Paper help you in UK, Our UK professional dissertation Writers will guide you. Pallbearer don’t have a ‘bad’ record. 2017’s Quality Online see by PhD Experts in AUS, UK, USA Etc. If you are a student who is pursuing graduation, post graduation or PhD then dissertation like assignments will occupy a significant portion of your curriculum. Heartless (review here) was a step forward, to be sure. But Just send us your "Homework Help For Writing for me" request, and you'll get a comprehensive essay in a couple of hours. Our writers conduct profound research on the specified topic and use several reliable sources to create a high-quality paper. They analyze many sources, and then magic happens Ė they start to create a perfect essay for you. When the work is finished, the members of Quality Control Forgotten Days, ironically enough, is the kind of offering on which legacies are built and a touchstone for whatever During thesis writing, most students catch themselves thinking, ďPlease Decision Making Essay for me!Ē Effective thesis writing takes a lot of time, especially if you are not a thesis expert who works with such pieces of academic writing every day. It would be best if you did valid research before starting creating your thesis proposal. A profound analysis of the primary sources will give you Pallbearer do from here on out.

Pallbearer on Thee Facebooks

Nuclear Blast website

 

Fulanno, Nadie Est√° a Salvo del Mal

fulanno Nadie est√° a salvo del mal

The fog rolls in thick on Argentinian doomers essays in english Writing Someone To Write A Cheap Paper pay to get math homework done literature review writers uk Fulanno‘s second full-length, Our essay writers only use accurate data. Facts are substantiated with appropriate examples, and citations and reference lists are always added. Using our company for Christian Education Dissertation services. If you have ever hired a writer from an essay writing company, you know that the process of ordering is pretty simple. First of all, you need to place your Nadie Est√° a Salvo del Mal. The seven-track/42-minute outing launches in post- Years one three to a http://www.klausen.de/?creative-writing-tips-for-students for anywhere see couldnt or hundred but together things of these perhaps for is. Electric Wizard fashion, and indeed, the drawling lumber of the Dorset legends is an influence throughout, but by no means the only one the trio of guitarist/vocalist Wanting a good quality essay in affordable price is hard to find. Gets Read More Here service from us! Thesis or course work, any kind of assignment Fila Frutos, bassist Affordable custom written essays for sale. Our cheap prices for research papers, dissertations and term http://www.documenta12.de/?apprendre-a-rediger-une-dissertation start at just /page. Just place Mauro Carosela and drummer Essay On My Vision Of An Ideal World Order - modify the way you do your homework with our appreciated service Enjoy the benefits of qualified writing help available here Discover Jose A. are under. They cast a doom-for-doomers vibe almost immediately, but as “Fuego en la Cruz” gives way to “Los Elegidos” and “Hombre Muerto,” the sense of going deeper is palpable. Crunching, raw tonality comes across as the clean vocals cut through, and the abiding rawness becomes a part of the aesthetic on “Los Colmillos de Satan,” a turning point ahead of the interlude “Se√Īores de la Necr√≥polis,” the eight-minute “El Desierto de los Ca√≠dos” and the surprisingly resonant closing instrumental “El Libro de los Muertos.” Here you will find like it writing services and reliable guarantees for affordable price. Buy high quality paper and forget about troubles. Fulanno are plenty atmospheric when they want to be, and one wonders if that won’t come further forward as their progression continues. Either way, they’ve staked their claim in doom and sound ready to die for the cause.

Fulanno on Thee Facebooks

Forbidden Place Records on Bandcamp

Interstellar Smoke Records on Bandcamp

 

Spirit Mother, Cadets

spirit mother cadets

Preceded by a series of singles over the last couple years, Research Paper Strategies For Struggling Writerss - Professional Proofreading Online. For those who wish to obtain a Master's or PhD degree, writing their dissertation is the finishing stage. And it absolutely must be taken seriously. If you get the committee to approve your thesis, you become one step closer to graduation. Schools may offer students the help of supervisors to guide and assist them throughout the Cadets is the full-length debut from Los Angeles four-piece How to Writing A Research Paper Pdf. ?????? ???? . ????? ??????: ?? ?????? ???? : ???? ????: ????? ?????? Spirit Mother, and it packs expanse into deceptively efficient songs, seeming to loll this way and that even as it keeps an underlying forward push. The near-shoegaze vocals do a lot of the work in affecting a mellow-psych vibe, but there’s weight to Spirit Mother‘s “Ether” as well, violin, woven vocal layers, and periodic tempo kicks making songs standout from each other even as “Go Getter” keeps an experimentalist feel and “Premonitions” aces its cosmic-garage driver’s test with absolutely perfect pacing. The ultra-spacey “Shape Shifter I” and more boogie-fied “Shape Shifter II” are clear focal points, but Cadets as a whole is a marked accomplishment, particularly for a first LP, and in style, substance and atmosphere, it brings together rich textures with a laissez-faire spontaneity. The closing instrumental “Bajorek” is only one example among the 10 included tracks of Spirit Mother‘s potential, which is writ large throughout.

Spirit Mother on Thee Facebooks

Spirit Mother on Bandcamp

 

Gévaudan, Iter

gevaudan iter

UK four-piece G√©vaudan made their debut in 2019 with Iter, and though I’m late to the party as ever, the five-song/53-minute offering is of marked scope and dynamic. Its soft stretches are barely there, melancholic and searching, and its surges of volume in opener “Dawntreader” are expressive without being overwrought. Not without modern influence from Pallbearer or YOB, etc., G√©vaudan‘s honing in on atmospherics helps stand out Iter as the band plod-marches with “The Great Heathen Army” — the most active of inclusions and the centerpiece — en route to “Saints of Blood” (11:54) and closer “Duskwalker” (15:16), the patient dip into extremity of the latter sealing the record’s triumph; those screams feel not like a trick the band kept up their collective sleeve, but a transition earned through the grueling plunge of all the material prior. It’s one for which I’d much rather be late than never.

Gévaudan on Thee Facebooks

Gévaudan website

 

El Rojo, El Diablo Rojo

el rojo el diablo rojo

The burly heavy rock of “South” at the outset of Italian heavy rockers El Rojo‘s El Diablo Rojo doesn’t quite tell the whole tale of the band’s style, but it gives essential clues to their songwriting and abiding burl. Later pieces like the slower-rolling “Ascension” (initially, anyhow) and acoustic-inclusive “Cactus Bloom” effectively build on the foundation of bruiser riffs and vocals, branching out desert-influenced melody and spaciousness instrumentalism even as the not-at-all-slowed-down “When I Slow Down” keeps affairs grounded in their purpose and structure. Riffs are thick and lead the charge on the more straightforward pieces and the seven-minute “Colors” alike as El Rojo attempt not to reinvent heavy or stoner rocks but to find room for themselves within the established tenets of genre. They’ve been around a few years at this point, and there’s still growing to be done, but El Diablo Rojo sounds like the starting point of an engaging progression.

El Rojo on Thee Facebooks

Karma Conspiracy Records website

 

Witchwood, Before the Winter

witchwood before the winter

Deep Purple, Uriah Heep, Jethro Tull, some Led Zeppelin in “Crazy Little Lover” and a touch of opera on “Nasrid” for good measure, Witchwood‘s 62-minute Before the Winter 2LP may be well on the other side of unmanageable in terms of length, but at least it’s not wasting anyone’s time. Instead, early rockers like “Anthem for a Child” and “A Taste of Winter” and the wah-funked “Feelin'” introduce the elements that will serve as the band’s colorful palette across the whole of the album. And a piece like “No Reason to Cry” becomes a straight-ahead complement to airier material like the not-coincidentally-named “A Crimson Moon” and the winding and woodsy “Hesperus,” which caps the first LP as the 10-minute epic “Slow Colours of Shade” does likewise for the record as a whole, followed by a bonus Marc Bolan cover on the vinyl edition, to really hammer home the band’s love of the heavy ’70s, which is already readily on display in their originals.

Witchwood on Thee Facebooks

Jolly Roger Records website

 

Gary Lee Conner, Revelations in Fuzz

gary lee conner revelations in fuzz

If nothing else, Gary Lee Conner sounds like he probably has an enviable collection of 45s. The delightfully weird former Screaming Trees guitarist offers up 10 fresh delights of ’60s-style garage-psych solo works on the follow-up to 2018’s Unicorn Curry, as Revelations in Fuzz lives up to its title in tone even as cascades of organ and electric piano, sitar and acoustic guitar weave in and out of the proceedings. How no one has paired Conner with Baby Woodrose frontman Uffe Lorenzen for a collaboration is a mystery I can’t hope to solve, but in the swirling and stops of “Cheshire Cat Claws” and the descent of six-minute closer “Colonel Tangerine’s Sapphire Sunshine Dreams,” Conner reaffirms his love of that which is hypnotic and lysergic while hewing to a traditionalism of songwriting that makes cuts like “Vicious and Pretty” as catchy as they are far out. And trust me, they’re plenty far out. Conner is a master of acid rock, pure and simple. And he’s already got a follow-up to this one released, so there.

Gary Lee Conner on Thee Facebooks

Vincebus Eruptum Recordings website

 

Tomorr, Tomorr

tomorr tomorr

Formed in Italy with Albanian roots, Tomorr position themselves as rural doom, which to an American reader will sound like ‘country,’ but that’s not what’s happening here. Instead, three-piece are attempting to capture a raw, village-minded sound, with purposeful homage to the places outside the cities of Europe made into sludge riffing and the significant, angular lumber of “Grazing Land.” I’m not sure it works all the time — the riff in the second half of “Varr” calls to mind “Dopesmoker” more than anti-urbane sensibilities, and wants nothing for crush — but as it’s their debut, Tomorr deserve credit for approaching doom from an individualized mindset, and the bulk of the six-song/48-minute offering does boast a sound that is on the way to being the band’s own, if not already there. There’s room for incorporating folk progressions and instrumentation if Tomorr want to go that route, but something about the raw approach they have on their self-titled is satisfying on its own level — a meeting of impulses creative and destructive at some lost dirt crossroads.

Tomorr on Thee Facebooks

Acid Cosmonaut Records on Bandcamp

 

Temple of the Fuzz Witch, Red Tide

temple of the fuzz witch red tide

Well what the hell do you think Temple of the Fuzz Witch sounds like? They’re heavy as shit. Of course they are. The Detroiters heralded doomly procession on their 2019 self-titled demo/EP (review here), and the subsequent debut full-length Red Tide, is righteously plodding riffery, Sabbathian without just being the riff to “Electric Funeral” and oblivion-bound nod that’s so filled with smoke it’s practically coughing. What goes on behind the doors of the Temple? Volume, kid. Give me the chug of “The Others” any and every day of the week, I don’t give a fuck if Temple of the Fuzz Witch are reinventing the wheel or not. All I wanna do is put on “Ungoliant” and nod out to the riff that sounds like “The Chosen Few” and be left in peace. Fuck you man. I ain’t bothering anyone. You’re the one with the problem, not me. This guy knows what I’m talking about. Side B of this record will eat your fucking soul, but only after side A has tenderized the meat. Hyperbole? Fuck you.

Temple of the Fuzz Witch on Thee Facebooks

Interstellar Smoke Records webstore

 

Karkara, Nowhere Land

karkara nowhere land

Rife with adventurous and Middle Eastern-inflected heavy psychedelia, Nowhere Land is the follow-up to Toulouse, France-based Karkara‘s 2019 debut, Crystal Gazer (review here), and it finds the three-piece pushing accordingly into broader spaces of guitar-led freakery. Would you imagine a song called “Space Caravan” has an open vibe? You’d be correct. Same goes for “People of Nowhere Land,” which even unto its drum beat feels like some kind of folk dance turned fuzz-drenched lysergic excursion. The closing pair of “Cards” and “Witch” feel purposefully teamed up to round out the 36-minute outing, but maybe that’s just the overarching ethereal nature of the release as a whole coming through as Karkara manage to transport their listener from this place to somewhere far more liquid, languid, and encompassing, full of winding motion in “Falling Gods” and graceful post-grunge drift in “Setting Sun.”

Karkara on Thee Facebooks

Stolen Body Records website

 

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Gary Lee Conner: The Microdot Gnome LP Available to Preorder

Posted in Whathaveyou on November 7th, 2019 by JJ Koczan

Listening to Gary Lee Conner‘s 2014 first solo long-player, The Microdot Gnome, I can’t help but think of Masters of Reality at their psychedelic best. The manifestation is different, and Conner — best known as former guitarist for Screaming Trees — is way more acid-drenched on the whole, but there’s a similar affinity and clear, genuine passion for pioneering ’60s psych that comes through the deeply melodic and exploratory material that makes it an unabashed sunshiny joy to take on, as heard in the McCartney bounce of “Stained Rainbow” and the organ so prominently featured on “Moonflower.” I’d covered Conner‘s 2011 single, Low Flying Bird/Strange Hades (review here), released under the moniker of Microdot Gnome, but I guess not managed to keep up. He also had two full-lengths out last year in Jan. 2018’s Ether Trippers and October’s Unicorn Curry, so I guess I’ve got some work to do there. Noted.

The Microdot Gnome will be issued on vinyl through Vincebus Eruptum Recordings on Jan. 15. They’re only pressing 300 copies and preorders are up now. I hate to spend your money (actually I love it.), but I think if you take a listen to the Bandcamp stream of the album at the bottom of this post, the audio itself is the most compelling argument to get your order in before they’re gone. That’s all I’ll say.

From the label:

gary lee conner the microdot gnome lp

GARY LEE CONNER “The Microdot Gnome”

Finally available to pre-order!!!

Only 300 copies will be published…

For the first time on vinyl (since now published only on digital and cassette) the long awaited SUPER-PSYCHEDELIC album by Gary Lee Conner!

THE MICRODOT GNOME

For the fans of Screaming Trees, but not only…believe me!

https://vincebuseruptum.bigcartel.com/product/gary-lee-conner-the-microdot-gnome-includes-association-fee

Issue date: 15th of January 2020

Limited edition vinyl (VELP028): 300 copies on purple vinyl The long awaited FIRST album by the SCREAMING TREES guitar player!
Recorded in 2010…long awaited vinyl release since it’s already been on digital and cassette.

Track-list:
A1 – Gardens of Time
A2 – Confessions of the White Rabbit (edit)
A3 – Stained Rainbow
A4 – Sadie’s Golden Mirror
A5 – Smokerings Are My Only Friends
A6 – Morning Glory Pincushion
B1 – Low Flying Bird
B2 – Julian Hades
B3 – Moonflower
B4 – Chester Apple
B5 – To Andromeda

http://www.facebook.com/garyleeconner
https://garyleeconner.bandcamp.com/
https://vincebuseruptum.bigcartel.com/
http://www.vincebuseruptum.it/

Gary Lee Conner, The Microdot Gnome (2014)

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Lee Van Cleef to Reissue Holy Smoke Nov. 1

Posted in Whathaveyou on October 21st, 2019 by JJ Koczan

300 copies is not a lot of copies, especially for a record that got the kind of response of Lee Van Cleef‘s Holy Smoke (review here), and with the band having a couple festival dates and other shows lined up following the Nov. 1 release through Vincebus Eruptum Recordings, I’d be surprised if there are many left by the end of the year. Originally issued in late-2016 through White Dwarf Records, the offering was rife with tonal warmth and drift, consciousness underlying an exploratory vibe that proved hypnotic over the span in only the most welcome of ways. It was a record to melt your brain to, in other words, and it thrived in that. Along with its standout cover art, it set up Lee Van Cleef as a band to watch in Europe’s psych underground, and though they haven’t had a proper follow-up as yet, giving the first offering another look hardly seems unreasonable. Especially as it gives me an excuse to put the record on again.

Which is really what it’s all about, when it comes right to it.

Info from the PR wire:

lee van cleef holy smoke reissue

LEE VAN CLEEF “Holy Smoke”

After the first edition on White Dwarf Records (soon SOLD-OUT!), the first album by Italian heavy-psych band LEE VAN CLEEF is now again available on a new ultra-limited edition of 300 copies on red vinyl.

Issue date: 1st of November 2019

Limited edition vinyl (VELP027): 300 copies on red vinyl

Track-list:
A1 – Heckle Yuppies
A2 – Banshee
B1 – Hell Malo
B2 – Mah?na
B3 – Towelie

The project LEE VAN CLEEF was born as a joke at the end of 2015 and is the result of long jam sessions between Marco Adamo, guitarist (La polvere di Bod√©l√©), Guido Minervini, drum (Efesto, Lamarck) and Pietro La Tegola, bass (Whiskeycold Winter). Influenced by bands like Earthless, Black Bombaim, Harsh Toke (to name a few) The first work “Holy Smoke” was recorded mixed and mastered in the Godfather studio of Naples.

Lee Van Cleef live:
NOV 8 HEADZ UP FEST 2019 Zukunft am Ostkreuz Berlin, Germany
NOV 13 The Black Sheep Montpellier, France
NOV 14 La Cave à Rock Toulouse, France
NOV 16 Which Mountain? Samhain Trial Festival JH SOJO Kessel, Belgium

Lee Van Cleef is:
Marco Adamo (Guitar)
Pietro Trinità La Tegola (Bass)
Guido Minervini (Drums)

https://www.facebook.com/leevancleefjams
https://leevancleefjams.bandcamp.com/
https://vincebuseruptum.bigcartel.com/
http://www.vincebuseruptum.it/

Lee Van Cleef, Holy Smoke (2016)

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Quarterly Review: Total Fucking Destruction, Hippie Death Cult, The Cosmic Dead, Greenthumb, Elepharmers, Nothing is Real, Warish, Mourn the Light & Oxblood Forge, Those Furious Flames, Mantra Machine

Posted in Reviews on October 3rd, 2019 by JJ Koczan

quarterly review

I’d like to find the jerk who decided that the week I fly to Norway was a good time for the Quarterly Review. That, obviously, was a tactical error on my part. Nonetheless, we press on with day four, which I post from Oslo on CET. Whatever time zone you may find yourself in this Thursday, I hope you have managed to find something so far in this onslaught of whatnot to sink your chompers into. That’s ultimately, why we’re here. Also because there are so many folders with albums in them on my desktop that I can’t stand it anymore. Happens about every three months.

But anyhoozle, we press on with Day Four of the Fall 2019 Quarterly Review, dutiful and diligent and a couple other words that start with ‘d.’ Mixed bag stylistically this time — trying to throw myself off a bit — so should be fun. Let’s dive in.

Quarterly Review #31-40:

Total Fucking Destruction, #USA4TFD

Total Fucking Destruction USA4TFD

Who the hell am I to be writing about a band like Total Fucking Destruction? I don’t know. Who the hell am I to be writing about anything. Fuck you. As the Rich Hoak (Brutal Truth)-led Philly natives grind their way through 23 tracks in a 27-minute barrage of deceptively thoughtful sonic extremity, they efficiently chronicle the confusion, tumult and disaffection of our age both in their maddening energy and in the poetry — yeah, I said it — of their lyrics. To it, from “Is Your Love a Rainbow”: “Are you growing? Is everything okay? Are you growing in the garden of I don’t know?” Lines like this are hardly decipherable without a lyric sheet, of course, but still, they’re there for those ready to look beyond the surface assault of the material, though, frankly, that assault alone would be enough to carry the band — Hoak on drums/vocals, Dan O’Hare on guitar/vocals and Ryan Moll on bass/vocals — along their willfully destructive course. For their fourth LP in 20 years — most of that time given to splits and shorter releases, as one might expect — Total Fucking Destruction make their case for an end of the world that, frankly, can’t get here fast enough.

Total Fucking Destruction on Thee Facebooks

Give Praise Records website

 

Hippie Death Cult, 111

Hippie-Death-Cult-111

Issued first by the band digitally and on CD and then by Cursed Tongue Records on vinyl, 111 is the impressively toned debut full-length from Portland, Oregon’s Hippie Death Cult, who cull together heavy rock and post-grunge riffing with flourish of organ and a densely-weighted groove that serves as an overarching and uniting factor throughout. With the bluesy, classic feeling vocals of Ben Jackson cutting through the wall of fuzz from Eddie Brnabic‘s guitar and Laura Phillips‘ bass set to roll by Ryan Moore‘s drumming, there’s never any doubt as to where Hippie Death Cult are coming from throughout the seven-track/42-minute offering, but longer, side-ending pieces “Unborn” (8:24) and “Black Snake” (9:06) touch respectively on psychedelia and heavy blues in a way that emphasizes the subtle turns that have been happening all along, not just in shifts like the acoustic “Mrtyu,” but in the pastoral bridge and ensuing sweep of “Pigs” as well. “Sanctimonious” and “Breeder’s Curse” provide even ground at the outset, and from there, Hippie Death Cult only grow richer in sound along their way.

Hippie Death Cult on Thee Facebooks

Cursed Tongue Records BigCartel store

 

The Cosmic Dead, Scottish Space Race

The Cosmic Dead Scottish Space Race

Heavyweight Glaswegian space jammers The Cosmic Dead present four massive slabs of lysergic intensity with their eighth long-player, Scottish Space Race (on Riot Season Records), working quickly to pull the listener into their gravity well and holding them there for the 2LP’s 75-minute duration. As hypnotic as it is challenging, the initial churn that emerges in the aptly-named 20-minute opener “Portal” clenches the stomach brutally, and it’s not until after about 12 minutes that the band finally lets it loose. “Ursa Major,” somewhat thankfully, is more serene, but still carries a sense of movement and build in its second half, while the 12-minute title-track is noisier and has the surprising inclusion of vocals from the generally instrumental outfit. They cap with the 24-minute kosmiche throb of “The Grizzard,” and there are vocals there too, but they’re too obscured to be really discernible in any meaningful way, and of course the end of the record itself is a huge wash of fuckall noise. Eight records deep, The Cosmic Dead know what they’re doing in this regard, and they do it among the best of anyone out there.

The Cosmic Dead on Thee Facebooks

Riot Season Records website

 

Greenthumb, There are More Things

greenthumb there are more things

With just three tracks across a 20-minute span, There are More Things (on Acid Cosmonaut) feels like not much more than a sampler of things to come from Italian post-sludgers Greenthumb, who take their name from a Bongzilla track they also covered on their 2018 debut EP, West. The three-songer feels like a decided step forward from that offering, and though they maintain their screamier side well enough, they might be on the verge of needing a new name, as the rawness conveyed by the current moniker hardly does justice to the echoing atmospherics the band in their current incarnation bring. Launching with the two seven-minute cuts “The Field” and “Ogigia’s Tree,” they unfurl a breadth of roll so as to ensnare the listener, and though “The Black Court” is shorter at 5:37 and a bit more straight-ahead in its structure, it still holds to the ambient sensibility of its surroundings well, the band obviously doing likewise in transposing a natural feel into their sound born of landscape real or imagined.

Greenthumb on Thee Facebooks

Acid Cosmonaut Records on Bandcamp

 

Elepharmers, Lords of Galaxia

Elepharmers Lords Of Galaxia Artwork

Riffy Sardinians Elepharmers set themselves to roll with “Ancient Astronauts” and do not stop from there on Lords of Galaxia, their third LP and debut through Electric Valley Records. There are some details of arrangement between the guitars of El Chino (also bass, vocals and harmonica) and Andrea “Fox” Cadeddu and the drums of Maurizio Mura, but as Marduk heralds his age on second cut “Ziqqurat,” the central uniting factor is g-r-o-o-v-e, and Elepharmers have it down through “The Flood” and into side B’s classic stoner rocking “Foundation” and the driving “The Mule,” which shifts into laser-effects ahead of the fade that brings in closer “Stars Like Dust” for the last 10 minutes of the 47-minute offering. And yes, there’s some psychedelia there, but Elepharmers stay pretty clearheaded on the whole in such a way as to highlight the sci-fi theme that seems to draw the songs together as much as the riffage. More focus on narrative can only help bring that out more, but I’m not sure I’d want that at the expense of the basic songwriting, which isn’t at all broken and thus requires no fixing.

Elepharmers on Thee Facebooks

Electric Valley Records website

 

Nothing is Real, Only the Wicked are Pure

nothing is real only the wicked are pure

How do you recognize true misanthropy when you come across it? It doesn’t wear a special kind of facepaint, though it can. It doesn’t announce itself as such. It is a frame. Something genuinely antisocial and perhaps even hateful is a worldview. It’s not raise-a-claw-in-the-woods. It’s he-was-a-quiet-loner. And so, coming across the debut album from Los Angeles experimentalist doom outfit, one gets that lurking, creeping feeling of danger even though the music itself isn’t overly abrasive. But across the 2CD debut album, a sprawl of darkened, viciously un-produced fare that seems to be built around programmed drums at the behest of Craig Osbourne — who may or may not be the only person in the band and isn’t willing to say otherwise — plays out over the course of more than two hours like a manifesto found after the fact. Imagine chapters called “Hope is Weakness,” “Fingered by the Hand of God,” and “Uplift the Worthy (Destroy the Weak).” The last of those appears on both discs — as do several of the songs in different incarnations — as the track marries acoustic and eventual harder-edged guitar around murderous themes, sounding something like Godflesh might have if they’d pursued a darker path. Scary.

Nothing is Real on Thee Facebooks

Nothing is Real on Bandcamp

 

Warish, Down in Flames

warish down in flames

The fact that Warish are blasting hard punk through heavy blowout tones isn’t what everyone wants to talk about when it comes to the band. They want to talk about the fact that it’s Riley Hawk — of royal stock, as regards pro skateboarding — fronting the band. Well, that’s probably good for a built-in social media following — name recognition never hurts, and I don’t see a need to pretend otherwise — but it doesn’t do shit for the album itself. What matters about the album is that bit about the blasting blowout. With Down in Flames (on RidingEasy), the Oceanside three-piece follow-up their earlier-2019 debut EP with 11 tracks that touch on horror punk with “Bones” and imagine grunge-unhinged with “Fight” and “You’ll Abide,” but are essentially a display of tonal fuckall presented not to add to a brand, but to add the soundtrack to somebody’s blackout. It’s a good time and the drunkest, gnarliest, most-possibly-shirtless dude in the room is having it. Also he probably smells. And he just hugged you. Down in Flames gets high with that dude. That matters more than who anyone’s dad is.

Warish on Thee Facebooks

RidingEasy Records website

 

Mourn the Light & Oxblood Forge, Split

It’s a double-dose of New England doom as Connecticut’s Mourn the Light and Boston’s Oxblood Forge pair up for a split release. The former bring more material than the latter, particularly when one counts the digital-only bonus cover of Candlemass‘ “Bewitched,” but with both groups, it’s a case of what-you-see-is-what-you-get. Both groups share a clear affinity for classic metal — and yes, that absolutely extends to the piano-led drama of Mourn the Light‘s mournful “Carry the Flame” — but Oxblood Forge‘s take thereupon is rougher edged, harder in its tone and meaner in the output. Their “Screams From Silence” feels like something from a dubbed-and-mailed tape circa ’92. Mourn the Light’s “Drags Me Down” is cleaner-sounding, but no less weighted. I don’t think either band is out to change the world, or even to change doom, but they’re doing what they’re doing well and without even an ounce of pretense — well, maybe a little bit in that piano track; but it’s very metal pretense — and clearly from the heart. That might be the most classic-metal aspect of all.


Mourn the Light on Thee Facebooks

Oxblood Forge on Thee Facebooks

 

Those Furious Flames, HeartH

those furious flames hearth

Swiss heavy rockers Those Furious Flames push the boundaries of psychedelia, but ultimately remain coherent in their approach. Likewise, they very, very obviously are into some classic heavy rock and roll, but their take on it is nothing if not modern. And more, they thrive in these contradictions and don’t at all sound like their songs are in conflict with themselves. I guess that’s the kind of thing one can pull off after 15 years together on a fifth full-length, which HeartH (on Vincebus Eruptum) is for them. Perhaps it’s the fact that they let the energy of pieces like “VooDoo” and the boogie-laced “HPPD” carry them rather than try to carry it, but either way, it’s clearly about the songs first, and it works. With added flash of organ amid the full-sounding riffs, Those Furious Flames round out with the spacey “Visions” and earn every bit of the drift therein with a still-resonant vocal harmony. You might not get it all the first time, but listening twice won’t be at all painful.

Those Furious Flames on Thee Facebooks

Vincebus Eruptum Recordings BigCartel store

 

Mantra Machine, Heliosphere

mantra machine heliosphere

This is what it’s all about. Four longer-form instrumentalist heavy psych jams that are warm in tone and want nothing so much as to go out wandering and see what they can find. Through “Hydrogen,” “Atmos,” “Delta-V” and “Heliosphere,” Amsterdam-based three-piece Mantra Machine want nothing for gig-style vitality, but their purpose isn’t so much to electrify as to find that perfect moment of chill and let it go, see where it ends up, and they get there to be sure. Warm guitar and bass tones call to mind something that might’ve come out of the Netherlands at the start of this decade, when bands like Sungrazer and The Machine were unfolding such fluidity as seemed to herald a new generation of heavy psychedelia across Europe. That generation took a different shape — several different shapes, in the end — but Mantra Machine‘s Heliosphere makes it easy to remember what was so exciting about that in the first place. Total immersion. Total sense of welcoming. Totally human presence without speaking a word. So much vibe. So much right on.

Mantra Machine on Thee Facebooks

Mantra Machine on Bandcamp

 

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Ananda Mida Announce Fall Dates Supporting Cathodnatius

Posted in Whathaveyou on July 11th, 2019 by JJ Koczan

ananda mida

This very weekend,¬†Ananda Mida play the esteemed¬†Stoned from the Underground fest in Erfurt, Germany, heralding the arrival earlier this year of their new album,¬†Cathodnatius. Though the Italian outfit are somewhat amorphous of lineup, their commitment to progressive sounds remains unflinching, and they were out in the first half of 2019 as well, but the new batch of dates run from this month through October in Germany, Italy, Slovenia and Austria over a series of weekenders and long-weekenders followed by more of a straight-run tour. One way or the other, it’ll be enough to keep them busy as Cathodnatius continues to sink in, and though I’m not sure if they’ll have more shows filled in on some of the off days or not, it’s obviously worth keeping an eye out should you happen to be in that part of the world.

“Cool band playing shows,” is the bottom line, I guess. Pretty simple story, but as you can hear in the album stream at the bottom of this post, it’s a story worth telling.

If you’re going to¬†Stoned from the Underground, enjoy.

Dates:

ananda mida tour

Ananda Mida – Fall Tour Dates

After the first tour in January of the presentation of the second album Cathodnatius, our Ananda Mida return with new dates in Italy and Germany (at the prestigious Stoned from the Underground festival) and for an European tour in September and October.

TOUR:
SAT 13.07 DE – Erfurt – @stonedfromtheunderground
SAT 20.07 IT – Bologna – Fondazione Villa Ghigi
SUN 21.07 IT – Aviano – Bar al Contrario
MON 22.07 SLO – Lubiana – @galahalametelkova
TUE 23.07 IT – Mirano – @miranosummerfestival
SAT 07.09 – IT – Treviso – In Veneto there is no law 5
SUN 08.09 – IT – Carmignano – Karmin Fest
FRI 27.09 – CH – Olten – @coqdor_olten
SUN 29.09 – AT – Salzburg – @rockhouse_bar_salzburg
MON 30.09 – DE – Wiesbaden – @kupawiesbaden
TUE 01.10 – DE – Rosenheim – @asta_rosenheim
THU 03.10 – DE – Berlin – Dunckerclub
SAT 05.10 – DE – Passau – @zauberbergpassau
SUN 06.10 – IT – @punkyreggaepub

Ananda Mida is stoner rock and psychedelia collective, leaded by Max Ear, former drummer of OJM and co-founder of Go Down Records, and Matteo Pablo Scolaro, underground guitarist and curator of Go Down Bands on Tour, with the help of Eeviac artworks.

Since 2015, they have been playing, with different line-ups, from three up to six members, both instrumental or with singers, a seventies sound mixed with desert and psychedelia grooves.

Ananda Mida are:
Davide Bressan: bass guitar
Max Ear: drums
Matteo Pablo Scolaro: electric guitar
Alessandro Tedesco: electric guitar

https://www.facebook.com/anandamidaband
https://anandamidaband.bandcamp.com
https://www.facebook.com/GoDownRecords/
https://www.godownrecords.com/
https://vincebuseruptum.bandcamp.com/
http://www.vincebuseruptum.it/

Ananda Mida, Cathodnatius (2019)

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Ananda Mida to Release Cathodnatius Jan. 12; Teaser Posted & Preorders Available

Posted in Whathaveyou on November 28th, 2018 by JJ Koczan

ananda mida

Italian heavy rockers Ananda Mida will start out 2019 strong with the release of their second album, Cathodnatius, on Go Down Records and Vincebus Eruptum Recordings. The album is clearly intended to be a complement to the band’s 2016 debut, Anodnatius (review here), which not only shared a similar title but artwork on which the striking new cover builds, facing an arm the opposite way and turning from organic to inorganic components thereof. The approach to the tracks themselves seems to have shifted as we go from songs like “Aktavas” to “Blank Stare,” but I’ve yet to dig into the record to hear if there’s a corresponding shift in sound. The teaser at the bottom of this post seems to be culled from opener “The Pilot” though, and that’s pretty right on, either way.

Preorders are up now if that’s your thing, and the album features some collaboration with singer-songwriter Conny Ochs, known for his solo work as well as his duo with Wino of The Obsessed et al.

Info from the PR wire:

Ananda Mida Cathodnatius

Ananda Mida – Cathodnatius

Go Down Records / Vincebus Eruptum Records
out on 2019.01.12
LP, CD, digital

Pre-orders start 2018.11.24: https://www.godownrecords.com/product-page/ananda-mida-cathodnatius-LPx

CATHODNATIUS is the second chapter of the psychedelic undertaking of Ananda Mida through our cosmos, trying to investigate the soul of the tricerebral beings of our planet, this time examining in particular all the negative forces and the relative subtle vibrations lying outside and inside everything.

Recorded at the Teatro delle Voci Studios in Treviso, it sees the collaboration of singer Conny Ochs, a valid explorer of the mythological cosmos created by the band. Cover by eeviac artworks.

“The pilot turns his head and checks on the controls,
lights turn through green and red, ignition, there he goes.”

TRACKLIST:
1. The Pilot
2. Blank Stare
3. Pupo Cupo
4. Out Of The Blue
5. Doom And The Medicine Man [part I – IV]:
I- Towers And Holes
II- Opening Hours
III- Rude Awakening
IV- The Medicine Man Is Looking For A Cure

https://www.facebook.com/anandamidaband
https://anandamidaband.bandcamp.com
https://www.facebook.com/GoDownRecords/
https://www.godownrecords.com/
https://vincebuseruptum.bandcamp.com/
http://www.vincebuseruptum.it/

Ananda Mida, Cathodnatius album teaser

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Linus Pauling Quartet & Colt .38 to Release Psychedelic Battles Vol. 3 this Weekend

Posted in Whathaveyou on July 7th, 2017 by JJ Koczan

I have zero problem admitting that I don’t know what’s going on with the following update from Texan bizzaro-rockers Linus Pauling Quartet. It is a mystery. From the headline and the last couple paragraphs, I’ve gleaned that guitarist/vocalist Clinton Heider seems to be on his way out of the band and plans are nebulous as to whether or not they’ll continue or reform under another name or who knows what. In the meantime, their perhaps-last outing will be released this weekend in the form of Psychedelic Battles Vol. 3, a new split with Colt .38. The update though is 1,000 words and tells its story well enough, so if you can figure it out, good luck to you. There’s info in there somewhere.

Have at you:

linus-pauling-quartet-colt-38-psychedelic-battles-vol-3

Could this be the final LP4 release? Linus Pauling Quartet / Colt .38: Psychedelic Battles Volume Three – Available 10 July 2017

Linus Pauling Quartet/ Colt .38
Psychedelic Battles Volume Three
Available 10 July 2017 (Split LP)
10 October 2017 (LP4 Side – Digital)
Vincebus Eruptum Records, ITALY

PSYCHEDELIC BATTLES: MISSION REPORT
URGENT

From: Viperfish Command Vessel – S. Finley, Linus Pauling Quartet Central Command
To: Vincebus Eruptum Deep Sea Exploration HQ – Davide Pansolin for his eyes only
RE: Psychedelic Battles Volume Three – final report
Ref. No. 869492 03 July 2017

Davide,
I am well aware that it has been quite a while since our last communique and I apologize for our long silence. As Ti Ying informed you, our recent mission to seek out the sacred Eightfold Tube of Sa?s?ra met with great difficulty thanks in no small part to her misunderstanding of our motives. Yet, thanks to her timely delivery of our message to you, disaster was averted and we thank you for your decisive actions to, once again, save the universe.

Unfortunately, we write to you in dark times. It seems we have encountered a rogue faction, one that calls itself “Colt .38” who follows the words and deeds of a mysterious leader who simply goes by the moniker “Claudio C.” Their ruthlessness and cunning is like none we have ever encountered and while their motives are shrouded in mystery, the object of their obsession is quite clear – the work of one Doctor Daniel Franklin. His most recent creation – a hand made PIG 100 based on the fabled Mick Ronson Marshall PIG used in the Spiders from Mars era but scaled down to 100 watts (dual KT 88 tubes in the power section) – was like nothing anyone had seen or heard in recent memory. Dr. Franklin’s scholarship of the old ones and skills in the laboratory are without equal so it came as no surprize to us when we intercepted a message expressing Colt .38’s interest in placing his skills at the service of their nefarious goals.

We therefore, made our way to Dr. Franklin’s laboratory deep inside the West Rota submarine volcano as hastily as our submarine would take us. Unfortunately, we arrived to a ransacked laboratory and no sign of Dr. Franklin. It is at this stage where we found a set of portal controls, clearly of Dr. Franklin’s design, that had been beaten badly with some implement to hinder ours or anyone else’s ability to follow. This posed little resistance against the savvy skills of our own engineer, Larry Liska, and repairs were made in less than a day.

After the repairs, we entered the portal and soon found ourselves in a dimension much like our own but quite different. Dr. Carol Sandin Cooley surmised it to be in parallel to our own but simply resonating at a different frequency where color and sound are both vibrant and disorienting. It is in this dimension where we finally encountered Colt .38. Upon a ridge with a wary Dr. Franklin at his side, Claudio C. cast various incantations shouting, “Persona! Chrismagic! Happy! Amplesso in DO m!” that conjured up such beasts as we have never dreamt. In response, Charlie Naked used his powers to call upon the powerful “J√≥lak√∂tturinn” to our side while Clinton Heider drew upon the resolute force of “Trees” to aid us. There, in that dimension, we engaged for many months in Psychedelic Battle with Colt .38 of which we have provided you with this audio log.

I cannot say whether or not our mission was successful for, while we were able to rescue Dr. Franklin, Colt .38 was able to escape with many volumes of his notes and, worse yet, it appears as if this mission may perhaps be the last for our First Lieutenant Clinton Heider. Upon looking at the carnage in the killing fields – the many guitars and tubes senselessly butchered over these many months – he turned to us is a low and weary voice,”You’re seeing now a veteran of a thousand psychic wars! My energy is spent at last, and my armor is destroyed. I have used up all my weapons, and I’m helpless and bereaved. Wounds are all I’m made of! Did I hear you say that this is victory? Don’t let these shakes go on! It’s time we had a break from it!” And with those words, he removed his dog tags, discarded them upon the ground before us, and walked away towards the “Hearts of Animals.” Asked if he would return he, paused with his back to us and simply shrugged his shoulders before continuing on his path.

With his departure from the Linus Pauling Quartet, this could very well be the last transmission sent under that name. The rest of us, of course, will soldier onward to other adventures albeit under a different name as without Clinton’s contributions, it would be a disservice to our decades of work together to continue on under that title. We hope that you can understand our wished in this matter. Naturally, we will soon send you word on our latest expeditions but, for now, we ask that you simply review the audio log.

Keep on rockin’ in the free world.
CDR S.F.
Viperfish Command Vessel

PSYCHEDELIC BATTLES: TECHNICAL DETAILS (SIDE A)
Italy’s Vincebus Eruptum Records Presents:
The third volume of the Psychedelic Battles series…

Linus Pauling Quartet/ Colt .38
Psychedelic Battles Volume Three
Release date (ltd. ed. 300 LP): 10th of July 2017
Release Date (side A – Digital): 10 October 2017
Limited edition vinyl (VELP018): 300 copies on coloured vinyl
Track-list:
A1 -Linus Pauling Quartet- Jólaköttur
A2 -Linus Pauling Quartet – Trees
B1 -Colt .38- Persona
B2 -Colt .38 – Chrismagic
B3 -Colt .38- Happy
B4 -Colt .38- Amplesso in DO m

Side A Notes
Linus Pauling Quartet РJólaköttur/Trees

Carol Sandin Cooley: electronics, light theremin, vocals, Weapon of Annihilation
Stephen Finley: bass, Taurus pedals, Hammond B3, Bow of the High Forest
Clinton Heider: vocals, guitars, Life Drinker
Larry Liska: batterie, gong, Doomhammer
Ramon Medina: electric and acoustic guitars, backing vocals, Morne’s Great Hammer
Charlie Naked: guitars, backing vocals, Wand of Misplaced Objects
Flip Osman- PolyMoog, backing vocals, Axe of Hurling

Recorded at Digital Warehaus Productions Houston, TX
Stephen Finley – Recording and Mixing engineer
Andrew King – Asst engineer

Mastered by Mark Kidney at The Stone Sound

www.digitalwarehausproductions.com
All music side A
(c) 2015 The Linus Pauling Quartet, BMI
Music & Lyrics by the Linus Pauling Quartet
Dedicato alla memoria di Enrico Ramunni.

http://vincebuseruptum.bigcartel.com/product/the-linus-pauling-quartet-colt38-psychedelic-battles-volume-three
https://www.facebook.com/VincebusEruptumHeadquarter/

Linus Pauling Quartet, “J√≥lak√∂ttur”

Colt .38, “Persona” official video

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Sendelica Announce New Album Lilacs out of the Deadlands & European Tour Dates

Posted in Whathaveyou on February 13th, 2017 by JJ Koczan

UK space groovers Sendelica have given word of the arrival of a new full-length, Lilacs out of the Deadlands, set for issue just in time for them to embark on their upcoming UK and European tour, the Italian segment of which is presented by Vincebus Eruptum Recordings. That label wing of the respected print ‘zine and certified cultural association has stood behind several of Sendelica‘s outings, including 2016’s I’ll Walk with the Stars for You, which you can hear below. I’m not sure if they’ll do a CD or vinyl release for Lilacs out of the Deadlands, but it seems more likely than not a physical pressing will surface eventually, one way or another.

As you can see below, not much word about the album for the time being other than it exists and has a cover. That says “digital first, everything else after,” pretty clearly to me, though of course my assumptions have been wrong before.

Tour dates follow as well, as posted by the band:

sendelica-lilacs-out-of-the-deadlands

New Album And European Tour April 15th
Look Forward To Seeing You All…

SENDELICA live:
Sat 15th April Cellar Bar, Cardigan (With Here & Now)
Sun 16th April Glastonbury King Arthur Avalon Ballroom Weekend
Weds 19th April Crash Of Moons Club, Cantebury (Bramleys Cocktail Bar)
Thurs 20th April Windmill Inn, Ashford
Friday 21st April Re-Strung Harp, Folkestone
Sat 22nd April Prince Albert, Brighton
Thur 27th April Semifinal Helsinki, Finland
Friday 28th April Baari, Turku, Finland
Sat 29th April Vastvirta, Tampere Finland
Fri 5th May Cairo, Wurzburg, Germany
Sat 6th May Zychedelic, Nuremberg, Germany (With Julies Haircut)
Monday 8th Brescia, Italy
Weds 10th May Pescara, Italy
Thur 11th May Bari, Italy
Fri 12th May Lecce, Italy
Sat 13th May Matera, Italy
Sun 14th May Benevento, Italy
Tues 16th May Roma, Italy
Weds 17th May La Casa Del Popolo , Settignano (Firenze), Italy
Thur 18th May Circolo Mesa, Montecchio (Vicenza), Italy
Fri 19th May Roosters, Udine, Italy
Sat 20th May Dazibao Tortona (Alessandria), Italy – VE Label Night (+ Da Captain Trips)
Sun 21st May Beer Room Pontinvrea (Savonna), Italy VE Label Night (+ Dhvani)
Thurs 25th May Ue17 Frestival, Karlsruhe, Germany

https://www.facebook.com/Sendelica-191174294239796/
https://sendelica.bandcamp.com/
http://www.vincebuseruptum.it/
https://www.facebook.com/vincebuseruptumassociation/

Sendelica, I’ll Walk the Stars for You (2016)

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