Friday Full-Length: Asteroid & Blowback, Split LP

Posted in Bootleg Theater on September 8th, 2023 by JJ Koczan

asteroid and blowback split

Oh, the fuzz! What a time to be alive! Released in 2006 through a then-comparatively-nascent Fuzzorama Records — the catalog number is FuzzCD005; they’re past 40 by now — the Asteroid and Blowback split LP from the Örebro-based outfits arrived in fairly unassuming style. Its cover has the names of the bands, a pinwheel design, greenish tint. Not minimal necessarily, but you wouldn’t call it grandiose. It wasn’t the first release from either band, as Asteroid had a demo in 2004 and a self-titled EP in 2005 — man, I’d love to hear those; I bet there’s a CD-R somewhere — and Blowback had a five-song demo/EP also in 2005, also self-titled. But it was early days for both, and the progression that these two acts would undertake afterward across Asteroid‘s three full-lengths and Blowback‘s two can be traced to these corresponding six-song sets issued on CD some 17 years ago.

And yeah, 17 years both is and isn’t a long time. In rock and roll, it’s a bygone age. Legacies have been set, bands have come and gone and come again — including Asteroid — and the evolution of style and trend has continued mostly unabated since. But there’s more than intellectual value in this material, and more to Asteroid and Blowback than some hackneyed moral about the early potential of what would turn out to be good bands showing itself in raw form. In the organic tones of both acts as recorded by Truckfighters bassist/vocalist Oskar Cedermalm — whose band had just put out their own debut, the landmark Gravity X, in 2005 — and in the classic elements showcased within their styles, whether it’s the semi-retro vibes of Blowback pieces like “Holy Skies” and the swinging “Cosmic Dust” or the hand-percussion of Asteroid‘s “Supernova” and the melodic flourish of “Hexagon,” you can hear the roots of what they’d become.

The songs are songs — verses, choruses, bridges, solos, ends, etc. — but in Asteroid‘s jammier heavy-mellow languidity offset by the speedier stop-start swing of “Sim-Sala-Bim,” which makes it a party, and in the jazzy cymbal taps of the quiet noodly stretch in Blowback‘s “The Arquitect,” the mood is exploratory, exciting. Fresh. Each group offers six songs across a CD-era 62-minute runtime, and that’s plenty enough for each ‘side’ to have a flow of its own, Asteroid first and Blowback second as the cover and de facto title indicate. “Supernova” leads off which chunky-style fuzz riffing and some calmer wah, but moves into its middle with the aforementioned percussion as if to say, “Yeah, but we also do this,” and fleshing out the funkier aspects of their sound. “Anagram” and “Walk Alone” both demonstrate the dual-vocals of bassist/vocalist Johannes Nilsson and guitarist/vocalist/organist Robin HirseMartin Ström was reportedly the drummer at the time, but I’m not 100 percent on that — that would become such a part of Asteroid‘s sound on their three albums to-date, as they play around arrangements through psych-blues, fuzzy push and laid back stonerism, the heavy-hippie spirit palpable right up to the fadeout of the jam in “The Big Trip Beyond,” which caps what I almost can’t help but think of as their ‘side’ of the release.

As they almost invariably would, Blowback introduce themselves with a wah riff at the outset of “Holy Skies” and go on after 15 seconds or so to unfold a rich fuzz tied to Asteroid‘s own by methodology and production alike, with the first-name-only four-piece of guitarist Seb, bassist Crille, drummer Henke and vocalist Stefan taking some influence from the likes of Dozer in their hook there, answering the good-times vibes of the first six cuts on the split with some cowbell, and circling back to the chorus in a way that feels reliable and satisfying in kind. That is to say they groove plenty and the structures come across as somewhat tighter, though that assessment is certainly relative. But if you can’t nod to the nod under that solo in “Holy Skies,” go back and try again, because it’s there, right before the backmasked vocals end the track and “Autumn Leaf” begins its thick-bottom-end march with deceptive swing and movement, a slow shuffle that breaks in the middle to dreamier janga-janga before the riff returns, the vocals go watery and they delightfully fuzz-bounce to a fadeout ahead of “Fairys Dance.”

Here’s the Sabbath, if you’ve been waiting for it. There’s some shimmer layered in the fuzz of the second chorus on the quicker Blowback song, but the riff is duly Iommic and gives over to a sample under the solo and some peppered-in background vocals, tambourine and three or four fake endings before the bass exits as the last element to go into the subdued post-Witchcraft/pre-Graveyard slow, vintage-feeling proto-doom blues of “Cosmic Dust.” A highlight of the release for its sense of creep as well as the boogie that emerges therefrom and the layered chorus that accompanies, “Cosmic Dust” twists in the guitar and bass later on and doesn’t want for a payoff before its on-the-jam fade, but like “Fairys Dance” it doesn’t get anymore lost than it wants to. “The Arquitect” loosens the reigns more, has some push in the hook of its first half, before the handclaps and before when at four minutes in they give a clear break into the jam they’ll build back up and use as the crescendo of their outbound trajectory, fading out once more to let “Invisible Touch” serve as epilogue, which is fair enough as a four-and-a-half-minute comedown from the entrenched fuzz threaded through the 11 cuts prior.

After this, as noted, Asteroid put out three LPs — 2007’s self-titled (discussed here), 2010’s II (discussed here, review here) and 2016’s III (review here) — and other odds and ends before announcing a hiatus in 2017 that would end the next year. There have been rumors of new stuff in the works for a while, and if it happens that they do something else, great. Between Asteroid‘s III and Blowback‘s 2008 debut, Morning Wood — after which they signed to Transubstans for 2010’s 800 Miles (review here) — I had a hard time picking what would cap the week, but it was the nebulous character of Asteroid and Blowback that spoke to me, and I guess sometimes you can have both and get away with it.

As always, thanks for reading. I hope you enjoy.

Well, kindergarten started this week. That’s been a labor. And exhausting. And hot. It’s been so god damned hot here. The Patient Mrs.’ car — which exaggerates, but still — had it at 107 the other day. What is this, Psycho Las Vegas? No way it should be that hot in New Jersey, basically ever. And even if it was really 102, or 98, or whatever, the same applies. Instant sweat. Change your clothes three times a day, not the least after walking part-way to kindergarten dropoff.

First day was chaos, but she made it through. I asked her teacher how she did and got the usual, “We had some trouble listening. She kind of wants to do her own thing. We’ll work on it,” as a not-so-encouraging answer. Yeah, guess what? My kid doesn’t fucking listen. She’s not going to. I told this story to The Patient Mrs. this week, but I remember The Pecan being a baby strapped in a high chair not much more than a year old, making the clear decision for the first time that she wasn’t going to do what she was told. And what had I told her to do? Take a bite of the cut-up string cheese I’d given her for lunch. She looked right at me like she was Neo in the fucking Matrix, put the cheese down and — without saying it — was a clear “no” on the request. That’s how it’s been ever since.

So you’re not going to get her to listen, and if you try, she’s going to work against you. And you know what? She’s going to win. She’s got more energy, she’s intelligent and knows how to manipulate a situation her way, and I guarantee that whatever bullshit she’s arguing about that she wants to do, she cares much, much more about it than you do. You can’t work against her. You have to work with her. You have to redirect her energy in such a way as to make it productive. Tell her to read a book. Ask her about black holes. Ask her a math problem. Ask her to write a story about a dragon driving some monster trucks on the moon or something. It was the first day, and I’m not blaming the teacher — my mother taught for 35 years in a town near here called Butler; I have great enough sympathy for the plight of teachers that I didn’t become one when I probably should have — but it wasn’t the start we’d hoped for, of course.

And after the first day, when it was like, “Okay, let’s get ready to go back tomorrow,” the kid was all, “You mean I have to do this again?,” which I get. It was nerve-racking and overwhelming and even the dopamine drip of holding the puppy wasn’t necessarily a salve. We did dropoff just her and me yesterday. And the dog, I guess. Dog kind of comes everywhere and is small enough at 12 weeks old to do that. There’s a part of me that’s bummed thinking romantically about The Pecan’s untamed heart, her wild, has-an-idea-and-is-so-excited-she-does-laps-around-the-living-room self, being told to sit in a chair and color blocks in a way that requires counting to three, something she’s been able to do since she was two, being trained to, what, get a job someday? Maybe live in one of the many shitbox condos that somehow cost half a million dollars around here? I’d be bummed going to kindergarten too. Ain’t nobody in kindergarten talking about The Pecan’s light-cycle, which is a motorcycle she invented that goes faster than the speed of light and runs on light energy.

But as someone who apparently didn’t, I can appreciate the fact that you have to learn how to be and live among other people, and school is where that happens.

Anyhoozle, next week is Desertfest NYC, so I’ll have a couple days — thanks entirely to The Patient Mrs. — to take that in and shuft focus from nervous stress to covering the fest, which is different nervous stress. I’ve been missing the Vitus Bar. It’ll be incredible to see Colour Haze there, and there isn’t a bummer day to be found in the lineup. I’m looking forward to it, ad I have been for a while now.

So have a great and safe weekend. Rest up, watch your head, hydrate, maybe go somewhere and have fun if that’s your thing. In any case, thanks again for reading and I’ll of course have posts up before the Desertfest pre-show on Thursday, and post coverage probably Friday, Saturday and Sunday rather than close out next week as normal, so have two great and safe weekends, I guess.

FRM.

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Truckfighters, Greenleaf & Asteroid Announce Tour Dates

Posted in Whathaveyou on November 26th, 2021 by JJ Koczan

Holy shit.

I’m at a loss here. I recently posted about an Earthless tour saying I’d like to go an write a book about the experience, but Truckfighters, Greenleaf and Asteroid for 15 dates in Europe? Three Swedish bands who know each other as well as bands possibly could, with Asteroid having released through Truckfighters‘ label Fuzzorama Records and Greenleaf and Truckfighters having shared members in the past? Shit, I’d love to see this. I’d love to do the whole tour. I’ll fly myself over if I need to, I don’t even care. This is unreal.

Do you even understand what’s happening here? These are seasoned acts. None of them is undertaking this lightly, and aside from all three being killer on stage, they each bring something different in doing so. These shows are going to be incredible. God damn that’s a good tour. Sound of Liberation with the winning package. Whoever thought of this gets the prize.

This isn’t the last post I’m putting up today, but it’s the last one I’m writing and I think enough of this tour to post about it instead of properly closing out the week, so yeah.

From social media:

truckfighters greenleaf asteroid tour

TOUR ANNOUNCEMENT: TRUCKFIGHTERS + GREENLEAF + ASTEROID

We’re stoked to announce this ABSOLUTE KILLER Swedish heavy rock package that will roll over Europe next Spring!

Okay folks, they really don’t need an introduction anymore…

For more than 20 years, the legendary fuzz kings Truckfighters from Örebro have been conquering the world with their outstanding heavy riffing (#128165#)

For their 2022 European tour, they have now invited some very special guests:

No other than the mighty Greenleaf are along for the ride and you all know what that means! 100% energetic live shows, delivered by riff master Tommi Holappa and his gang ⚡️

But that’s not all by any means! We’re stoked that the newly reformed Asteroid with their heavy, bluesy psych sound are on board as well (#128640#)

Sound of Liberation proudly presents:
TRUCKFIGHTERS + GREENLEAF + ASTEROID
“THE NORDIC FUZZCRUSADERS TOUR 2022”
25.03. – (DE) Hamburg | Fabrik Hamburg
26.03. – (DE) Würzburg | Posthalle Würzburg
27.03. – (NL) Amsterdam | Melkweg Amsterdam
28.03. – (BE) Brussels | Le Botanique
29.03. – (FR) Paris | Trabendo
30.03. – (DE) Cologne | Carlswerk Victoria
31.03. – (DE) Wiesbaden | Schlachthof Wiesbaden
01.04. – (DE) Erfurt | Zughafen
02.04. – (AT) Wien | ARENA WIEN
03.04. – (DE) München | Backstage München
05.04. – (DE) Leipzig | WERK2-Kulturfabrik
06.04. – (DE) Karlsruhe | Substage
07.04. – (CH) Pratteln | Konzertfabrik Z7 – Pratteln
08.04. – (AT) Salzburg | Rockhouse Salzburg
09.04. – (DE) Saarbrücken | Garage Saarbrücken

This is surely already the Heavy Rock Tour 2022 not to be missed. Join the journey and welcome the Nordic Fuzzcrusaders!

Tickets are on sale now, grab them while they’re hot

https://www.sol-tickets.com/
https://www.facebook.com/Soundofliberation/
https://www.instagram.com/soundofliberation/
https://www.soundofliberation.com/

Truckfighters, Live in London (2016)

Greenleaf, “Love Undone” lyric video

Asteroid, “Til’ Dawn” official video

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Asteroid Announce First-Ever South American Tour Dates

Posted in Whathaveyou on October 15th, 2019 by JJ Koczan

asteroid

Two cryptic posts last week on thee social medias from Swedish heavy psych blues jammers Asteroid. The first: they’d be traveling to a new continent before the end of the year. I’m pretty sure they’ve been to Australia before, and I know they’ve sworn off North America while the current US administration is in power — there are plenty of days I think when a good portion of the country wishes it could do the same — so that led me to speculate South America was their destination, and it turns out, yes, Abraxas Produtura — among others — is bringing the trio from their Swedish home-base to play a set of four exclusive shows capping in Rio de Janeiro on Dec. 7 at the Festa da Firma.

Ending that run in Rio de Janeiro brings me to the second cryptic social medias post, which was that the band has new material in the works. That’s an awfully long way to travel to play four shows, even if one of them is a fest, so I had to wonder if they’d be recording with Gabriel Zander while in Brazil, and the band has yet to confirm anything in that regard. I don’t know if it would be a full album or what, but either way, it’d make for their first offering since 2016’s III (review here), and whatever shape it ultimately takes, there’s just about no way new Asteroid isn’t going to be welcome as far as I’m concerned, whenever it might show up.

Still good news all around and one more perhaps to look forward to in 2020.

Here’s the info:

asteroid south america shows

Asteroid – South America Tour

Asteroid will hit South America this December. See you in Argentina, Uruguay and Brazil.

The legendary Swedish trio comes to review all their discography in a show that promises tons of high-flying fuzz rock, stoner rock and heavy psych on their first visit to South America that will include presentations in Argentina, Uruguay (within the framework from the second edition of the Noiseground Festival in that country) and Brazil.

Their latest album “III” released by Fuzzorama Records, record label commanded by the Truckfighters is considered by the specialized press as one of the most outstanding releases of the last 10 years within the heavy rock scene in Europe.

There will be gems like “Time”, “Doctor Smoke” and “Pale Moon” a traveling and super electric show, you can’t miss it!

Asteroid live:
12/04 Buenos Aires Casa Colombo
12/05 Montevideo Bluzz Live
12/06 Sao Paulo Jai Club
12/07 Rio de Janeiro Festa Da Firma

Asteroid is:
Robin Hirse – Vocals & Guitar
Johannes Nilsson – Vocals & Bass
Jimmi Kohlscheen- Drums

https://www.facebook.com/Asteroidband/
http://www.asteroid.se/
http://www.fuzzoramastore.com/en/bands/asteroid/

Asteroid, “Til’ Dawn” official video

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Brant Bjork, Groundhogs, Child, Yawning Man and More Playing Black Deer Festival in London

Posted in Whathaveyou on February 19th, 2019 by JJ Koczan

black deer desertscene banner

Desertscene in London — the same good people who put together Desertfest there and have worked to bring it to New York as well — have paired up with the country/Americana/blues Black Deer Festival to present a stage called The Roadhouse that’ll have custom motorcycles hanging around, camping and a lineup that’s pretty kickass front to back. It’s not exactly like they’re sneaking into the bill, but you’ve got Yawning ManAsteroidBrant Bjork and Groundhogs and King Buffalo and Radio Moscow and Duel and Steak and Child and so on bringing their wares to Edridge Park in Kent and it seems to me you could do a hell of a lot worse than kind of having a mini-Desertfest built into another festival. That’s how you reach a broader audience, by playing for people who maybe haven’t already heard you. Seems likely a few heads will be turned across the three-day event.

The PR wire has info:

black deer fest poster

BLACK DEER FESTIVAL REVEAL MORE NAMES FOR 2019

Another round of carefully curated names have been added to the Black Deer Festival lineup today, making for an impressive second year for the award-winning new event. The three-day celebration of Americana and Country, set in the beautiful Eridge Park in Kent, presents a unique experience combining music, food and Americana culture that can’t be found anywhere else in the UK.

Brant Bjork, the member of two of the most influential 90’s stoner rock bands Kyuss and Fu Manchu, whose desert rock and roots style will resonate from The Roadhouse stage in June. Brant Bjork joins the all American heavy blues contingent of previously announced Left Lane Cruiser, Radio Moscow and The Roadhouse ‘house band’ Steak – all curated by Desertscene for Black Deer.

Completing today’s line up is British blues rock band Groundhogs, who are best known for their 70’s single Cherry Red – a name adopted by one of Britain’s longest standing independent record labels – as well as heavy psych-blues trio King Buffalo, Australian blues-rockers Child, 60’s psychedelic songwriter Roxanne De Bastion, California’s experimental rockers Yawning Man, Country preacher Paul Cauthen, larger than life boatman and bluesman Sonic Gypsy and Hertfordshire’s rock band Redwood.

ARTISTS ANNOUNCED TO DATE (A-Z)
Asteroid, Band of Horses, Brant Bjork, Chance McCoy, Child, Daniel Antopolsky, Duel, Fantastic Negrito, Ferris & Sylvester, Gordie MacKeeman and His Rhythm Boys, Groundhogs, Hayseed Dixie, Irish Mythen, Jerron Blind Boy Paxton, John Butler Trio, John Smith, Justin Townes Earle, King Buffalo, Kris Kristofferson & The Strangers, Larkin Poe, Left Lane Cruiser, Lucero, Martin Harley, Morganway, Mountains, Neko Case, Paul Cauthen, Radio Moscow, Redwood, Roxanne De Bastion, Ryan Bingham, Sonic Gypsy, Steak, Stubb, The Black Wizards, The Dead South, The Marcus King Band, The Mavericks, The Sheepdogs, The Staves, The Vintage Caravan, The Wandering Hearts, The Trials of Cato, William Crighton, Worry Dolls, Yawning Man.

TICKET INFORMATION
Tier 1 tickets on sale now and are available from https://blackdeerfestival.com/tickets/
Ticket prices from £105 – subject to booking fees.

Tier 2 tickets will be on sale from 26th February.

https://www.facebook.com/events/342379713221524/
https://facebook.com/blackdeerfest
https://www.instagram.com/blackdeerfest/
https://blackdeerfestival.com/tickets/

King Buffalo, “Longing to be the Mountain” live in Philadelphia, Nov. 3, 2018

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Live Review: Høstsabbat 2018 Night Two in Oslo, Norway, 10.06.18

Posted in Reviews on October 6th, 2018 by JJ Koczan

hostsabbat 2018 poster

I knew this was going to be a quick trip, but now that I’m sitting on the other end of Høstsabbat 2018 it feels even quicker than it did on paper. Today was — church pun totally intended — little short of immaculate. It picked up from the energy and personality of yesterday’s show and directed the personalities of each stage in a different way. Upstairs on the altar, it was rock and psych for most of the night, while downstairs in the Crypt, it dug deep into post-metal. Then, for the final two acts, they pulled a total swap. Just when you think you’ve caught the pattern: no dice.

Slept hard after posting that last review and stopped at the organic market on my way back to the Kulturkirken Jakob and picked up a little natural-rubber frog for The Pecan back home, then hit the venue to check in. I should note: Coffee was had. In bulk. I didn’t count cups, but I wouldn’t have been able to keep track anyhow. I know I put down two or three before Taiga Woods were finished opening the day in the basement, and I stopped in for more several times along the way after that. Big quality of life improvement.

I’m not sure how else to say it — today was a special day. I am not young, and I have been to many shows in my time. That’s not bragging; I’ve by no means seen the most shows. But I’ve seen a few. And a day like this doesn’t come along all that often. I know already I’ll be looking back on my time here fondly. I haven’t even left the hotel to go to the airport yet, and frankly I’m already feeling nostalgic.

Thank you for reading. This is how it went:

hostsabbat art

Taiga Woods

Taiga Woods (Photo by JJ Koczan)

Rockin’ start to the proceedings. Oslo’s own Taiga Woods tapped into a traditional style of desert heavy, showing shades of Kyuss and Queens of the Stone Age early on, but working their way toward their own identity in style and presence. Most of what they played came from their 2017 self-titled debut, though it’s worth noting that it would seem guitarist/vocalist Erik Skundberg has undergone a total revamp of the band in the 13 months since that LP was released, bringing on board drummer Jonatan Eikum as well as guitarist Jøran Normann, who played upstairs yesterday as a member of Lonely Kamel, and bassist Ole Ulvik Rokseth, who opened the Crypt yesterday as part of SÂVER. Familiar faces or no, that’s not a minor change when it’s three-fourths of the lineup. But as refreshing as it was to see an act get down to the ’90s roots of modern-style heavy rock, they lacked nothing for chemistry between them, and the new song “Step Up” fit well ahead the catchy “Slow Burning” as they made their way toward finishing with “The Great Machine.” I didn’t see CDs for sale, which only says to me they’re ready for someone to step up and put that record out either before or in conjunction with a new one to come.

Elephant Tree

Elephant Tree (Photo by JJ Koczan)

Maybe once — maybe — at a festival like this, I’ll see something that makes me pull the plugs out of my ears. Elephant Tree were that band at Høstsabbat. Kind of hard not to feel like the universe was doing me favors, lining up them, Asteroid and Electric Moon one into the next on the upstairs stage. The London three-piece were freshly arrived off a tour with Mothership and Stoned Jesus, and they sounded like it. I was lucky enough to see them in their hometown this past May (review here), and of course the context was different them play on an actual church altar in a room with a ceiling at least three stories high, but even so, they were locked in like a band who’ve been touring, and while they were joking around and guitarist/vocalist Jack Townley and bassist/vocalist Peter Holland were ragging on drummer Sam Hart for forgetting to get a beer before they took stage — someone brought him one — they were utterly locked in through “Dawn,” “Surma” and “Aphotic Blues” from their 2016 self-titled debut (review here). The harmonies between Townley and Holland were dead on, and they only showed progression in that regard with two new songs that carried the tentative titles “Wasted” and “Bella” before they closed out with a slowed-down cover of Black Sabbath‘s “Paranoid.” Because of the tempo, I actually thought they might dip into the Type O Negative version, but they ultimately stayed loyal at least in structure to the original. To call them a highlight of the trip would be underselling it viciously. A blast all the way through. They played Psycho Las Vegas last year, but I hope their next album brings them to the US for a full tour. They sounded ready and well up to the task.

Dwaal

Dwaal (Photo by JJ Koczan)

I knew nothing about Dwaal going into their set, and sometimes I like that. Also based in Oslo, they packed their five-piece lineup into the basement stage such that bassist Stian spent a decent portion of the set playing at least half behind a concrete support pillar. Metal. Actually, post-metal, and sludge, and doom, but fittingly atmospheric for an evening that would be headlined by Amenra. Their debut EP, Darben, came out last year comprised of two extended cuts — I’d call it a full-length since it topped 30 minutes, but why argue? — and they’ve reportedly got an album in the works, and while I don’t know if the bulk of what they played was new or older, their aggression and their level of crushing riffing were obviously a far cry from both Elephant Tree and Taiga Woods, but they marked the beginning point of a second thread running throughout the evening, which comprised more ambient and aggro post-whatnottery in contrast to the more rock-minded or psychedelic fare. Either way, the room knew them more than I did and they had heads banging and nodding in front of the “stage” — that’s not to say “the spot on the floor where the rug was” — and on the side as well, which was closed yesterday and opened today presumably to accommodate a broader flux of attendees. It was full for Dwaal, and reasonably so.

Asteroid

Asteroid (Photo by JJ Koczan)

Such boogie. Such warmth. I mean, come on. All other things in the universe being equal — especially money — the chance to see Asteroid alone would’ve justified this trip. I made my way up early to the Chapel stage, to make sure I got a spot up front to see them, and was rewarded with a set that gracefully spanned all three of their albums to-date and found them jamming out psychedelic heavy blues with a naturalism that was present not only in the individual tones and voices of guitarist/vocalist Robin Hirse and bassist/vocalist Johannes Nilsson, or the swing and shuffle in Jimmi Kohlscheen‘s drumming, but in the sonic conversation between the the three of them. That might be the most classic aspect of the Örebro trio’s sound, and it’s something that comes across on their records as well — their 2007 self-titled debut (discussed here), 2010’s II (review here) and 2016’s return from hiatus, III (review here) — but of course, to see it in the moment as it’s happening, to see them make the easy shift between “Garden” and “Disappear” or to have them turn to the riffy “Speaking to the Sea” from the first album ahead of “Mr. Strange” from the latest one, it was all the more powerful of an impression made. I hear tell there’s new material in the works; songs coming together for the next record and plans to tour ahead of hitting the studio. As Asteroid have been off and on the better part of the last five years, it only bodes well to know they’re thinking ahead for good things to come. They only make the world a better place for existing, and the more they do that, the merrier.

The Moth Gatherer

The Moth Gatherer (Photo by JJ Koczan)

Back downstairs for more post-metallic volume assault. Sweden’s The Moth Gatherer in some ways picked up where Dwaal left off, but traded in some of the rawness of their Crypt-stage predecessors for an even-more atmospheric take. They had an EP out last year called The Comfortable Low, but their latest full-length was 2015’s The Earth is the Sky (review here), and their more post-rock-based style sat well with the crowd downstairs that was packed to capacity with a line outside waiting to get in as other people made their way out. A very thoughtful, progressive sound nonetheless had its share of claustrophobia, which was all the more fitting given the basement where they played, and watching them, it was evident just how righteously Høstsabbat had managed to capture not just a “club show” experience with its smaller stage, but more like a house show. To low light and periodically bludgeoning intensity, The Moth Gatherer filled that Crypt with sound as much as people, and they were a band I’d probably never have the chance to see anywhere else, so I felt all the more fortunate for the chance to do so here, in that small room where the walls seemed so ready to cave in at a moment’s notice. The thread that started with Dwaal and continued with The Moth Gatherer would pick up again with Amenra at the end, but there was still more rock to be had first.

Electric Moon

Electric Moon (Photo by JJ Koczan)

Before the German instrumentalist space/psych jammers got started, they shared a hug on the side of the stage, and then guitarist Dave “Sula Bassana” Schmidt got on mic and wished everyone a pleasant flight. With the core trio of the band made all the more lush owing to guest synth from Burt Rocket (SEID) at the center of the stage, that trip took off quickly and didn’t bother to look back at ground below. Schmidt and bassist/sometimes-vocalist “Komet Lulu” Neudeck were rejoined by original drummer Pablo Carneval about a year ago, and their adventures only seemed to take them farther and farther out as their set went on, washes of guitar and synth floating up to the high ceiling while the bass and drums held together a fluidity of groove that showed the band for the masters of the form — such as it is a “form” with a sound so utterly molten — that they are. I’ve been lucky enough to catch them at Roadburn in years past (review here) and with their members in various projects, as the band’s pedigree runs through acts like Zone Six and WeltraumstaunenKrautzone, etc., but to see Electric Moon on stage is something unto itself. They’re never overly showy in terms of thrashing about or anything, but the experience of their sonic exploration comes through vividly as they play, and that suits the laid back feel of the resultant material itself perfectly. They did not in any way fail to invite the audience along on what indeed turned out to be a pleasurable, radiant-in-the-sense-of-light journey.

Brutus

Brutus (Photo by JJ Koczan)

I did not see nearly enough of Brutus. They were killer, and they were killing, and I did not see nearly enough of them doing it. To be fair to myself, I’d probably say the same if I’d managed to watch their full set, but the Norwegian traditionalist heavy rockers headlined in the Crypt, and they had the basement of Kulturkirken Jakob so jammed with bodies that for the first time in the whole weekend, I felt the press of the crowd almost knock me over up front. And even if I do at some point in my life get to see Brutus again, chances are, it won’t be in the kind of situation where I’m in danger of tripping over the stage monitors on the floor because of the push of people behind me, so I relished the opportunity while I could. And Brutus — clearly hometown heroes of boozy riff-purveyance — were a thrill to behold in that headlining spot. They could’ve played upstairs easily, I’m sure, but despite their sonic discrepancy with The Moth Gatherer and Dwall directly before, they made that basement into a party all the way, and while I knew that in just a little while, Amenra were going to close out the festival on a much darker note, the chance to see Brutus play, and to play in a place that small, wasn’t to be overlooked. I didn’t see enough of it, but I’m grateful for what I did catch, because that’s not an opportunity that will come along often, if it ever does again at all.

Amenra

Amenra (Photo by JJ Koczan)

The Belgian post-metal kingpins have toured the US more than a couple of times at this point, I believe most recently as support for the wallop duo of Neurosis and Converge — their also on the former’s label, Neurot Recordings — but I’m still not sure America really appreciates just how huge Amenra are in Europe. They’re gods here. I knew that from seeing them at Roadburn in 2016, but the intervening years have only seen them all the more don a headliner role. They would seem to have taken the post-metal crown that once belonged to Cult of Luna, and while I’ll admit I could in no way match my fellow fest-goers’ sense of worship when it came time for them to go on, there’s absolutely nothing one can take away either from their intensity or their obvious dedication to how they present themselves. I don’t know if it would be possible to find a more fitting locale for Amenra to play than in a church with cathedral ceilings of height enough for their projections to be shown massively to the assembled congregation, but even if you discount all of that, and ignore the we-play-in-the-dark-until-the-strobes-hit lighting and the fact that frontman Colin H. van Eeckhout doesn’t face the audience until the last song, if then, they’re still a formidable presence live, and there would’ve been nowhere else to put them on the Høstsabbat bill if they weren’t at the top of it. I’m not 100 percent sure I’m ready to call myself a full-on convert to the “church of ra,” as they put it, but I definitely didn’t have any trouble seeing the appeal of their dogma. And I reserve the right to become a total fanboy at some later date.

I left out of Kulturkirken Jakob into the chilly Oslo air without my hoodie on. Just wanted to feel that cold as it was rather than shy away from it. Something about the sensory experience on my bare neck and forearms seemed like a good idea at the time. It’s coming up on three in the morning CET and my flight is at nine-something, so I won’t get to see a lot of the city on this trip. Maybe that was my way of taking as much of it in as I could.

When I got back around the block to the Anker Hotel, I messaged Johannes from Asteroid. We had talked earlier in the day about doing an interview for “The Obelisk Show” on Gimme Radio, and it didn’t happen at the venue, but I thought if they were around the hotel maybe it could work. Was worth a shot, anyhow. Robin was asleep, but I chatted in the hotel bar with Johannes and Jimmi, and that was a blast. I spoke with Elephant Tree earlier in the day as well, and with Ole Helstad and Jens Storaker, who run the fest, so I think I’ll probably just dedicate a whole episode to having been here. I think I have a few weeks before I get there, but I’ll keep you posted.

I haven’t sorted any pics yet from tonight, so need to do that, but I’m not sleepy yet, so hopefully my brain won’t come crashing down before I have to leave for the airport. Help me, last tiny drops of adrenaline.

My eyelids are getting heavy just thinking about it.

I can’t possibly thank you enough for reading if you have.

Thank you.

Thank you so much to Jens and to Ole for having me back here. Thank you to The Patient Mrs. and to Cate Wright for taking on my Pecan duties in my absence. Thank you to my mother and my sister for their undying support. My only hope is they know how grateful I am for it. Thanks to Falk-Hagen Bernshausen for always being so great to run into at fests, to Andrea who I met here, to Kai, who is an institution unto himself, to Pete, Jack and Sam from Elephant Tree, to Robin, Johannes and Jimmi from Asteroid, to Sula Bassana, Martin from Domkraft, Jens Heide, Lex and everyone else I spoke to over the last two days who said hi. It’s hugely appreciated and humbling. People say nice things. It feels good. Thank you.

Alright. On to photos, and then to shower, and then to airport. I doubt I’ll have it in me to post again before I’m back home, and don’t look for much on Monday, but really, one more time, thank you. So much. I don’t even get it, how lucky I am. My soul feels restored for having been here.

Thank you for that.

Pics after the jump.

Read more »

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Asteroid End Hiatus; Playing Høstsabbat in October

Posted in Whathaveyou on March 19th, 2018 by JJ Koczan

Norway-based festival Høstsabbat will be held Oct. 5 and 6 and has been making lineup announcements on successive Fridays since January that apparently I’ve just completely whiffed on because I totally suck at this. In the meantime? The roster of acts looks fucking awesome. Electric Moon, Elephant Tree, Toner Low, Krokofant (about whom I know absolutely nothing but who win on name alone), Brutus, Taiga Woods — and now frickin’ Asteroid. To think I could’ve spent the last two months sweating this excellent frickin’ lineup as it came together. I feel like a dope.

I caught the Asteroid announcement because, well, I wouldn’t call it stalking exactly, but I get notifications when they put out an update on Thee Facebooks, and as they’ve been on hiatus since last summer, there hasn’t been much coming through. That’s changed now, clearly. In addition to Høstsabbat, they’ll play April 20 at Truckstop Alaska in Gothenburg with Weedeater and Nebula, so some pretty killer stuff all around.

And needless to say, I’ve started “not stalking” Høstsabbat as well, so I’ll be keeping up with that as best as I’m able as they continue to reveal more groups playing this year’s fest.

Here’s their Asteroid announcement:

ASTEROID HOSTSABBAT 2018

On this crispy March Friday, we’re proud to announce a somewhat legendary band.

Out of Ørebro, Sweden, Asteroid has played an influential role together with their hometown allies in Truckfighters. Asteroid has delivered fuzzy and groovelicious tunes to a hungry audience for over fifteen years, combining hard rock with a psychedelic and bluesy sound as their imprint.

The band went on total hiatus in 2013, but are finally back in motion again. We couldn’t be happier, or hippier, to welcome them to Høstsabbat in October.

Asteroid speaks for itself, you better come watch them glaze our main stage Saturday October 6th…

https://www.facebook.com/Asteroidband/
http://www.fuzzoramastore.com/en/bands/asteroid/
https://www.facebook.com/hostsabbat/
https://www.facebook.com/events/1394090067384672/

Asteroid, “Til’ Dawn” official video

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Asteroid Premiere Official Video for “Til’ Dawn”

Posted in Bootleg Theater on October 3rd, 2017 by JJ Koczan

asteroid

It was a marked bummer earlier this year when Swedish fuzz rockers Asteroid announced in June that the reignition that had led them to produce their most-welcome third album, III (review here), for Fuzzorama Records in 2016 was essentially cutting short in order to return to an immediate hiatus. Health issues were mentioned and that’s about the last that’s been heard from the three-piece of guitarist/vocalist Robin Hirse, bassist/vocalist Johannes Nilsson, and drummer Jimmi Kolscheen, the latter of whom had joined the band in place of Elvis Campbell after the LP recording. Particularly as the full-length offered a newly energized sound and still managed to keep the organic warmth of the Örebro natives’ prior two outings, 2010’s II (review here) and 2007’s self-titled debut (discussed here), it was sad to see them call it quits for some yet-TBD amount of time just when they seemed to have so much momentum on their side heading into the Fall festival season.

So it goes. One can — apparently — sit and lament all day. One can also check out the band’s new video for the track “Til’ Dawn” from III as a refresher of just how righteous that outing was and still very much is. Of course, since they’re not really together at the moment, Asteroid themselves don’t actually appear in the clip, but the band and Fuzzorama partnered with Minneapolis-based production company Know Idea Productions, who also previously created the video for Truckfighters‘ “Calm Before the Storm” (posted here) that proved controversial when it came out that the narrative was based on a true story and hit a little close to home in Sweden. I don’t know if the plotline of “Til’ Dawn” is similarly ‘ripped from the headlines,’ but its nighttime chase atmosphere and fluid slow motion shots resonate with the song itself and lend an emotional depth to the aural proceedings, which seems pretty much like the ideal.

Also noteworthy just how recognizable the cinematography of “Til’ Dawn” was after “Calm Before the Storm.” Even before I looked it up to confirm, I said to myself, “I bet these are the same people who did that Truckfighters video. Sure enough. So kudos on that.

The hope of course is that at some point Asteroid decide to pick back up and continue to move forward in supporting and eventually pushing beyond III. I’ve got no timeline on when or if that might happen, but a new video isn’t nothing and I’m happy to host the premiere of “Til’ Dawn” below, again, as a refresher for anyone for whom it might’ve been a minute since the last time they put on III. To be perfectly honest, it was enough to get me to play not only that record, but then to go back and grab II and the self-titled as well for a runthrough. I’ve kind of made an afternoon of it, and no complaints.

Credits and links follow. Please enjoy:

Asteroid, “Til’ Dawn” official video premiere

The official music video for the Asteroid song “Til’ Dawn” on Fuzzorama Records.

Written & Directed by: Aiden Kangas
Produced by: Kalaia Bouley
Cinematography by: Tony Perkins
Edited by: Joshua Harris Braun & Aiden Kangas
Color Grading: Tony Perkins
Starring: Joshua Harris Braun & Holly Peterson

Know Idea Productions website

Asteroid on Thee Facebooks

Asteroid on Twitter

Asteroid website

Fuzzorama Records webstore

Fuzzorama Records on Thee Facebooks

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Asteroid Announce Hiatus Citing Health Issues

Posted in Whathaveyou on June 2nd, 2017 by JJ Koczan

Swedish fuzz rockers Asteroid have announced an indefinite hiatus effective immediately. Previously confirmed for slots at this summer’s Freak Valley and Lake on Fire festivals in Germany and Austria, respectively, the Örebro-based trio have canceled all future live dates and other plans citing longtime health issues that need to be addressed.

Last year, Asteroid marked a return from another lengthy stretch of inactivity with the release of III (review here) on Fuzzorama Records. Guitarist/vocalist Robin Hirse, bassist/vocalist Johannes Nilsson, then went on to introduce new drummer Jimmi Kolscheen in place of Elvis Campbell (who played on the record), and hit the road in Europe to support the album. Slots at Desertfest 2016 in London and Berlin found them welcomed as returning heroes of fuzzy riffing and it seemed their melodic, open, jammy sensibility was already beginning to have an influence on the European underground.

Given the overwhelmingly positive reception to III, it’s all the more a bummer to see them hit hard times, and of course on behalf of myself and this site I wish the members of Asteroid all the best, quick recovery, and that whatever help they need, they get so they can get back to making the richly toned and harmonized heavy rock and roll that has so much become their own over the last decade-plus. They promise in the announcement that follows here it won’t be six years like it was after 2010’s II (review here) before they release another album, and one certainly hopes that holds true as they go forward.

Here’s what they had to say:

asteroid

Dear Friends, fans and supporters,

it is with great sadness that we have to inform you that we’re forced to cancel all upcoming shows and future plans from now on. The reason for this decision are long time health issues that won’t allow us to keep on doing as initially planned for this year. We’re deeply sorry and once again want to thank you all for believing in us and your continued support!

This hiatus doesn’t mean we’re going to be dead for six years like the last time! We’re still feeling creative and have music in our hearts!

Love, Asteroid, Jimmi, Johannes and Robin

https://www.facebook.com/Asteroidband/
http://www.fuzzoramastore.com/en/bands/asteroid/

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