Horehound Reissue Self-Titled Debut on Hellmistress Records

Posted in Whathaveyou on April 26th, 2018 by JJ Koczan

horehound

Pittsburgh doom rockers Should Fathers Get Paternity Leave From Work. affordable ghostwriters Widely respected writer, mentor, editor. Your book. Your thesis. There for you.Expert Guidance Horehound took part this past weekend in the inaugural Affordable papers - buy Essay Creator! Accessing the benefits of using custom paper writing services for writing quality papers with ease. Order now! New England Stoner and Doom Fest in Connecticut, playing alongside Proof-Reading.com provides professional document editing and Research Proposal Timetable Phd. Proof-Reading.com also proofreads academic documents and essays Gozu, With 5Homework you have the helpful possibility to ! Our competent writers will provide exactly what you are looking for. Wasted Theory and a vast host of others at a show I was both proud to be involved in presenting and sorry to have missed on account of timing. The appearance there is just the latest in the momentum-building that’s been going on for http://www.baytokinternational.com/?graduate-homework-help UK: Buy Cheap Assignment Writing Services online to score top grades. Our experts offer cheap academic writing services to students. Horehound more or less since their self-titled debut (review here) was released in 2016.

The date of that release? April 20. The release date of the brand new Homework Helpline Nbc - get a 100% authentic, non-plagiarized dissertation you could only think about in our academic writing service Quality researches at Hellmistress Records CD and vinyl edition of the album? April 20, AKA last Friday. You have to appreciate a bit of symmetry. The band said last fall when they signed to The best free Online check Tool that generates unique sentences and high quality human readable content with our Rewriter tool. Change sentence Hellmistress that they had new material in the works. I haven’t seen an update on that, but maybe by the time they get to http://www.kvalitne-tepelne-cerpadla.sk/homework-help-ny/ - No more fails with our high class writing services. Cooperate with our scholars to receive the excellent review Descendants of Crom 2018 this September we’ll have word one way or another. Or maybe they’ll just wait for April 2019. Ha.

Here’s the latest on the reissue and the whatnots:

horehound self-titled

HOREHOUND to Re-Issue Self-Titled Debut on CD and Vinyl on April 20th via Hellmistress Records; Current Live Dates & Fest Appearances.

Pittsburgh, PA’s HOREHOUND announce their teaming up with Hellmistress Records to re-issue the Horehound Self-titled 2016 debut for both CD and first-time colored vinyl variants. The seven original tracks have been re-mixed, re-mastered, and now include a bonus song of Portishead’s, ‘Mysterons’, covered a la doom!
Digital Streaming on Bandcamp and other outlets, as well as the new CD will be available 4/20/2018, which is the second anniversary of the original release date.

Vinyl press is expected to be available on June 1st.

Artist Name: Horehound
Location: Pittsburgh, Pennsylvania, USA
Genres/Styles: Doom Metal, Heavy Metal, Sludge
Label Name:
Blackseed Records (First Press, April 20, 2016)
Hellmistress Records (Re-Issue, April 20, 2018)

Horehound – Track List:

1. World to Come
2. Sangreal
3. Crowns and Thrones
4. The Dead Don’t Lie
5. Waters of Lethe
6. Myope
7. Waking Time
8. Mysterons (bonus track on re-issue only)

Recorded by Matt Schor at War Room.
Mastering by James Plotkin at Plotkinworks.
All music written and performed by Horehound, with the exception of “Mysterons”, originally written and performed by Portishead.
Cover Art by Sasaya Orenda Hamer-Pennisi

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals
Nick Kopco – bass

HOREHOUND – Upcoming Live Events:
05I10I18 – Pittsburgh, PA @ Brillobox (w/Mos Generator, Limousine Beach)
05I26I18 – Pittsburgh, PA @ Cattivo (w/Ufomammut, White Hills)
06I16I18 – Aliquippa, PA @ Fallout Shelter (w/Rule Of Two, Everyone Hates Everything)
09I28I18 – Pittsburgh, PA @ DESCENDANTS OF CROM

Blackseed Records Presents:

DESCENDANTS OF CROM 2018

September 28th – 29th @ Cattivo
Day One: Lo-Pan + Come To Grief + Telekinetic Yeti + Devil To Pay + Disenchanter + Sierra + Heavy Temple + Demon Eye + Horehound + Doomstress + Doctor Smoke + Curse The Son + Eternal Black + Cloud + Solarburn + The Long Hunt
Day Two: Mos Generator + Duel + Kind + Freedom Hawk + Geezer + Forming The Void + Serpents Of Secrecy + Wolftooth + Ironflame + River Cult + Cavern + Thunderbird Divine + Molasses Barge + OutsideInside + Jakethehawk

RSVP – https://www.facebook.com/events/177536592803763/
TICKETS: https://www.brownpapertickets.com/event/3186333

Pre-Gala: September 27th @ Howlers
Destroyer Of Light + Rebreather + Fist Fight In The Parking Lot + Gran Gila + Mires
RSVP – https://www.facebook.com/events/2074052449275860/

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/
https://hellmistressrecords.com/
https://www.facebook.com/HellmistressRecords/

Horehound, Horehound (2016)

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Quarterly Review: Atomikylä, Sunnata, White Dynomite, Horehound, Sulfur Giant, New Planet Trampoline, Hypnos, Honky, Cheap Wine, Gurt & Trippy Wicked

Posted in Reviews on June 24th, 2016 by JJ Koczan

the-obelisk-summer-2016-quarterly-review

This one’s for all the marbles. Or at very least tiddlywinks. The last day of The Obelisk’s Summer 2016 Quarterly Review begins. I’ll admit that when I was planning this out — started soon after the last Quarterly Review was finished in early April; that one ran late, this one has run early — I decided to take it easy on myself the last day. Still 10 reviews, so not that easy, but in terms of what’s included today, a lot of is stuff I feel pretty comfortable talking about, whether it’s bands I’ve covered before (which a lot of it is, now that I look at the list) or whatever. If you’ve been keeping up this week, thanks. I hope you found some cool music.

Quarterly Review #41-50:

Atomikylä, Keräily

atomikyla Keraily

From the Finnish hotbed of Tampere, custom research paper help buy academic writing for graduate students 3rd edition dissertation documentary find essays Atomikylä made a striking impression with their 2014 At PhD Writing Coach, find qualified writer and editor to help you with your academic documents. page provide meaningful support and Svart Records debut, Compelling speeches written by our professional speech writers why you need to reality tv essay such as informative speech from us Erkale (review here), giving a take on psychedelic black metal that was immediately and truly their own in its balance of elements. The band, featuring members of When you Psychology Research Paper Apa Formats online with emergency essay you can be sure to receive plagiarism-free papers. A dog almost being right buy out less cheated Dark Buddha Rising and Top website http://lojen.ru/?do-my-assignment-onine company for businesses and agencies. Our website copywriters can deliver you the desired results. Oranssi Pazuzu, return with doom-jazz fervor on sophomore full-length, what i really wanted to write in my admissions essays Help College Essays 1 page essay dissertation services uk doctoral Keräily, with three songs covering yet-unnamed stylistic reaches and offering a get-to-the-studio-and-see-what-happens experimentalism to go with their plotted course on 18-minute opener and longest track (bonus points) “Katkos,” which is followed by the building horn freakout “Risteily” (9:15), from which a space rock push takes hold on drums, resulting in maddening guitar swirl – because of course – and closer “Pakoputki” (6:55), which consumes with a darker thrust and more up-front blackened vibe that still holds onto some of the psychedelia in its layers of guitar. http://www.socio.msu.ru/?frankenstein-critical-essays - Dissertations and essays at most attractive prices. Benefit from our inexpensive custom dissertation writing service Keräily progresses effectively from Atomikylä’s debut and highlights just how individualized they are as a group. They continue to have the potential to do really special work, and the argument is easy to make they’re already doing it.

Atomikylä on Thee Facebooks

Svart Records

Sunnata, Zorya

sunnata zorya

As opener and longest track (bonus points) “Beasts of Prey” careens toward its apex finish near the 12-minute mark and the title-track begins is crashing, harmonized intro before moving into an Alice in Chains-via-stoner verse, the distance Poland’s Sunnata cover on their second full-length, Zorya, begins to really unveil itself. There doesn’t seem to be a genre within the heavy sphere that’s off limits. They never get into death metal, but heavy rock, doom, psychedelia, prog, sludge – it’s all in play at one point or another in Zorya’s five-track/50-minute run. The reason the album works and isn’t just a haphazard mash of styles is because Sunnata, who’ve been active in Warsaw since the last decade, make each one their own and thus bend genre to suit their purposes and not the other way around. They continue to impress through the rush of “Long Gone,” the airy expanse of “New Horizon” and the more brooding closer “Again and Against,” conjuring effective flow from what in less capable hands would be disparate components.

Sunnata on Thee Facebooks

Sunnata on Bandcamp

White Dynomite, Action O’Clock

white dynomite action oclock

I have kind of a hard time with White Dynomite. Not musically – the Boston five-piece’s new EP, Action O’Clock (on Ripple) typifies their accessible punk rock; a reminder of a time when the style used guitars – but conceptually. Their lineup features bassist Tim Catz and vocalist Craig Riggs (on drums) of Roadsaw, as well as guitarist Pete Knipfing (also Hey Zeus, Lamont), vocalist Dave Unger and guitarist John Darga, and while I can’t argue with the charm of a track like “Werewolf Underwear” or “Evil Ballerina” — the lyric “Tutu woman, too too much for me” alone makes Action O’Clock worth the price of admission, let alone “I got fangs in my pants” from “Werewolf Underwear” – but I haven’t yet been able to listen to the band in the context of it having been six years since the last time Roadsaw released an album, and thinking about years passing, priorities and whatnot. They sound they’re having a blast all the way through, and I won’t begrudge them exploring other influences, I guess I just miss that band.

White Dynomite on Thee Facebooks

Ripple Music website

Horehound, Horehound

horehound horehound

Pittsburgh newcomers Horehound formed just last year, so one might go into their self-titled debut full-length thinking it’s an early arrival, but in an unpretentious seven-track/33-minute collection of straightforward but engaging doom rockers, the five-piece demonstrate a clear idea of what they want to do sonically. While it may not represent where they’ll ultimately end up as a band, its songs sound fleshed out in terms of direction and the resultant feel on the release is much more album than demo. So be it. A particular highlight is “The Waters of Lethe,” on which a sweeter melody emerges in the guitar and vocals, but neither will I discount the low-end crunch and vocal call-and-response in closer “Waking Time” or the more uptempo thrust of second cut “Sangreal.” Not that Horehound don’t have room to grow, but their initial offering preaches well to the converted and should give them a solid foundation to work from in that process.

Horehound on Thee Facebooks

Horehound on Bandcamp

Sulfur Giant, Beyond the Hollow Mountain

sulfur giant beyond the hollow mountain

Beyond the Hollow Mountain is the first full-length from Portuguese mostly-instrumentalists Sulfur Giant, who bring together influences from classic progressive rock, psychedelia and heavy rock so that when they dip into Iommic riffing on “Vertigo,” it’s no stranger than the peaceful jamming of “Whisper at Dawn,” which follows. Friendly if not exactly innovative, Sulfur Giant’s debut makes its chief impression with the four-piece’s instrumental chemistry, which brings about an easy flow within and between the eight tracks, which having already been issued digitally will see vinyl release later this year on Pink Tank Records. It’s hard to ignore what organ adds to “Evermore,” but “Sea of Stone” sneaks in some vocals amid its thicker-riffing and Sungrazer-style exploration, and “Magnolia” and the galloping “Unleash Fears” follow suit, so Sulfur Giant have a few tricks up their collective sleeve they hold back from the initial roll and gallop of the opening title-track. All the better.

Sulfur Giant on Thee Facebooks

Pink Tank Records

New Planet Trampoline, Dark Rides and Grim Visions

new planet trampoline dark rides and grim visions

Never say never in rock and roll. From Cleveland, Ohio, the psych-rocking four-piece New Planet Trampoline called it quits in 2008, leaving behind an unfinished album. After coming back together for 2014’s The Wisconsin Witch House EP, the ‘60s-stylized outfit set themselves to the task of finishing what became Dark Rides and Grim Visions, basking in the glow of early Floyd, Beatles and others of the ilk while keeping a harder edge to songs like “Grim Visions” and a healthy cynicism to “We’ll Get What We Deserve” and the tongue-in-cheek keyboard-laced closer “Haunted as Fuck.” Of the several more extended tracks, the nine-minute “Acts of Mania” is the longest, and provides suitable patience and atmospherics to stand up to its scope. All told, Dark Rides and Grim Visions is a formidable journey at 13 songs/68 minutes, but after more than half a decade away, it’s hard to hold New Planet Trampoline having their say against them, particularly when that say is as lush and dreamy as “This is the Morning.”

New Planet Trampoline on Thee Facebooks

New Planet Trampoline on Bandcamp

Hypnos, Cold Winds

hypnos cold winds

With their second LP, Cold Winds (on Crusher Records), Gothenburg’s Hypnos seem to be betting that the next step in the retro game is NWOBHM. They make a convincing argument; it’s kind of how it went the first time around, and their songwriting offers a top-notch look at the moment where Thin Lizzy bounce became Iron Maiden gallop, as on second cut “I’m on the Run,” just minutes after opener “Start the Hunt” featured a flute solo. Broken into two sides, each one works its way toward a longer finale – “Det Kommer en Dag” (7:23) on side A and “1800” (8:32) on side B – but sonic diversity and changes in song structure throughout do much to keep Cold Winds from feeling overly plotted, and like their countrymen in Horisont, Hypnos offer a seamless melding of classic heavy rock and metal, soaring and scorching on “Descending Sun (Unrootables White)” and swinging and swaggering immediately thereafter on “Cold September,” both accomplished with unwavering command.

Hypnos on Thee Facebooks

Hypnos at Crusher Records

Honky, Corduroy

honky corduroy

Texas boogie rockers Honky were last heard from with 2012’s 421 – which I’ll assume is the “going to 11” equivalent for getting high – and their eighth outing, Corduroy, finds bassist JD Pinkus (Butthole Surfers, Melvins) and guitarist Bobby Ed Landgraf (Down) hooked up with drummer Trinidad Leal of Dixie Witch and Housecore Records for the release. To call is business as usual for the underrated outfit in the classic swing and grit they hone would only be a compliment, songs like “Baby Don’t Slow Down,” “Bad Stones” and the harmonized “Double Fine” offering soul as much as push, ‘70s influences given a modern kick in the ass throughout as a swath of guests, including Melvins drummer Dale Crover, come and go, perhaps none making their presence felt as much as Rae Comeau, whose work on “Bad Stones” makes that song a highlight – not to take away from the a capella cover of Led Zeppelin’s “Moby Dick,” here retitled as “Mopey Dick,” that closes. Chicanery ensues, booze flows, good times are had for those who’ll have them.

Honky website

Housecore Records website

Cheap Wine, Sad Queen

cheap wine sad queen

Distinguished as on centerpiece “The Rambler” by their use of organ amid a semi-retro heavy boogie style, French five-piece Cheap Wine recorded Sad Queen – as the cover art says – live for Celebration Days Records. It’s somewhere between an EP and album, and strips away some of the individual track length of their 2013 debut, Mystic Crow, in favor of maximizing the energy put into each piece, the subdued “Intro” and “Opening” that start sides A and B, respectively, aside, though as “Opening” feeds cleanly into the quiet, airy and soulful beginning of the title-track, even that seems to have a tension that builds toward its eventual release, different from the shuffling raucousness of the post-“Intro” opener “Cyclothymic” maybe, but palpable nonetheless. They close somewhat melancholy on “Yesterday’s Dream,” but the complementary guitar of Valentin Constestin and keys of Ahn Tuan aren’t to be missed, nor how well work in concert with vocalist Mathieu Devillers, bassist Valentin Lallart and drummer Louis Morati.

Cheap Wine on Thee Facebooks

Celebration Days Records website

Gurt & Trippy Wicked and the Cosmic Children of the Knight, Guppy

gurt trippy wicked guppy

The UK heavy scene excels at not taking itself too seriously. To wit, Gurt and Trippy Wicked and the Cosmic Children of the Knight get together for a split (on When Planets Collide for CD and HeviSike cassette) and, they call it Guppy and the first two songs are “Owlmegeddon” and “Super Fun Happy Slide.” It kind of goes from there. Recorded together, sharing a drummer and collaborating on the centerpiece, “Revolting Child,” it’s basically two outfits who are close friends coming together to have a good time, but that doesn’t take away from Gurt’s sludgy intensity on “I Regret Nothing” or the nodding heavy rock Trippy Wicked hold forth on closer “Reign.” Taking its title from the two band names put together, one can only wonder if this will be the last conjoined offering Gurt and Trippy Wicked will make, or if there might be a whole school of guppies in the future. Frankly, this sounds like too good a party to only throw it once.

Gurt on Thee Facebooks

Trippy Wicked on Thee Facebooks

When Planets Collide website

HeviSike Records

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Horehound Release Self-Titled Debut April 20

Posted in Whathaveyou on April 11th, 2016 by JJ Koczan

horehound (Photo by Paul Werkmeister)

Pittsburgh natives Horehound will release their self-titled debut full-length on April 20 via Blackseed Recordings and Releases. Dense riffs, doomly vibes and an overarching ethereal spirit typify the first long-player from the five-piece, who formed 14 months ago and have unveiled a rolling-groove teaser to herald the album’s arrival. They’re reportedly looking to hit the road a bit this summer in the Midwest and Mid-Atlantic, so there’s one to keep an eye out for there as well. Will be interested to see how much touring they do in support of the record.

You know the drill: New band, cool sound, some potential as they go forward. Info follows, courtesy of the PR wire:

horehound horehound

Horehound Debut Record Release

Blackseed Records & Releases’ artist HOREHOUND, the Doom Metal/Hard Rock outfit from the Steel City of Pittsburgh, PA have been ripping up the metro scene throughout the past year with their live shows. Well-known clubs such as Gooski’s, 31st Street Pub (R.I.P.), Howlers and Club Café have seen the band move up the ranks opening for genre mainstays Karma to Burn, Foghound, and Cavern while developing a concrete foundation and fan base along the way.

Formed in February 2015, the band quickly pooled their experiences and influences to create their heavy yet heavily approachable sound. Vocalist Shy Kennedy explodes into her debut role as front-woman and brings her unique and haunting style to each song. The band’s dual guitar grind comes via Mike Altopiedi (rhythm) and Brendan Parrish (lead), both formerly of the band Perish. On drums is JD Dauer, who brings many years of heavy-hitting to the band while also a regular with rockabilly outfit Memphis Mike & The Legendary Tremblers. David “Wes” Westfall brings a devastating low-end onslaught as bassist and is also currently a guitarist for the band The New Casual.

2016 pushes the 5-piece even further with their debut 7-song LP slated for release April 20th, 2016. A regional tour this summer including dates in OH, PA, MD, and NY are in the works and opening slots for national headliners Order of the Owl, Graves at Sea, and Prong are booked!

The momentum is building at lightning speed. With new music, shows, tours and promotions, HOREHOUND is on the rise, ready for the world to come!

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/

Horehound self-titled promo

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