King Buffalo Announce Dead Star EP and Tour Dates

Posted in Whathaveyou on January 21st, 2020 by JJ Koczan

King Buffalo

When King Buffalo put out their early-2018 EP Repeater (review here) ahead of their second full-length, Longing to Be the Mountain (review here), it was an opportunity for the Rochester trio to explore new ideas and adventure into what at the time was new sonic terrain for the band. To try new things and introduce their audience to the same. It smoothed the transition between 2016’s Orion (review here) and the follow-up LP, and complemented both works.

Their new “short release,” Dead Star, is more substantial. As in, it’s 36 minutes long. From where I sit, that’s an album one way or the other, and certainly the flow of its six tracks bears that out as well. But the function is similar to Repeater in that King Buffalo once again embrace their creative drive in an open and exciting way. The six songs of Dead Star are thrillingly progressive, taking on aspects of synth and new textures and atmospheres that enrich the band’s core melodies and grooves so as to broaden their scope and make them all the more engrossing. Beginning with the 16-minute pair “Dead Star Pt. 1 & 2,” and running through the finale closing track, Dead Star works to push the boundaries of expectation of what King Buffalo can accomplish as a band, and thereby accomplishes them as well.

Preorders go up later this week, and they’ve got tour dates and a track streaming as of next week. Official release of Dead Star is March 20 and I’m hoping to have more to come as we get closer to then.

In the meantime, here’s a press release I kind of wrote:

King Buffalo Announce their 4th EP “Dead Star” and 2020 Tour Dates

King Buffalo will release their fourth EP, Dead Star, on March 20. The widely-hailed progressive heavy rock trio from Western New York will stream the single “Eta Carinae” Jan. 28 from the six-song, 36-minute release now via Bandcamp with preorders available at kingbuffalo.bigcartel.com on Jan. 24. Extensive tour dates will follow.

Their most brazenly experimental offering to-date, Dead Star will self-release throughout North America and see European issue via Stickman Records.

Self-recorded in late 2019 and early 2020 by guitarist/vocalist Sean McVay, bassist Dan Reynolds and drummer Scott Donaldson, Dead Star continues to push King Buffalo’s psychedelic aspects deep into the cosmic ether, and basks in elements of ambient drone, space rock, prog, mantra-style heavy and synthesizer soundtracking, as well as the bluesy, classic riffing and creative urgency that has underscored their particular style since their 2013 demo and 2016 debut album, Orion. A depth of mix comes courtesy of Grant Husselman, while Bernie Matthews mastered.

“In the early stages of Dead Star, we made the decision to make a strong commitment to experimentation,” explains guitarist/vocalist Sean McVay. “From exploring different time signatures, tunings and textures, to tweaking the song writing processes themselves. We’re extremely proud of these recordings, and feel it’s some of our most ambitious work yet.”

King Buffalo’s discography includes two full-length albums, Orion (2016) and Longing to Be the Mountain (2018), as well as three prior EPs – 2013’s Demo, a 12” split with Le Bétre in 2015, and 2018’s Repeater.

Dead Star continues the risk-taking that fueled Repeater, honoring the core dynamic of King Buffalo as a band while boldly introducing new ideas and sides of their sound to their audience.

Recent years have found King Buffalo touring throughout North America and Europe, with highlight festival performances, support slots and headlining shows, and they bring that experience to the songwriting of Dead Star’s six tracks, be it the sprawling two-part leadoff “Red Star Pt. 1 & 2” or the John Carpenter-esque instrumental “Ecliptic” ahead of the chug-and-crash-prone “Eta Carinae.” All the while King Buffalo maintain a flow and atmosphere that has served as a hallmark of their approach.

“These six songs deviate and expand on horizons that we as King Buffalo haven’t yet reached,” says drummer Scott Donaldson, who also handled the graphic layout of Dead Star with Ryan T. Hancock’s striking cover art. “It’s extremely exciting to make something familiar, but unlike anything we’ve previously done. I can’t wait for everyone to hear it.”

Vinyl Details:

Test Press – Limited to 20, hand numbered, and ship mid-February. Includes a download code of the Deluxe version, poly bag, a signed “thank you” from the band with wax seal, an exclusive poster and hand numbered insert.

Deluxe Edition – Limited to 250 units and pressed to 12″ Black and White Vinyl. The Deluxe Edition includes a polybag, a hand numbered insert, and audio commentary by the band. A One-Time Only pressing. They’ll be shipped as soon as mid-March.

Standard Edition – Limited to 750 units and pressed to 12″ Bone White Vinyl. They include a polybag and download code.

Written and recorded by King Buffalo in Rochester, NY at the Main Street Armory in December of 2019 & January 2020.

All arrangements by King Buffalo (c) 2019
Produced & Engineered by Sean McVay
Mixed by Grant Husselman
Mastered by Bernie Matthews
Artwork by Ryan T Hancock
Fonts by Mike Turzanski
Layout by Scott Donaldson

Dead Star Track list:
Red Star Pt. 1
Red Star Pt. 2
Echo of a Waning Star
Ecliptic
Eta Carinae
Dead Star

Tour Dates:
1/31 Montreal, QC @ Le Ministere
2/1 Ottawa, ON @ Dominion Tavern
3/19 Burlington, VT @ Higher Ground
3/20 Boston, MA @ Great Scott
3/21 New York, NY @ Mercury Lounge
3/26 Lansing, MI @ Mac’s Bar
3/27 Milwaukee, WI @ Colectivo
3/28 Minneapolis, MN @ 7th St. Entry
3/29 Winnipeg, MB @ Park Theatre
3/31 Calgary, AB @ Palomino
4/2 Vancouver, BC @ Fox Cabaret
4/3 Seattle, WA @ Barboza
4/5 Portland, OR @ Lola’s Room
4/7 San Francisco, CA @ Bottom of the Hill
4/8 Los Angeles, CA @ The Echo
4/10 Denver, CO @ Larimer Lounge
4/11 Denver, CO @ Larimer Lounge
4/13 Kansas City, MO @ Riot Room
4/14 St Louis, MO @ Duck Room
4/15 Louisville, KY @ Zanzabar
4/16 Cleveland, OH @ Beachland Tavern
4/17 Pittsburgh, PA @ Club Café
4/18 Syracuse, NY @ Funk N Waffles

King Buffalo is:
Sean McVay – Guitar, Vocals, & Synth
Dan Reynolds – Bass & Synth
Scott Donaldson – Drums & Percussion

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com
stickman-records.com
facebook.com/Stickman-Records-1522369868033940

King Buffalo, Longing to be the Mountain (2018)

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Review & Track Premiere: Orodruin, Ruins of Eternity

Posted in audiObelisk, Reviews on September 13th, 2019 by JJ Koczan

orodruin ruins of eternity new cover

[Click play above to stream ‘Forsaken’ from Orodruin’s  Ruins of Eternity. Album is out Oct. 25 on Cruz Del Sur Music. Preorders available now for CD and LP.]

A 16-year differential from one album to the next is significant. Bands have formed, flourished, and broken up in that time. A generational shift in listenership has taken place. Production styles have changed. The list goes on. Fortunately, good doom is timeless, and so it is that Orodruin return from Mordor with Ruins of Eternity, their sophomore LP behind 2003’s rightly vaunted Epicurean Mass (review here). It’s true that the Rochester, New York, three-piece haven’t been totally absent in that time, having put out the Claw Tower… And Other Tales of Terror compilation in 2004 as well as a self-released demo in 2011 and an EP in 2012 — both around performances as the Days of the Doomed in Wisconsin — and guitarist John Gallo released two full-lengths with his other outfit Blizaro, 2010’s City of the Living Nightmare and 2016’s Cornucopia Della Morte (review here), as well as a comp drawing other other work, and also a 2014 solo album under the extra-letter moniker John Gallow called Violet Dreams that dug into his root influence in the work of Paul Chain.

But even with these and the inevitabilities of real life on the part of Gallo, vocalist/bassist Mike Puleo and guitarist Nick Tydelski, to go more than a decade and a half without a proper album release is a long time. And yet Orodruin have been missed all along. They always seemed to maintain there would be another record, and their absence was conspicuous as bands like The Gates of Slumber and Apostle of Solitude moved to the forefront of American doom, let alone relative newcomers like Magic Circle. The nine tracks/47 minutes of Ruins of Eternity serve as a compelling reminder why. Absent longtime drummer Mike Waske, who left the band in 2018, Puleo takes on those duties admirably, and the dynamic between his bass, soaring vocals and the NWOBHM and epic doom-inspired guitars of Gallo and Tydelski stands up to anything in the style you’d want to put it next to, including titans of the form like The Skull or Candlemass, albeit more raw in production than the latter.

If that sounds like hyperbole, consider the guitar heroics in the second half of “Into the Light of the Sun,” the mournful plod and standout melody of “Letter of Life’s Regret” — which appeared on their 2011 demo as well — and the opening gift that is “Forsaken,” which turns after three minutes in and repurposes the speedier riff from Black Sabbath‘s “Falling off the Edge of the World” to its own righteous ends. It would be cliché to say that after 16 years, Orodruin sound on Ruins of Eternity like they haven’t missed a beat, but, well, it’s also true. Granted, it helps that the style of doom they’re playing is loyal to a particular sonic ideal and has its roots in a lost era of ’80s underground metal — even if they came across as dated, that would only work to their advantage — but Ruins of Eternity, even with “Letter of Life’s Regret” and presumably other tracks being of older origin, feels vital. As the chugging march of “Man of Peace” takes hold from “Forsaken,” the Iommic character in the guitar takes on further nuance and deceptive pacing in the verse en route to a more open chorus, the song trading back and forth this way until the lyrics have told their story and a stop brings about the guitar solo section and the return to the central nod at the finish.

orodruin

This is doom songcraft at its most essential, and a message toward the front of Ruins of Eternity to the converted that time has not dulled Orodruin‘s affinity for the style or its substance. As “Grave Illusion” adds more complexity of mood en route to “Letter of Life’s Regret” and the galloping “War on the World,” the experience of the album grows richer, but keeps to the central vibe at its heart. True doom is about bringing character to homage, adding personal perspective to what’s come before. Orodruin do this across Ruins of Eternity with enough grace as to emphasize just how much has been missed by their not putting out an album every two, three or even four years. Is it a chance to affect the scope of doom that’s gone forever? Ruins of Eternity provides a compelling argument otherwise.

As the album moves into its second half, with “Into the Light of the Sun” balancing tempo shifts and dug-in moodiness en route to its aforementioned standout shred and “Voice in the Dark” toying with structure amid a particularly resonant vocal from Puleo, there is some sense of pushing deeper into stylistic reach, but the core mission remains firm. Likewise, “Hell Frozen Over” starts out at a slow burn, picking up to emphasize tone rather than the riff itself, solos panning from one channel to the other ahead of a last tempo kick and some layered harmonies and a last crash-out at the apex that brings about the closing title-track. Somewhat amazingly, “Ruins of Eternity” is the only song over six minutes long on the record that shares its name, and it launches with a commanding stomp ahead of solo-laced swing and a quiet midsection stretch that explodes into faster push, in turn bringing about a slowdown into pure gruel that is as fitting a way to cap Ruins of Eternity as one could possibly ask.

All the while, Orodruin never lose their sense of poise, never lose sight of what they want to do as a band, and never forget that even more than the misery, it’s the song that matters most. It’s hard to listen to the album and not think what might’ve been if this was their fifth or sixth album instead of their second, but that it exists at all is a victory, and that it finds them in such exceptional form all the more so. They’ve rewritten the story of who they are as a band here, and while one wouldn’t predict what the future might hold for them — particularly as they’re short a drummer for playing live — Ruins of Eternity brings into focus just how special Orodruin are and just how much it’s been worth waiting for this one to show up. That’s no easy task, considering, but they nail it.

Orodruin on Thee Facebooks

Cruz Del Sur website

Cruz Del Sur on Thee Facebooks

Cruz Del Sur on Bandcamp

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King Buffalo Announce Final 2019 Tour Dates; European Vinyl Pressings Available

Posted in Whathaveyou on August 21st, 2019 by JJ Koczan

king buffalo (Photo by Mike Turzanski)

Actually, by now, the vinyl’s probably gone. So it goes.

If you want to make your day better, go ahead and watch the stream of King Buffalo playing Freak Valley Festival in Germany back in June. The video is below, as recorded by Rockpalast, and it’s heartwarming on any number of levels as a fan of the band. I remain enamored of 2018’s Longing to Be the Mountain (review here), and to see them nailing that material on such a stage in front of such a crowd is like an unexpected birthday card.

These are their last shows of 2019, which makes me think it won’t be long until they announce their first shows of 2020. But where? And when? And… when… again? I don’t know. Whatever. Just go watch that video. Then listen to the record. Then buy a tshirt or something. These guys have earned it.

Dates:

king buffalo dates

KING BUFFALO – LAST TOUR DATES OF 2019 // EURO VINYL PRESSINGS!

We’ve announced our remaining 2019 Tour Dates.

THESE WILL BE OUR LAST SHOWS OF 2019, SO DON’T MISS THEM!

9/25 Detroit, MI @ PJ’s Lager House
9/26 Grand Rapids, MI @ The Mint
9/27 Chicago, IL @ Empty Bottle
9/28 Cleveland, OH @ Ingenuity Festival – JUST ANNOUNCED!
11/8 Columbus, OH @ Ace of Cups
11/9 Indianapolis, IN @ Black Circle
11/12 Nashville, TN @ High Watt
11/14 Dallas, TX @ Three Links
11/15 Austin, TX @ Hotel Vegas
11/16 Houston, TX @ White Oak Upstairs
11/19 Atlanta, GA @ The Earl
11/20 Carrboro, NC @ Cat’s Cradle
11/21 Washington, DC @ DC9
11/23 Rochester, NY @ Bug Jar
11/27 Buffalo, NY @ Mohawk Place – JUST ANNOUNCED!

BUY TICKETS HERE

EUROPEAN VINYL

LTBTM Euro Edition – The European Version of LTBTM from Stickman Records, normally a European exclusive. We brought back a limited number from our European 2019 Tour. This Edition includes a 180 gram Silver Vinyl! Only 8 copies remain.

Orion Euro Edition – The European Version of Orion from Stickman Records, normally a European exclusive. This Edition includes a 180 gram Orange Transparent Vinyl and comes with a CD! Only 7 copies remain.

Repeater Euro Edition – The European Version of Repeater from Stickman Records, normally a European exclusive. This Edition includes a Beer Yellow Transparent Vinyl with Black silkscreen! Only 12 copies remain.

Lineup:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com

King Buffalo, Live at Freak Valley Festival 2019

King Buffalo, Longing to be the Mountain (2018)

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Orodruin Sign to Cruz Del Sur Music; Ruins of Eternity Due in October

Posted in Whathaveyou on July 16th, 2019 by JJ Koczan

orodruin

Technically speaking, Ruins of Eternity is the follow-up to Orodruin‘s debut long-player, Epicurean Mass (discussed here). Only kicker there is that Epicurean Mass came out in 2003, so the sophomore effort is arriving some 16 years after the fact. Hey, good doom takes time. The Rochester, New York, outfit are the latest in the classic-doom vein to sign with Cruz Del Sur Music behind the recent acquisition of Ogre and others from the last few years like Apostle of Solitude and Argus, and Ruins of Eternity has been given an October release date, which given guitarist John Gallo‘s penchant for the drama of classic horror, does not make Halloween seem unreasonable. It’ll be out right around the same time as Ogre‘s new record either way, which certainly puts them in good company.

It’s been a long time coming, but Orodruin have a real chance here to make that wait pay off. Here’s hoping they take advantage.

From the PR wire:

orodruin ruins of eternity new cover

ORODRUIN to release “Ruins of Eternity” in October

Veteran Rochester, New York doomsters Orodruin have signed with Cruz Del Sur Music for the release of their second full-length album, “Ruins Of Eternity”. The album — the band’s first in 16 years — will see the light of day this October.

Originally formed in 1998 by John Gallo (guitar), Mike Puleo (bass/vocals), Nick Tydelski (guitar) and Mike Waske (drums), ORODRUIN broke onto the American metal scene with 2003’s “Epicurean Mass”, which remains their lone full-length album to date.
From the vintage school of BLACK SABBATH and SAINT VITUS doom with a European twist, ORODRUIN’s penchant for churning riffs and atmospheric passages instantly put them on the global doom metal map. The band issued a split, compilation, demo and EP in ensuing years, all building up to the eventual release of their sophomore album.

According to Gallo, ORODRUIN wrote nine new songs from 2016 to 2018, with a tenth song, “Letter Of Life’s Regret” coming from 2005. The album was tracked throughout 2018 at Wicked Squid Studio and is currently being mixed with the mastering process right around the corner.

“Stylistically, the songs are in the epic doom realm like the master titans of the 1970s, SABBATH and JUDAS PRIEST,” says Gallo. “The songs are a long-awaiting evolution in our writing and chemistry among brothers on a treacherous journey that will finally be unleashed to the masses. We hope it translates well to the hearts and souls of our fans worldwide.”

In preparation for the band’s triumphant return to European shores for this fall’s Hammer Of Doom Festival festival, ORODRUIN have enlisted drummer Kevin Latchaw of labelmates Argus, who is temporarily manning the drum spot while the band searches for a replacement for Waske, who left ORODRUIN in April of 2018.

Gallo: “We are extremely honored to be playing the same night as Uli Jon Roth and TROUBLE alongside our classic doom brothers MIRROR OF DECEPTION, SKALD and ATLANTEAN KODEX on the next day, to mention only a few! We can’t express how amazing it will be to be playing a substantial doom metal festival in Germany again. We hope people enjoy the new material as much as we do playing it.”

ORODRUIN’s addition to Cruz Del Sur adds to an ever-growing stable of excellent doom metal bands. Not only will the partnership expose ORODRUIN to new audiences, it will put them in close company with many bands who they consider contemporaries. “We have been aware of Cruz Del Sur for a while and it seemed like the perfect home for us as we have a more European audience that appreciates our style of doom metal. Plus, it will be great to be alongside our fellow doom friends in WHILE HEAVEN WEPT, SLOUGH FEG and ARGUS.”

Orodruin is:
Nick Tydelski : Guitar
Michael Puleo : Bass, Vocals, Drums
John Gallo : Other Guitar

https://www.facebook.com/orodruinofficialband
cruzdelsurmusic.com
facebook.com/cruzdelsurmusic
cruzdelsurmusic.bandcamp.com

Orodruin, Epicurean Mass (2003)

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King Buffalo Announce European Tour Dates with Child

Posted in Whathaveyou on April 9th, 2019 by JJ Koczan

king buffalo

I can’t help but notice that in the list of just-announced European tour dates that King Buffalo will undertake in the company of Australian blues rockers Child, there’s a four-day stretch between their stop at Black Deer Festival in the UK and a date in Caligari, Italy. Does that mean what I think it means? Perhaps a trip to Sardinia on the sly to take part in a certain ultimate-daydream unofficial festival? Yes, I’m talking about Duna Jam. Are King Buffalo playing it? With Child? Fucking take a second and imagine how incredible that will be. Take another second.

Speculation on my part. I know nothing about Duna Jam, or if it’s even happening. It might just be the bands needed a little time to travel after the UK stop. I don’t know. But man, even the thought of King Buffalo playing on the beach in Sardinia, well, it sounds like a really good idea to me, and just maybe I’m not the only one.

Whether you see them there or don’t, see them. I’ve been scratching my head for the last little bit trying to think of some of the most crucial up and coming acts in the varying stripes of American heavy, and King Buffalo are a name to which I continually return. See them.

Dates follow:

king buffalo euro tour

We’re European bound this summer with our good friends CHILD!! All dates below:

21.06 GER – Siegen, Freak Valley Festival**
22.06 UK – Royal Tunbridge Wells, Black Deer Festival
27.06 I – Cagliari, Corto Maltese
28.06 I – Bologna, Freak Out
29.06 I – Allesandria, Cascina, Bellaria
30.06 A – Innsbruck, PMK
01.07. GER – Munich, Feierwerk
02.07. A – Vienna, Viper Room
03.07. GER – Cottbus, Fauler August
04.07. GER – Berlin, Badehaus
05.07. GER – Münster – Rare Guitar
06.07. A – Salzburg, Rockhouse
07.07. GER – Cologne, MTC
08.07. GER – Darmstadt, Oetinger Villa
09.07. GER – Hamburg, Hafenklang
10.07. SWE – Motala, Bomber Bar
11.07. NOR – Oslo, Bla
13.07. LIT – Anyksciai, Devilstone
**only KB

Previously announced East Coast shows:
4/20 Toronto, ON @ Velvet Underground
4/26 Boston, MA @ Middle East Upstairs
4/27 Newport, RI @ Rusty’s
5/3 Baltimore, MD @ Windup
5/4 Philadelphia, PA @ Kung Fu Necktie
5/26 Joshua Tree, CA @ Stoned & Dusted
6/1 Brooklyn, NY @ Saint Vitus
6/8 Montreal, QC @ Tattoo Nouvelle Ere

Info & ticket links: http://kingbuffalo.com/

Lineup:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
twitter.com/kingbuffaloband
kingbuffalo.bandcamp.com

King Buffalo, Longing to be the Mountain (2018)

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King Buffalo Announce East and West Coast Touring, Hint at More to Come

Posted in Whathaveyou on January 10th, 2019 by JJ Koczan

king buffalo (Photo by Mike Turzanski)

I know it’s a New Year and all, and hey, that’s nifty, but lest we forget that King Buffalo put out two of the finest releases of 2018 in the form of their Repeater EP (review here) and their second full-length, Longing to Be the Mountain (review here). One might want to keep this in mind when it comes to mapping out where you’re going to be the night King Buffalo hit your town.

You can apply whatever cliche you want about them hitting their stride or coming into their own sound, but the fact is that King Buffalo are quickly making themselves one of the US underground’s most crucial up and coming heavy bands, and it’s the kind of thing where you see them now and brag about it later. For years. If I need to say it outright, I will: You should find a show and go to it. It is not a thing you’ll regret.

They’re on the second pressing of the LP already. More info follows:

King Buffalo West Coast and East Coast Dates

We’re excited to be heading back out on the road for our Third and Fourth legs of the Longing To Be The Mountain Tour. We’ve received a lot of support for the new record and we can’t thank everyone enough. Please keep spreading the word! We’re amazed to hear how many people find out about us through word of mouth.

We have a lot of touring planned for 2019, so if these dates aren’t in your area, stay tuned. We look forward to seeing everyone soon.

The 2nd pressing of Longing To Be The Mountain is now available. Get a copy at kingbuffalo.bigcartel.com

JUST ANNOUNCED WEST AND EAST COAST 2019 TOUR DATES
Tickets on sale at 10am est on 1/11/19.

2/7 Ottawa, ON @ House of Targ
2/8 Montreal, QC @ L’Esco
2/9 Burlington, VT @ Higher Ground
2/22 New York, NY @ Mercury Lounge
2/23 Buffalo, NY @ Mohawk Place
3/14 Grand Rapids, MI @ Founders Brewing Co.
3/15 Chicago, IL @ The Hideout
3/16 Milwaukee, WI @ Cactus Club
3/17 Minneapolis, MN @ 7th Street Entry
3/20 Spokane, WA @ The Pin
3/21 Seattle, WA @ Barboza
3/22 Vancouver, BC @ Wise Hall
3/23 Portland, OR @ White Eagle Saloon
3/24 San Francisco, CA @ Café Du Nord
3/26 Los Angeles, CA @ Catch One
3/27 Phoenix, AZ @ Rebel Lounge
3/28 Las Vegas, NV @ Beauty Bar
3/29 Salt Lake City, UT @ The Loading Dock
3/30 Denver, CO @ Lost Lake Lounge
4/2 Kansas City, MO @ Riot Room
4/3 St Louis, MO @ Duck Room
4/4 Louisville, KY @ Zanzabar
4/5 Cincinnati, OH @ Motr Pub
4/6 Pittsburgh, PA @ Café Club
4/20 Toronto, ON @ Velvet Underground
4/26 Boston, MA @ Middle East Upstairs
5/4 Philadelphia, PA @ Kung Fu Necktie

Info & ticket links: http://kingbuffalo.com/

Lineup:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
twitter.com/kingbuffaloband
kingbuffalo.bandcamp.com

King Buffalo, Longing to be the Mountain (2018)

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King Buffalo Post “Cosmonaut” Video; Last Shows of 2018 This Week

Posted in Bootleg Theater on November 26th, 2018 by JJ Koczan

king buffalo (Photo by Mike Turzanski)

Just a bit of gorgeousness to make your day better. Because it’s precisely the kind of nerd I am, I’ve already been thinking of where to place King Buffalo‘s second album, Longing to Be the Mountain (review here), on my year-end list. Hey, you know, the poll goes up this Friday on here, so I’m not actually that early. But they’re pretty high up, and the more I listen to the record, the more that number seems to climb. The record hits such a perfect balance of the ephemeral and the ethereal, a cosmic lushness and an earthy undertone of groove playing out across its wide-ranging but still cohesive span. It is vast and welcoming in equal measure. I’m not sure yet where it’ll finally end up, but yeah, it’ll be up there somewhere among the bigger covers when the list goes live next month.

They have two shows left this year — Albany and Boston — and I haven’t heard much about tour plans for 2019, but it’s easy to imagine something’s in the works. Europe, maybe? Another US run? Whatever it is, King Buffalo are pushing themselves into new territories in sound and presence with Longing to Be the Mountain, and clearly the mission is to share that with as many people as possible.

Like the song “Cosmonaut” itself, I’ll keep it relatively short and leave it there. Some more info and those show details follow the video, courtesy of the PR wire.

Enjoy:

King Buffalo, “Cosmonaut” official video

We wanted to thank everyone for their overwhelming support for our new record Longing to Be the Mountain! We’ve already well surpassed our expectations and it’s only been out just over a month. We’re completely DIY, so to see so many people sharing and spreading the word means everything to us. We’re currently planning tours for 2019 across North America, Europe and beyond, so we hope to see you all soon. Stay tuned friends.

We’ve SOLD OUT of both the Deluxe and Standard Edition Vinyl, so we’ve put up a 100 copies of the Tour Edition while we wait for a repress. Grab a copy or some other merch and show your support for King Buffalo!

We only have two more shows for the rest of 2018. Don’t miss them!

King Buffalo live:
11/29 Albany, NY @ The Low Beat
11/30 Boston, MA @ O Briens Pub

King Buffalo is:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

King Buffalo, Longing to Be the Mountain (2018)

King Buffalo BigCartel store

King Buffalo website

King Buffalo on Thee Facebooks

King Buffalo on Twitter

King Buffalo on Instagram

Stickman Records website

Stickman Records on Thee Facebooks

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Orodruin Post Ruins of Eternity Cover Art; Set Feb. 2019 Release Date

Posted in Whathaveyou on November 6th, 2018 by JJ Koczan

Hey, crazier things have happened, but to call a proper sophomore full-length from Rochester, New York, doom loyalists Orodruin long-awaited is underselling it. The former four-piece/now-trio will be past the 20-year mark when and if in fact their second album, Ruins of Eternity arrives in Feb. 2019, as guitarist John Gallo (also Blizaro, solo work, etc.) has newly reconfirmed. Their last EP, In Doom was issued in 2012 — one remembers getting a copy at Days of the Doomed II (review here) in Wisconsin that year — but their lone long-player to-date is 2003’s Epicurean Mass (discussed here), and that was 15 years ago.

They’ve been a well-kept secret in doom ever since, in 2004 issuing the collection Claw Tower …And Other Tales of Terror and sporadic other outings along the way but mostly playing periodic shows with other bands coming through or hitting fests like the aforementioned Days of the Doomed. Even that was some years ago at this point though, and I have to wonder what a new Orodruin might sound like 15-16 years after Epicurean Mass, just how much of the Paul Chain/Goblin influence from Gallo‘s solo work will have made its way into the proceedings, if any. And just the basic construction of it. More than a decade and a half later, if Ruins of Eternity is an hour long, you’d have to say that’s justified.

Well, we might find out in February. I wouldn’t mind. Shadow Kingdom Records, which is home also to Pale Divine and Iron Void among other choice trad doomers, has reportedly signed on to do the release, and fair enough. The band actually posted the cover a while back and said the record would be out in February, but I happened to catch Gallo putting it out again with the mini-update on the status you see below, so it’s good to keep track of where they’re at. Here’s the art and the quick word:

orodruin ruins of eternity new cover

“It is planned to be released February of 2019. Wrapping up vocals then mixing.”

Orodruin is:
Nick Tydelski : Guitar
Michael Puleo : Bass, Vocals, Drums
John Gallo : Other Guitar

https://www.facebook.com/orodruinofficialband/
www.shadowkingdomrecords.com
www.facebook.com/shadowkingdomrecords
https://shadowkingdomrecords.bandcamp.com/

Orodruin, Epicurean Mass (2003)

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