King Buffalo: Live at Freak Valley LP Preorders Start Friday

Posted in Whathaveyou on November 17th, 2020 by JJ Koczan

Working in conjunction with Stickman Records and Rock Freaks Records, Rochester, NY’s King Buffalo will release Live at Freak Valley next month on a variety of 2LP styles. Test pressings, different colors, you know the drill. They’re not doing straight-digital or CD, but if you saw the stream of their set while it was happening at the German Freak Valley Festival last year, you know what you’re getting is a pretty astounding product, and even though the set took place before they released the Dead Star EP (review here) earlier this year, it should make an essential companion to the prior LP, 2018’s Longing to Be the Mountain (review here).

I’d have more to say, but hopefully I’ll be able to review the thing when the time is right.

From the PR wire:

KING BUFFALO LIVE AT FREAK VALLEY

KING BUFFALO – LIVE AT FREAK VALLEY Preorders start THIS FRIDAY 11/20/20 at 12pm EST.

King Buffalo is proud to announce our first ‘Live Album’ will be self-released on 12/11/20 throughout North America and see European issue via Stickman Records and Rock Freaks.

This a One-Time ONLY Pressing. It has been completely remixed and mastered for vinyl, and pressed to a double LP! Live at Freak Valley is a VINLY ONLY release. It will not be available as a CD or digitally (except for the download code that accompanies the vinyl).

“My favorite records have always been Live Albums. There’s something about the vibe that allows musicians to feed off the energy from the crowd and take things to another level. To have one of my favorite performances as a band remixed and mastered and pressed to vinyl is bucket list type stuff. I can’t wait for people to hear it and feel some Live Music again.” – Scott Donaldson (King Buffalo)

PREORDERS: https://kingbuffalo.bigcartel.com/

Live at FV Test Presses – Available this Friday at 12pm EST. Limited to 25, hand numbered, and ship immediately! They include a download code, poly bag, a signed “thank you” from the band, a hand numbered insert, and an exclusive alt art poster.

Live at FV Deluxe Edition – Limited to 250 units and pressed to 12″ Black and Gold Vinyl. The Deluxe Edition includes a polybag, a hand numbered tour poster, tour laminate and a download code. They’ll be shipped mid December.

Live at FV Standard Edition – Limited to 750 units and pressed to 12″ Green Splatter Vinyl. They include a polybag and download code. They’ll be shipped mid December.

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com
stickman-records.com
facebook.com/Stickman-Records-1522369868033940
https://www.facebook.com/rockfreaksrecords/
http://www.rockfreaks.de/

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Outsideinside Premiere “Bang Bang (My Baby Shot Me Down)” Cover; Free Download Available

Posted in audiObelisk on June 4th, 2020 by JJ Koczan

outsideinside

Pittsburgh classic-style heavy rockers Outsideinside issued their second full-length, Outsideinside II (review here), on March 6 through Rock Freaks Records, and this cover was recorded at the same time. If you know the song “Bang Bang (My Baby Shot Me Down)” there’s a decent chance it’s because the track was featured on the soundtrack to Quentin Tarantino’s 2003 two-parter Kill Bill. That version was by Nancy Sinatra, and it appeared on her 1966 album, How Does That Grab You?, and has been covered numerous times over the years by a variety of popsters and other types. The song was originally written by Sonny Bono and appeared on Cher‘s 1966 record, The Sonny Side of Cher, so Sinatra wasn’t first either, even if it’s her take on it that’s probably most recognized at this point. So it goes. Even Cher can’t win ’em all. Stevie Wonder also gave the song a try in ’66, so she’s in good company.

Outsideinside‘s “Bang Bang (My Baby Shot Me Down)” was recorded at the same time as the album, and as that record marked the first appearance in the band of James Hart on organ and keys, so too does Hart make an impression here, adding to the ’60s pop melancholia of the melody even as vocalist/guitarist David Wheeler, bassist Jim Wilson and drummer Panfilo Dicenzo, give the track a weightier edge of kick in its later payoff. To say Outsideinside are in their element is putting it lightly. Among the many versions out there is that featured on Vanilla Fudge‘s 1967 self-titled debut, so there’s certainly precedent to work from, and I’d be surprised if Outsideinside didn’t have that take in mind, as they’re nothing if not schooled in the ways of formative heavy. That’s been true since they debuted with 2017’s Sniff a Hot Rock (review here) and since Wheeler and Wilson were in Carousel before that.

You can still get Outsideinside II, of course, and you can hear the premiere of “Bang Bang (My Baby Shot Me Down)” on the player below here, followed by some comment from Wheeler. Another Wheeler-fronted project, Limousine Beach, has newly announced an EP out this month through Tee Pee Records, so keep an eye out for more there, but in the meantime, enjoy this one:

David Wheeler on “Bang Bang (My Baby Shot Me Down)”:

“Bang Bang has been in our live set since about 2014 (back when we were still a trio), but James’ organ adds some really nice texture to the arrangement we had back then. Although originally written by Sonny Bono and performed by Cher, there are tons of other versions (Nancy Sinatra, Stevie Wonder, Vanilla Fudge, etc). Jim turned me onto Terry Reid/s version years ago and that’s become my favorite.  We recorded it during the sessions for our last LP and would have loved to have put it on the album but you can only fit so many tunes on two sides of vinyl so we decided to save it to release on its own.” 

Outsideinside on Thee Facebooks

Outsideinside on Spotify

Rock Freaks Records on Thee Facebooks

Rock Freaks website

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Days of Rona: David Wheeler of OutsideInside

Posted in Features on April 21st, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

outsideinside-david-wheeler

Days of Rona: David Wheeler of OutsideInside (Pittsburgh, Pennsylvania)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Mostly we’re just trying to stay in touch via text and support each other. I actually tested positive for covid-19 and was laid up for a few weeks dealing with that. The symptoms of the first week were pretty mild with fever, coughing and chills kicking in for the second week. Even after the symptoms ended I spent another solid week battling fatigue, but thankfully am now completely recovered. Needless to say I’m just now beginning to think about anything music related. So far all I’ve managed to do is learn “Adam’s Apple” by Aerosmith on guitar.

Luckily, the release show for Outsideinside’s new LP took place on March 6, about a week before all of the shit hit the fan so we managed to sneak it in. My other band Limousine Beach had to delay a mixing session for an LP we’re working on and had to cancel a handful of local and out of town shows we were really looking forward to, but we’ll take it all in stride. The most important thing is to flatten this curve. Luckily none of the other people I make music with have gotten [sick].

What are the quarantine/isolation rules where you are?

All non-life sustaining businesses are closed here in Pittsburgh and social distancing is in full effect.

How have you seen the virus affecting the community around you and in music?

Obviously it’s been financially devastating to anyone who makes a living as a performer, working in a venue or as a sound engineer etc. As is the case in disasters, people are working toward creative solutions. For example, my wife Susan Pedrazzi and her friend Elizabeth Sanchez have started a creative collective called Together___Apart that highlights individual artists and features stickers, tote bags, and t-shirts for sale with proceeds benefiting local performers and gig workers (https://instagram.com/together______apart).

Musicians have also found alternative ways to continue performing via livestream and are blasting out home recordings. Aside from music, I was blown away by the support I received from my friends, (as well as strangers in some cases) while I was sick. It just goes to show you that you see the best of people in times like these. There is real work to do to keep everyone’s head above water, and people are finding ways to accomplish that.

What is the one thing you want people to know about your situation as a band, personally, or anything?

Mostly, as someone who is recovering from a “mild” case of covid-19, I just want to say you do not want it and you do not want your friends and/or family to get it. It’s pretty brutal even if you’re a relatively healthy individual. Let’s do right by each other and stay away.

https://www.facebook.com/outsideinside1/
https://open.spotify.com/artist/1Nb2f7ORXPcKchOjqFqauG
https://www.facebook.com/rockfreaksrecords/
http://www.rockfreaks.de/

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Review & Full Album Stream: Outsideinside, Outsideinside II

Posted in audiObelisk, Reviews on March 4th, 2020 by JJ Koczan

outsideinside ii

[Outsideinside’s II is out March 6 on Rock Freaks Records. Click play above to stream the album in full.]

Since they made their debut in 2017 with the somewhat undervalued Sniff a Hot Rock (review here), Pittsburgh, Pennsylvania, classic-style heavy rockers Outsideinside — who take their name from Blue Cheer‘s 1968 sophomore album — have toured Europe and signed to the Freak Valley-affiliated Rock Freaks Records as well as added a fourth member to the band in James Hart, who brings organ/keys and guitar to the proto-heavy style proffered by the returning trio of drummer Panfilo Dicenzo, bassist Jim Wilson and vocalist/guitarist Dave Wheeler. Accordingly, their own sophomore album, Outsideinside II, is a somewhat richer affair than its predecessor, but its root mission is nonetheless consistent with its predecessor in not only paying homage to the heroes of two generations prior — the names are myriad, but the band cites FreeHendrixSpooky Tooth and Funkadelic, among others — but in giving new life to the sound and style those bands proffered. Thus, songs like side B’s “Ancient Faces” and the earlier swaggering “Fine Line” are more vintage in construction and tone than actual production, which remains clear modern, if organic and live sounding, finding a balance throughout its unassuming 40 minutes that is neither pretentious nor overblown in either direction.

It’s a line Wheeler and Wilson were able to tread in their previous outfit, Carousel, as well, but as Hart finds his place in the mix by Nate Campisi, who also recorded at Mr. Smalls Studio, here alongside the other three players, be it in the brash and speedy “In Your Mind” or the near-10-minute “Maggot Brain”-plus-vocals-esque finale “Eventide,” Outsideinside also seem to come into their own, building on the accomplishments in songcraft and overarching flow of their first LP — learning those lessons well and integrating them into what they do — while exploring new challenges and methods with a rightly won confidence. Thus it is a song like the presumed side A capper “I Ain’t Waitin'” is able to place a multifaceted hook in a verse position and shift fluidly into a thrilling pair of organ and guitar solos ahead of its last fadeout — what might be called a “duel” if the two elements weren’t so clearly working as part of the same team and toward the same ends.

While Hart makes key contributions throughout Outsideinside II as much figuratively as literally, one would be remiss not to point out the presence Wheeler brings to his performance throughout this material. As he leads the way through the Humble Pie-style mid-tempo boogie opener “My Mother’s Son” — those waiting to spot the record’s first use of cowbell will not have to wait long — he taps into a particular kind of soulfulness that few modern singers can effectively portray. Dru Brinkerhoff of Stone Axe could do it, but one is hard pressed to come up with other names besides Wheeler. It’s a style that is able to conjure booze-addled sway and follow-the-riff party vibes and emotional sincerity in kind, and amid all the swing and shove of the penultimate “Top 10” or “In Your Mind,” it shouldn’t be forgotten that after “My Mother’s Son” at the album’s outset comes “Sisterman,” wherein the lyrics position the idea of a sister as one who helps shoulder burdens and provides support apart even from what a brother or a parent might.

outsideinside (Photo by Susan Pedrazzi)

The first two tracks, then — the most immediate impressions Outsideinside II makes — are about notions of family. The hook of “My Mother’s Son” is likewise heartfelt: “Born and raised my mother’s son/Mama prays/Thy kingdom come, thy will be done.” It’s not only a welcoming groove to start the LP and warm in tone and general feel in a way that represents well what follows, but a sweet sentiment that “Sisterman” complements even as it brings on more of a strut and stomp in terms of its rhythm. That too represents a defining aspect of the album as an entirety — not just how one track shifts into the next, but how the songs play off each other as a result of that. The sleek motion of “Fine Line” picks up from the opening duo and smoothly leads the listener into the next section of the LP, with “In Your Mind” and “I Ain’t Waitin'” right behind to bolster and further flesh out side A.

And after that organ/guitar fade at the end of “I Ain’t Waitin’,” it’s also worth noting that “Ancient Faces” answers right back at the (again, presumed) outset of side B with a likeminded procession in its introduction, and though the personality of the song is more mellow and built around its changes in volume between the verse and chorus and a kind of noodling lead in its second half as it builds to a more patient but still effective payoff, ahead of the last shakedown in “Top 10,” that momentum brings them into the increased breadth of “Eventide,” wherein Hart arguably makes his presence most felt in filling out what would otherwise be empty spaces in the ensuing jam. It is a moodier vibe that persists in the closer, and purposefully so, but Wheeler‘s vocals are able to fit the shifts that ensue, and the subtle wash of Dicenzo‘s cymbals behind and the foundation of Wilson‘s low end prove no less crucial in the quiet places than in any of the album’s prior boogie.

Thus it is that Outsideinside become a genuine four-piece on their second offering, and the change in dynamic from a classic power trio is evident despite the fact that the natural feel remains paramount. “Eventide” breaks at its halfway point and goes to ground to begin the final instrumental build that will close, and it is an especially engaging moment of the band functioning at all levels to bring together old and new strengths. In more than just the actual makeup of the group, Outsideinside II is an important forward step in aesthetic as well as songwriting, and while it never veers — somewhat refreshingly — into territory one might call progressive, the evolution on display from Outsideinside could hardly be called anything else. As yet, they are a better band than people know.

Outsideinside on Thee Facebooks

Outsideinside on Spotify

Rock Freaks Records on Thee Facebooks

Rock Freaks website

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Ruff Majik Closing 2018 with Cape Town Shows

Posted in Whathaveyou on November 8th, 2018 by JJ Koczan

ruff majik

When last heard from, South African trio Ruff Majik were getting ready to hit the studio in September to track a quick-turnaround sophomore album to answer their 2018 debut, Seasons (review here). They did shows throughout the country last month following up on two European tours earlier this year, and I’d have to imagine the new record is at least finished in terms of the actual recording process, if not mixed or yet mastered. Their eye was on an early 2019 release, so hopefully that actually comes together.

In the meantime, they’ll play four shows in Cape Town to close out the year, two of which are free. That in itself is pretty nifty, but kudos the band on getting four bookings in the same city on four consecutive nights. It’s not every group in every town who could make that happen, even with a variety of openers. Clearly there’s some respect there, so right on.

The PR wire brings the dates and the whatnot:

ruff majik tour

Ruff Majik Reveal Cape Town Tour Dates for December

Pretoria’s sludge n rollers Ruff Majik have announced a couple dates for Cape Town shows in December. They’ll be joined by Cape Town based hardcore heroes Peasant for two shows along with a host of the city’s finest heavy bands including MA-AT, Monstroid, Behest, Blood Ret, Pooch, The Man Motels and more.

Pieter Jordaan from Peasant comments on the tour “Cape Town is often starved of the doomy goodness that a band like Ruff Majik can provide, so we are very stoked to have them pull through for the long weekend! With Peasant joining on two dates, and some of the best garage, fuzz and hardcore the city has to offer, the tour will be the best way to start off the holiday season right!”

Ruff Majik guitarist and vocalist Johni Holiday does on to add “Cape Town is always such a magic experience. The crowds are always intensely invested in the music, and we get the best green when we visit! This time around, we’re really excited to be joined by the dudes of Peasant and some of the finest doom, garage and hardcore bands that CPT has to offer!”

THUR 13 DEC – Black Irish – 1 Scher Street, Durbanville R40 ENTRANCE
FRI 14 DEC – Prison – 28 Somerset Rd, Green Point, Cape Town FREE ENTRANCE
SAT 15 DEC – Scary Canary – 225 Long St, Cape Town City Centre R50 ENTRANCE
SUN 16 DEC – Surfarosa – 61a Harrington St, Zonnebloem FREE ENTRANCE

Ruff Majik:
Johni Holiday – Guitar, vocals
Jimi Glass – Bass guitar
Benni Manchino – Drums

https://www.ruffmajik.com/
https://www.facebook.com/ruffmajik
https://twitter.com/ruff_majik
https://www.instagram.com/ruffmajik/
https://forbiddenplacerecords.bandcamp.com/album/ruff-majik-seasons
http://shop.rockfreaks.de/en/home/92-ruff-majik-seasons-coming-soon-.html

Ruff Majik, Seasons (2018)

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Ruff Majik to Begin Recording New Album; Announce South Africa Shows

Posted in Whathaveyou on September 7th, 2018 by JJ Koczan

South African heavy psych trio Ruff Majik are set to enter the studio to record the follow-up to their 2018 debut album, Seasons (review here), for an early 2019 release. I won’t claim to have any insight on the band’s processes, but given the live sound of the last record and the series of EPs that preceded it, it doesn’t seem out of line to expect they’ll get their sophomore full-length to tape with all good speed. That’s all the better since at the end of the month they’ll take stage at the Krank’d Up festival in Johannesburg, as one of a select round of live dates they’ll do in their home country to correspond with the European tour they undertook this past Spring following Seasons‘ release. You’ll note in the announcement below for the shows it says they’ve never played in their hometown of Lydenburg. Even knowing nothing about urban populations and demographics in South Africa, that seems astonishing to me. Smaller town, I guess? Still fascinating.

Gotta figure they’ll be back in Europe supporting the new album whenever it arrives. Hopefully that happens sooner than later.

From the PR wire:

ruff majik

Pretoria’s Ruff Majik Divulge Details for their “Season of the Witch” tour.

Coming off the back of 2 very successful European tours, South Africa’s sludge n roll kings Ruff Majik have revealed dates and details for their Season of The Witch tour.

Kicking off on the 29th September with their mainstage appearance at this year’s chapter of the mighty Krank’d Up Music Festival, the tour will see them play in Johannesburg, Pretoria, Durban and for the very 1st time in their home town of Lydenburg.

“We’re extremely excited to be hitting the road for a few select dates with some good friends! Each show will be an entirely different experience with these line-ups, so we can’t wait!” – Johni Holiday, vocals / guitar

29 September // JHB // Krank’d Up Music Festival
12 October // PTA // The Grind Bar // with from Apocalypse Later, Wolkberg
13 October // JHB // Sundowners // with Them Dirty Shrikes, Caution Boy
20 October // DBN // Winston // with Pollinator, Mad God
26 October // LYD // Jam Jar Lounge // with Wolkberg, Them Dirty Shrikes

The band released their debut full length album Seasons on the 20th April 2018 which was well received by the local and international metal and rock media.

Seasons available now on all digital platforms including BandCamp Apple Music Spotify Deezer and on CD and cassette via Forbidden Place Records

The band will be in studio in September 2018 recording the follow up to Seasons with the aim of releasing early in 2019.

Ruff Majik:
Johni Holiday – Guitar, vocals
Jimi Glass – Bass guitar
Benni Manchino – Drums

https://www.ruffmajik.com/
https://www.facebook.com/ruffmajik
https://twitter.com/ruff_majik
https://www.instagram.com/ruffmajik/
https://forbiddenplacerecords.bandcamp.com/album/ruff-majik-seasons
http://shop.rockfreaks.de/en/home/92-ruff-majik-seasons-coming-soon-.html

Ruff Majik, Seasons (2018)

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Glanville and Galactic Superlords Announce Oct. Tour Dates

Posted in Whathaveyou on August 29th, 2018 by JJ Koczan

glanville

galactic superlords

Classic hard rock? Heavy heavy metal? Wherever you might think Glanville and Galactic Superlords respectively reside on the genre spectrum, I think it’s safe to assume the shows are going to be a good time. The Germany/UK and just-Germany-based five-pieces — that’s one crowded-ass van, if they’re sharing — head out together beginning Oct. 2 in Darmstadt and will seven shows throughout Germany, hitting Galactic Superlords‘ native Köln along the way.

Galactic Superlords go supporting their 2018 self-titled debut full-length, and Glanville head out on the heels of their debut EP, First Blood (review here), and the pairing couldn’t be more appropriate, since in addition to whatever sonic elements they might have in common, Glanville frontman René Hofmann (also of Wight) recorded the Galactic Superlords album. It’s nice to have friends, or so I hear.

To the PR wire:

glanville galactic superlords tour

GLANVILLE AND GALACTIC SUPERLORDS TEAM UP FOR TOUR THIS FALL!

A bit of Thin Lizzy, a bit of Iron Maiden, with hints of Dio. GLANVILLE sounds like Rob Halford wearing Dennis Hopper’s leather jacket in Easy Rider. An introduction of exciting things to come: After the critically acclaimed debut EP ‘First Blood’ released in May 2018, GLANVILLE have teamed up with the GALACTIC SUPERLORDS for a tour this Fall!

René Hofmann and Philipp Michel started playing music together as teenagers but at such a young age nobody knows what will happen the next day, much less in the far future. 13 years later Hofmann is a music producer in Darmstadt and Michel is an active touring guitar player and songwriter, still based in the Hessian hinterland. After all these years the two decide to start a new project together, a classic duo like Page and Plant. The search for the rest of the band GLANVILLE took more than a year, but finally a line-up of experienced musicians was completed: Peter-Philipp Schierhorn on bass, Thomas Hoffmann on drums, and Chris West on second guitar. After a quick and dirty pre-production the band met at a studio in Darmstadt, with most members never having played together and some even meeting each other for the first time. Everyone’s prepared and focused. Two days of rehearsals, two days of recording. Live, real and with passion for the music.
Catch GLANVILLE live and real on the following dates this Fall, with GALACTIC SUPERLORDS on the bill:

02.10.18 DE – Darmstadt – HoffART Theater
03.10.18 DE – Berlin – Toast Hawaii
04.10.18 DE – Hamburg – Bar227
05.10.18 DE – Leipzig – Black Label
06.10.18 DE – Pratteln – Up In Smoke
12.10.18 DE – Köln – Museum
13.10.18 DE – Heidelberg – Beatfabrik

“When meeting Superlords drummer Carsten for the first time, sharing a cigarette at Desertfest Berlin, I immediately noticed that both of us are slightly crazy in a very similar way. And of course we found out that our respective bands also had something in common – fucking heavy metal! Over the years, we have grown to be good friends, and both our bands have become great teams, but still, nobody has ever heard of either one. So we decided to organize a DIY tour under the name “Your New Favourite Metal Bands You’ve Never Heard Of.” We are really looking forward to deliver some serious heavy metal together, real rock music on real stages, without playbacks, modelling amps or macbooks.” – René Hofmann, vocalist of Glanville

Glanville is:
René Hofmann (vocals)
Philipp Michel (lead guitar)
Peter-Philipp Schierhorn (bass)
Thomas Hoffmann (drums)
Chris West (rhythm guitar)

Galactic Superlords is:
Vocals: Katharina Heldt
Vocals/Guitars: Dennis Sennekamp
Guitars: Alex Miller
Bass: Christian Lantin
Drums: Carsten Krohn

https://www.facebook.com/SirGlanville/
https://glanville.bandcamp.com/
http://www.glanvilleofficial.com
https://fatandholy.bigcartel.com/

https://www.facebook.com/galacticsuperlords/
https://galacticsuperlords.bandcamp.com/
http://superlords.com/
http://www.rockfreaks.de/

Glanville, First Blood EP (2018)

Galactic Superlords, Galactic Superlords (2018)

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Ruff Majik Announce Seasons Physical Releases

Posted in Whathaveyou on May 17th, 2018 by JJ Koczan

ruff majik

A conceptual work wherein each batch of three songs was actually written in a different season, the suitably titled Seasons was self-released by Pretorian trio Ruff Majik digitally on April 20. As the band is set to tour Europe this summer twice, making stops first at Freak Valley and then at SonicBlast Moledo, and, you know, as the album kicks ass, it’s not a huge surprise that it’s been picked up for physical release. And it’s all the more telling that rather than trickle out one format at a time over a period of years (or seasons, for that matter), Ruff Majik are taking care of it all in one shot. The limited 2LP will be out through the Freak Valley-associated Rock Freaks Records in a variety of editions, and the CD and tape versions will arrive through US imprint Forbidden Place.

Both labels have the album up for preorder now. Here’s the PR wire to tell you pretty much exactly what I just told you using different words:

ruff-majik-seasons

Ruff Majik Reveal Details to Release SEASONS on CD, Cassette and Vinyl

2018 is turning out to be an incredible year for South African Sludge n Rollers Ruff Majik. With two European tours booked that will see them playing Freak Valley Festival and SonicBlast as well as a host of club shows.

They also released their debut full-length album Seasons on the 20th April to widespread critical acclaim. The guys are happy to announce that they have signed deals with US label Forbidden Place Records to release and distribute Seasons on CD and cassette, while German label Rock Freaks Records will be releasing three versions of the double LP: classic black, coloured (still a secret) and die-hard (very limited).

Vocalist and guitarist Johni Holiday commented on the news “Ruff Majik is immensely excited to take the next step in furthering our career by bringing out physical copies. With the backing of Rock Freaks and Forbidden Place, we’re making a lifelong dream come true!”

Pre-order Seasons on CD or Cassette here and on Vinyl here.

Tracklisting:
1. Harpy 04:49
2. Gone down in the woods today 05:15
3. Breathing ghosts 04:20
4. Last of the witches 03:53
5. It flies at night 03:48
6. Hanami Sakura (and the ritual suicide) 04:26
7. The deep blue 08:04
8. Hammered are the gods 04:42
9. Birds stole my eyes 04:17
10. Tar black blood 03:15
11. Come all ye druids 05:04
12. Asleep in the leaves 14:10

Ruff Majik:
Johni Holiday – Guitar, vocals
Jimi Glass – Bass guitar
Benni Manchino – Drums

https://www.ruffmajik.com/
https://www.facebook.com/ruffmajik
https://twitter.com/ruff_majik
https://www.instagram.com/ruffmajik/
https://forbiddenplacerecords.bandcamp.com/album/ruff-majik-seasons
http://shop.rockfreaks.de/en/home/92-ruff-majik-seasons-coming-soon-.html

Ruff Majik, Seasons (2018)

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