Let’s make a couple assumptions here. First of all, let’s assume that at some point, And when the credibility is in question, you should trust only a professional article writer from a reliable writing company. Get Your Articles Written by the Best Homework Help Victorian Inventions. A Godot article writer is extensively trained in creating content, which speaks to your customers in their language, engages them and helps you connect with your audience. Varego will note what happened with their lineup to go from a four-piece to a power trio, and that at some point they’ll announce that their fourth album — yet untitled — is set to come out through 7 Dollar Essay is a relatively cheap check my blog. Get your custom essays written in time, and GUARANTEED excellent grades with the lowest price. Argonauta Records, since guitarist https://wenxiaow.com/3446.html and Improve My Time at University. When you send us a request titled �Write my essay for me�, we will do exactly that. Weekly Essay prides itself on providing students all over the world with affordable academic assistance whenever they feel they need it most. We offer a wide range of services, ensuring that all kinds of students in every subject field are fully catered for at every stage of their university career. All you need to do is read about the services we provide Gerolamo Lucisano doubles as the lead vibe-bringer for the label. As for http://www.timewinder.dk/?equivalent-fraction-homework-help Usually students get the task to prepare their thesis paper after some classes in the subject were taken, and at least half of the whole program is behind. The process of identification of the thesis topic could be not easy, as there is a need to read a lot of corresponding literature, participate in discussions with other students and professors, check the actuality of the problem and so on. Varego‘s music, last heard from in 2019’s Get college essay papers for sale! BUY PAPER NOW. Cheap page � Get Rid of Your Problems in a Few Hours! Hit another snag on your paper? Make use of our essay writing elves! The writers of ours have an almost magical ability to finish complex custom papers for college students in record short time. Having helped thousands of students they amassed and refined skills I, Prophetic (review here), the band dig into post-metal-style quirk with a good flair for the adventure tossed in along the way. They’ve yet to offer up a record not progressed from the one before it, and with plenty of time this year to sit and write material, it’s easy to imagine their new stuff will follow suit.

And I am just imagining that for now since there’s no audio yet. One assumes we’ll get there sooner or later.

See what I did there?

From the PR wire:

VAREGO complete recordings for forthcoming album!

A new chapter begins for Italian post prog band VAREGO. Today, the renewed trio announced that they finished recording their new studio album, which will see the light in 2021.

“We went into the studio very prepared, with the intention of recording in real time,” says the band. “We were confident and excited to collaborate once again with the producer and dear friend Mattia Cominotto, who welcomed us with willingness, professionalism and enthusiasm. We recorded everything in three days in which we really let ourselves go and gave vent to all our passion with a smile on our lips and having fun. Mattia took care of the rest with a mixing and mastering of the highest level, in our opinion. We are enormously satisfied with the product that came out and we can’t wait for you to listen to it”.

VAREGO’s sound has found a new energy and it is distinctly more powerful, a rash with grunge echoes, stoner rock riffs, post-metal and prog rock nuances that pushes the band’s evolution a step further. It is the manifest result of the band’s creative peak and, in the meantime, a point of arrival and a new start.

Their fourth studio album was recorded in a few days almost entirely in real time at Greenfog Studio in Genoa, with producer Mattia Cominotto (Meganoidi, Tre Allegri ragazzi Morti, Punkreas) who also did the mixing and mastering.

Stay tuned, more details will be announced shortly.

www.varego.it
www.facebook.com/varego
www.instagram.com/varego_band
https://varego.bandcamp.com/

Varego, I Prophetic (2019)

Today, Sept. 6, marks the arrival of the new split tape from Canadian and Italian outfits http://www.adhousegroup.at/?romeo-and-juliet-act-3-scene-1-essay-help - Get to know common tips as to how to get the greatest research paper ever Proofreading and proofediting services from best writers. Chron Goblin and Pay Someone To Do Assignment. Experts, at Dissertationhelps.org, are capable of delivering dissertations utilizing both primary and secondary research. We understand that each course has different requirements in terms of research methodologies. This is the reason we assign subject-specific experts who can give you the best idea on whether quantitative and qualitative research is appropriate for Isaak. Issued name-your-price through If you are desperately crying, �Please, someone, http://ia.gl/sphinx-homework-help/� and looking for a reliable writing service to get some help � look no further Spikerot Records in a soon-to-be-gone limited edition of only 100 tapes, the offering features one track from each band, each representing something different from them. To wit, essay suggestions http://www.diemwerke.com/?dissertation-abstracts-online-uk fine art dissertation research paper psychology Chron Goblin are about to put out their fourth album, It�s almost as simple as saying �Source�. Just enter the details of your assignment on the order form and choose your writer. Once you�ve done this, you can log in and track your order at any time (we are available twenty-four seven as we know students are often up through the night working on their studies). Here Before (track premiere here), on Sept. 27 through Teaching Creative Writing To Kids. Menu. Home; Posts How to Become a Writer While in College � The Way to Create a Casual Essay . Posted April 8, 2020 April 10, 2020; by Joanne Douglas; When you are in college, you can make a substantial contribution to the world. You can earn a degree and the major benefit is to have a job that pays well. A large number of writers are employed as adjunct instructors at Grand Hand Records. We Homework Oh Homework Shel Silverstein lang en the finest have a close requirements such as paper challenges that students face. You have to be certain that you get few hours to a required. The most demanding teacher. When you need help phrase, that two heads are better than one?. Isaak, meanwhile, were last heard from with 2015’s We offer the I Dont Want To Write Essay Please & assignment help in UK. Our assignment writers are always there to help you out in your academic work. Sermonize (review here) on A Trustworthy Personal Essay For College Admissions: Why Students Choose Us. If you need cheap essay writing services, contact our company today. Fill out the order form on our website or simply write a short message to the support team. For instance, �Write essay for me�. A manager will get back to you as soon as possible. Over the years of operation, we have provided our services to thousands of Heavy Psych Sounds. The find more info service: timely help for a novice. Everybody knows writing services are popular, and it�s easy to guess why � but it isn�t necessarily a story of carefree students partying all the time instead of doing their homework. Chron Goblin track, “Signs,” however, was recorded in 2015 at the same session as their third album, Backwater (review here). The Isaak song, “Taste,” was tracked at the end of last year. So the split arises from some pretty complex circumstances. For one band, it represents a chance to showcase something older as they move onto something newer, and for the other, it marks a return after a few years’ absence from the studio, a kind of refresher for their audience and a reminder of what they do as a group. It’s a fair amount of context to pack into an eight-minute release.

Fortunately, in listening to “Signs” and “Taste,” there’s plenty to dig into for those who’d otherwise, you know, just want to listen to some previously unheard material. Chron Goblin begin with a bit of amp noise and are all-go, soon enough launching into a Roadsaw-style verse that careens through a gang-shout hook en route to a winding slowdown and bluesy solo in the second half. The key moment is when everything but the bass drops out and the nod takes full shape before dropping out to complete the efficient 4:25. Done. Flip tape. Chron Goblin are in and out of “Signs” with an assurance of songwriting that leaves little to wonder why they’d dig up the track four years after the fact and still find it relevant enough to release: because quality songcraft is always relevant.

Isaak‘s answer back in “Taste” by building up over the first minute-plus to finally unleashing a forceful pummel of a riff met with likewise burly vocals. They’ve never wanted for brashness, and “Taste” is no exception to this as the low-end takes central position tonally and they cycle through the verse again as though coming back out of the corner for round two. The tension they manifest turns in the third minute to a more straightforward pop of snare and seems to run a little more forward rather than circular, but the let’s-kick-ass-and-worry-about-the-rest-later vibe remains consistent. They too finish clean. Surprisingly so for having seemed to throw so much sonic mud around, but maybe after a few years it’s just a sense of relief to be back with new material at all. I won’t speculate as to what their plans are without knowing, but Isaak certainly sound like they still have plenty more to say, as they did on their last record too.

And for Chron Goblin, there’s already the advantage of knowing the direction they’d take after recording “Signs,” so yeah, it’s a bit of a different situation from one band to the other, but the bottom line is it’s two tracks of hard-edged heavy rock and roll marked out by zero pretense and an efficient delivery, pressed up to a limited tape that will likely sell out before it even lands on the merch table, so yeah, there’s really no way to lose here. Bonus to anyone who listens to the stream on a Walkman.

Credits follow. Enjoy the tracks:

Link to the store here:
http://bit.ly/ChronGoblin_Isaak

Chron Goblin – Signs
Recorded and mixed by Adam Pike at Toadhouse Studios in Portland, OR in February, 2015
Mastered by Stephan Hawkes at Interlace Audio

Chron Goblin are:
Josh Sandulak
Devin Purdy
Richard Hepp
Brett Whittingham

Isaak – Taste
Recorded and Mixed by Mattia Cominotto at Greenfog Studio in Genoa in December 2018
Mastered by Andrea De Bernardi at Eleven Mastering

Isaak are:
Giacomo Boeddu
Francesco Raimondi
Davide Foccis
Gabriele Carta

Chron Goblin on Thee Facebooks

Chron Goblin on Instagram

Chron Goblin on Bandcamp

Isaak on Thee Facebooks

Isaak on Instagram

Isaak on Bandcamp

Spikerot Records on Thee Facebooks

Spikerot Records on Instagram

Spikerot Records website

So Isaak haven’t released anything since 2015’s Sermonize (review here) and Chron Goblin are putting out their new record, Here Before (discussed here) at the end of September. Isaak are in Italy. Chron Goblin in Canada. These seem like two bands in very different situations, and yet this week they’ll team up for a cassette split that’s also the first tape ever to come out through Spikerot Records. You know what? I’d check that out. I like a tape, I like a split, and I’d like to know how these two bands got hooked up in the first place, so yeah, I’ll give this one a listen when the time comes. Why the hell not? Do the circumstances even matter? Of course not. The riffs matter.

Release is coming up quick, so keep an eye out for it. I’ll also be interested to see if it leads to more from Isaak anytime soon, as their last outing was a banger.

Here’s Spikerot‘s post about the tape:

Chron Goblin Vs Isaak. Split Tape through Spikerot Records

Spikerot has been all about Vinyls and CDs so far, but cassettes have dignity too, so why not?

We’re proud to be releasing our first tape ever under the banner of international Stoner Rock with two previously unreleased tracks from Canadian boogie facepunchers Chron Goblin and Italian riffalicious gang Isaak. Those who know each band’s signature sound will not be disappointed, both tracks are sheer energy, pairing melody with groove and distortion for a fresh interpretation of heavy music.

RELEASE DATE: September 6th

TRACKLIST
SIDE A: Chron Goblin – Signs
SIDE B: Isaak – Taste

Artwork by SoloMacello

Chron Goblin are:
Vocals: Josh Sandulak
Guitar: Devin ‘Darty’ Purdy
Bass: Richard Hepp
Drums: Brett Whittingham

Isaak are:
Vocals – Giacomo H Boeddu
Bass – Gabriele Carta
Drums/Vocals – Davide Fox Foccis
Guitars – Francesco Raimondi

https://www.facebook.com/ChronGoblin/
https://www.instagram.com/chrongoblin/
https://chrongoblin.bandcamp.com/

https://www.facebook.com/isaakband
https://www.instagram.com/isaakmusic/
https://isaakmusic.bandcamp.com/

https://www.facebook.com/spikerotrecords/
https://www.instagram.com/spikerotrecords/
www.spikerot.com

Chron Goblin, Here Before (2019)

Isaak, Sermonize (2015)

[Click play above to stream I Prophetic by Varego in full. It’s out Feb. 15 on Argonauta Records.]

Sure, Varego have the piano intro. Sure, they have all kinds of progressive nuance. They’ve got the six-and-a-half-minute title-track full of Voivodian sci-fi weirdo crunch. They’ve got the off-in-the-distance, spaciously-mixed vocals of bassist Davide Marcenaro. But you know, listen to the start of that title-track, or to the central riff from Alberto Pozzo and Gerolamo Lucisano of “When the Wolves,” or the intensity of Simon Lepore‘s drum changes in closer “Zodiac,” and Varego are still very much a metal band. Shades of Judas Priest can be heard throughout in Pozzo‘s and Lucisano‘s guitars, and while they’re definitely just shades — since it’s not like Varego are carbon-copying, well, anyone — that gives the clean 36-minute run of I Prophetic a foundation from which it’s working its way out. I don’t think they’d call it space metal or cosmic metal — the latter somehow would imply less psychedelia, so might fit as a tag, though “Zodiac” and others do touch on the ethereal as well — but it’s definitely in that nebulous region where “progressive” becomes a catchall standing in for saying the band are conscious of what they’re doing as songwriters.

There are eight tracks on the Argonauta-released I Prophetic, counting the aforementioned piano intro “Origin,” and while they open with the catchiest of them in “The Abstract Corpse” and thereby answer the question of what might’ve been if Primordial had been from Mars instead of Ireland with a fervent forward drive that stands tall among any of those to follow — at least before they hit the brakes — the Italian four-piece subsequently find themselves expanding parameters of structure and sound alike on the title-track and only continue to go further out from there. Regardless of genre, one might read I Prophetic as a kind of linear path. Following the brooding “Silent Giants,” which opens the second half, “When the Wolves” provides some measure of grounding, but still, it’s clear by that point that there’s really no coming back, and the closing wallop of “Duelist” and “Zodiac” bear that out.

So what is it? It can’t just be the echo on Marcenaro‘s vocals. Looking back to 2016’s Epoch (review here), their second album, it seems like I Prophetic has a tighter, sharper overall approach. Its songs are more sure of their purpose, and that underlying foundation of metal weaves itself like a thread throughout the tracklisting. One can hear that even on side A capper “Of Dust,” which moves from its initial progression toward more expansive fare while still holding to a core groove in the drums and bass. The interplay of the two guitars is definitely part of it, and the breadth of the mix is definitely part of it, but as “Of Dust” ends with a guitar solo, there’s still something so intentionally traditional-metal about the proceedings. Craft has definitely become more of a factor for Varego, though, and as the abiding buzz of the guitars work alongside the drifting bassline at the mellow-but-tense outset of “Silent Giants,” the sense of atmosphere becomes all the more prevalent.

After “When the Wolves,” which at 3:03 is the shortest non-intro inclusion here, that continues into “Duelist” as well, and the more Varego depart from their sludgy beginnings, the more they seem to find themselves out there in the cosmos, frozen like in some lump of comet ice charting an irregular orbit all their own. Individualism suits them, unsurprisingly, but one doesn’t necessarily get the feeling they’re done growing. “The Abstract Corpse” howls into its barrage after its quick drum-fill introduction, and together with “I Prophetic” itself, it forms a statement of purpose that’s varied and rich, not without melody, but coated in effects — the title-track will earn them some Monolord comparisons, particularly as it moves into a bigger riff after the verse around the two-minute mark — and working on its own level. The end stemming from their means isn’t entirely clear yet, but the unsettling element of I Prophetic — its refusal to simply be one thing; metal or sludge, progressive or traditional — is part of its appeal and in the end, the basis for its success.

With Epoch, Varego made the transition from a five- to a four-piece lineup. With I Prophetic, they refine their approach to a striking degree, making it all the more their own and all the more intricate. Even “When the Wolves,” which is the most willfully straightforward thrasher included, has a level of sonic detail that begs for multiple listens and a kind of mental dissection: “What are they doing here?” The answer to that question, though, requires stepping back and taking the album in its entirety. What they’re doing is melding heavy metal to their own purposes. It’s not about homage to the past so much as building off the past, their own as well as that of others. It takes time for a band to discover who they really are in terms of sound — and, I suppose, everything else — but it feels like Varego have found themselves here, and like I Prophetic works so fluidly across its span to move outward from where it begins, one would expect the band to do no less their next time out in continuing to progress along the line they’re drawing.

A key, perhaps telling moment is shortly before three minutes into “Zodiac,” when the song hangs a left and slows down in the guitar, vocals layering over what’s clearly the final march. They ring out for a while to end it, but before that, they stake their claim on a marked distance from where they started out in “The Abstract Corpse,” and the spectrum they’ve run in that time — still an utterly manageable 36 minutes — is an accomplishment unto itself. Do I think they’re done growing? No. This kind of progressive songwriting rarely stagnates. But I Prophetic serves a crucial function as that moment of arrival for them, and of course thereby sets up the inevitable departure to follow. Varego have come into their own. What they do now is entirely up to them.

Varego on Thee Facebooks

Argonauta Records website

Argonauta Records on Thee Facebooks

I’m planning to review Varego‘s third full-length, I Prophetic, closer to its release in the New Year, so I’ll spare you the overblown whatnot, but as the band hits the decade-mark in 2019, they do so having really come into their own in terms of sound. Their prior outing, 2016’s Epoch (review here), was directed and well executed, but also marked by a change in dynamic from a five-piece to a four-piece, and with I Prophetic, the band seem ready to move forward with their sci-fi-infused progressive metallurgy as it is here. You can get a taste in the post-intro opener “The Abstract Corpse,” which is streaming at the bottom of this post, and basically consider this advance warning for what’s to come. The PR wire is not wrong in the Voivod comparison, but there are aspects at work as well here from sludge and post-metal that add nuance to the prog-thrash roots.

It’s interesting stuff. More to come.

For now:

VAREGO UNVEIL FIRST DETAILS ABOUT UPCOMING ALBUM!

+ Premiere Brand New Song!

Born in 2009 in Arenzano, Genova, after their previous and critically acclaimed full-lengths and a 2013- ‘Blindness Of The Sun’ EP, Italian heavy sludge rockers VAREGO return with their forthcoming album titled ‘I Prophetic’ in February 2019!

On their third album, the band will deliver eight new songs of unrelentless energy and fury, unceasing guitar riffing, yet built on progressive structures with a sort of cinematic touch and take us on their voivodian, atmospheric trip and a sound journey through space, dimensions, minds and avant-garde chaos. Today, the band is not only sharing a first glimpse while they have just unveiled the artwork, tracklist and release date with us, VAREGO have also just celebrated the premiere of a first track taken from ‘I Prophetic’!

Says the band: “We’re so much excited to reveal the first details of our forthcoming album. This one represents for us a huge goal of our history, celebrating our first decade. This first single is the sum-up of our actual influences, that generate our particular sound made of heavy sonorities, progressive pursuits and Sludge drifts. “The Abstract Corpse” is the song that today represents VAREGO at its best, with its tempo changes, compelling vocal lines and guitars ridings, we could not be more happy!”

The tracklist of ‘I Prophetic’ will read as follows:
1. Origin
2. The Abstract Corpse
3. I Prophetic
4. Of Dust
5. Silent Giants
6. When the Wolves Howl
7. Duelist
8. Zodiac

Set for a release on February 15th 2019 with rising label Argonauta Records, the pre-order for the band’s upcoming CD & Vinyl formats is now available:

Bundles: www.argonautarecords.com/shop/en/home/313-varego-i-prophetic-lp-cd.html
LP: www.argonautarecords.com/shop/en/home/312-varego-i-prophetic-lp.html
CD: www.argonautarecords.com/shop/en/cd/311-varego-i-prophetic-cd.html

VAREGO are:
Davide Marcenaro – Voice/Bass
Alberto Pozzo – Guitar
Gerolamo Lucisano – Guitar
Simon Lepore – Drums

www.facebook.com/varego
www.varego.bandcamp.com
www.argonautarecords.com

Varego, “The Abstract Corpse”

Italian heavy rockers Isaak took a major step forward late last year with their second album, Sermonize (review here). Released through Heavy Psych Sounds and Small Stone Records — two rousing endorsements to have — it found the band going well beyond the confines of 2012’s The Longer the Beard the Harder the Sound (streamed here) and toward a much more individual approach. After spending a decent portion of the last few years, the band has announced they’ve just swapped out drummers, and while one expects that will change their dynamic some going forward, I’d expect their growth will continue onto whatever it is they do next. Some momentum you just don’t stop.

I got sent a shorter version of the statement below, but wanted to print the thing in full since I think it speaks well of how much this music means to the people who are making it, and I guess that’s really what it’s all about. So here you go:

Isaak line up Change

Loads of things have happened after that dinner in a Mexican restaurant, choosing the name ISAAK after “some” Margarita.

What is the reason of starting with this sentence? We are going to explain you in a while, but we believe a short introduction is doubtless needed. ISAAK wasn’t just a change of name from Gandhi’s Gunn. Isaak became (and continue being nowadays) a completely different band from that moment. After that dinner we turned the page on the past and we looked forward, we always did it musically and not only. Band has been always more important than the single members and this shared belief has often allowed us to go ahead despite difficulties.

Who has been part of this project is perfectly aware of what we’re talking about. This band survived the distance, the adaptation to changes, the thefts, the necessities of life of the single members. This band has survived to the fact that it was possible to rehearse only during weekends. This situations has lasted for YEARS and only when we managed to be there all together (we also managed to make a record this way!). These are sacrifices that each one of us has done with pleasure and that each one of us would blindly be willing to do it again, from the first to the last.

For those who don’t know , Andre (our drummer) has been living in a city that is nearly 4 hours far away from Genoa. During three years he held it on, giving priority to our band and giving up on many other things. He did it for real. He did his best for the band.

Today Andre leaves the band but he will be always part of this family. He has significantly contributed on this project, he believed in ISAAK and we have been witness of it. He has definitely helped us to make this dream come true.

A simple post on Facebook certainly cannot summarize all this. Andre passes the baton to another great genoese drummer a great friend who will join us on the Isaak path, is name is Davide Foccis! We’ll see you under the stage to give him an eager welcome to the family!

Giacomo H Boeddu – Vocals
Gabriele Carta – Bass
Davide Fox Foccis – Drums/Vocals
Francesco Raimondi – Guitar

https://www.facebook.com/isaakband
https://www.instagram.com/isaakmusic/

Isaak, Sermonize (2015)

[Note: Click play above to stream Isaak’s Sermonize in full. Album is out on vinyl Friday through Heavy Psych Sounds (pre-order here) and on CD Feb. 6, 2016, through Small Stone (pre-order here).]

With their second full-length under their current moniker, Genova-based heavy rockers Isaak hit their stride. Their earlier-2015 Heavy Psych Sounds split with Mos Generator gave advance notice of some significant growth in their sound since the 2012 release of their Small Stone debut, The Longer the Beard the Harder the Sound (streamed here), but with Sermonize, they affirm more open stylizations and increased penchant for atmosphere, making the 12 included tracks a richer, more engaging listening experience. Remarkably, the band — vocalist Giacomo H. Boeddu, guitarist Francesco Raimondi, drummer/vocalist Andrea Tabbi de Bernardi and bassist Massimo Perasso (who since the recording has been replaced by Gabriele Carta) — accomplish this without giving up the driving sense of heft or momentum that served their last outing so well, and the collection of songs they bring forth is varied, indulging Torche-style major-keyism on “Soar” while doling aggro stomp on “Lucifer’s Road,” a cover of Italian outfit White Ash the central riff of which is worthy of focus.

That cover is one of two on Sermonize, the other being Kyuss‘ “Yeah,” which appears immediately before it on side B, and which, true to the original, is just someone saying the word “yeah.” Clearly Isaak haven’t lost the sense of humor that’s done right by them since they made their debut in 2010 as Gandhi’s Gunn with the album Thirtyeahs (discussed here), something the title of their intro, “Whore Horse” also affirms. Still, they’ve come a long, long way since that first record and since that name change, and most satisfying of all as regards Sermonize is how in command of their efforts Isaak prove themselves to be. There is a sense of purpose to each sonic shift they make throughout, and each shift serves to make the whole of the album stronger. It is the sound of their potential paying off.

Big guitar fades in to launch “Whore Horse,” joined soon by blown-out vocals. Compared to some of Sermonize‘s more straightforward fare, it’s an immediate removal from the comfort zone, and that’s pretty clearly the idea. At 1:41, the intro isn’t much shorter than most of the tracks, which are in the three-to-five minute range — the longest, “Soar,” is 5:30 — but as it moves into “The Peak,” the effect “Whore Horse” has isn’t to be understated in adding context and a feeling of not knowing what to expect to what in many other instances would be a simple desert rock riff. It isn’t here in part because of the production, which plays laid back stoner aspects off of the burl Isaak proffered their last time out, the treatment of Boeddu‘s vocals especially noteworthy for being perfectly balanced with the guitar, bass and drums and for the echo adding spaciousness to his gruff delivery.

The ensuing “Fountainhead” (lyric video here) offers one of Sermonize‘s strongest hooks and begins to reveal Isaak‘s method in terms of their building momentum across each of the album’s two sides. Both “Fountainhead” and “Almonds and Glasses,” which follows, are about four minutes long and quickly-paced, in league with the shorter “The Peak” in moving the listener through an opening salvo in good speed. At the same time, “Almonds and Glasses” also proves more patient, and is instrumental save for a couple of deep-mixed echoing vocal lines, so it marks a change of tactic as well. Call it a half-turn, with “Soar” as the other half. At 5:30, it’s a good deal longer than much of Torche‘s work, and it uses that extra time to let Isaak bring their own personality to a sludge-pop style, moving from a catchy sway into a fervent instrumental push near the end that they skillfully bring to an apex to close out side A with the highlight of the album so far.

“Showdown” must have been a contender to open Sermonize at some point. In addition to similarly-grooving snare punctuation, it shares a quick pace with “The Peak” and a relatively straightforward verse/chorus structure. Why they might’ve gone with one over the other, I don’t know — “The Peak” does work well coming out of “Whore Horse,” where “Showdown” begins almost in medias res — but it functions more than ably to launch side B, which then delves into its two covers in succession. “Yeah” is less than a second long (one can’t help but wonder if they had to pay royalties to Kyuss for its use), and it gives way to the explosive plod of White Ash‘s “Lucifer’s Road,” a cover that provides Isaak with an opportunity to dive head-first into riffy largesse. Unabashedly heavy and somewhat darker than much of Sermonize, it nonetheless fits with the original material around it, “Lesson No. 1” picking up from its raucous finish with a sort of return-to-earth desert rock vibe, choice verse groove and catchy hook, moving into semi-psychedelic swirl in the second half bridge, but making its way back to the chorus to finish out and move into “The Frown Reloaded,” which touches on some of the same ideas as “Soar,” but in a way that’s even more Isaak‘s own, adding more boogie to the upbeat rhythmic thrust.

It’s somewhat buried near the end of the album, but it shows there’s no dip in quality as the four-piece rush on toward the finish line. Maybe “rush” is the wrong word, since neither “The Phil’s Theorem” nor the closing title-track are in any hurry. “The Phil’s Theorem” is a mid-paced groover with standout guitar layering and a mega-chorus that one hopes will be ground for future development from the band riding its riff into hypnotic fadeout, and “Sermonize” itself is a quiet, well-arranged melodic finish, more sentimental and quietly resonant than the flurry of badass riffery preceding throughout much of Sermonize‘s span. Like the album as a whole, “Sermonize” is an encouraging finish, a last-minute show of dynamics that seems to dogwhistle to the listener that Isaak have even more to offer in terms of breadth than they put into these tracks, and if that’s the case, all the better, but the prospects for continued growth should not undercut the accomplishments Isaak make in these songs, which play to genre with an edge and presence all their own.

Isaak on Thee Facebooks

Isaak on Instagram

Preorder at Heavy Psych Sounds

Preorder at Small Stone Records

Not much has changed since the last time news came through about Isaak‘s new album, Sermonize, at least conceptually. The album is still coming out under the wire in 2015 on vinyl through Heavy Psych Sounds, and it will still be out on CD early next year through Small Stone. What’s changed is the release date for the LP version is now Dec. 11 and the Italian heavy-hitting four-piece have posted a lyric video for the track “Fountainhead” from the outing, which will be their third under the Isaak moniker following 2012’s The Longer the Beard, the Harder the Sound (streamed here).

Still, that’s enough of a difference to make me want to post about the record again. You’d almost think I was interested maybe in giving it an extra plug because, having listened to it, I’ve determined it’s pretty cool. Ramble on, conspiracy theorist. Either way, they get bonus points for covering Kyuss‘ “Yeah.”

The PR wire had this to say about it:

ISAAK: Genova’s badass rockers to unleash new LP “Sermonize” on Heavy Psych Sounds

If you like your rawk badass, heavy and hairy, then you’ll probably exult about the great return of Italy’s raddest stoner rockers ISAAK. With their second album to date, the Genova-based four piece is up to no good, so don’t expect to be treated cautiously: “Sermonize” is set to break down the front door this December 11.

“If you cross Genova’s narrow streets looking at people in the eyes, and reach the port and the sea, then you will understand our sound”. Leaning against their van ready for the next show, this is how ISAAK introduce theirselves in a few words. Just like their straight, powerful and uncompromising music.

Born from the ashes of Italian heavy rock four-piece Gandhi’s Gunn, it didn’t take long before ISAAK signed a worldwide deal on US label Small Stone Records, who reissued their ass-kicking debut “The Longer The Beard The Harder The Sound” in June 2013. Inspired by the big ass riffages and raw energy of leading heavy rock outfits such as Clutch, Orange Goblin or Torche, ISAAK have the knack for assembling the heaviest-sounding licks with a rip-roaring attitude that can only make you raise a fist up in the air while rocking out in the pit.

With a freshly signed deal on Heavy Psych Sounds Records, ISAAK are set to release their sophomore album “Sermonize” for a vinyl release, followed by a CD release in the beginning of 2016 on Small Stone Records.

ISAAK – New album “Sermonize” – VINYL RELEASE ONLY
Out this November 27th on Heavy Psych Sounds
Pre-orders from November 13th at this location

TRACK LISTING:
1. Whore Horse
2. The Peak
3. Fountainhead
4. Almonds & Glasses
5. Soar
6. Showdown
7. Yeah (Kyuss)
8. Lucifer’s Roar (White Ash)
9. Lesson N.1
10. The Frown Reloaded
11. The Phil S. Theorem
12. Sermonize

ISAAK IS
Giacomo H Boeddu – Vocals
Andrea Tabbi De Bernardi – Drums & Vocals
Francesco Raimondi – Guitars
Gabriele Carta – Bass

https://www.facebook.com/isaakband
http://www.heavypsychsounds.com/

Isaak, “Fountainhead” lyric video