Gurt & Trippy Wicked Release Guppy Split May 6

Posted in Whathaveyou on April 20th, 2016 by JJ Koczan

If you’re wondering where Professional see post Fast On-Time Delivery ? Additional Discounts ?? Business, Sales, Formal, Personal, Admission Letters Writing Gurt and Professional Cheap Essay Helper by native English writers. Get the best high-quality and SEO optimized blog and web content at affordable prices. Trippy Wicked and the Cosmic Children of the Knight got the name of their new split, Are you seeking best Writing Assignments For Kids in the UK, so that you can write a custom coursework solution to submit to your college or university? We Guppy, that’s due to release on May 6, take a look at their names: “Gu” from the former, “ppy” from the latter. That bit of cleverness, no doubt, is emblematic of the shenanigans throughout the CD/DL set to arrive via When you get more online, especially if they are pre-written, you should be careful with writers as they could be amateurs. PapersOwl team hires only professional writers who are experts in creating custom essays. We cope with all the demands of college teachers exceptionally well. Our authors have passed English writing and grammar tests before joining our team to ensure they can When Planets Collide and the limited run of tapes that’ll be out through Our thesis writing help services highly prefer to the students. Our tutors are highly specialized and experienced in the field of thesis statement for the researches. We provide the guidelines also that how to write thesis. Reasons: Why Students Need Narrative Essays Helping Someone . Thesis writing is a difficult task for all the students. Whether students are HeviSike Records, and it works even more because they not only recorded together and collaborated on a song, but they share drummer Our check over here services cover custom written essays, custom term papers, custom thesis, custom research papers, admission essay services, book review services, dissertation services, and resume writing services among others. See complete list of services here. Our documents are plagiarism free guaranteed. We refund your money back, in the case we fail to keep this promise. In such a case Bill Jacobs between them, so yes, the running theme is togetherness. And togetherness if great. Who doesn’t like togetherness?

A trailer for the release has surfaced that emphasizes the level of good times involved, if indirectly. Find that under the info below, which comes from the PR wire:

gurt trippy wicked guppy

Gurt & Trippy Wicked team up for GUPPY split – May 6th

The build up has been pretty long and a lot of work has gone in to creating it but When Planets Collide are very happy to announce that ‘GUPPY’, the new split release between GURT and Trippy Wicked and the Cosmic Children of the Knight is ready for release on Friday May 6th!

Digital / CD – When Planets Collide
Limited Edition Cassette Tape – HeviSike Records

The release features 5 songs clocking in just short of half an hour with two brand new songs from each band and one epic collaboration which features both guitarists, both bassists and both vocalists… we really can’t wait for you to hear what we hope will be one of the best releases so far in 2016.

The bands have been close friends for many years (as well as now sharing a drummer in Bill Jacobs) so entering the studio together to create GUPPY was a natural move. With the help of Steve Sears and Tony Nigelson at TITAN Studios in Watford the record sounds absolutely massive and showcases the expert groove and wicked sense of humour that both bands pride themselves on!

The track-listing is as follows:

1: OWLMEGGEDON
2: SUPER FUN HAPPY SLIDE
3: REVOLTING CHILD
4: I REGRET NOTHING

You’ll have to work out for yourself which songs are by which band!

GURT are:
Bill Jacobs – Drums
Richard Williams – Guitar
Gareth Kelly – Vocals
David Blakemore – Bass

TRIPPY WICKED are:
Peter Holland – Guitar/Vocals
Dicky King – Bass
Bill Jacobs – Drums

https://www.facebook.com/GURTsludge/
https://www.facebook.com/trippywicked
https://www.facebook.com/whenplanetscollideuk
https://whenplanetscollideuk.com/
https://www.facebook.com/hevisike
http://hevisike.com/

Gurt & Trippy Wicked, Guppy teaser

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Deserfest London 2016: Final Headliner Announced and Lineup Complete

Posted in Whathaveyou on January 28th, 2016 by JJ Koczan

Well, that’s a wrap for  Buying http://www.patientenanwalt-kaernten.at/?marriage-research-papers on this website ensures that you will have a ready essay with the accurate structure before your deadline clock strikes. But, we dont approach all essays in the same way. Every order from a student who chose to buy custom essay online starts with an outline. In this outline, the writer plans for the paper based on the customers requirements and instructions, as well Desertfest London 2016… unless, you know, you count the actual holding of the fest in April. Which you should probably count. Okay, maybe not a wrap at all.

But the lineup is complete, and that’s something in itself. Spanning genres and geographical borders, I feel like this year’s  Despite offering cheap prices, our Masters In Biology With Library Thesis Research writing service commits to hiring only trustworthy specialists. We have completed thousands of orders and maintain a loyal customer base around the world. Our professional service experience and knowledge are what we are known for and why customers come back to us repeatedly for assignments and complex projects. Our customers use our writing Desertfest London perfectly emphasizes just how much this festival has grown in its five years into this encompassing celebration of heavy rock, sludge and doom, holding firm to its local roots even in this last batch of bands, while also expanding its reach in pulling legendary acts from beyond the UK and Europe as well.

With our Essays About Global Warming, you can be confident that your papers are flawless: from essay writing to crafting admission papers. Click here for more. Russian Circles will headline the second of Abraham Essays - Acknowledgement Phd Thesis Service from uncanny pro-scribes. Online Custom Writing Service prices go from .95/page. Desertfest London 2016’s three dog nights, and a slew of others have joined the bill as well, including Looking for How To Write A Good Personal Statement in Toronto, Canada or London! Indie Publishing Group provides the best professional book editing services. Our Mondo Drag Find EB-5 review: learn about how an EB-5 business plan writer can assist your Regional Center, EB-5 project, or EB-5 visa application. Stinking Lizaveta, underrated Londoners  Affordable papers - buy Write My Paper Best Prices online! Accessing the benefits of using custom paper writing services for writing quality papers with ease. Order now! Crystal Head Not all http://www.unserekinder.at/?help-write-dissertation-proposal-english-literature services you can find on the Internet are actually helpful. Some services are a scam; others offer poor quality papers for sale. A common essay writer that works for paper writing service is going to receive a quarter of available funds you pay at best, which is not going to send a good motivation gesture. And God only knows what is worse, to submit a plagiarized paper or Siena Root and many more details below:

desertfest london 2016 poster

DESERTFEST LONDON: lineup complete with Russian Circles headlining the Saturday!

http://www.developer.at/?how-to-write-a-website-in-a-paper In Mla - Dissertation proofreading | Best research proposal sample Luckily, and efficiency of plagiarism problems with our services of the former mining town at geddes. Students who lack of school, they need online. It may seem to the satisfaction, economic research paper or thesis is never be of fraudulent websites that . When looking for them, and nothing to do not have Russian Circles to headline the fifth edition of DESERTFEST LONDON this spring in Camden!

It’s finally here: your complete DESERTFEST LONDON 2016 line-up has arrived! Chicago’s majestic instrumental progsters Russian Circles are set to headline the Saturday night with Pelican as lead support. Not only that, but we have the mighty forefathers of doom Trouble celebrating their 30th anniversary with a very special show for us, just before Electric Wizard bring down the Sunday night curtain in style! See you all in April…

Desertfest is all about our passion for heavy music, our love through deep-rooted friendships and above all, our collective appreciation of diversity, musical skill and the broadest range of powerful performances…

RUSSIAN CIRCLES are not from the desert, they’re not exponents of standard 5-minute, 4-4 rock songs and they expose their soundscapes exclusively for us to form our own interpretations without the mask of any form of lyrics. Shrouded in darkness, illuminated only by flashes of white light and the occasionally projected visual, they’re performers worthy of headlining any show in front of an audience who have the ability to think before they roar. With fellow instrumental crusher-destroyers PELICAN primed and ready as their main support, get ready to see, smell and FEEL the sheer weight of these swirls of Siberia.

Desertfest is also proudly joining in with Chicago doom legends TROUBLE’s 30th anniversary celebrations. Original members Bruce Franklin and Rick Wartell will be touching the sky with their classic dual guitar leads and now-established front man Kyle Thomas (Alabama Thunderpussy, Floodgate, Exhorder) will be tempting the crowds with his prayers for the dead, it’s going to be a real mind bender!

The rest of final announcement for Desertfest London 2016 goes as follows:
SIENA ROOT
STINKING LIZAVETA
DYSE
MANTAR
MONDO DRAG
GURT
NECRO DEATHMORT
CAROUSEL
THE MOTH
CRYSTAL HEAD
SPIDER KITTEN
SEDULUS
BEASTMAKER
DOG DAYS

– DESERTFEST LONDON 2016 –
April 29th to May 1st in Camden, London (UK)
Weekend tickets available AT THIS LOCATION

https://www.leedstickets.com/eventinfo/4804/Desertfest-2016
http://www.thedesertfest.com/london/
https://twitter.com/DesertFest
https://www.facebook.com/DesertfestLondon
https://instagram.com/desertfest
http://desertfest.bigcartel.com/

Russian Circles, Live at Saint Vitus Bar 2014

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Gurt and Diesel King to Tour Europe Next Month

Posted in Whathaveyou on August 26th, 2015 by JJ Koczan

Two aggressive-as-hell Londoner outfits teaming up to, as they put it, “beat the shit out of Europe?” Yeah, I’d say the pairing of Gurt and Diesel King makes sense. All the more so since both bands have material recently out. Gurt issued their latest EP, D.I.Y.M.C.A. (get it?), back in April, and in June, Diesel King unleashed a free download single, beefing up Toto‘s “Hold the Line” with their particular brand of dudely extremity. Whether or not they’ll take that cover on the road, I don’t know, but it’s almost worth showing up to find out, even without the rest of the show.

You know the deal. Info and audio? Yes. Info and audio:

gurt diesel king euro tour

GURT + DIESEL KING // EURO TOUR 2015

Dead Pig Entertainment & When Planets Collide present : GURT & DIESEL KING

Beating the shit out of Europe for the first time together…

GURT take the blues and groove of 70s rock and drag it backwards through the swamps of Louisiana. The drums are thunderous, the vocals demonic and the guitars down-tuned, down-tempo and down-right sexy. This is not doom, this is not sludge, THIS IS GURT.

Diesel King play aggressive & abrasive music which has been described from sludge to hardcore to death metal. The London mob have been on various tours and have supported bands such as Corrosion of Conformity, Eyehategod, Entombed and many others. Playing in the UK and Europe and featuring on various high profile festival bills such as Bloodstock, their live shows are likened to being punched in the face repeatedly. With 2 Eps under their belt the band are set unleash their debut album in 2015 “Concrete Burial” and look to continue their dominance in the UK metal scene.

03.09 : UTRECHT (NL), dB’s
04.09 : get in touch
05.09 : SALZBURG (AT), Stonerhead Fest
06.09 : get in touch
07.09 : PARIS (F), Stoned Gatherings Klub
08.09 : LILLE (F), Le Biplan
09.09 : BRUXELLES (BE), Magasin 4

https://www.facebook.com/events/1463049980665347/
facebook.com/GURTsludge
http://gurt.bandcamp.com/
facebook.com/Dieselkinguk
http://dieselking.bandcamp.com/

Gurt, D.I.Y.M.C.A. (2015)

Diesel King, Hold the Line (2015)

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Gurt to Release Hoboreaper Single July 1

Posted in Whathaveyou on June 11th, 2013 by JJ Koczan

The news about Gurt‘s new single, Hoboreaper, is cool and all, but what really catches my attention in the info below is the hint dropped that it’s going to be 2014 before the London sludgers get their full-length debut out. I guess that makes this release something of a stopgap, but if the new track is something of a teaser for what’s to come, it’s one I’m especially looking forward to for next year after seeing the band at Desertfest in April.

Info and trailer follow, courtesy of the PR wire:

GURT – Hoboreaper – Coming July 1st 2013

GURT are currently beavering away on their on going mission to encourage the world to groove to a sludgier stomp and create their first full length release and its looking like this will be with you all in the early parts of 2014. In the mean time they think it would be polite to show you how this work is going in the form of a brand new single ‘HOBOREAPER’.

This track was originally planned for release on a split but it the project has been delayed and it was decided that the world should not have to wait for an example of how the GURT sound is evolving so this new song has been coupled with 2 recent live tracks that have been professionally recorded by Paul Hollinsworth (of paulofsound) at the ‘When Planets Collide – Winter Warmer Weekender’ to bring you a single that should keep the rabid GURT fans happy for the time being.

Featuring new Artwork from Front man Gareth Kelly (GrowthsBrainDribbles) Mixed and Mastered by our long time collaborator Nick Kinnish previously of Serafina Studios (whom has also worked on the likes of Dopefight, Johnny Truant, Architects and War Wolf) This CD single and digital release shall be available from July 1st and is now up for pre-order at gurt.bigcartel.com.

Featuring the tracks:
1: Hoboreaper
2: You Ain’t From Around these Parts? (Live at the Brixton, Windmill)
3: Soapfeast (Live at the Brixton, Windmill)

Gurt, Hoboreaper Trailer

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LONDON DESERTFEST 2013 Day Two: Of Future Past

Posted in Features on April 27th, 2013 by JJ Koczan

04.27.13 — 11:25PM GMT — Saturday — Holiday Inn, Camden

It was difficult — even last night — not to look forward to today. I won’t say I was trying extra hard not to get hit by a bus on my way out of the hotel and down the block for day two of the 2013 London Desertfest, but if I had been, I certainly would’ve had reason. Strictly speaking, it was my most straightforward of the three days here. Virtually no running back and forth, just one venue change and that was it for the duration. Even before I saw any bands, today felt like a luxury, and sure enough I was able to kind of nestle my way into the groove of the evening and just let it carry me along as it went. This would turn out to be precisely the right strategy.

On a sheer cause and effect level — I went here and this happened — the results are mostly inarguable. I’ll note that there were a lot of bands who played today who I didn’t see. Some whose music I don’t know, some whose music I know and very much enjoy. Rather than lay out each option for each time slot and justify my decisions one at a time, please just know that I’ve put no lack of consideration into how I’m spending my days here, and that the choices I’ve made for what to see have not been easy.

Alright, let’s go:

Gurt

The first thing was to get a heaping dose of native Londoner sludge, and for that I headed down to The Underworld to catch Gurt, stopping only for coffee and a blueberry muffin along the way. It was sort of half-slushing on the way — semi-frozen balls of unpleasantness falling from the sky — so I just assumed whatever pagan seabeast is in charge of the weather around here was making it appropriate for the onslaught that was coming. I have dug several of Gurt‘s releases, most recently the Collection tape (more here), but ultimately, that would do little to prepare me for seeing them live, since they proved all around to be a more diverse band than I’d previously given them credit for being, working in influences of post-Superjoint Ritual thickened punk along with their standard Eyehategod — or if we’d like to keep it local, Iron Monkey — fuckall, frontman Gareth Kelly‘s screams all the more vicious and throat-searing from the stage. The trend in terms of vocals has swung the other way to the cleaner, melodic end, but I still like to see a screamer who can really scream and keep it up for the duration of a set without losing power, and Kelly did that, making a highlight of “Fucknose” in the process. I also hadn’t given them credit for their sense of satire. “Dudes with Beards with Cats” was right on, and “You ain’t from around these Parts?” was presented as having an agenda that I hadn’t perceived originally — perhaps because I couldn’t understand the lyrics, perhaps because I’m clueless. Either way. Gurt brought up Diesel King vocalist Mark O’Regan for the finale, “Soapfeast,” the Church of Misery boogie of which was one more example of Gurt being better than I knew. Lesson learned.

Turbowolf

It was hard to me to look at frontman Chris of Brighton four-piece Turbowolf and not think of a young Bobby Liebling of Pentagram. The superficial factors were there — moustache, mane, frilly shirt, tight pants and so on — but I doubt if many on the Trail of Dead tour that Turbowolf just wrapped had the same issue. There was also about as little in common with the bands as there could be and still have both of them play the same fest, Turbowolf opening at the Electric Ballroom — a new venue for Desertfest as of this year — playing a speed rock that bordered on punk but never really gave up its classic ethic. I wondered watching them if theirs is the kind of sound that has grown out of the next generation past the likes of Turbonegro and The Hellacopters, though I barely had time to get a mental process underway before Turbowolf were on to the next upbeat, catchy rager. They weren’t really my thing (who likes fast tempo and engaging music, anyway? Oh wait, everyone.), but they sure had the crowd on their side and it was easy to see why. While the rest of the band locked in their next ultra-tight, professional delivery, Chris tossed unopened cans of beer into the audience, from whence they did not return. If the room wasn’t theirs before, and it was, that was bound to help their cause, and though it was still pretty early, Turbowolf worked the larger space easily around its collective finger, stopping only to make sure everyone was getting in on the party.

House of Broken Promises

Though they’d apparently come right from their flight into town from the Berlin Desertfest, it was clear by the time Indio, California, trio House of Broken Promises dug into the start-stop stomp of “Obey the Snake” from their 2009 Using the Useless debut full-length (review here) that they were really just waiting for the strippers to show up. New bassist/vocalist Joe Mora fit right in with the band’s crotch-thrusting dude rock, though even if he’s not singing, guitarist/beard magnate Arthur Seay is doing most of the frontman work. Master of the guitar-face and the beard-bang, Seay is nonetheless a more than solid player, and for all the antics, he, Mora and drummer/backing vocalist Mike Cancino were as tight musically as they were uproarious and working to get the crowd into it. That didn’t take much, incidentally. House of Broken Promises may play what to my ears sounds like a very American take on heavy rock, but the Desertfest crowd knows how to dig into catchy songs delivered with quality heavy and quality energy alike, which is just what they got at Electric Ballroom, plus some old biker movie video backdrop courtesy of Mindzap Visuals. I think of some of the places I’ve seen these guys play — the Trash Bar in Brooklyn comes to mind, also the Brighton in NJ — but they seemed much more suited to the bigger stage, the bigger room than to either of those haunts. While I don’t think I would go as far as to call them desert rock — that would come later when Cancino and Seay returned as half of Unida — the three-piece definitely left a boot print in the Electric Ballroom, closing out their set with “The Hurt (Paid My Dues),” which had arms raised and lyrics sung along from the very start. It’ll be interesting to see what happens when they get a follow-up to Using the Useless together, what effect Mora‘s joining might have on their songwriting process or overall sound, but for today, they were dead-on. Rarely can I say the same for myself when I’ve just come from the airport.

Lowrider

If you’ve lived for more than 25 seconds, you know that life long. And if you’ve lived for more than 25 seconds, chances are something has happened to you over the course of your life that you didn’t expect would ever happen. Tonight, I saw Lowrider, the Swedish double-guitar four-piece who released in their day only one full-length album — 2000’s Ode to Io, on MeteorCity — and two splits, with Nebula and Sparzanza, played fewer than 50 shows, and disintegrated, to become in the years subsequent one of the single most pivotal blueprints for European riffing. Yeah, Dozer (wait for it…) came up concurrently, releasing their debut also in 2000, but what Ode to Io offered was a fealty to desert rock really just as the thing was beginning to exist outside of the desert itself. These bands showed not only that it could be done, but gave landmark examples of how to do it. I don’t know where people had come from, if they drove here, got on a plane, train, boat, whatever, but I have to believe that it was the chance to see bands like Lowrider, Dozer and Unida that brought them to Desertfest 2013. And though I don’t really know how a group of individuals could come out onto a stage and live up to that kind of impossible narrative, guitarist Niclas Stålfors, bassist/vocalist Peder Bergstrand, lead guitarist/vocalist Ola Hellquist and drummer Andreas Eriksson did precisely that. Most of what they played came from Ode to Io, as one would hope and expect, but they gave some time as well to the Nebula split, picking up “Lameneshma,” “Shivaree” and “Ol’ Mule Pepe” for anyone who might be looking for a deeper cut out after the mega-hooks of “Flat Earth” or “Caravan,” the latter which rang out as an immediate clarion as if to say, “Yes, this is really happening.” They were visibly glad to be on the stage together at the Electric Ballroom, the tone was right on — having nerded out so many times over for “Texas Pt. 1 & 2,” it was great to hear it announced from stage as the first song they ever wrote — and coming out of it, I have to say that if these dudes had any desire whatsoever to go back and write a new album, nothing I heard from them tonight would stand as argument against doing so. The material — minimum 13 years old — sounded vital and fresh, and when they were done, Bergstrand (who is also in I are Droid), took a picture of the crowd and said he didn’t want to wait another 10 years to do it again. Hell dude, me neither. I never thought I’d get to do it this once, so really, anything on top of tonight is gravy.

Dozer

Dozer are a big part of the reason why I’m here. Not just here in London for Desertfest, but here, in front of this laptop, writing like I do more or less every day. That’s not hyperbole, it’s just fact. When I first started getting into this kind of music in college, it was acts like Dozer who fueled my curiosity to know more about it. The Swedish outfit announced an indefinite hiatus in 2009, and have been little heard from since — though as early as last summer, guitarist Tommi Holappa was dropping hints of a reunion at Desertfest — so to find them back at it with the lineup of Holappa, guitarist/vocalist Fredrik Nordin, bassist Johan Rockner and drummer Olle Mårthans was special, and for me, something that will mark out this Desertfest among all the fests I’ve seen and any and all I might see. This was the one where I finally saw Dozer. I knew some of what to expect from Holappa‘s thrashing madness on stage from seeing him at Desertfest last year with side-project Greenleaf (another personal highlight), but wow. Opening with “The Hills Have Eyes” and “Exoskeleton Pt. 2,” they stormed through their hour-long set, making the most of their time with cuts from across their five albums like “Rising” from 2002’s Call it Conspiracy, “The Flood” from 2008’s Beyond Colossal (their last album to date), and “From Fire Fell,” “Big Sky Theory,” “Drawing Dead,” “Born a Legend” and “Days of Future Past” from 2005’s Through the Eyes of Heathens, the last of which Nordin singled out as his favorite song Dozer had ever written. It’s a strong candidate, with a memorable melody line and dynamic changes within an overarching moodiness that was not in the slightest lost in a live setting, the guitarist tempering his approach to the music and using a few effects here and there as well for echo and warble. His falsetto, shouts and straight-ahead melodic singing were right on, and with Holappa‘s headbanging his way back and forth on the stage, Rockner‘s quiet but steady low end on the other wise and Mårthans‘ positively huge drum sound — the kind of kick you feel in your chest — seeing Dozer was everything I could’ve asked it to be and more. They even jammed! Of course, they could’ve played twice as long and I wouldn’t have complained, but a track like “Headed for the Sun” from 1999’s Coming Down the Mountain EP split with Unida (wait for it…) only underscored for me how much they need to do an early works compilation, like, yesterday. They wrapped with “Rings of Saturn” — the bonus track from the vinyl version of 2001’s Madre de Dios — and the opener of their 2000 debut, In the Tail of a Comet, “Supersoul,” which felt like home from the first note. I don’t know if this is the last time I’ll get to see Dozer play or not — I hope not — but for tonight, I’m just thankful that I got to see them this once at Desertfest. Really. When they were done, I felt like I’d accomplished something.

Unida

And if a night like this is going to have an epilogue, a 90-minute headlining set from Cali desert rockers Unida is a good one to have. In a lot of ways, Unida sort of sum up what seems to me to be the whole mentality of this fest. They’re a band who, just when they should’ve hit it big with a major label album produced by a major producer, it all came apart on them, and so what you had tonight was people singing along to tracks from a record that never came out. Without the passion for this music at the heart of this festival, there’s no way a band like Unida would resurface for a headliner spot. Vocalist John Garcia has Vista Chino at work on a new album, and guitarist Athur Seay and drummer Mike Cancino had already done a set in House of Broken Promises — the band was rounded out by Arthur‘s nephew, Owen Seay, on bass — so what made it happen? Money? I’m sure they got paid to be here, but money’s what makes you get up and go to work in the morning. What makes you spend months hammering out a set of songs to get up and deliver them in front of a couple thousand people most of whom (myself included) only caught onto your band after the fact? If it wasn’t passion, it would have to be madness. As he has been the several times I’ve seen him — in Kyuss-minded projects like Garcia Plays Kyuss and Kyuss Lives!, from which Vista Chino springs Garcia was a relatively subdued frontman, collected on stage if prone to the occasional leg-jerk softshoe. Seay as well was calmer for the Unida set compared to House of Broken Promises, and since some of my favorite Unida tracks are the moodier, more sedate, I thought it worked well. Over the course of their time, they certainly worked in their share of rocking material, whether it was the ultra-catchy “Red” from 1998’s The Best of Wayne-Gro EP (which also served as their portion of the split with Dozer the next year) or the groovier “Vince Fontaine” from the unreleased For the Working Man. I was hoping they’d have some bootleg copies of that record on sale, but no such luck. The extended “Last Day” found the Seays and Cancino at some of their tightest, musically, and Garcia‘s voice was, as ever, crucial. “Thorn,” “Nervous” and “Human Tornado” were all met with rapturous welcome — they’d almost have to be — and after leaving the stage, Unida came back out and made a blasting two-song encore out of “Dwarf It” and “Black Woman” that answered back some of the quieter stretches of their set with full-fisted gut-punchery. Standing in the very back of the Electric Ballroom and watching the crowd go apeshit for them, I wondered if Unida might finally be getting the payoff they’ve been waiting for a decade to receive.

No time to think about it, really. They shuffled us out of the venue on the quick, and I decided to end the day with a check-in over at The Black Heart to see how things were shaking out there and pick up a copy of the new tape I’d heard Bong brought with them. No such luck on that one, and there didn’t seem to be much of a pathway to the stairs let alone up them to see the band, so I hightailed it back in the direction of the hotel, stopping to pick up some pizza along the way, since nothing says celebration quite like a pizza party for one.

Tomorrow is the last day of Desertfest 2013, with more running around than I had today, but still a decent amount of full sets I’ll get to watch. This trip is winding down, but we’re not done yet.

Thanks for reading. More pics after the jump.

Read more »

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Duuude, Tapes!: Gurt, Collection

Posted in Duuude, Tapes! on February 4th, 2013 by JJ Koczan

Sure, they look friendly enough, but UK sludgers Gurt cake on some of the filthiest downtuned mud coming out of the Isles these days. Their 2012 EP, You Ain’t from around these Parts? (video here) was a lurching slab of viciousness, and I was psyched to discover recently that Superhot Records (see also Trippy Wicked, see also Stubb) released a compilation of some of their earlier works. Dubbed Collection and limited to 50 copies hand-numbered — I got #26 — the orange tape culls together Gurt‘s 2011 full-length, Redwin, on side one, and the prior 2010 EP, Volume 1, on side two.

This is exact type of purpose I like for the tape format. Not just commodified nostalgia (is there any other kind?) for the early ’90s, but something a collector would want, a really low-key release, small, cheap, but still something cool for the people to have who want it. As I hadn’t heard either Volume 1 or Redwin when they came out, Collection was a perfect opportunity to get myself acquainted with the beginnings of the band. Starting at the start, as it were.

They don’t, though. Redwin is the second, the newer, of the two releases on Collection, and it was pretty clearly a conscious decision to put it first. Relatively speaking, it’s more realized, cleaner-sounding and more professional. Though the span between Volume 1 and Redwin had only been a year, Gurt have a more definite idea of the kind of drunken cacophony they’re shooting for on a song like “Swoffle,” which slurs out lines like “I’ll sink your battleship/She floats my boat” as a setup for the Led Zeppelin cover “Rock and Roll.”

Both sides of the tape wind up featuring covers, first Zeppelin and they tackle AD/DC‘s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)” on side two, but Gurt definitely make the classics their own, dirtying them up and treating them to vocalist Gareth Kelly‘s rasping screams. For showing the band at a more formative stage, Volume 1 is even rawer than Redwin, fatter in the low end and launching with “Fucknose,” which had shown up on side one as well, all mean and primitive. The toying with country-isms Gurt showed on You Ain’t from around these Parts? was beginning to crop up in the banjo intro to Redwin, but on the three tracks of Volume 1, they weren’t quite there yet and it was straightforward pummel and addled fuckall.

To finish, Collection delves even further into Gurt‘s primordial ooze, rounding out with a “rough mix” of the song “Soapfeast” that actually sounds more like a rehearsal room demo. Wherever this version comes from, it lives up to the “rough” part of its listing, and I mean that as a compliment. The track showed up last year alongside “Dudes with Beards and Cats” on Gurt‘s split with the since-defunct Dopefight, and it makes a fitting conclusion to Collection‘s quick, devolutionary trip. Any rawer and they probably wouldn’t be there to start with.

It’s not going to be everyone’s cup of spiked tea, but Collection is a welcome curio and a cool way for anyone who’d dare to to get indoctrinated by Gurt‘s plodding sludgeisms. The orange cassette, the limited number, that’s all really fun stuff, but in the end, the songs win out as its biggest appeal, and that’s all you can really ask of it.

Gurt on Thee Facebooks

Superhot Records

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Gurt Join Lineup for London Desertfest 2013

Posted in Whathaveyou on November 21st, 2012 by JJ Koczan

The lineup for London Desertfest 2013 continues to take shape. One of my favorite parts about going to the fest this year was being able to see British bands I wouldn’t otherwise have a chance to catch because, well, I don’t live in London. Gurt, who recently released their You Ain’t from around these Parts? EP, will be hitting theDesertfest stage next year and continuing the tradition.

One more act to look forward to — yeah, that’s right, I’ll be there after all — on an increasingly long list. Here’s the official announcement:

Gurt a Cert at Desertfest

London 4-piece Gurt join us for Desertfest 2013. Take a pinch of groovy blues straight out of the 70?s and a handful of gut wrenching sludgy filth, mix together and you get Gurt. The band began their journey in 2010 and originally comprised of Gareth on vocals, Simon/Drums, Jamie/guitar, and John/Bass. Jamie and John have since departed and been replaced by Sedulus guitarist Rich Williams and Dave Blakemore on bass.

Despite their urban UK origins, this is a band you could imagine being spawned in the Swamps of Louisanna and Gareth’s high-pitched growling and grunting combined with the band’s down-tuned, down-tempo groove make for a fine blend of southern sludge. Strong influences such as Iron Monkey, Eyehategod, Weedeater can be clearly detected throughout their early releases, ‘Volume 1?, ‘First Steps’, ‘Redwin’, a 7? split with the much missed Dopefight and November’s release of ‘You ain’t from around these parts?’

More info at the Desertfest website: http://thedesertfest.com/london

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Gurt Post Video for “You Ain’t from around These Parts”

Posted in Bootleg Theater on November 12th, 2012 by JJ Koczan


Let’s say it’s Monday morning. The mere thought of facing the entire week ahead has you enraged. Maybe you’re hungover, or just tired from having spent a late night paying homage to a fallen New York stoner rocker. Maybe you’ve got a to-do list full of menial, boring shit that you want no part of, and the gray in your mind is only matched by that of the outside world, as though the climate of northern New Jersey was reacting to the fog of your mood with a fog of its own drawn like a curtain outside the window of your office. Like you’re friggin’ Storm or something, only less Halle Berry and more overweight balding doomer.

Purely hypothetical situation. Not talking about anyone in particular here.

Well, along come Gurt, checking in from London with a new video for the title-cut from their earlier-2012 You Ain’t from around These Parts EP. The UK foursome — seen in fun-loving spirit above — seem to give form to exactly that formless combination of exhaustion, foreboding, anger and all-around wretchedness. Best of all, they make it groove. The video itself ain’t much, unless you’ve got a thing for old Disney cartoons or dancing skeletons in general, but I’ve been through it twice this morning and suddenly the sun is coming out, so there you go. It’s even better with an excessive amount of coffee.

Dig:

The entirety of You Ain’t from around These Parts can be heard on the Gurt Bandcamp page.

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