The Tempter: Chicago-Based One-Off Collaboration Cover Trouble

Posted in Whathaveyou on September 7th, 2020 by JJ Koczan

The PR wire makes it pretty plain: don’t go expecting Custom Meaning Of Friendship Essay students trust. Writing a thesis is the biggest nightmare for any student. An inevitable and enormous job that or some scholars turns into an impossible task. Lack of research, lack of time, lack of dedication, lack of interest in the topic… Reasons why most of the students prefer to buy thesis writing vary and matter a good deal. As a trusted custom writing The Tempter to be a real band. Chicago already has one badass doom outfit named after Write a well-organized 4-5 paragraph narrative essay about a Click on “College Application Essay Service 2012 PLEASE LEAVE THIS SHEET AT THIS COMPUTER Trouble‘s work and that’s Get Quality Best Resume Writing Services In Nyc City Services and Dissertation Help at Best Price Ever, DissertationHelpUK all kind of writing services in UK. Contact us now! The Skull. Don’t — no, you don’t — no — hey — don’t go thinking maybe these guys who are all in other bands are gonna suddenly come together and write an album that has this same kind of vibe and is awesome like this is awesome except somehow it’s original material too. Don’t go thinking it’s gonna happen.

Yeah but…

NO!

Yeah but… still. Wouldn’t it be kind of awesome if that did happen?

Wouldn’t it?

Well it’s not going to. Welcome to 2020.

From the PR wire:

the tempter

THE TEMPTER: One-Time Collaborative Effort Featuring Members Of Yakuza, Pelican, The Atlas Moth, And More Records Cover Of Trouble Classic; All Proceeds To Benefit Chicago’s The Night Ministry

“…a collective bunch of new and old Chicago characters coming together to raise some funds and pay tribute to our musical heroes.” – Bruce Lamont

THE TEMPTER is a loving, one-time tribute honoring Chicago doom legends, Trouble, featuring members of Snow Burial, Huntsmen, The Atlas Moth, Pelican, and Yakuza. The idea came together by producer and multi-instrumentalist Sanford Parker shortly after Chicago’s lockdown hit. He thought there was no better person to lay down the vocals then friend, bandmate, and business partner, Bruce Lamont (Yakuza, Bloodiest). The next step was to lock in the rhythm section, with Mike Miczek (The Atlas Moth, Broken Hope) on drums and Mark Njjar (Huntsmen) on bass. Guitar tracks were laid down by Dallas Thomas (Pelican) and Ben Bowman (Snow Burial) while Parker mixed and mastered the track. Artwork was created by Stavros Giannopoulos (The Atlas Moth) with Lamont creating the video for the track.

The group chose “The Tempter” as the single as well as the band name because, as Lamont states, “What can’t be said about Trouble? They’re legends around these parts. ‘The Tempter’ was the obvious choice. It’s the classic first cut off their debut Psalm 9. Heavy as fuck. It was an honor to cover this.”

To purchase the single, visit THE TEMPTER Bandcamp page HERE: http://thetempter.bandcamp.com

All proceeds from the sale of the single will go to Chicago’s The Night Ministry, who work to provide housing, health care, and human connection to members of the community struggling with poverty or homelessness. For more information, go to THIS LOCATION and to donate directly go HERE.

THE TEMPTER:
Mike Miczek – drums
Mark Najjar – bass
Ben Bowman – guitar
Dallas Thomas – guitar solos
Bruce Lamont – vocals, Baritone saxophone (intro)
Sanford Parker – mixing, synths (intro)

http://thetempter.bandcamp.com
http://www.thenightministry.org/
http://www.facebook.com/thenightministry
http://www.instagram.com/thenightministry

The Tempter, “The Tempter” official video

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Trouble Announce June 2021 UK/Ireland Live Dates

Posted in Whathaveyou on September 1st, 2020 by JJ Koczan

Looking to I Want To Buy Essays Online? Get professional assistance from top experts at affordable price at EduBirdie.com with our dissertation writing services Hammerheart Records picked up Chicago doom legends Business Plan Writing Services Johannesburg and Proofreading. Our thesis editing includes checking for and correcting the basics (such as grammar, spelling, punctuation, word choice, sentence structure, etc.). In addition, your WordsRU academic editor will confirm that your thesis complies with the citation style you are using, as well as any school or department requirements for form and style. Finally, the chief editor Trouble earlier this year and announced that the band’s entire discography would be reissued. For sure plenty of their records could stand a little renewed appreciation. Need some professional academic help with your papers? Looking for a reliable http://udrzbapodniku.cz/?cheap-term-paper-subscriptions service with high-quality works? Then EssayUSA will rescue The Skull and I wonder if I could pay someone to check here. Thanks to Online Class Helpers, you can pay an expert to ace your work. Psalm 9 are out now through the label and though I haven’t seen much word about the new album that was said to be in the works for the back end of 2020 — also 2019, as I recall — the fact that the band are set to travel abroad in June 2021 makes it seem ever more possible that such a thing might happen. It would be the first  Assistance with writing an argumentative http://www.ifpc.eu/?dissertation-proofreading-service-editing: writing essay service - college essay writing company can you order personal narrative. Trouble record since 2013’s Our professional online company provides its customers with great variety of How To Write A Good Application Movie Reviews! You can find almost everything for a low The Distortion Field (review here); a seven- or eight-year divide between LPs that, while not insubstantial, is not at all the longest of You’re a little short on money, but desperately need an essay? Looking for a http://www.freelife.at/?english-paper-ba-2011-punjab-university you can trust? Don’t worry, EssayUSA will help! Trouble‘s career. It was 12 between 1995’s Get College Essays About Growing Up in UK from Ph.D. Experts. We are the best Dissertation helper in UK rated by students. Our experts offer best dissertation writing Plastic Green Head and 2007’s buy a dissertation online rub page Doctoral software to help write essays buy a dissertation online no Simple Mind Condition. So there you go.

Only four live shows have been announced thus far. There may or may not be more coming or an actual tour announcement, I have no idea. I saw these posted by the band on thee social medias, each with their own separate post, and pieced it together accordingly. Not sure I’d do that for every band in the universe, but well,  Our research paper writing service provides students with relatively cheap custom research papers online. Our go to link are written from Trouble have been around in one form or another since 1978 and sometimes you make the extra effort to cut and paste. Again, so there you go.

If I see more, I’ll update:

trouble june 14

There will be Trouble in #Wolverhampton at KK’S Steel Mill – Live Music ÂĄ
Info / ticketing link: https://www.kkssteelmill.co.uk/event-trouble.php

JUST ANNOUNCED: American doom metal pioneers Trouble are back in the studio writing new material and we cannot wait to welcome them to London’s O2 Academy Islington on Monday 14 June 2021.

On O2 Priority Tickets on sale now and Ticketmaster United Kingdom 10am Saturday 29 August.

*Announcement* Doom metal overlords Trouble will hit Belfast and Dublin in June 2021. See them at Limelight Belfast on the 15th and The Grand Social, Dublin the following night. Tickets on sale Monday 10am. Please note that tickets from the cancelled shows this year will not be valid so if you haven’t already gotten your refund on those shows, please do so.

Trouble is:
Kyle Thomas : vocals,
Bruce Franklin : guitar,
Rick Wartell : guitar,
Rob Hultz : bass,
Marko Lira : drums

https://www.facebook.com/TroubleMetal/
https://www.facebook.com/hammerheartrecords/
https://www.instagram.com/hammerheartrecords666/
https://www.hammerheart.com/

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Friday Full-Length: Trouble, Simple Mind Condition

Posted in Bootleg Theater on February 21st, 2020 by JJ Koczan

Trouble, Simple Mind Condition (2007)

In light of the announcement earlier this week that  Master Thesis Assignment help from our writing service if you want to free yourself from stress and worries and submit a premium-quality paper. With the help of our writing service, you will be able to handle your thesis assignment and get a good grade for it. You can contact our company at any time regardless of the writing type and academic level. We have a great team of writers who possess academic degrees and have a corresponding educational background in order to be able to provide papers for Hammerheart Records in the Netherlands has undertaken the rather significant charge of stewarding deluxe reissues of Distractions Online And Student Homework Writer Essay Google. Order your unique and accurately written student essays from a professional online company that specializes on Trouble‘s entire catalog to-date as well as putting out their next full-length, it seemed only fair to close out the week with an album by the Chicago-based doom legends. They have eight albums to this point, the most recent of them having been 2013’s  The Distortion Field (review here), and over the course of a career that dates back to 1978, they’ve hardly been Uriah Heep or Hawkwind when it comes to output, but they put out six LPs between 1984 and 1995 and have done just two since, so take from that what you will. One of those, obviously, is The Distortion Field. The other is its predecessor, Simple Mind Condition, from 2007.

Whether because of the direction away from earlier-Sabbathian riffs and grooves heavy metal took in the post-NWOBHM ’80s or the more hard-rocking direction Trouble embarked on circa their 1990 self-titled, moving into a semi-psychedelic phase through 1992’s Manic Frustration and 1995’s Plastic Green Head, they’ve long since been due for a level of consideration that’s proven elusive. In 2006, when Stockholm’s Escapi Music signed them and began reissuing pieces of their back catalog and sundry live offerings, their Unplugged recordings and so on, it seemed like perhaps their work was receiving a bit of well-earned respect, and though he’d already left the band once in the 1990s and been replaced by Kyle Thomas of Exhorder, I have to think that if Simple Mind Condition had gotten a bigger reception, vocalist Eric Wagner might have at least considered staying with Trouble after the release. Instead, it marks his final album with them after what was then already a nearly-30-year run.

But what a record. No, Simple Mind Condition isn’t the riffy force of Trouble and it doesn’t carry the morose feel of their landmark 1984 debut, Psalm 9 (discussed here), but it is a mature presentation of the band Trouble were at that point. The guitars of Rick Wartell and Bruce Franklin, on point as ever, while bassist Chuck Robinson and drummer Jeff “Oly” Olson locked in a groove on opener “Goin’ Home” that seemed to hold for the entire 11-track/45-minute duration. Trouble were always about that crunch in the guitars — their tone no less a signature than Wagner‘s soaring vocals in the early days — but with Simple Mind Condition, the songwriting came front and center in a way that was genuinely exciting and, at least to an extent, fresh. Consider it had been 12 years since Plastic Green Head, and Simple Mind Condition was the first album since Wagner rejoined the band after leaving the first time.

The hooks in “Mindbender” and “Seven” and the swinging “Pictures of Life” not only kept an underlying doomy feel — the chug of the latter is up there with whatever classic metal you want to put it next to — not to mention the later “Trouble Maker” or “Simple Mind Condition” or “If I Only Had a Reason.” Even the ballads “After the Rain” and “The Beginning of Sorrows” — the latter delivering the line “Sewing pillows for those which are asleep,” from which The Skull would later derive the name of their first LP — proved memorable when given the time to do so, and along with a cover of Lucifer’s Friend‘s “Ride the Sky” that fit seamlessly among the originals, and the quirk in “Arthur Brown’s Whiskey Bar,” with Wagner touching on some oftrouble simple mind condition the Beatles influence that the band manifested in their psychedelic days — they covered “Tomorrow Never Knows” on Plastic Green Head, and Wagner‘s short-lived post-Trouble project, Lid, certainly had that vibe as well on 1997’s In the Mushroom — while of course referencing the ’60s psych era in the title character of the song, added personality between the start-stop stomp of “Trouble Maker” and the thrust of the title-track.

All of this tells the story of an album that is front to back, flat out, all in. No pretense, heavy, raw in its way when it wants to be, but of course with rampant melody. They were never the most energetic of bands, and neither were they intended to be, but Simple Mind Condition still ups the tempo when it wants to, whether it’s the lurch-to-life at the bass-led outset of “Goin’ Home” or “Ride the Sky”‘s recognizable signature progression, and they’re no less at home in doing so than in the piano-complemented emotionalism of “The Beginning of Sorrows,” which builds from its subdued beginning over the course of its sub-five-minute run as Wagner intones, “Six long years/Since I’ve been in love/Yeah, maybe since birth,” and lets the sadness of those lines stand on its own, beautifully understated.

It’s a what-if record. The landscape of heavy into which Simple Mind Condition was introduced was vastly different from what the underground would become even a few years later as the new generation to which Trouble seemed to be speaking actually opened its ears. But by then it was too late, at least for Trouble as they were up to that point. They toured without Wagner to support Simple Mind Condition and the various other Escapi releases, and I remember seeing them at the old Knitting Factory in Manhattan circa 2008 with fellow Chicagoans Minsk opening and Warrior Soul vocalist Kory Clarke fronting the band. Franklin and Wartell sounded great, of course, but as a band it just didn’t work, and they brought in Thomas once again shortly thereafter. Sometimes you try a thing, I guess. I seem to recall Clarke was a last-minute call anyhow.

Of course, Wagner went on to form The Skull with former Trouble bassist Ron Holzner and Sacred Dawn guitarist Lothar Keller, and they’ve been touring and releasing albums since, at first playing old Trouble material and gradually bringing originals to the mix, then letting their own songs take priority. Their two full-lengths to-date, 2014’s For Those Which are Asleep (review here) and 2018’s The Endless Road Turns Dark (review here), shone like a melancholy beacon and realized the potential in Simple Mind Condition to engage that emergent generational audience of which Trouble seemed just a couple years ahead. Those are two of the last decade’s best American doom records, easily, and inextricably tied to Trouble‘s legacy while forging their own outward path therefrom.

I don’t know what Trouble‘s new deal with Hammerheart — which is more known for its dealings with death and black metal than doom — will bring. A chance for fans to buy records they already own? Bonus material? I don’t know. If I’m lucky maybe I’ll get to review some of those albums? Maybe? We’ll see. One way or the other, since their inception, Trouble worked against trend and were a band who spoke to a particular segment of the heavy converted. It would be great if they got the museum-grade respect they deserve, but even if that doesn’t happen, at least it’s a chance for a few new heads to turn on to what they were doing all along, and maybe Simple Mind Condition — which has been reissued along the way, in 2009, 2010, 2013 — can play a role in making that happen. It was a special, fleeting moment for the Trouble, and one that, 13 years after the fact, still holds up.

As always, I hope you enjoy.

Things seemed to settle down a bit this week, which was good. We had The Patient Mrs.’ birthday dinner last Sunday, and that was kind of a mess while it was actually coming together, but by the time food was served it was fine. I think it’s been since Monday that I last really felt the need to take a xanax, so that’s something, and I feel like I’m starting to get a handle on the semester schedule and how to work the days with The Pecan and all that kind of thing. His going to part-time daycare on Wednesdays and Thursdays has been working out for him, and he has had a language explosion over the last month-plus that has helped cut a lot of frustration he was feeling not being able to express himself. He talks now almost as much as he moves, and he moves constantly.

Actually, he fell at daycare in some woodchips or something this week and cut up his face. His teacher when The Patient Mrs. and I went to pick him up was all worried in telling us like we were going to freak out. We were like, “shrug.” She said he just got up and kept running like nothing happened and I said, “Yup, that’s who he is.” This kid falls every single day in ways that, if I did it, I’d have to go to bed for a week. I’m not bragging because he’s tough or whatever — it’s something we worked on, actively not making a big deal of it when he falls down.

And now he does and it’s no drama. He falls off the couch. He falls off his bike. He falls running. He falls jumping. He bumps into walls, tables, shelves, doors, whatever. He slips while climbing the windowsill. It doesn’t matter. You have to stop yourself from reaching for him, but now when he plotzes down I mostly just laugh, and so he does too. And if he starts complaining I say, “You’re fine,” and he is. That’s just who he is. He’s that kind of kid. That’s the real him. I was glad it came out at what we’ve been calling “school” just for the ease of doing so.

The week’s centerpiece as regards general plight was money. As in, we don’t have any. And The Patient Mrs. made the woeful mistake of extrapolating how much we spend on groceries per year and, well, that just sucked. I offered to get a job — go work in some store or something — but it hasn’t really been part of the discussion. We’re keeping receipts for the next week or so and then seeing where we’re at and what we can do. I fucking hate money. I hate everything about it. I hate having it, I hate spending it, I hate making it, I hate not having it. It astounds me that, as a species evolved over hundreds of thousands and millions of years, we’ve so totally failed to come up with anything better to do with our time than engage in the pursuit and interchange of so much made-up bullshit. That I spend so much time, and that my wife — who pays our bills — spends so much of her time, fretting about these things shames me deeply.

But it’s the weekend. I have work to do on the Roadburn ‘zine, and some other stuff, but next week is pretty full. Look out for a Foot track premiere on Monday. Australian band. That record is so god damn good. There’s other stuff too, a few announcements here and there. A My Dying Bride review. It’ll be fun.

The kid’s up, so I’m gonna get rolling on the day. Great and safe weekend. Have fun, be kind. FRM. Forum, Radio, Merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

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Trouble Sign to Hammerheart Records for New Album and Reissues

Posted in Whathaveyou on February 18th, 2020 by JJ Koczan

Signing on to reissue the entire Trouble catalog is no minor commitment for a record label to make. Hammerheart Records will reportedly not only reissue the Chicago doom legends’ entire discography — that’s eight full-length albums, mind you — but will do so on remastered vinyl, 2CD and tapes, as well as the standard downloads, and that includes giving 2013’s The Distortion Field (review here) a proper look. That’s a huge deal. Plus they’re announcing that Trouble will have a new record out before the end of this year — stranger things have happened but I’m on a believe-it-when-I-see-it basis when it comes to doom LPs — and that they’ll put that out as well.

Basically what this means is that Trouble have a new home. The reissues are starting this May with Psalm 9 and will proceed onward from there, and it’s obvious that Hammerheart is passionate about the project, otherwise they wouldn’t even take it on. It’s awesome to see and hopefully it introduces Trouble‘s most essential works to a new generational audience, because frankly the more people who are exposed to it, the better.

Here’s news:

trouble

Hammerheart Records announces partnership with metal legends Trouble

Hammerheart Records will partner with the legendary metal band Trouble to re-release their entire musical catalogue, in addition to their upcoming album.

Hammerheart Records is thrilled to announce their biggest achievement to-date with the signing of doom metal legends Trouble to their label. This partnership that will see the distribution of the band’s entire library of music that spans over three decades.

“We are very excited to be partnering with Hammerheart Records and joining their roster of bands”, stated Rick Wartell, Trouble founder/guitarist. “Our entire back catalogue of music will be made available to our fans worldwide, as well as our upcoming release scheduled for later this year.”

Hammerheart Records and Trouble will re-issue the full catalogue with each album remastered and reworked with the respect to the original recordings. Every album will be reissued on a deluxe 2-CD edition, vinyl, music cassette, and digital offerings. Releases will be scheduled chronologically, starting in May 2020 with the album now known as Psalm 9, which was originally released on Metal Blade Records in 1984 and is hailed as one of the Trouble of doom metal music.

Other Trouble releases will follow including other 80’s heavy classics, the 90’s psychedelic era, and more recent releases including the critically-acclaimed The Distortion Field. All equally essential to Trouble fans, and lovers of heavy metal everywhere.

A new Trouble album is planned for release at the end of 2020 and will be heavier than ever.

Trouble is:
Kyle Thomas : vocals,
Bruce Franklin : guitar,
Rick Wartell : guitar,
Rob Hultz : bass,
Marko Lira : drums

https://www.facebook.com/TroubleMetal/
https://www.facebook.com/hammerheartrecords/
https://www.instagram.com/hammerheartrecords666/
https://www.hammerheart.com/

Trouble, Live on TV in 1982

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The Skull Announce Tour Dates with Earthride and Hyborian

Posted in Whathaveyou on May 7th, 2018 by JJ Koczan

the skull

Doom on. I’m not sure much more than that really needs to be said about The Skull announcing a run of headlining tour dates with Maryland’s finest, Earthride, as direct support. Chicago doom meets Maryland doom. Needless to say, it’s going to be pretty gosh darn doomed.

The Skull release their new album, The Endless Road Turns Dark, this Fall on Tee Pee, and if you’re not looking forward to that, I’ve got nothing for you. The timeline on Earthride‘s next full-length is a little more vague, but with their recent Witch Gun single came word that was in the works as well. Hyborian, meanwhile, recently issued their first album through Season of Mist.

The PR wire has those dates:

the skull tour poster

The Skull Announces U.S. Headlining Tour Dates

Doom Metal Legends Complete Work on New Album ‘The Endless Road Turns Dark’

The Skull, featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, has completed work on its highly anticipated sophomore album. Titled, The Endless Road Turns Dark, the LP was recorded in Chicago’s Decade Music Studios with engineer Sanford Parker (Yob, Tombs) and builds on the foundation laid by The Skull’s debut album, For Those Which Are Asleep, a recording that landed at or near the top of a host of 2014 year-end best of lists. A fall release date via Tee Pee Records is projected for the new LP.

To celebrate the completion of the new album, The Skull, which also features longtime Cathedral drummer Brian Dixon, guitarist Lothar Keller (Sacred Dawn), and guitarist Rob Wrong (Witch Mountain) has announced a U.S. headlining tour that will launch on June 2 in in Chicago where the band will headline the third annual Doomed & Stoned Fest. The 12 city jaunt will run through June 15 in Lombard, IL. On the spring tour, The Skull will be joined by guest drummer Henry Vasquez of Saint Vitus who will fill in for Dixon. Opening acts will include Earthride and Hyborian.

The just-announced itinerary is as follows:

THE SKULL tour dates:
June 2 Chicago, IL Reggie’s (as part of Doomed & Stoned Fest)
June 3 Minneapolis, MN Studio B @ Skyway Theatre
June 5 Bozeman, MT Zebra Lounge
June 7 Seattle, WA Highline
June 8 Bellingham, WA Shakedown
June 9 Portland, OR Star Theatre
June 10 Sacramento, CA Blue Lamp
June 11 Santa Cruz, CA Atrium @ Catalyst
June 12 San Francisco, CA Elbo Room
June 13 Los Angeles, CA Resident
June 14 Las Vegas, NV Count’s Vamp’d
June 15 San Diego, CA Soda Bar

https://www.facebook.com/troubletheskull/
https://twitter.com/theskullusa
http://theskullusa.com/
https://teepeerecords.com/

The Skull, For Those Which are Asleep (2014)

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The Skull Finish New LP The Endless Road Turns Dark; Tour Dates Announced

Posted in Whathaveyou on April 2nd, 2018 by JJ Koczan

One hates to even think of things in these terms, but from where I sit, The Skull‘s forthcoming second album for Tee Pee, produced by Sanford Parker and given the title The Endless Road Turns Dark, is the only possible record that can touch Apostle of Solitude‘s From Gold to Ash this year when it comes to US traditional doom. There are other candidates to be sure, but thinking back to what The Skull were able to accomplish on their 2014 debut, For Those Which are Asleep (review here), the potential for this to be one of the best albums of 2018 is palpable and then some.

The Skull just wrapped a tour playing Trouble‘s self-titled album in its entirety and will hit the road again this month on a headlining tour the dates for which came down the PR wire. I’ll hope to have more to come on The Endless Road Turns Dark before the slated autumn release:

the skull

The Skull Completes Work on New Album ‘The Endless Road Turns Dark’

Doom Metal Legends Announce Spring U.S. Headlining Tour Dates

The Skull, featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, has completed work on its highly anticipated sophomore album. Titled, The Endless Road Turns Dark, the LP was recorded in Chicago’s Decade Music Studios with engineer Sanford Parker (Yob, Tombs) and builds on the foundation laid by The Skull’s debut album, For Those Which Are Asleep, a recording that landed at or near the top of a host of 2014 year-end best of lists. A fall release date is projected for the new LP.

To celebrate the completion of the new album, The Skull, which also features longtime Cathedral drummer Brian Dixon, guitarist Lothar Keller (Sacred Dawn), and guitarist Rob Wrong (Witch Mountain) has announced a spring U.S. headlining tour that will launch on April 18 in Rochester, NY. The 16 city jaunt will run through May 5 in Lombard, IL. The just-announced itinerary is as follows:

THE SKULL tour dates:
April 18 Rochester, NY Montage Music Hall
April 19 Worcester, MA Ralph’s Rock Diner
April 20 Jewett City, CT Altone’s
April 21 Lancaster, PA Chameleon Club
April 22 Baltimore, MD Metro Gallery
April 23 Harrisonburg, VA Golden Pony
April 24 Raleigh, NC Pour House Music Hall
April 25 Atlanta, GA Drunken Unicorn
April 26 New Orleans, LA Santos Bar
April 27 Houston, TX White Oak Music Hall
April 28 San Antonio, TX The Limelight
April 30 Dallas, TX Reno’s Chop Shop
May 1 Austin, TX Hotel Vegas
May 3 Newport, KY Southgate House Revival
May 4 Detroit, MI Harpos
May 5 Lombard, IL Brauerhouse Live

https://www.facebook.com/troubletheskull/
https://twitter.com/theskullusa
http://theskullusa.com/
https://teepeerecords.com/

The Skull, For Those Which are Asleep (2014)

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The Skull Tour Launches this Week; Playing Trouble’s Self-Titled in Full

Posted in Whathaveyou on January 22nd, 2018 by JJ Koczan

the skull

Easiest sell ever. Chicago doomers The Skull head out this week on a major-market US tour playing Trouble‘s 1990 self-titled album in full. Seriously. What more could you ask of the universe than that? Who in their right mind doesn’t want to see Eric Wagner sing “The Wolf” on stage? Or “Black Shapes of Doom?” Or “At the End of My Daze?” Great googly-moogly, that record kicks ass. If you need to be told to show up to this one, you’re fucking up. Sorry, but there it is.

Oh yeah, and for a bonus? The Skull have finished recording their second album and the follow-up to 2014’s For Those Which are Asleep (review here), which was produced by no less than Sanford Goshdarn Parker and will be out this summer. I guess that’s what more you could ask of the universe. And there it is.

Awesome:

the skull tour

The Skull to Kick Off “The Skull Plays ‘Trouble'” North American Headlining Tour January 25

Doom Metal Legends to Perform Trouble’s Classic 1990 Self-Titled in its Entirety on Special Winter Trek

The Skull, featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, has announced a winter North American headlining tour. The 15 city jaunt, which will see The Skull performing Trouble’s classic 1990 Def American Recordings self-titled [label] debut, Trouble, in its entirety, will kick off on January 25 in Chicago, IL. The band, which also features longtime Cathedral drummer Brian Dixon, guitarist Lothar Keller (Sacred Dawn), and guitarist Rob Wrong (Witch Mountain) will also play The Skull songs at the special one-time-only shows.

In additional news, The Skull has completed work on its as-yet-untitled new album. Recorded in Chicago’s Decade Music Studios with engineer Sanford Parker (Yob, Secrets of the Moon), the record is the follow-up to The Skull’s heralded debut, For Those Which Are Asleep, which landed at or near the top of a host of 2014 year-end best of lists. A summer 2018 release date is projected for the new LP.

THE SKULL tour dates:
January 25 Chicago, IL Reggies
January 26 Rock Island, IL Ribco
January 27 Grand Rapids, MI Pyramid Scheme
January 28 Cleveland, OH Grog Shop
January 29 Pittsburgh, PA Howlers
January 30 Toronto, ON Hard Luck
January 31 Ottawa, ON Mavericks
February 1 Montreal, QC Bar Le Ritz
February 2 Cambridge, MA Middle East Upstairs
February 3 Brooklyn, NY Kingsland
February 4 Washington, DC Atlas Brew Works
February 5 Philadelphia, PA Kung Fu Necktie
February 6 Richmond, VA Strange Matter
February 7 Lexington, KY Cosmic Charlies
February 9 Detroit, MI Harpos

https://www.facebook.com/troubletheskull/
https://twitter.com/theskullusa
http://theskullusa.com/
https://teepeerecords.com/

Trouble, Trouble (1990)

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Doomed Gatherings III: Crowbar, Elder, Toner Low and Many More Announced

Posted in Whathaveyou on February 23rd, 2016 by JJ Koczan

doomed gatherings iii header

You know how I know Doomed Gatherings III has its shit together? Yeah, they’ve got Elder, Crowbar, Trouble, Monolord, Egypt, Ramesses, Mantar and so on confirmed to play over the course of the three-night event in Paris this May, and that’s super. Not arguing against any of that. But how you really know is that not only are Toner Low playing the thing, but they’re playing a set all three nights. That’s right: a Toner Low residency. I don’t know about you, but from where I sit there’s nothing about that concept that isn’t badass.

Details and ticket links follow for the big to-do, for which there are reportedly more band announcements to come. Makes sense, as May’s still a ways off. The following came down the PR wire:

doomed gatherings iii poster

Crowbar, Ramesses, Trouble and more confirmed to play third DOOMED GATHERINGS festival in Paris!

The third edition of France’s only doom, sludge and filth-oriented festival DOOMED GATHERINGS is taking up residence again at Glazart venue in Paris, for three days of crushing, highly grooving and undoubtedly smoke-filled performances. The lineup is now almost complete with a total of twenty-one bands, among which Crowbar, Ramesses, Trouble, Monolord and Elder. Let there be doom.

DOOMED GATHERINGS III
May 14-16th at Glazart – Paris, France
3-day pass (55€) and day tickets (25€) on sale HERE

The current lineup is as follows, with two more bands remaining to be announced. Hotel deals will come up soon along with next announcement.

DAY 1 ? Saturday 14th May ?
Ramesses (UK) ? Toner Low (NL) ? Mantar ? Egypt (USA) ? Demonic Death Judge (FIN) ? The Lumberjack Feedback (FR) ? NNRA ? Bathsheba (BE)

DAY 2 ? Sunday 15h May ?
Crowbar (USA) ? Trouble (USA) ? Toner Low (NL) ? Samothrace (USA) ? Hang The Bastard (UK) ? Throw Me in the Crater (NL) + 2 more bands TBA

DAY 3 ? Monday 16h May ?
Elder (USA) ? Monolord (SWE) ? Toner Low (NL) ? Electric Moon (DE) ? Chaos E.T. Sexual (FR) ? DDENT (FR) ? Carousel (USA)

Doomed Gatherings is the first festival in France for everything doom, sludge, filthy and psyched out. Taking place for the third year at Glazart in the 19th district of Paris, the festival is powered by national heavy promoters Stoned Gatherings and assembles a fine selection of international headliners and breakthrough acts, for the sheer love of Heavy.

Glazart is an indoor/outdoor club located in the north-east of Paris, near reknown architectural unit of La Villette, a venue that is easily reachable from the underground and tramway lines.

? Getting to Glazart ?
7-15 avenue de La Porte de la Villette, 75019 Paris
? Metro 7 (Porte de la Villette station)
or Tram 3b (Porte de la Villette station)

https://www.facebook.com/events/1717007591852526
https://www.weezevent.com/doomed-gatherings
https://www.facebook.com/doomed.gatherings
https://twitter.com/StonedGathering

The Body, Live at Doomed Gatherings 2014

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