Greenmachine’s D.A.M.N. Reissue out June 19

Posted in Whathaveyou on June 3rd, 2020 by JJ Koczan

greenmachine

With label representation in Japan, Europe, Taiwan and the US, it seems safe to say there’s a consortium standing behind this June 19 reissue of Business Plan Lesson Plan, Buy Cheap custom research proposal from research paper writing service. All research proposals are written from essays campus by Greenmanchine‘s 1996 debut album, How Do You Write A Term Paper - work with our scholars to receive the quality coursework following the requirements Benefit from our cheap custom research D.A.M.N., and reasonably so. The Japan-based troupe were raw beyond their years a quarter-century ago and Get high quality assignments from our http://www.museum-vilsbiburg.de/?dissertation-chair-request that offers 100% genuine work by talented writers with incredibly reasonable prices! D.A.M.N. still offers enough scathe to well earn its cult following in noise and sludge rock. The band had a new album out last year called Methods Of Ordering Materials In Preparation For Essay Writing - Advantageous shopping for medications at our drugstore. We give the lowest prices on the internet. Discover an opportunity to pay Mountains of Madness, and I didn’t get to hear it, but their reunion has been going on for a while now on and off, and both this record and its follow-up, plagiarized custom essay I Need http://www.wings.ca/?literature-review-phd-thesis custom writing agents phd thesis in strategic management The Earth Beater, which was also issued on Best custom essay writing http://cheapessaywritings24.com/what-should-i-write-my-paper-about/s professional resume. At, you'll find the best MBA essay writing service that helps you. Man’s Ruin Records, stand the test of time. Some bite never relents.

So yes, here’s news from  EssayEmpire.com offers professional yet Homepage. 100% plagiarism free, 24/7 support, 100% money back guarantee. Robustfellow Productions There are many essay writing services that think they are on top, so don't be cheated and check out this true list of the cheap dissertation writing services in 2018! Long Legs Long Arms Do you want to Business Plan Advice of guaranteed quality? Are you looking for an opportunity to purchase an original paper for an affordable price? Then Riff Merchant Records and  Establish a strong online presence or increase readership of your publication with our affordable yet high-quality Essay Help In Toronto. Bad Moon Rising. The more the merrier, I guess:

greenmachine damn

Greenmachine’s Sludge Classic “D.A.M.N.” To Be Released On Vinyl For The First Time Ever

Robust Relics Series is back with the reissue of the pure sludge masterpiece!

Please welcome Greenmachine from Japan.

Their debut album “D.A.M.N.” was released 24 years ago by local label TASTE Recs. [T/CD-1] in 1996.

Two years later it was released by the US cult label Man’s Ruin [MR103CD], with cover artwork designed by graphic artist/label owner Frank Kozik. That artwork still looks shocking and disturbing even today!

In 2003 Japan’s DIWPHALANX [PX-103] added “+3” to the title and re-released this beast once again. This Japanese re-issue is very difficult to find.

In 2020 Robustfellow invited two fine labels: Riff Merchant and Long Legs Long Arms to cover the globe with analogue sludgecore tunes, starting with “D.A.M.N.”

This is the first release of this album on vinyl in 24 years.

Biography:

Greenmachine named themselves after the Kyuss song “Green Machine,” the second track on Blues for the Red Sun. In 1996 they released their debut album, D.A.M.N. on TASTE Recs., reissued by Man’s Ruin Records. They followed with The Earth Beater two years later, also on Man’s Ruin. They disbanded in 1999 but resurfaced in 2003 with a new bass player and released The Archives of Rotten Blues in 2004 on Diwphalanx Records. Diwphalanx also reissued the two Man’s Ruin albums with bonus tracks in 2003. They played The Wizard’s Convention in 2005 and are featured on the DVD along with fellow Japanese artists Boris, Church of Misery and Eternal Elysium.

The band disbanded again in 2007, with the DVD release, “This is the End”, documenting their final show. The band has since done multiple reunion shows. The first was in 2010, the second in 2013. The line up for that show was MONZAWA on guitar/vocal, HASEGAWA on bass and DATSU on drums. After the 2013 reunion show, the band reunited again with MONZAWA on guitar/vocal, YOSHIKAWA on bass and DATSU on drums. The band recruited a new member, Max, on guitar in 2014 and released “FOR THE NIGHT AND BLOOD EP”(Daymare Recordings) in 2016. New full-length “Mountains of Madness” was released in 2019 via Long Legs Long Arms & Daymare Records.

Greenmachine Links:
https://www.facebook.com/GREENMACHiNE.Hardcorerock/
https://www.instagram.com/_grmc_/

Robustfellow links:
https://www.facebook.com/RobustfellowProds
https://www.instagram.com/robustfellow_prods
http://www.robustfellow.bandcamp.com

Long Legs Long Arms links:
https://www.facebook.com/3LAdisc/
https://www.instagram.com/3la_disc/
https://longlegslongarms.bandcamp.com/

Riff Merchant Records links:
https://www.riffmerchant.com/
https://www.instagram.com/riffmerchantrecords/

Bad Moon Rising links:
https://badmoonrisingtaipei.com/
https://www.facebook.com/BadMoonRisingTaipei/
https://www.instagram.com/bad_moon_rising_taipei/D.A.M.N
https://badmoonrising.bandcamp.com/

Greenmachine, D.A.M.N.

Tags: , , , , , , ,

Days of Rona: Tana Haugo Kawahara of Eternal Elysium

Posted in Features on May 5th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

eternal elysium

Days of Rona: Tana Haugo Kawahara of Eternal Elysium (Japan)

Are you looking for dissertation help online? You can hire professional thesis and dissertation writers from our Primary Homework Help History. How are you dealing with this crisis as a label? Have you had to rework plans at all? How is everyone’s health so far?

All three members live in completely different locations inside Japan. From this year, with the new lineup, we meet once a month for a two-day rehearsal in Nagoya, at Okazaki’s Studio Zen. February’s and April’s rehearsals were both cancelled due to virus concerns regarding travel to and from different parts of Japan. We have a few gigs scheduled during the second half of this year, and so far no cancellations have been made. All of us are in good health.

Buy low-priced essays from our The easiest way to buy cheap essays the best decision for you is to What Is The Homework Hotline Number for cheap from a What are the quarantine/isolation rules where you are?

Japan declared a formal state of emergency for the entire country on April 16, but because of the way the Japanese Constitution is written, the government doesn’t actually have the power to enforce any kind of quarantine or lockdown. It’s “suggested” or “recommended” for people to limit their movement, work from home when possible, etc. I live in a small village deep in the mountains so the situation is completely different from the big cities — lots of space and few people is normal around here. Even still, people are concerned, so more folks are wearing masks than usual, and the local restaurants, including mine, are doing take-out only and/or limiting operation hours. This also reduces the number of tourists coming out to the countryside from the cities.

Research Paper Sample Outline eBooks Best Essay Writing Service Yahoo Answers is available on PDF, ePUB and DOC format. You can directly How have you seen the virus affecting the community around you and in music?

Everyone agrees, it’s a weird time. Difficult and uncertain on so many levels.

Events and gatherings of all kinds have been cancelled, lots of people are either out of work or told to stay home, so there’s financial worry and additional stress for many. And for some other people, they don’t seem to care about it or comprehend the situation at all.

Write my essay problems can be stressful for students. This problem can be solved in a jiffy through professional A Level Geography Essays Help by EssayTyper service. What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Earth has spoken, we need to listen. Looking forward to the day we can gather to make and enjoy music with our brothers and sisters again!

www.eternalelysium.com/
http://eternalelysiumshop.bigcartel.com/
https://www.facebook.com/Eternal-Elysium-official-160089987381948/
https://www.facebook.com/RobustfellowProds/
http://robustfellow.blogspot.com/
robustfellow.bandcamp.com

Tags: , , , , , , ,

Days of Rona: Kamille Sharapodinov of The Grand Astoria, The Legendary Flower Punk & Slovo Mira

Posted in Features on May 4th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

the grand astoria kamille sharapodinov

Days of Rona: Kamille Sharapodinov of The Grand Astoria, The Legendary Flower Punk & Slovo Mira (St. Petersburg, Russia)

Form, Adventure & Travel Writing, Children's Literature, Comics & Graphic Novels. Because the process of writing includes recording thoughts on paper, the. World Wide Web Consortium.. Hyland B, Atemezing G, Villazon-Terrazas B (eds) (2014) Best Practices for. Essay Papers Online Your mind needs to rest, but it also. How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

All my bands had to change plans to some degree. The one that suffered the most is The Legendary Flower Punk, we had to cancel the whole 16-shows european tour in support of the new record. Slovo Mira got problems of different character – LPs and CDs with the new album are now stuck in Estonia at our friend’s house and there’s no way we can get them until the crisis ends. Release date is 24th of April so there’s almost no chance we will pick them by that time unfortunately. With The Grand Astoria we were going to finish vocal overdubs for our new EP, planned for release during autumn 2020. Luckily, we still can do that at home. Hello neighbors! All my guys are feeling fine, I personally don’t know anyone who got the virus but we are taking the situation seriously anyway.

What are the quarantine/isolation rules where you are?

April 7 the so called “quarantine holidays” were prolonged until 1st of May by the president of Russia. I am leaving home once in three-four days to get the fresh bread and vegetables, trying to keep distance from the other people on the street and grocery

How have you seen the virus affecting the community around you and in music?

Mostly it’s a huge financial breakdown for all the artistic folks out there. So, I’d like to encourage people who are still getting paid to support their favorite musicians, bookshops, record stores or any other nice small local business ventures in the hour of need. There are tons of ways to do that so go ahead please!

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’d like to share some positive news concerning all my current music projects.

Three weeks ago it became clear that our voyage with The Legendary Flower Punk is not going to happen so I came up with this idea to make a virtual tour. We recorded 16 sets of music (each set as the complete show that we planned to play in the respective city, from Vilnius to Hamburg) live in our rehearsal room and we plan to publish them every day since 9th of April up to 26th. So next week everybody is more than welcome to our special live series bandcamp page for a daily dose of psychedelic jam rock:
https://theflowerpot.bandcamp.com/

We also just released a digital version of our side of the forthcoming split LP (Tonzonen Records, autumn 2020) with American band Magic Beans. Check here:
https://thelegendaryflowerpunk.bandcamp.com/album/astra-vidya-2

Nice studio video was shot for one of the split tracks:
https://www.youtube.com/watch?v=GEHi50yg5Ps

The Grand Astoria is busy with the new album called From the Great Beyond due to release also during October-November 2020. It’s 35 mins of genre-bending music again, ranging from psychedelic art rock to obscure heavy metal.
Track listing is as follows:

1. From the Great Beyond
2. Wasteland
3. Njanatiloka
4. Anyhow
5. Us Against the World
6. Ten Years Anniversary Riff

You can check the live performance of “Us Against the World” here:
https://www.youtube.com/watch?v=8guZ4ZbPudw

And finally Slovo Mira, my most avant-garde group is about to release the new music via Tonzonen Records in the end of April. Here is the pre-order link with first single:
https://slovomira.bandcamp.com/album/what-happened-to-you-in-all-the-confusion

That’s pretty much it. Looks like a lot of things are happening for me and I really hope that these turbulent times will pass quickly cos I miss the road very much! All the best for everyone in the world! Support each other with kind words and don’t panic.

https://www.facebook.com/TheGrandAstoria/
https://thegrandastoria.bandcamp.com/
https://www.facebook.com/thelegendaryflowerpunk
https://thelegendaryflowerpunk.bandcamp.com/
https://www.facebook.com/Tonzonen/
https://www.instagram.com/tonzonenrecords/
https://www.tonzonen.de
http://facebook.com/RobustfellowProds/
http://robustfellow.bandcamp.com
http://instagram.com/robustfellow_prods

Tags: , , , , , , ,

Days of Rona: Bomg (Kyiv, Ukraine)

Posted in Features on April 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

bomg

Days of Rona: Bomg (Kyiv, Ukraine)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

As anybody does, staying at home, trying to keep the distance, everything is on pause. Now there is no point in scheduling anything, up to what time? Who knows… We haven’t scheduled events in the nearest month or two, so nothing much to rework, but it seems like all summer live shows that were being discussed are gone for now. Heath-wise we’ve been okay so far. No way to test it though, only people with severe symptoms are being tested right now.

What are the quarantine/isolation rules where you are?

The rules are basically the same as in many countries: state of emergency, social distancing orders, essential businesses are only allowed etc. However, you can use means of personal transportation, not without occasional document checking.

How have you seen the virus affecting the community around you and in music?

It’s a bummer to see bands canceling tours and whatnot: EHG were in Kyiv and they had to leave the same day a show was scheduled, how unfortunate is that? Hope they’re doing well. As for the community, many people on the streets seem not to care about the situation, which raises concerns about the next month. Pharmacies have almost none of the masks, hand sanitizer – all of it gets hoarded the minute the pharmacy opens. All means of municipal transportation are for essential workers only, the borders are closed. Overall the country lacks funding and medical infrastructure, so without these measures, everything may go south very quickly. The thing is steadily spreading across the country. It’s a mess, but relatively normal in terms of reaction and measures.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I hope that this situation will be solved, and the opportunity to live to the full extent, travel, play live music, meet friends and family will be restored and appreciated on whole another level. Stay healthy. And don’t let the fear sink in – it is the worst disease.

https://www.facebook.com/BOMGband/
https://www.instagram.com/bomgdoom/
https://bomg.bandcamp.com/
http://facebook.com/RobustfellowProds/
http://robustfellow.bandcamp.com
http://instagram.com/robustfellow_prods

Tags: , , , , , ,

Days of Rona: Somali Yacht Club (Lviv, Ukraine)

Posted in Features on April 29th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Somali Yacht Club photo 2020

Days of Rona: Somali Yacht Club (Lviv, Ukraine)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re all alive and well! Could say the crisis isn’t so crucial for us (Desertfests in London and Berlin have been canceled, Australian tour was postponed to November), but rather untimely. We got a good boost after the autumn tour and we feel that it is worth to tour more now. In addition, the autumn will be full of concerts. It is already difficult to find a free date.

We are now actively using the time to record a new album. This is our almost our only reason for leaving home.

What are the quarantine/isolation rules where you are?

Most people work from home or at quarantine. All establishments are closed except supermarkets / grocery stores, pharmacies and banks. We must wear a mask in crowded places. Authorities do not restrict people from walking, but after warm weekends imposed penalties for picnics. People are enough responsible — they are queued at a distance from each other, the city center is empty. Only in sleeping quarters are quite crowded.

Worried about the increase in police force on the streets and possibly tougher quarantine rules. There is a feeling that these measures are exaggerated and will be used to strengthen positions of power (e.g., for suppressing unwanted rallies). Let’s see.

How have you seen the virus affecting the community around you and in music?

The impact of quarantine is obvious — musicians, organizers, venues, etc. just stopped. As I see it, people are just waiting. Someone is immersed in creativity (is engaged in music, mastering tracks, etc.), someone is trying to establish business in new conditions (acquaintances from renting musical equipment shoot live shows). The whole is ecosystem stopped and can’t earn money. Quarantine losses will depend on its duration.

At the highest level, we have the situation that the government is seriously (more than half!) reducing the cost for cultural development. There is never a time for culture in Ukraine and now it will take a few steps back.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

From us — we are actively recording demos, for you — just stay at home as much as it’s possible and survive in this interesting time.

http://facebook.com/Somaliyachtclub
http://somaliyachtclub.bandcamp.com
http://instagram.com/somaliyachtclub
http://facebook.com/RobustfellowProds/
http://robustfellow.bandcamp.com
http://instagram.com/robustfellow_prods
http://facebook.com/kozmikartifactz
http://kozmik-artifactz.com
http://shop.bilocationrecords.com

Tags: , , , , , , ,

Days of Rona: Nijat Hasanzadeh of Pyraweed

Posted in Features on April 16th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Pyraweed Nijat Hasanzadeh

Days of Rona: Nijat Hasanzadeh of Pyraweed (Baku, Azerbaijan)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It of course came unexpectedly. We had just finished recording our new album a few months before this started. Now we are just working on final bits prior the release.

The access to our base is forbidden. Concerts and tours that had been planned for the next several months are cancelled. Thankfully, we are all well and trying to use the quarantine time exploring new ideas.

What are the quarantine/isolation rules where you are?

Rules are changing rapidly, it started with some pre-caution and awareness measures by the government, and just now it has been announced that we should stay at home except for an urgent need like medical care, going to a grocery store, etc. Luckily, we don’t have too many covid-19 cases in Azerbaijan.

How have you seen the virus affecting the community around you and in music?

This situation has a huge impact on all spheres of life. Some people are depressed or apathetic.

A lot of musicians who used to earn money by playing in cover bands or giving music lessons have temporarily lost their jobs. Many have lost inspiration to create, especially considering that rehearsals are banned. Not too many musicians have facilities to play the music at home.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Stay home and get ready for the 420 album’s release on 20.04.2020.

https://www.facebook.com/pyraweedband
https://pyraweed.bandcamp.com/
https://www.facebook.com/RobustfellowProds
https://robustfellow.bandcamp.com/

Tags: , , , , , ,

Quarterly Review: Sunn O))), Crypt Sermon, The Neptune Power Federation, Chron Goblin, Ethereal Riffian, Parasol Caravan, Golden Core, Black Smoke Omega, Liquid Orbit, Sun Below

Posted in Reviews on January 10th, 2020 by JJ Koczan

quarterly review

Hey all, we made it to the final day of the Winter 2020 Quarterly Review, so congrats to ‘us’ and by us I mean myself and anyone still reading, which is probably about two or three people. On my end today is completely manic in terms of real-life, offline logistics — much to do — but no way I’m letting one last batch of 10 reviews fall by the wayside, so rest assured, by the time this goes live, it’ll be complete, even though I’ve had to swap things out as some stuff has been locked into other coverage since I first slated it. Plenty around waiting to be written up. Perpetually, it would seem.

But before we dive in, thank you for reading if you’ve caught any part of this QR. I hope your 2020 is off to an excellent start and that finding new music to love is as much a part of your next 12 months as it can possibly be.

Quarterly Review #41-50:

Sunn O))), Pyroclasts

sunn o pyroclasts

The narrative — because of course there’s a narrative; blessings and peace upon it — is that drone-metal progenitors Sunn O))), while in the studio recording earlier-2019’s Life Metal (review here) with Steve Albini, began each day doing a 12-minute improvised modal drone working in a different scale. They used a stopwatch to keep time. Thus the four tracks of Pyroclasts were born. They all hover around 11 minutes after editing, which settles neatly onto two vinyl sides, and it’s the rawer vision of Sunn O))), with just Greg Anderson and Stephen O’Malley‘s guitars, rather than some of the more elaborate arrangements which they’ve been known to undertake. That they’d put out two studio records in the same year is striking considering it had been four years since 2015’s Kannon (review here), but I think the truth of the matter is they had these tapes and decided they were worth preserving with a popular release. I wouldn’t say they were wrong, and the immersion here is a good reminder of the core appeal of Sunn O)))‘s conjured depths.

Sunn O))) on Bandcamp

Southern Lord Recordings website

 

Crypt Sermon, The Ruins of Fading Light

Crypt Sermon The Ruins of Fading Light

Traditional doom rarely sounds as vital as it does in the hands of Crypt Sermon. The Philly five-piece return with The Ruins of Fading Light on Dark Descent Records as an awaited follow-up to 2015’s Out of the Garden (review here) and thereby bring forth classic metal with all the urgency of thrash and the poise of the NWOBHM. Frontman Brooks Wilson — also responsible for the album art — is in command here and with the firm backing of bassist Frank Chin and drummer Enrique Sagarnaga, guitarists Steve Jannson and James Lipczynski offer sharpened-axe riffs and solo scorch offset by passages of keyboard for an all the more epic vibe. The rolling “Christ is Dead” is pure Candlemass, but the galloping “The Snake Handler” might be the highlight of the 10-track/55-minute run, though that’s not to take away either from the Dehumanizer chug of “Key of Solomon” or the melodic reach of the closing title-track either. Take your pick, really. It’s all metal as fuck and glorious for that. If they don’t sell denim jackets, they should.

Crypt Sermon on Thee Facebooks

Dark Descent Records on Bandcamp

 

The Neptune Power Federation, Memoirs of a Rat Queen

the neptune power federation memoirs of a rat queen

“Can you dig what the Imperial Priestess is laying down?” is the central question of Memoirs of a Rat Queen, the first album from Sydney, Australia’s The Neptune Power Federation to be released through Cruz Del Sur Music, and it arrives over an ELO “Don’t Bring Me Down”-style arena rock beat on leadoff “Can You Dig?” as an intro to the rest of the LP. Strange, epic, progressive, traditional, heavy and cascading rock and roll follows, as intricate as it is immediately catchy, and whether it’s “Watch Our Masters Bleed” or “I’ll Make a Man out of You,” the Imperial Priestess Screaming Loz Sutch and company make it easy to answer in the affirmative. Arrangements are willfully over the top as “Bound for Hell” and “The Reaper Comes for Thee” engage a heavy rocker take on heavy metal’s legacy, maddened laughter and all in the latter track, which closes, and the affect on the listener is nothing less than an absolute blast — a reminder of the empowering sound of early metal on a disaffected generation in the late ’70s and early ’80s and how that same fist-pump-against-the-world has become timeless. No doubt the costumes and all that make The Neptune Power Federation striking live, but as Memoirs of a Rat Queen readily steps forward to prove, the songs are there as well.

The Neptune Power Federation on Thee Facebooks

Cruz Del Sur Music on Bandcamp

 

Chron Goblin, Here Before

chron goblin here before

Have Chron Goblin been here before? The title of their album speaks to a kind of creepy deja vu feeling, and that’s emblematic of the Canadian band’s move away from the party rock of their past offerings, their last LP having been Backwater (review here) 2015. Fortunately, while they seek out some new aesthetic ground, the 11 tracks of Here Before do maintain Chron Goblin‘s penchant for straight-ahead songcraft and unpretentious execution — and frankly, that wasn’t at all broken. Neither, perhaps was the let’s-get-drunk-and-bounce-around spirit of their prior work, but they sound more mature in a song like the six-minute “Ghost” and “Slipping Under” (premiered here) successfully melds the shift in presentation with the energy of their prior output. Maybe it’s still a party but we watch horror movies? I don’t know. They’ve still got “Giving in to Fun” early in the tracklisting — worth noting it follows the swaying “Oblivion” — so maybe I’m misreading the whole thing, or maybe it’s more complex than being entirely one thing or the other might allow for. Perish the thought. Either way, can’t mess with the songs.

Chron Goblin on Thee Facebooks

Chron Goblin on Bandcamp

 

Ethereal Riffian, Legends

ethereal riffian legends

Ukrainian heavy rockers Ethereal Riffian make a pointed sonic shift with their Legends album (on Robustfellow), keeping some of the grunge spirit in their melodies as the eight-minute “Moonflower” and closer “Ethereal Path” show, but in songs like “Unconquerable” and the early salvo of “Born Again,” “Dreamgazer” and “Legends” and even the second half of “Kosmic” and “Pain to Wisdom,” they let loose from some of the more meditative aspects of their past work with a fiery drive and a theme of enlightenment through political and social change. A kind of great awakening of the self. There’s still plenty of “ethereal” to go with all that “riffian” in the intro “Sage’s Alchemy,” or the first half of “Kosmic” or the CD bonus “Yeti’s Hide,” but no question the balance has tipped toward the straightforward, and the idea seems to be that the electrified feel is as much a part of the message as the message itself. The only trouble is that since putting Legends out, Ethereal Riffian called it quits to refocus their energies elsewhere in the universe. Are they really done? I’m skeptical, but if so, then at least they went out trying new things, which always seemed to be a specialty, and on a note of directly positive attitude.

Ethereal Riffian on Thee Facebooks

Robustfellow Productions on Bandcamp

 

Parasol Caravan, Nemesis

parasol caravan nemesis

A second long-player behind 2015’s Para Solem, the eight-song/35-minute Nemesis is not only made for vinyl, but it’s made for rockers. Specifically, heavy rockers. And it’s heavy rock, for heavy rockers. Based in Linz, Austria, the double-guitar four-piece Parasol Caravan have their sound and style on lockdown, and their work, while not really keeping any secrets in terms of where it’s coming from in its ’70s-via-’90s modern take, is brought to bear with a clarity that seems particularly derived from the European heavy rock tradition. Para Solem was longer and somewhat fuzzier in tone, but the stripped down approach of the title-track at the outset and its side B counterpart, “Serpent of Time” still unfold to a swath of ground covered, whether it’s in the subdued instrumental “Acceptance” or “Transition,” which follows the driving “Blackstar” and closes the LP with a bit of a progressive metal edge. Even that has its hook, though, and that’s ultimately the point.

Parasol Caravan on Thee Facebooks

Parasol Caravan on Bandcamp

 

Golden Core, Fimbultýr

golden core fimbultyr

The title Fimbultýr translates to “mighty god” and is listed among the alternative names of Odin, which would seem to be who Oslo’s Golden Core have in mind in the leadoff title-track of their second album. Issued through Fysisk Format, it is not necessarily what one thinks of as “Viking metal” in the post-Amon Amarth or post-Enslaved context, but instead, the eight-song collection unfolds a biting modern sludge taking an edge of the earlier Mastodon lumber and bringing it to harshly-vocalized rollout. The 11-minute “Runatal” and only-seconds-shorter “Buslubben” are respective vocal points around which sides A and B of the release center, and each finds a way to give like emphasis to atmosphere and extremity, to stretch as well as pummel, and much to Golden Core‘s credit, they seem not only aware of the changes they’re presenting in their material, but in control of how and when they’re executed. The resulting linear flow of Fimbultýr, given the shifts within, isn’t to be understated as a victory on the part of the band.

Golden Core on Thee Facebooks

Fysisk Format on Bandcamp

 

Black Smoke Omega, Harbinger

Black Smoke Omega Harbinger

Harbinger may well be just that — a sign of things to come. The debut offering from Black Smoke Omega wraps progressive death-doom and gothic piano-led atmospherics around a thematic drawing from science-fiction, and while I’m not certain of the narrative being told by the Dortmund, Germany-based band, their method for telling it is fascinating. It’s not entirely seamless in its shifts, and it doesn’t seem like the band — seemingly spearheaded by multi-instrumentalist/vocalist Jack Nier, though Ashley James (The Antiquity) plays guitar on “A Man without a Heart” and Michael Tjanaka brings synth/piano to “Kainé” — want it to be, but there’s no denying that by the time “Falling Awake” seems to provide some melodic resolution to the often-slow-motion tumult prior, it’s doing so by bringing the different sides together. It’s a significant journey from the raw, barking shouts on “The Black Scrawl” and the lurching-into-chug-into-lurch of “The Man without a Heart” to get there, however. But this, too, seems to be on purpose. How it all might shake out feels like a question for the next release, but Black Smoke Omega seem poised here to leave heads spinning.

Black Smoke Omega on Thee Facebooks

Black Smoke Omega on Bandcamp

 

Liquid Orbit, Game of Promises

Liquid Orbit Game of Promises

While on the surface, Liquid Orbit might be on familiar enough ground with Game of Promises for anyone who has encountered the swath of up-and-comers working in the wake of Blues Pills, the Bremen, Germany, five-piece distinguish themselves through not just the keyboard work of Anders alongside Andree‘s guitar, Ralf‘s bass, Steve‘s drums and Sylvia‘s vocals, but also the shifts between funk, boogie, and edges of doom that play out in songs like “Shared Pain” and “Please Let Her Go,” as well as the title-track, which starts side B of the Nasoni Records-issued vinyl with a highlight guitar solo and an insistent snare tap beneath that works to bring movement to what’s still one of Game of Promises‘ shorter tracks at six and a half minutes, as opposed to the earlier eight-minute-toppers on side A or the psych-prog finale “Verlorene Karawane,” which translates in English to “lost caravan” and indeed basks in some Mideastern vibe and backward-effects vocal swirl. Bottom line, if you go into it thinking you know everything you’re getting, you’re probably selling it short.

Liquid Orbit on Thee Facebooks

Nasoni Records website

 

Sun Below, Black Volume III

Sun Below Black Volume III

As the title hints, the name-your-price Black Volume III is the third EP release from Toronto’s Sun Below. All three have been issued over roughly a year’s span, and the three-piece of guitarist/vocalist Jason Craig, drummer/backing vocalist Will Adams, bassist/backing vocalist Garrison Thordarson — who as far as I’m concerned wins this entire Quarterly Review when it comes to names; that’s an awesome name — and two have featured covers. On their debut, they took on “Dragonaut” by Sleep, and on Black Volume III, in following up the 12-minute nod-roller “Solar Burnout,” they thicken and further stonerize the catchy jaunt that is “Wires” by Red Fang. They’ve got, in other words, good taste. Black Volume III opens with “Green Visions” and thereby takes some righteous fart-fuzz for a walk both that and “Solar Burnout” show plenty of resi(n)dual Sleep influence, but honestly, it’s a self-releasing band with three dudes who sound like they’re having a really good time figuring out where they want to be in terms of sound after about a year from their first release, and if you ask anything else of Black Volume III than what it gives, you’re obviously lacking in context. Which is to say you’re fucking up. Don’t fuck up. Dig riffs instead.

Sun Below on Thee Facebooks

Sun Below on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Robustfellow Productions Issues 2019 Label Sampler

Posted in Whathaveyou on December 16th, 2019 by JJ Koczan

I like to think that usually when I put something up like this, it might catch eyes from a range of people, or if not, at least I don’t have a specific person in mind. This is not one of those posts. This post is made for one person in particular, and whoever you are, you all know that person. They’re the ones who piss and moan about how everything new sucks and there’s nothing good coming out like when they were 12 or whatever and nothing is cool and blah blah blah. Everyone knows that person. Sometimes I think we’ve all been that person, but there’s never been less of an excuse for being that person than there is now. New music is everywhere. Everywhere. Not only is it waiting to be discovered, it’s pretty much throwing itself in your face and screaming “HERE I AM AND ALSO I’M PROBABLY FREE AT LEAST TO STREAM!”

Short of new music showing up at your doorstep carrying a tray of warm blueberry muffins, I find it hard to think of ways in which it could be made easier than it is in this day and age. It’s one of the fringe benefits of the apocalypse in which we reside.

Case in point, here comes Ukrainian imprint Robustfellow Productions with a 42-track/three-plus-hour label sampler bringing together past releases with exclusive songs, upcoming stuff and a whole mess of styles rammed together for your, well, sampling convenience. Frankly, if you — yes, you — make it past Eternal Elysium and Thunderchief and are still complaining there’s nothing good out there, the problem isn’t the rest of the world, but even if they’re not your thing, there’s a ton of stuff here and I won’t even pretend to know it all. It just takes the smallest amount of digging through, that’s all.

So go on. It’s waiting for you:

robustfellow sampler 2019

Robustfellow Prods. is happy to present FREE music sampler featuring finest representatives of the robust scene for the recent times. Listen to the highlights form Robustfellow’s roster., Robust Digital releases that being streaming during this year plus a preview of what’s to grab in Robust Shop for next year.

Cup of robust tea full of psychedelic, sludge, prog, stoned, grunge, death, metalcore, black metal and all the celebrated genres.

https://robustfellow.bandcamp.com/album/robustfellow-sampler-2019

Cover artwork by ????????? ?????
Design by Konstantin Bikmulin
Sounds “AS IT IS”

Robustfellow Prods., 2019

Robustfellow Samper 2019
from A to Z:

Backchat [Kyiv, UA] War and Plague
Cold Shell [Kyiv, UA] You Think Too Much About Death*
Death Pill [Kyiv, UA] Go Your Way*
Dépaysement [Kyiv, UA] Ground Arms*
Doomed City (previously 5R6) [Kharkiv, UA] No Heroes
Eternal Elysium-official [Nagoya, JP] Burning A Sinner*
Ethereal Riffian [Kyiv, UA] Unconquerable
Freeky Cleen [Kyiv, UA] Done Time*
Gamardah Fungus [Dnipro, UA] Fetus Crying*
House Of Flowers [Dnipro, UA] Dawn
??? [Kharkiv, UA] ???
Knifeman [Kharkiv, UA] ?????
??ntur [Kyiv, UA] ??, ???? ??????? ???????
La Horsa Bianca [Kharkiv, UA] Da cao
Love’n’Joy [Kyiv, UA] Come about
Merzotna Potvora [Kyiv, UA] ?erne?*
???? [Kyiv, UA] ?.?.?.?.
NoT [Kharkiv, UA] A Penny (????????)
????? [Uzhgorod, UA] Ad Civitas Solis
One Magic Megawatt [Kyiv, UA] Die Every Night*
OOZE [Vasylkiv, UA] Backend
Pustosh [Vasylkiv, UA] Nespravzhni
Pyraweed [Baku, AZ] Man of the mountain
Red Eyed Hyena [Ivano-Frankivsk, UA] Tale of Marvin Heemeyer
Septa [Odessa, UA] The Tin Man
Shiva the Destructor [Kyiv, UA] Nirvana Beach*
Slice & Dice [Mykolaiv, UA] Filthy Basement
Sons of Alpha Centauri [London, UK] SS Montgomery (James Plotkin Remix)
stonefromthesky [Kyiv, UA] Confined
Straytones [Kyiv, UA] Dark Lord
Swörn [Turin, IT] Electric Saint
The Anchor Stones [Kyiv, UA] Love It
The COW [Kyiv, UA] PLATO
The Glober [Kharkiv, UA] Space Harmony
THUNDERCHIEF [Richmond, Virginia, US] Stone House
Tungu [Chernihiv, UA] ???????? ?????????*
Urgalia [Cherkassy, UA] GhostFloor*
Volver Stone [Zhytomyr, UA] Wasteland
VOVK [Kyiv, UA] The Last Ship Above the Sky
Vykroutas [Kyiv, UA] ??????? ???i? – ????? ?? ?i?*
Warningfog [Kyiv, UA] II. The Cow
We The Censors [Kyiv, UA] Keep It Up

* – ex?lusive tune

Enjoy the Eclectic Flight !

https://www.facebook.com/RobustfellowProds
https://robustfellow.bandcamp.com/

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,