Red Mesa Premiere “Witching Hour”; Partial Distortions Out April 19
Posted in audiObelisk, Whathaveyou on February 14th, 2024 by JJ Koczan
Albuquerque desert metallers Red Mesa will release their fourth album, Partial Distortions, on April 19 through guitarist/vocalist Brad Frye‘s Desert Records with a Euro pressing on Majestic Mountain, and it is nothing less than the point at which they find their sound. The blend of grueling sludge and uptempo earthy groove on opener/longest track (immediate points) “ÓDR” shows a character that both 2020’s The Path to the Deathless (review here) and the follow-up willful-aural-divergence of the single “Forest Cathedral” (review here) hinted toward, but the balance between nod and aggression, the density of the atmosphere emerged from the tones, and the sense of the band having genuinely dug into their own approach are all palpable across an album that I can’t stop thinking of as a point of arrival. As potential realized.
That’s before you get to the Soundgardenery of “The Assertion” or the suitable roll and more forceful chug of “Desert March,” and, sitting back there waiting for you all the while, closer “Witching Hour,” which premieres today. Hints of a blend of doom, rock, metal and maybe even hardcore that reminds of Solace‘s brooding moments is met with a multi-layer vocal and an explosive back and forth in the hook that is worthy of the album it caps. The thing’s not our for two months, so I don’t want to sit here and review it before anyone’s ready. Think of this as me sharing a song I think you might dig in a spirit of friendship and a hope for making your day, week, whatever, better.
There’s a press quote from me floating around with the album. I was asked to give one and did, pretty straightforward. As a rule, I don’t run press quotes, even my own, because I should be having my own opinions instead of cutting and pasting someone else’s, but I’ll just say I stand by what I put there. This is a new level for the band. And there’s a lot to say about consistency in lineup, expanded input from the rhythm section in the writing process, exploring different sides of one’s personal influences, on and on. I’ll hope to have more to come as we get closer to the release.
“Witching Hour” premieres below. Partial Distortions is out April 19.
Enjoy:
Red Mesa on “Witching Hour”:
“This is our foreboding tale inspired by the creepier elements of Stephen King’s “Pet Cemetery”. The closing track is heavy and dark with Alex taking the lead on vocals. Musically, the song consists of two sections that were organically brought together. The first half of the song consists of two riffs that Brad showed Roman and they recorded it into the voice memos of an Iphone in early 2021. The second half showcases a huge riff that Alex had been keeping in his back pocket for 20 years. Once the ending riff was worked out, the song came together quickly. We have been adding this song to our live setlists and is quickly becoming a staple.”
‘Partial Distortions’ shows a powerful return of the Albuquerque, NM heavy desert rock trio Red Mesa with their fourth full-length. The album will be released on April, 19th 2024 via Desert Records (North America) and Majestic Mountain Records (Europe).
This 6-track album features the same lineup from their 2020 release ‘The Path to the Deathless’ and the 2022 single ‘Forest Cathedral’.
The record shows further collaboration between band members as guitarist/vocalist Brad Frye, bassist/vocalist Alex Cantwell, and drummer/vocalist Roman Barham all contributed musically and lyrically throughout the album.
Red Mesa has been leading the new generation of desert rock by proving that the genre is capable of greater expanses. The trio has expanded their signature heavy desert sound on ‘Partial Distortions’ to include more doom and sludge metal moments. “Blackened desert” sound collages and an overall doomier and downright frightening musical path will confront the listener, as the album is darker musically and thematically. All whilst still dwelling within an optimism that instills hope that amongst the loss, the tragic endings, and the suffering that this existence brings, that life is still worth living.
Presale for limited edition LP and CD have begun on Bandcamp and www.desertrecords.us and majesticmountainrecords.bigcartel.com/
Album cover gouache painting by Marco Blasphemator.
Gatefold and back cover photos by Hayley Harper.
Graphics and Layout by Dave Walsh.
Recorded by Augustine Ortiz at the Decibel Foundry in Santa Fe, NM in December 2022.
Recorded and mixed by Matthew Tobias at Empty House Studio in Albuquerque, NM in April, June, August, & October 2023.
Mastered by Brad Boatright at Audiosiege in Portland, OR in October 2023.
Tracklisting:
1. ÓDR
2. The Assertion
3. Dying in the Cold Sun
4. 12 Volt Shaman
5. Desert March
6. Witching Hour
Red Mesa is:
Brad Frye – Rhythm and Lead Guitars, Lead and Backing Vocals
Roman Barham – Drums, Lead and Backing Vocals
Alex Cantwell – Bass Guitar, Lead and Backing Vocals, Additional Rhythm Guitars, Piano
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https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/
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