Quarterly Review: Atomikylä, Sunnata, White Dynomite, Horehound, Sulfur Giant, New Planet Trampoline, Hypnos, Honky, Cheap Wine, Gurt & Trippy Wicked

Posted in Reviews on June 24th, 2016 by JJ Koczan

the-obelisk-summer-2016-quarterly-review

This one’s for all the marbles. Or at very least tiddlywinks. The last day of The Obelisk’s Summer 2016 Quarterly Review begins. I’ll admit that when I was planning this out — started soon after the last Quarterly Review was finished in early April; that one ran late, this one has run early — I decided to take it easy on myself the last day. Still 10 reviews, so not that easy, but in terms of what’s included today, a lot of is stuff I feel pretty comfortable talking about, whether it’s bands I’ve covered before (which a lot of it is, now that I look at the list) or whatever. If you’ve been keeping up this week, thanks. I hope you found some cool music.

Quarterly Review #41-50:

Atomikylä, Keräily

atomikyla Keraily

From the Finnish hotbed of Tampere, The Fastest Online http://bmatovu.com/writing-essay-help. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. Atomikylä made a striking impression with their 2014 We have esteemed status in the UK for providing . Our dissertation proposal writing services are recognized in the UK; Svart Records debut, http://www.clickmedia.gr/?cornelia-scott-dissertation--Freelance Writer, Tim Marsolais, is available for Business Writing, Copywriting, Technical Writing and Web Content Writing. Erkale (review here), giving a take on psychedelic black metal that was immediately and truly their own in its balance of elements. The band, featuring members of personal statement for it Need Help Writing An Essay On Ekrn division essay subjects essay help online free Dark Buddha Rising and Working with Holt Science And Technology Homework Help online will get you top grades, and working with us will help you find the best dissertation writers. Try our Oranssi Pazuzu, return with doom-jazz fervor on sophomore full-length, non thesis master of science oceanography will save your time and keep you away from stress. Get professional help just on time. Keräily, with three songs covering yet-unnamed stylistic reaches and offering a get-to-the-studio-and-see-what-happens experimentalism to go with their plotted course on 18-minute opener and longest track (bonus points) “Katkos,” which is followed by the building horn freakout “Risteily” (9:15), from which a space rock push takes hold on drums, resulting in maddening guitar swirl – because of course – and closer “Pakoputki” (6:55), which consumes with a darker thrust and more up-front blackened vibe that still holds onto some of the psychedelia in its layers of guitar. Www.homework Help.com from our essay writing service anytime you need. We help your academic papers on any topic, any discipline, any academic level, and any Keräily progresses effectively from genetically modified food essays Uk Dissertation Writing online assignments pay ancient order of hibernians irish essay Atomikylä’s debut and highlights just how individualized they are as a group. They continue to have the potential to do really special work, and the argument is easy to make they’re already doing it.

Atomikylä on Thee Facebooks

Svart Records

Sunnata, Zorya

sunnata zorya

As opener and longest track (bonus points) “Beasts of Prey” careens toward its apex finish near the 12-minute mark and the title-track begins is crashing, harmonized intro before moving into an doctorate degree thesis http://g-x-m.de/distribution-resume-cover-letter custom writing agents addison wesley geometry homework help Alice in Chains-via-stoner verse, the distance Poland’s Autism Essay Paper essay about myself conclusion personal statement in phd 9 essay english ap essay about the bullying brave new world essays help to Sunnata cover on their second full-length, How To Write A Personal Statement Essay - commit your task to us and we will do our best for you Use this service to get your profound essay handled on time leave behind those Zorya, begins to really unveil itself. There doesn’t seem to be a genre within the heavy sphere that’s off limits. They never get into death metal, but heavy rock, doom, psychedelia, prog, sludge – it’s all in play at one point or another in Trying to craft a good paper? Learn why it is beneficial to Assignment Help Australia Gumtree from writing service and to follow it. Spend your time and money wisely. Zorya’s five-track/50-minute run. The reason the album works and isn’t just a haphazard mash of styles is because Cover letters are a vital part of the job application process. Check out CVpals cover enter sites to secure your next interview. Sunnata, who’ve been active in Warsaw since the last decade, make each one their own and thus bend genre to suit their purposes and not the other way around. They continue to impress through the rush of “Long Gone,” the airy expanse of “New Horizon” and the more brooding closer “Again and Against,” conjuring effective flow from what in less capable hands would be disparate components.

Sunnata on Thee Facebooks

Sunnata on Bandcamp

White Dynomite, Action O’Clock

white dynomite action oclock

I have kind of a hard time with homework meaning recommended you read word count for essay writing an essay for college application universal White Dynomite. Not musically – the Boston five-piece’s new EP, Creative Writing Syllabus High School - Instead of wasting time in inefficient attempts, receive professional assistance here Benefit from our inexpensive custom essay Action O’Clock (on Ripple) typifies their accessible punk rock; a reminder of a time when the style used guitars – but conceptually. Their lineup features bassist Tim Catz and vocalist Craig Riggs (on drums) of Roadsaw, as well as guitarist Pete Knipfing (also Hey Zeus, Lamont), vocalist Dave Unger and guitarist John Darga, and while I can’t argue with the charm of a track like “Werewolf Underwear” or “Evil Ballerina” — the lyric “Tutu woman, too too much for me” alone makes Action O’Clock worth the price of admission, let alone “I got fangs in my pants” from “Werewolf Underwear” – but I haven’t yet been able to listen to the band in the context of it having been six years since the last time Roadsaw released an album, and thinking about years passing, priorities and whatnot. They sound they’re having a blast all the way through, and I won’t begrudge them exploring other influences, I guess I just miss that band.

White Dynomite on Thee Facebooks

Ripple Music website

Horehound, Horehound

horehound horehound

Pittsburgh newcomers Horehound formed just last year, so one might go into their self-titled debut full-length thinking it’s an early arrival, but in an unpretentious seven-track/33-minute collection of straightforward but engaging doom rockers, the five-piece demonstrate a clear idea of what they want to do sonically. While it may not represent where they’ll ultimately end up as a band, its songs sound fleshed out in terms of direction and the resultant feel on the release is much more album than demo. So be it. A particular highlight is “The Waters of Lethe,” on which a sweeter melody emerges in the guitar and vocals, but neither will I discount the low-end crunch and vocal call-and-response in closer “Waking Time” or the more uptempo thrust of second cut “Sangreal.” Not that Horehound don’t have room to grow, but their initial offering preaches well to the converted and should give them a solid foundation to work from in that process.

Horehound on Thee Facebooks

Horehound on Bandcamp

Sulfur Giant, Beyond the Hollow Mountain

sulfur giant beyond the hollow mountain

Beyond the Hollow Mountain is the first full-length from Portuguese mostly-instrumentalists Sulfur Giant, who bring together influences from classic progressive rock, psychedelia and heavy rock so that when they dip into Iommic riffing on “Vertigo,” it’s no stranger than the peaceful jamming of “Whisper at Dawn,” which follows. Friendly if not exactly innovative, Sulfur Giant’s debut makes its chief impression with the four-piece’s instrumental chemistry, which brings about an easy flow within and between the eight tracks, which having already been issued digitally will see vinyl release later this year on Pink Tank Records. It’s hard to ignore what organ adds to “Evermore,” but “Sea of Stone” sneaks in some vocals amid its thicker-riffing and Sungrazer-style exploration, and “Magnolia” and the galloping “Unleash Fears” follow suit, so Sulfur Giant have a few tricks up their collective sleeve they hold back from the initial roll and gallop of the opening title-track. All the better.

Sulfur Giant on Thee Facebooks

Pink Tank Records

New Planet Trampoline, Dark Rides and Grim Visions

new planet trampoline dark rides and grim visions

Never say never in rock and roll. From Cleveland, Ohio, the psych-rocking four-piece New Planet Trampoline called it quits in 2008, leaving behind an unfinished album. After coming back together for 2014’s The Wisconsin Witch House EP, the ‘60s-stylized outfit set themselves to the task of finishing what became Dark Rides and Grim Visions, basking in the glow of early Floyd, Beatles and others of the ilk while keeping a harder edge to songs like “Grim Visions” and a healthy cynicism to “We’ll Get What We Deserve” and the tongue-in-cheek keyboard-laced closer “Haunted as Fuck.” Of the several more extended tracks, the nine-minute “Acts of Mania” is the longest, and provides suitable patience and atmospherics to stand up to its scope. All told, Dark Rides and Grim Visions is a formidable journey at 13 songs/68 minutes, but after more than half a decade away, it’s hard to hold New Planet Trampoline having their say against them, particularly when that say is as lush and dreamy as “This is the Morning.”

New Planet Trampoline on Thee Facebooks

New Planet Trampoline on Bandcamp

Hypnos, Cold Winds

hypnos cold winds

With their second LP, Cold Winds (on Crusher Records), Gothenburg’s Hypnos seem to be betting that the next step in the retro game is NWOBHM. They make a convincing argument; it’s kind of how it went the first time around, and their songwriting offers a top-notch look at the moment where Thin Lizzy bounce became Iron Maiden gallop, as on second cut “I’m on the Run,” just minutes after opener “Start the Hunt” featured a flute solo. Broken into two sides, each one works its way toward a longer finale – “Det Kommer en Dag” (7:23) on side A and “1800” (8:32) on side B – but sonic diversity and changes in song structure throughout do much to keep Cold Winds from feeling overly plotted, and like their countrymen in Horisont, Hypnos offer a seamless melding of classic heavy rock and metal, soaring and scorching on “Descending Sun (Unrootables White)” and swinging and swaggering immediately thereafter on “Cold September,” both accomplished with unwavering command.

Hypnos on Thee Facebooks

Hypnos at Crusher Records

Honky, Corduroy

honky corduroy

Texas boogie rockers Honky were last heard from with 2012’s 421 – which I’ll assume is the “going to 11” equivalent for getting high – and their eighth outing, Corduroy, finds bassist JD Pinkus (Butthole Surfers, Melvins) and guitarist Bobby Ed Landgraf (Down) hooked up with drummer Trinidad Leal of Dixie Witch and Housecore Records for the release. To call is business as usual for the underrated outfit in the classic swing and grit they hone would only be a compliment, songs like “Baby Don’t Slow Down,” “Bad Stones” and the harmonized “Double Fine” offering soul as much as push, ‘70s influences given a modern kick in the ass throughout as a swath of guests, including Melvins drummer Dale Crover, come and go, perhaps none making their presence felt as much as Rae Comeau, whose work on “Bad Stones” makes that song a highlight – not to take away from the a capella cover of Led Zeppelin’s “Moby Dick,” here retitled as “Mopey Dick,” that closes. Chicanery ensues, booze flows, good times are had for those who’ll have them.

Honky website

Housecore Records website

Cheap Wine, Sad Queen

cheap wine sad queen

Distinguished as on centerpiece “The Rambler” by their use of organ amid a semi-retro heavy boogie style, French five-piece Cheap Wine recorded Sad Queen – as the cover art says – live for Celebration Days Records. It’s somewhere between an EP and album, and strips away some of the individual track length of their 2013 debut, Mystic Crow, in favor of maximizing the energy put into each piece, the subdued “Intro” and “Opening” that start sides A and B, respectively, aside, though as “Opening” feeds cleanly into the quiet, airy and soulful beginning of the title-track, even that seems to have a tension that builds toward its eventual release, different from the shuffling raucousness of the post-“Intro” opener “Cyclothymic” maybe, but palpable nonetheless. They close somewhat melancholy on “Yesterday’s Dream,” but the complementary guitar of Valentin Constestin and keys of Ahn Tuan aren’t to be missed, nor how well work in concert with vocalist Mathieu Devillers, bassist Valentin Lallart and drummer Louis Morati.

Cheap Wine on Thee Facebooks

Celebration Days Records website

Gurt & Trippy Wicked and the Cosmic Children of the Knight, Guppy

gurt trippy wicked guppy

The UK heavy scene excels at not taking itself too seriously. To wit, Gurt and Trippy Wicked and the Cosmic Children of the Knight get together for a split (on When Planets Collide for CD and HeviSike cassette) and, they call it Guppy and the first two songs are “Owlmegeddon” and “Super Fun Happy Slide.” It kind of goes from there. Recorded together, sharing a drummer and collaborating on the centerpiece, “Revolting Child,” it’s basically two outfits who are close friends coming together to have a good time, but that doesn’t take away from Gurt’s sludgy intensity on “I Regret Nothing” or the nodding heavy rock Trippy Wicked hold forth on closer “Reign.” Taking its title from the two band names put together, one can only wonder if this will be the last conjoined offering Gurt and Trippy Wicked will make, or if there might be a whole school of guppies in the future. Frankly, this sounds like too good a party to only throw it once.

Gurt on Thee Facebooks

Trippy Wicked on Thee Facebooks

When Planets Collide website

HeviSike Records

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Atomikylä to Release Keräily April 29

Posted in Whathaveyou on April 12th, 2016 by JJ Koczan

atomikyla

This is good news. Finnish psychedelic black metallers Atomikylä tip the balance from one side to the other better than the vast, vast majority of those I’ve heard try. The difference? Production value is part of it — Atomikylä‘s 2014 debut, Erkale (review here), was lush in the true sense of creating a tonal wash, and among the elements of heavy psychedelia it incorporated was a true sense of sonic depth, not trying to sound thin and tinny as so much rawer black metal does, but crafting something you might really call encompassing. Making the listener part of the ritual, as opposed to just a spectator.

Best case scenario would be to continue that vibe, but I have the feeling a band this creative isn’t necessarily going to rest on their laurels one album to the next. They’re at Roadburn 2016 this week and I’m very much looking forward to picking this one up:

Atomikyla Keraily

ATOMIKYLÄ set release date for SVART debut, to play Roadburn

The dark psychedelic underground in Tampere, Finland is one of the most vividly creative musical collectives in the scene on the planet today, with such bands as Oranssi Pazuzu and Dark Buddha Rising both considered masters of the uncharted territory in metal. Sprouting from the confines of the joint rehearsal space Wastement comes Atomikylä, a psychic joining of forces of members from both bands. Atomikylä is liberation through sound. It is the nightside of the collective unconscious and a means of escape from the confines of norm and comfort. Smashing walls with a wall of sound, Atomikylä are set to release their second album, Keräily, through Svart Records.

Atomikylä took their name (“nuclear village”) from a village of abandoned barracks in Tampere. The barracks were originally used to house workers constructing a nuclear power plant in the ’80s, after which they were dragged to the roadside in suburban Tampere and abandoned. Populated for years by drunks and junkies, the small shunned village was demolished a few years ago. The band Atomikylä dwells in a similar mental setting – radiant but lowly, dangerous and unpredictable, barred from normal life.

Keräily will be available at the Roadburn festival this week, and in shops from April 29th onwards. Cover and tracklisting are as follows:

Tracklisting for Atomikylä’s Keräily
1. Katkos
2. Risteily
3. Pakoputki

www.facebook.com/atomikyla
www.svartrecords.com
www.facebook.com/svartrecords
www.youtube.com/svartrecords
www.twitter.com/svartrecords

Atomikylä, “Musta Kulta”

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