Live Stream Review: Spirit Mother, Live in the Mojave Desert

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Long Beach, California-based four-piece newss - No more fails with our top essay services. Learn all you have always wanted to know about custom writing begin working on Spirit Mother have the sound, look and mood pretty much nailed. Laced with echoing violin and lead guitar playing off each other in a song like “Martyrs” from their 2020 debut, Dissertation Research Design Methodology Acquire the Most Effective Services When You Hunt for Do My Assignment. Handling overloaded homework is not very simple Ė no matter what is the level of your study. If you are a student, then you have to complete all your tasks provided by the teacher. Cadets (review here), if their inclusion as the third of five in the ‘Live in the Mojave Desert’ series left anyone scratching their head, the issue is promptly cleared up once they start playing.

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Unlike¬†Earthless or¬†Nebula, however, when¬†Spirit Mother take the stage — by which I mean a kind of flat piece of land some distance away from Skull Rock, and, apparently, anything else, with lights on either side, projections around and behind and drones and hand-cameras (phones and not?) capturing it all — it’s already night. I don’t know why the band decided to start playing after dark, maybe it was just timing, but the decision meant more time for the liquid lightshow, and more¬†Mad Alchemy is never a bad choice. Particularly for an act as atmospheric as Spirit Mother¬†show themselves to be.

They start the set with what would seem to be a new song in “Toxic (Exodus Inc.)” and guitarist¬†Sean McCormick and drummer¬†Landon Cisneros, violinist/vocalist¬†SJ and bassist/vocalist¬†Armand Lance are immediately locked in. The vibe is vibe if you can vibe, like languid grunge blasted into outer space in the desert night. Credit to¬†Cisneros, who puts on a clinic in holding together elements that a less capable drummer would simply watch fall apart in a cut like “Premonitions,” which begins the second half of the set after a quick break to find out everybody’s favorite live album —¬†Allman Bros.,¬†Dave Brubeck, something classical from¬†SJ I couldn’t quite hear over the wind — and ethereal bursts from¬†Cadets like, indeed “Ether,” “Go Getter” and “My Head is Sinking.”

spirit mother live in the mojave desert

Spirit Mother‘s songs are fairly short, so they’re able to pack more in than, say,¬†Earthless, and the double-effect that has is that it never quite lets them wander off.¬†Lance as a vocalist is somewhere between grunge and shoegaze in his delivery, a classic sort of reluctance, keeping it casual as the bass drops out and returns to add impact to McCormick‘s steadier progressions of guitar. Off to stage right,¬†SJ‘s violin fills out the sound with overarching melody as the movements grow more chaotic before cutting out cold, √† la “Martyrs” or “Black Sheep,” both of which manage to take the listener/viewer for a ride in a little over three minutes’ time.

Her vocals feature more prominently on “Dead Cells,” which since my tired eyes can’t find it anywhere else I’ll assume is another new track, and that may be a hint of more active interplay between her and¬†Lance in the lead role — she carries the song well and is a good match for Lance in attitude; belting “Dead Cells” out a bit works. Watching Cisneros playing “Space Cadets,” the opener of Cadets, one might be reminded a bit of The Golden GrassAdam Kriney in style, but there’s not the same kind of underlying intensity that feels like it’s trying to break out, and so¬†Cisneros operates fluidly with the lumber in “Space Cadets” and elsewhere, helping not necessarily to keep things grounded, but at least cohesive on its own level, the songs feeling almost willfully incomplete, because really, what’s the point anyway, man?

I can’t argue.¬†Spirit Mother are so Californian I wouldn’t be the least bit surprised to find out they’re all originally from the Midwest, but they’re ridiculously suited to their purpose throughout ‘Live in the Mojave,’ locking in highlight grooves in “My Head is Sinking” or “Heathens” — the sudden stop there feeling especially cruel — which caps what turns out to be a pretty short evening’s set. It will make a killer live record — Italy’s Heavy Psych Sounds¬†is seeing to that and I wouldn’t be surprised if they picked the band up for their sophomore studio release — but with the break in between, they’re at about 35 minutes of material, so yeah, a quick run.

In that time, however, they distinguish themselves in style and substance alike. Their songs function like poems rather than verse/chorus pieces, and the linear feel they bring about results in dynamic shifts as they play one into the next. The same was true of Cadets, of course, but to watch Spirit Mother playing live, even prior-recorded as this was, gives further insight into how they function as a unit, and with the new material, where they might be heading next. I only look forward to finding out.

The ‘Live in the Mojave Desert’ can’t take the place of a concert experience, and it’s to its eternal credit that it isn’t trying. Instead, it democratizes a once-in-a-lifetime exclusivity — that night that you just happened to be in the right place in Joshua Tree National Park to find¬†this — so that everyone can be that person, in that place, feeling like they’re floating above all the more as the drones hover around Skull Rock. If that’s escapism in the pandemic age, that doesn’t make it any less beautiful.

Spirit Mother, “Space Cadets” from ‘Live in the Mojave Desert’

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Spirit Mother website

Live in the Mojave Desert tickets at Tixr

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One Response to “Live Stream Review: Spirit Mother, Live in the Mojave Desert”

  1. JD says:

    I’ve haven’t been so bowled over by a band in a long time. If the world reverts to something like normal they have the potential to really go places. Perfect blend of accessible songs but with an experimental edge.

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