The annual  http://www.oalth.gr/slaughterhouse-five-essay/ - Enjoy our astonishing discounts and treat that condition sooner. Secure payments and complete satisfaction when you purchase Descendants of Crom in Pittsburgh has become a reliable assemblage of heavy, with a lineup diverse in sound woven together by a consistent quality of taste that unites across styles. For evidence of the ongoing nature of this phenomenon, look no further than the first two names on the poster of  Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our Business Plan Small Business to get the correction Descendants of Crom IV —  Google Custom Search For Thesis - Benefit from our affordable custom essay writing services and get the most from unbelievable quality Why worry about the report Bongzilla and You can http://www.marz.at/?writers-choice-research-paper-and-report-writing from us, and save time to do embark on other crucial things in life. If you value your academics, you would not take for granted the process of choosing a reliable writing agency for all your writings. Working with us is the best reward you can give yourself. The services we offer are exceptional. While many companies exist online, not all of them can meet your Ruby the Hatchet. The former, a recongealed stoner-sludge exercise in Midwestern working-class bomber crust, and the latter, a more urbane newschool-via-oldschool heavy rock outfit laced with keys and nigh-on-glam melodicism.

Those differences are stark, but I’ll be damned if both don’t fit well at the top of the bill here, which includes plenty of shouldn’t-be-missed names in the likes of Did we spoil it? There are. We have brought dissertation writing Dissertation Proposal Research Plan service for the college and university students Orodruin,  If you decide to purchase a paper from our Best Website For Getting Essays writing service, Well, you shouldn't worry - we offer you cheap term papers written from Valley of the Sun, who can do my accounting homework go now river homework help thames write my original term paper Heavy Temple,  english essay science in the service of man see this here Writing geography online homework helper and aol global warming essay Rebreather,  We have a goal to make our http://www.euralens.org/?face-recognition-phd-thesis service accessible to a wider range of audience; students coming from diverse ranges of age groups, educational backgrounds, and levels .Being firm believers of simplicity bringing clarity, we have made the procedure for availing our services extremely easy to understand. Thus, the steps involved in getting the best dissertation service UK from us are the following: Pale Divine,  types of masters degrees thesis Comparative Cost Theory Assignment Help Numbering assignment law college admission essays community service Horehound,  Our International Writing Assignments writers start working on each project by analyzing its instructions. Your guidelines are the foundation. They don�t base their work on pre-written samples. Each piece of content is absolutely unique. The work you get from our custom essay writing company is yours to use. It�s 100% plagiarism free. We will never publish it online. We will never store it. We�ll never Cavern, on and on. I guess I could probably just run down the whole list at that point. It’s a good fest, and more even than last year, you begin to see the sense of curation and the personality of the festival emerge in its blend of styles. It’s not just about more, more, more, in an overwhelming onslaught of bands, but about what each specifically brings to the lineup as a whole. Kudos, as ever, to  9780854735037 0854735038 The Teaching of Reading in 45 Inner London Primary To His Coy Mistress Essay Helper grade 1 Schools - A Critical Examination of OFSTED Shy Kennedy and her crew on a job on its way to being well done.

Here’s the announcement:

DESCENDANTS OF CROM IV – A GATHERING OF THE HEAVY UNDERGROUND

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Get affordable papers quickly with our assistance. Very often students think that making an order on a http://www.ulc-bludenz.at/?the-metamorphosis-research-paper is too long and CATTIVO NIGHTCLUB – ­­­PITTSBURGH, PA, USA

The fourth annual Descendants of Crom will be held this year again in Pittsburgh on both floors of Cattivo Nightclub. The events begin early Friday evening and are followed by a Saturday all-dayer.

The underground scene of heavy rock and metal here is healthy and thriving and we’re feeding great regional bands to a hungry crowd and utilizing legendary, international fan-favorites to entice music fans in the door with the support of our amazing local artists. Descendants of Crom was planted in 2017 as a little black seed and has been growing and strong contender among other established annual music festivals. We aspire to become the premier music event of the Northeast and invite you to become part of the 2020 event. After all, we are all Descendants of Crom!

This year’s DESCENDANTS are:

Bongzilla, Ruby the Hatchet, Black Tusk, Valley of the Sun, Evoken, Orodruin, Rebreather, Horseburner, Heavy Temple, Horehound, Cavern, Pale Divine, Howling Giant, Ironflame, Cruces, God Root, Zom, The Long Hunt, Makeshift Urn, and We, the Creature.

Schedule and tickets will be on sale Friday, March 6th for single-day as well as two-day passes.

We’re looking for sponsors, vendors, and any entity that supports the heavy underground and all things psych, stoner, doom, sludge, and occult to reach out and be a part of our event and community.

Additionally, in anticipation for this year’s Descendants of Crom, there will be a DOC showcase held at Cattivo on Saturday, March 21st featuring bands that have all been part of the Descendants of Crom history. Urns, The Long Hunt, Horehound, Horesburner (WV), and Ironflame. This showcase is a taster of what sort of musicianship and energy that DOC brings to the stages.

Rritual event page: https://www.facebook.com/events/509381869977026/

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/437759083832580/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Ruby the Hatchet, Live in Atlanta, GA, Dec. 5, 2019

Austin, Texas, is of course no stranger to hosting festival-type atmospherics. It’s the home to  Looking for a cheap blog writing services where you can buy blog or website content? We can help. Our College Writing Assignments service will assist you with SXSW and  Levitation Fest, among others. The first-ever Texas Jam Revival isn’t shooting for operating on the same scale — at least not in its first year — but its all-dayer bill for Sept. 6 is righteous nonetheless, with the likes of Temptress, Electric Age, Hexxus, Cloak and Mountain of Smoke supporting Forming the Void, Wo Fat and Black Tusk as a kind of triple-shot of headliner-worthy acts. I’m not sure if this is still the case, but as I recall, Forming the Void were going to hit the studio in September to record their fourth long-player, so this may well be one of the last shows they play before they do that. Go see them. Go early and see everybody. This is the kind of fest that’s done out of pure love, so if you’re in Austin, make it happen. I haven’t been down that way in a long time, but it was always worth the trip when I went.

Poster and show info follow, courtesy of Thee Facebooks:

I am so excited to introduce the first annual TEXAS JAM REVIVAL!

This year’s show is at Barracuda Austin and features:

Black Tusk
Wo Fat
Forming the Void
Mountain of Smoke (featuring Kyle Shutt of The Sword)
CLOAK
Hexxus
Electric Age
Temptress

T-shirts and silk-screen posters (featuring Daniel Augustus Marschner art) will be on sale at the show for $20 and $15 respectively, but you can get a sweetheart deal if you buy the ticket/merch combo when you buy your tickets at the Ticket Fairy link in this event.

$22 pre-sale ticket only
(fees included on all pre-sales)

$33 pre-sale ticket + shirt (ex.$45 day of show) SAVE $12 on this combo

$44 pre-sale ticket + shirt+ silkscreen poster
(ex. $60 day of show)
SAVE $16 on this combo

(Take your ticket to the TJR merchandise table for your t-shirt and/or poster)

$25 day of show

https://www.facebook.com/GRAVITOYDpresents/
https://www.facebook.com/events/472239823539755

Wo Fat, Midnight Cometh (2016)

I’m going to try to do the two-birds-one-stone thing here and post the new Monkey3 art video — which I assume is like the standard lyric video, but for those without lyrics — for the newly-unveiled track “Mass” from that Swiss instrumentalist outfit’s forthcoming album, Sphere, with the news that the band has been added to Desertfest Berlin 2019 along with a host of others. The song rules, and you can and should stream it at the bottom of this post, but it’s perhaps all the more awesome to consider they’ll share the stage with The Skull, Black Tusk, Electric Citizen and Stonefield come early May. The Desertfest Berlin lineup this year is especially good, both in the band shared with the concurrent London incarnation of the festival like Fu Manchu, Om and Colour Haze, All Them Witches and so on, and in those who’ll be exclusive to Germany. Someday I’ll get to this festival.

Until then, if you’re going, have a good time:

DESERTFEST BERLIN 2019 CONFIRMS MONKEY3 + THE SKULL + BLACK TUSK + ELECTRIC CITIZEN + STONEFIELD!

Europe’s hot-spot for the heaviest riffs and fuzzy sounds, the leading cult underground festival specialising in all aspects of the Stoner Rock, Doom, Heavy Psych and all its great subgenres, DESERTFEST BERLIN, has announced the next batch of bands for their 8th edition in 2019!

Swiss psychedelic rock overlords MONKEY3 will turn the ARENA BERLIN into a space wonderland of magical spheres and mesmerizing riffs! The instrumental rockers have buckled up for their next interstellar journey, nestled in between space rock, psych, stoner and progressive, April 2019 will see the band release their fifth album ‘Sphere’ on Napalm Records. With timeless classics and new album tunes to be introduced live on stage, MONKEY3 will be creating their very own and unique sphere the four piece is known and loved for, taking you on an incomparable astral trip!

The already eclectic line-up of 2019 will be joined by heavy metal doom masters THE SKULL! Featuring vocalist Eric Wagner and bassist Ron Holzner, formerly of metal legends Trouble, THE SKULL creates classic Sabbathian doom with a psych-tinged metal vision. Pushing authentic, old-school metal to heavier and foreboding places, fueled by burly riffing, metallic groove and a crushing punch, these legends deliver the definitive doom metal full of powerful builds and a mesmerizing dynamic range!

Savannah’s BLACK TUSK weld together a three-pronged vocal attack, with their dirty punk, thrash and sludgy heavy metal attitude, the band found their very own niche in nowadays heavy music scene and already made their way to the top of rock n roll heavyweights. Get your dose of BLACK TUSK live at Desertfest Berlin 2019! And if that’s not all, heavy rockers ELECTRIC CITIZEN and full ladies-power guaranteed by STONEFIELD are rounding up today’s exciting announcement!

DESERTFEST BERLIN 2019 will take place between May 3th – 5th 2019 at the riverside in the heart of Berlin, the ARENA. The festival will not only provide a new sound-and payment-system on the ground, but also more space PLUS a psychedelic wonderland chillout- and live zone on the ‘Hoppetosse’ boat!

Day- and Weekend passes, as well as first Day-Splits, are available at:
www.desertfest-tickets.de
www.desertfest.de

With more bands to be announced soon!

www.desertfest-tickets.de
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Monkey3, “Mass” art video

What am I even supposed to say here other than ‘yes please?’ As Desertfest London 2019 rounds out its lineup and once again demonstrates its willful growth year after year, I’ll tell you this: there are a lot of bands listed below, and a lot of good bands. And if you’re reading this and you’re in London or you’re fortunate enough that you’re going to be in London for this festival, I know you’re hip to where it’s at. I get that. But seriously, if you don’t know, there re a few really must-see bands here, and it’s not all Amenra headlining. That’s great, and I’m sure it’ll be super-intense and very cool and all that.

But I’m telling you: don’t sleep on seeing High Priestess, BlackWater HolyLight, Worshipper, Salem’s Bend, Skraeckoedlan and Great Electric Quest. Some of those names are kind of buried near the bottom of this announcement, but really, you’d only be doing yourself a favor if you caught them. Let’s put Zed in that category too, and when they’re done, tell them I said hi. You probably already know all this, but I just wanted to highlight the point, since there’s a lot here and it’s easy to get overwhelmed. I get that too.

Kudos to the Desertscene team for focusing on what matters — the music — even amid pulling double-duty in putting together the first-ever Desertfest NYC, the lineup for which is still in progress. This fest looks amazing and I wish I could say I was going. Quite simply, it’s been too long.

Here’s the announcement:

Amenra to headline Saturday at DESERTFEST LONDON 2019 + day tickets and 28 more bands announced!

Showcasing the best of what the underground has to offer is at the core of DESERTFEST LONDON and this year’s line-up is the most eclectic, yet satisfying to date by ticking those “wish-list old school desert rock” boxes with Fu Manchu and Witch at The Roundhouse, whilst pushing the boundaries of heavy with the likes of HHY & The Macumbas and Grave Miasma. Year after year it’s about offering up a diverse bill that allows for discovery, whilst celebrating the musical foundations of the festival, and the final Saturday headliner and remaining 28 acts do just that.

DESERTFEST LONDON /// 3-5th May, 2019 in London
Weekend and day tickets on sale at this location

Desertfest are honoured to reveal that the incomparable AMENRA will celebrate their 20-year anniversary across the London weekend this May, bringing their uniquely atmospheric sound as headliners of Saturday’s mainstage and, for the first time in the UK, an even more intimate side of the band takes place at The Underworld on Sunday with solo performances from CHVE & SYNDROME. We would be proud to have Amenra headline Desertfest on any year, but to have them on the year they celebrate their 20th anniversary makes it all the more special for us and also the band themselves.

Desertfest are also pleased to announce a stage takeover from the mighty Riding Easy Records, the righteous west coast label will not only bring the sun (we hope) but a hefty dose of fuzzed out riffs from their roster. Headlined by rock’n’rollers ELECTRIC CITIZEN who refuse to be pigeonholed with a 70s proto-metal sound that chimes into psychedelic realms. Street-doom killers R.I.P will hit the UK for the first time and vocalist Fuzz is ready to bring it hard and loud. Completing the stage showcase are 80s punk heavy metal hybrids ZIG ZAGS, hazy Swedish doom newcomers ALASTOR and the low and slow psych goth-rock sounds of BLACKWATER HOLYLIGHT.

If that wasn’t enough Desertfest also adds thunderous space-rock psychedelic masters MONKEY3 to upcoming proceedings, the unforgiving primitive metal sounds of THE SECRET and LA party starters THE SHRINE, who haven’t graced DF with their amped up stoner-skate vibes for well over 5 years.

We also welcome back our long-time partners Human Disease Promo/When Planets Collide for another takeover of The Underworld on Saturday. Topping the bill, the riff muscle of Savannah, Georgia is brought back to The Underworld by the mighty bruisers BLACK TUSK. Dropping in straight underneath we’re living the doom dream of olde with Chicago legends in THE SKULL. Glasgow gives us two offerings this year in the form of explosive riff n roll filth-party heads ACID CANNIBALS, and to lower the tone whilst severely twisting some melons we also welcome their fellow city dwellers HEADLESS KROSS. As ever we chose to open up with a cataclysmic attack, hence why we’ve invited Brighton’s bleak hardcore oblivionists KALLOUSED to set the day into fittingly venomous motion. Bring your ear plugs, it’s gonna be a floor shaker!

And finally, Desertfest round off with the brilliant SKRAECKOEDLAN, BLANKET, SALEMS BEND, SURYA, HIGH PRIESTESS, ZED, KUROKUMA, GREAT ELECTRIC QUEST, PSYCHLONA, VIDEO NASTIES, ONE FOR SORROW, WORSHIPPER, MOUNTAIN CALLER & 1968 all added to the monumental 2019 line-up.

DESERTFEST LONDON /// 3-5th May, 2019 in London
All tickets on sale at this location

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

BlackWater HolyLight, BlackWater HolyLight (2018)

The forthcoming Pillars of Ash by Savannah, Georgia, trio Black Tusk represents their final recorded work with bassist/vocalist Jonathan Athon, who passed away a year ago following a motorcycle accident. The hard-touring outfit — who’ve since recruited Corey Barhorst, formerly of Kylesa and who just released a new record called Heading East (review here) with his other band, Niche, as their third member — will no doubt hit the road in the New Year to support the new album, but preorders are up now and nothing has yet been announced for shows.

Jan. 29 is the release date, Relapse is the label, Joel Grind of Toxic Holocaust the producer. Details and the new song “God’s on Vacation” follow from the PR wire:

BLACK TUSK ANNOUNCE ‘PILLARS OF ASH’ LP & PREMIERE NEW SONG

Savannah, GA’s Black Tusk have established themselves as one of the hardest working bands in rock since their formation over 10 years ago. After four full-lengths, numerous splits and EP’s and thousands of shows under their belts, the punk/metal power trio was faced with an immense and unexpected tragedy in late 2014 when founding bassist/vocalist Jonathan Athon passed away after a motorcycle accident in his hometown. Now, as a testament to his profound and lasting legacy on the heavy music scene, the band are releasing Pillars of Ash, their final recordings with Athon, on January 29th, 2016 via Relapse Records. Recorded with Toxic Holocaust’s Joel Grind behind the boards and featuring gorgeous artwork by Jeremy Hush (Skeletonwitch, Rwake), Pillars of Ash is the culmination of three brothers-in-arms’ blood, sweat and tears, and is Black Tusk’s finest accomplishment to date.

Formed in 2005 by Athon, guitarist Andrew Fidler and drummer James May, Black Tusk hit the ground running and toured relentlessly on their first EP, When Kingdoms Fall. They kept up a manic pace, recording two more demos (2006’s untitled demo and 2007’s The Fallen Kingdom). Hyperrealist signed on to release their debut LP, 2008’s Passage Through Purgatory, and 2009 saw them churn out a trio of splits with the likes of The Holy Mountain, ASG, and Fight Amp. Soon after, the band signed to Relapse and formed a partnership that lasts to this day, first collaborating on their 2010 breakthrough Taste the Sin and then on their highly ¬anticipated 2011 follow up, Set the Dial. Since then, Black Tusk have released a pair of EP’s—2013’s Tend No Wounds and the digital¬-only 2014 EP Vulture’s Eye—and kept pounding the pavement in the United States, Europe, and the UK alongside bands like Red Fang, Kvelertak, Down, Municipal Waste, Fu Manchu, Inter Arma, Intronaut, and so many others, as well as being hand¬picked to appear on Metallica’s Orion Festival in 2012.

In 2014, Black Tusk hit the studio with their old friend and accomplished audio engineer, Joel Grind, to work on Pillars of Ash. Before they could get their new record into stores and jump back up in their big white tour van, though, the band suffered a setback beyond what most could even imagine. In November, mere weeks before the band was due to kick off their biggest tour yet, Athon was seriously injured in a motorcycle accident. Several days later, on November 9, 2014, he passed away at the age of 31, leaving behind hundreds of friends, family members, and his beloved dog Cutter as well as his brothers in Black Tusk. Support poured in from fans, friends, and fellow musicians from around the world; stunned, Andrew and James laid down their instruments and tried to process the loss. For a few weeks, the band’s future was uncertain, but ultimately, the remaining duo made the difficult decision to soldier on and carry on in Athon’s memory. Athon himself could have chosen no better successor than Corey Barhorst, a longtime friend and veteran musician who heads up his own project, Niche, and previously held down the low end for Kylesa. Barhorst initially joined the band as a live member in time for their European tour with Black Label Society, but after that, was welcomed into the fold as a full-blooded member of Black Tusk.

Black Tusk have lived through the kind of hardship and heartbreak that would cripple a lesser band, but it’s that dedication, gumption, and pure bullheaded stubbornness that’s taken them around the world and as far away from the lacey Spanish moss and sweltering streets of Savannah than any of them could’ve dared dream.

Look for Pillars of Ash to be available January 29th, 2016 and stay tuned for more news coming soon.

Pillars of Ash, track listing:
1. God’s On Vacation
2. Desolation of Endless Times
3. Bleed on Your Knees
4. Born of Strife
5. Damned in the Ground
6. Beyond the Divide
7. Black Tide
8. Still Not Well
9. Walk Among the Sky
10. Punk Out
11. Leveling

http://www.relapse.com/blacktusk/
https://blacktusk.bandcamp.com/album/pillars-of-ash
https://www.facebook.com/BlackTusk/
https://www.instagram.com/tcbt/
https://twitter.com/blacktusk

Black Tusk, “God’s on Vacation”

There’s a few in this latest batch of Roadburn 2012 audio streams that I’ve really been looking forward to hearing. I stood and watched their whole set, but Mars Red Sky played a new song at the festival and I’d like to get another glimpse of what might be in store on their next album, and acts I didn’t get to see like Sir Admiral Cloudesley Shovell and Black Tusk should be fun to check out. Thanks as always to Walter, Jurgen, Marcel van de Vondervoort and the entire Roadburn crew.  Hope you have as much fun as I do with these:

Sir Admiral Cloudesley Shovell — Roadburn 2012

Atlantis — Roadburn 2012

Black Tusk — Roadburn 2012

Christian Mistress — Roadburn 2012

Doom — Roadburn 2012

Mars Red Sky — Roadburn 2012

Red Fang — Roadburn 2012

Mike Scheidt — Roadburn 2012

Read The Obelisk’s coverage of Roadburn 2012 here.

As I do with most records that come my way bearing some measure of hype – because, as I’ve been told, I’m a prick and once someone else decides they like something I have to not like it – I put off reviewing Taste the Sin, the sophomore full-length outing and Relapse Records debut of the trio Black Tusk. Culled from the metallically fertile fields of Georgia which have already given rise to Kylesa, Baroness and a little band called Mastodon, Black Tusk maintain strong sonic connections to the definition of progressive whereby trapeze riffs and tempo changes meet with heady drum fills, but set themselves apart when it comes to attitude. A song like Taste the Sin opener “Embrace the Madness” has no obvious connections to classic literature. In fact, if you pay attention to the words, it’s kind of dumb, and I think that’s what Black Tusk are going for.

It works to some degree, but even taking the attitude shift into consideration, Black Tusk, who formed in 2005 and issued their first album, Passage Through Purgatory, on Hyperrealist in 2008, aren’t really bringing in anything we haven’t already heard, despite skillfully incorporating thrashing elements from the likes of High on Fire. That said, it’s easy to see why many listeners would latch onto them as a candidate for the vaulted “Next Big Thing” in underground metal. Baroness won’t have an album out this year, and Black Tusk fill that void nicely, constructed as they are of familiar parts with just enough individuality behind them to stamp out any bitchy critic-types who might say, “They sound just like whoever.” Basically, Taste the Sin is thinky-thinky sub-prog stoner metal you don’t actually have to think all that hard about. The riffs of guitarist/vocalist Andrew, while too busy to be memorable in the Sabbathian sense, do what they’re supposed to do, and a song like “Way of Horse and Bow” has more than enough edge to get by.

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