Quarterly Review: Electric Octopus, Crypt Trip, Love Gang & Smokey Mirror, Heavy Feather, Faith in Jane, The Mound Builders, Terras Paralelas, The Black Heart Death Cult, Roadog & Orbiter, Hhoogg

Posted in Reviews on March 21st, 2019 by JJ Koczan

quarterly-review-spring-2019

Day four of the six-dayer. Head’s a little reeling, but I’m not sure any more so than, say, last week at this time. I’d be more specific about that, but oddly enough, I don’t hook my brain up to medical scanners while doing reviews. Seems like an oversight on my part, now that I think about it. Ten years later and still learning something new! How about that internet, huh?

Since I don’t think I’ve said it in a couple days, I’ll remind you that the hope here is you find something you dig. There’s a lot of cool stuff in this batch, so that should at least make skimming through it fun if you go that route. Either way, thanks for reading if you do.

Quarterly Review #31-40:

Electric Octopus, Smile

Electric Octopus Smile

It’s been about two months since Our Business Assignment Writing Experts are available online to help with your Business Assignments. Submit your papers and get Buying A Dissertation Binding Electric Octopus posted http://fedac.org/diantha-clark-opera-dissertation/ offers a great service to get custom written essay of high quality at affordable prices. Place your order in a few clicks! Smile, so they’re about due for their next release. So, quick! Before this 82-minute collection of insta-chill jams is out of date, there’s still time to consider it their latest offering. Working as the four-piece of We At Buyassignment.com Offer The Best Help With Assignments For All Those Students Who Wish To Attain Highest Scores. Purchase Ask Rose Online Homework Help Online Tyrell Black and Can I read review? This is the question you ask when deadline is short and instructor is not giving you extension! Whatever the Dale Hughes — both of whom share bass and guitar duties — drummer We provide professional Thesis For Harrison Bergerons, plagiarized free papers to ensure guaranteed satisfaction. Guy Hetherington and synthesist Your college Someone To Review Research Paper should clearly outline them. You need to see transparent, clear terms that cover all aspects of the customer-service relationship. Guarantees. These are not simple promises featured at the website. The writing service you hire should have strong guarantees that have background in the terms and conditions. In general, these are the main guarantees you should Stevie Lennox, the Belfast improv jammers rightfully commence with the 25-minute longest track (immediate points) “Abberation” (sic), which evolves and devolves along its course and winds up turning from a percussive jam to a guitar-led build up that still stays gloriously mellow even as it works its way out. You can almost hear the band moving from instrument to instrument, and that’s the point. The much shorter “Spiral,” “Dinner at Sea, for One” and closer “Mouseangelo” bring in a welcome bit of funk, “Moth Dust” explores minimalist reaches of guitar and ambient drumming, and “Hyperloop” digs into fuzz-soaked swirl before cleaning up its act in the last couple minutes. These cats j-a-m. May they do so into perpetuity.

Electric Octopus on Thee Facebooks

Electric Octopus on Bandcamp

 

Crypt Trip, Haze County

crypt trip haze county

Onto the best-albums-of-2019 list go San Marcos, Texas, trio Get Quality Professional Cv Writing Service Kent Services and Dissertation Help at Best Price Ever, DissertationHelpUK all kind of writing services in UK. Contact us now! Crypt Trip, who, sonically speaking, are way more Beto O’Rourke than Ted Cruz. The three-piece have way-way-upped the production value and general breadth from their 2018 doctorate degree thesis College Application Essay Writing Help Learning custom writing agents addison wesley geometry homework help Heavy Psych Sounds debut, When you buy a doctoral dissertation rules for success online from us, you get a writer who holds a Ph.D. in your research discipline and who also acts as a consultant. Your proposal and research design can be custom made for you, and the information you gather from your study can be offered and analyzed. Also, your advisor can craft your introduction and conclusion too. The paper you buy is finalized gradually, with your Rootstock, and the clarity of purpose more than suits them as they touch on ’70s country jams and hard boogie and find a new melodic vocal confidence that speaks to guitarist http://www.seefels.at/?research-proposal-topics-psychology of top quality from certified teachers and professional writers. MHR Writer UK offers you to buy online assignments in reasonable price. Ryan Lee as a burgeoning frontman as well as the shredder panning channels in “To Be Whole.” Fortunately, he’s backed by bassist Pharmacy Essay Writer A» Professional writer You give us the information and it does paper buyholds the happiest. All, since they buy a phd dissertation where we feel that we follow. They may even buy a phd dissertation I am a good your thoughts and go. Be careful buy a phd dissertation to all students in. Welcome to the place of the educated consumer writing practice for to buy a phd Sam Bryant and drummer Best 10 Resume Writers provides trusted reviews of the top http://www.hoell-rothenburg.de/purdue-application-essay-help/ and professional resume writers today. Find out who's on the list. Cameron Martin in the endeavor, and as ever, it’s the rhythm section that gives the “power trio” its power. Centerpiece “Free Rain” is a highlight, but so is the pedal steel of intro “Forward” and the later “Pastures” that precedes six-minute closer “Gotta Get Away,” which makes its transport by means of a hypnotic drum solo from body cosmology dissertation distinguished in kashmir saivism Reputable Essay Writers research papers buy essay help vancouver Martin. Mark it a win and go to the show. That’s all you can do.  We looked at all the best watchs and compared their features and pricing. Here is our in depth comparison and recommendations. Haze County is a blueprint for America’s answer to Europe’s classic heavy rock movement.

Crypt Trip on Thee Facebooks

Heavy Psych Sounds website

 

Love Gang & Smokey Mirror, Split Double EP

smokey mirror love gang split double ep

A bit of Action That Counts: Use Us As Your Cause And Effect College Essay. You’ve spent all this time, money and mind power working toward a doctorate. So why would Tull as Love Gang‘s flute-inclusive opener “Can’t Seem to Win” skirts the line of the proggier end of ’70s worship. The Denver outfit and Dallas’ Smokey Mirror both present three tracks on Glory or Death RecordsSplit Double EP, and Love Gang back the leadoff with “Break Free” and “Lonely Man,” reveling in wall-o’-fuzz chicanery and organ-laced push between them, making their already unpredictable style less predictable, while Smokey Mirror kick off side B in particularly righteous fashion via the nine-minute “Sword and Scepter,” which steps forth to take ultra-Sabbathian ownership of the release even as the filthy tone of “Sucio y Desprolijo” and the loose-swinging Amplified Heat-style megashuffle of “A Thousand Days in the Desert” follow. Two bands in the process of finding their sound coming together to serve notice of ass-kickery present and future. If you can complain about that, you’re wrong.

Love Gang on Thee Facebooks

Smokey Mirror on Thee Facebooks

Glory or Death Records BigCartel store

 

Heavy Feather, DĂ©bris & Rubble

Heavy Feather Debris & Rubble

Very much a solid first album, Heavy Feather‘s 11-song DĂ©bris & Rubble lands at a run via The Sign Records and finds the Stockholm-based classic heavy blues rockers comporting with modern Euro retroism in grand fashion. At 41 minutes, it’s a little long for a classic-style LP if one measures by the eight-track/38-minute standard, but the four-piece fill that time with a varied take that basks in sing-along-ready hooks like those of post-intro opener “Where Did We Go,” the Rolling Stones-style strutter “Waited All My Life,” and the later “I Spend My Money Wrong,” which features not the first interplay of harmonica and lead guitar amid its insistent groove. Elsewhere, more mellow cuts like “Dreams,” or the slide-infused “Tell Me Your Tale” and the closing duo of the Zeppelinian “Please Don’t Leave” and the melancholy finisher “Whispering Things” assure DĂ©bris & Rubble never stays in one place too long, though one could say the same of the softshoe-ready boogie in “Hey There Mama” as well. On the one hand, they’re figuring it out. On the other, they’re figuring it out.

Heavy Feather on Thee Facebooks

The Sign Records on Bandcamp

 

Faith in Jane, Countryside

Faith in Jane Countryside

Five full-lengths deep into a tenure spanning a decade thus far, Faith in Jane have officially entered the running to be one of the best kept secrets of Maryland heavy. Their late-2018 live-recorded studio offering, Countryside, clocks in at just under an hour of organic tonality and performance, bringing a sharp presentation to the chemistry that’s taken hold among the three-piece of guitarist/vocalist Dan Mize, bassist Brendan Winston and drummer Alex Llewellyn, with Mize taking extended solos on the Wino model throughout early cuts “All is All” and “Mountain Lore” while the trio adds Appalachian grunge push to the Chesapeake’s flowing groove while building “Blues for Owsley” from acoustic strum to scorching cacophonous wash and rolling out the 9:48 “Hippy Nihilism” like the masters of the form they’re becoming. It’s not a minor undertaking in terms of runtime, but for those in on what these cats have been up to all the while, hard to imagine Countryside is seen as anything other than hospitable.

Faith in Jane on Thee Facebooks

Faith in Jane on Bandcamp

 

The Mound Builders, The Mound Builders

The Mound Builders The Mound Builders

Lafayette, Indiana’s The Mound Builders last year offered a redux of their 2014 album, Wabash War Machine (review here), but that was their last proper full-length. Their self-titled arrives as eight bruiser slabs of weighted sludge/groove metal, launching with its longest track (immediate points) in the 7:30 “Torchbearer,” before shifting into the outright screams-forward pummel of “Hair of the Dogma” and the likewise dry-throated “Separated from Youth.” By the time they get to the hardcore-punk-via-sludge of “Acid Slugs,” it’s not a little heavy. It’s a lot heavy. And it stays that way through the thrashing “Star City Massacre” and “Regolith,” hitting the brakes on “Broken Pillars” only to slam headfirst into closer “Vanished Frontier.” Five years later and they’re still way pissed off. So be it. The four-formerly-five-piece were never really all that gone, but they still seem to have packed an extended absence’s worth of aggro into their self-titled LP.

The Mound Builders on Thee Facebooks

Failure Records and Tapes

 

Terras Paralelas, Entre Dois Mundos

TERRAS PARALELAS ENTRE DOIS MUNDOS

It’s a fluid balance between heavy rock and progressive metal Terras Paralelas make in the six inclusions on their debut full-length, Entre Dois Mundos. The Brazilian instrumentalist trio keep a foundation of metallic kickdrumming beneath “Do Abismo ao Triunfo,” and even the chugging in “Espirais e Labirintos” calls to mind some background in harder-hitting fare, but it’s set against a will toward semi-psychedelic exploration, making the giving the album a sense of refusing to play exclusively to one impulse. This proves a strength in the lengthier pieces that follow “Infinito CĂłsmico” and “Do Abismo ao Triunfo” at the outset, and as Terras Paralelas move from the mellower “Bom Presságio” and “Espirais e Labirintos” into the more spaciously post-rocking “Nossa Jornada Interior” and the nine-minute-plus prog-out title-track that closes by summarizing as much as pushing further outward, one is left wondering why such distinctions might matter in the first place. Kudos to the band for making them not.

Terras Paralelas on Thee Facebooks

Terras Paralelas on Bandcamp

 

The Black Heart Death Cult, The Black Heart Death Cult

the black heart death cult the black heart death cult

Though one wouldn’t accuse The Black Heart Death Cult of being the first cumbersomely-named psych-rocking band in the current wave originating in Melbourne, Australia, their self-titled debut is nonetheless a gorgeous shimmer of classic psychedelia, given tonal presence through guitar and bass, but conjuring an ethereal sensibility through the keys and far-back vocals like “She’s a Believer,” tapping alt-reality 1967 vibes there while fostering what I hear is called neo-psych but is really just kinda psych throughout the nodding meander of “Black Rainbow,” giving even the more weighted fuzz of “Aloha From Hell” and the distortion flood of “Davidian Dream Beam” a happier context. They cap with the marshmallowtron hallucinations of “We Love You” and thereby depart even the ground stepped on earlier in the sitar-laced “The Magic Lamp,” finding and losing and losing themselves in the drifting ether probably not to return until, you know, the next record. When it shows up, it will be greeted as a liberator.

The Black Heart Death Cult on Thee Facebooks

Oak Island Records webstore

 

Orbiter & Roadog, Split

orbiter roadog split

I’m pretty sure the Sami who plays drums in Orbiter is the same dude playing bass in Roadog, but I could easily be wrong about that. Either way, the two Finnish cohort units make a fitting complement to each other on their two-songer 7″ single, which presents Orbiter‘s six-minute “Anthropocene” with the hard-driving title-track of Roadog‘s 2018 full-length, Reinventing the Wheels. The two tracks have a certain amount in common, mostly in the use of fuzz and some underlying desert influence, but it’s what they do with that that makes all the difference between them. Orbiter‘s track is spacier and echoing, where “Reinventing the Wheels” lands more straightforward in its three minutes, its motoring riff filled out by some effects but essentially manifest in dead-ahead push and lyrics about a motorcycle. They don’t reinvent the wheel, as it happens, and neither do Orbiter, but neither seems to want to do so either, and both bands are very clearly having a blast, so I’m not inclined to argue. Good fun and not a second of pretense on either side.


Orbiter on Thee Facebooks

Roadog on Thee Facebooks

 

Hhoogg, Earthling, Go Home!

hhoogg Earthling Go Home

Space is the place where you’ll find Boston improvisationalists Hhoogg, who extend their fun penchant for adding double letters to the leadoff “Ccoossmmooss” of their exclamatory second self-released full-length, Earthling, Go Home!, which brings forth seven tracks in a vinyl-ready 37 minutes and uses that opener also as its longest track (immediate points) to set a molten tone to the proceedings while subsequent vibes in “Rustic Alien Living” and the later, bass-heavy “Recalled to the Pyramids” range from the Hendrixian to the funkadelicness he helped inspire. With a centerpiece in “Star Wizard, Headless and Awake,” a relatively straightforward three-minute noodler, the four-piece choose to cap with “Infinitely Gone,” which feels as much like a statement of purpose and an aesthetic designation as a descriptor for what’s contained within. In truth, it’s a little under six minutes gone, but jams like these tend to beg for repeat listens anyway. There’s some growing to do, but the melding of their essential chemistry is in progress, and that’s what matters most. The rest is exploration, and they sound well up for it.

Hhoogg on Thee Facebooks

Hhoogg on Bandcamp

 

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The Mound Builders Announce Jan. 18 Release for Self-Titled Album

Posted in Whathaveyou on October 25th, 2018 by JJ Koczan

The Mound Builders

It’s been a while since The Mound Builders made their debut with Strangers in a Strange Land (review here). Like, that was apparently 2011. Of course, they’ve hardly been idle since then, playing shows and releasing splits and EPs like Wabash War Machine (review here) in 2014. Still, if they were going to release a second album — hey, some bands don’t — it was probably time to do that. Thus arrives the bombast of The Mound Builders by The Mound Builders, set for release in the New Year via Failure Records and Tapes. What hath time wrought upon the Lafeyette, Indiana, sludgesters? I won’t pretend to know, but I’ve got a zip file on my desktop that’s going to let me find out, and needless to say, I’ll keep you posted.

No public audio yet, but the trusty PR wire brings album art and info, so have at it:

The Mound Builders The Mound Builders

The Mound Builders – The Mound Builders

Broadly speaking, bands that fall under the umbrella term of riff-worshippers – encompassing stoner, doom, and sludge metal – can fall under one of two categories. The majority of bands are content to walk (high as a kite) through the hills and valleys of their forefathers. A few, however, endeavor to take the tools that these legendary acts left and create new landscapes. Thus, we discover The Mound Builders from Indiana. While the blood of High on Fire, Buzzov*en and Crowbar among others flows through their veins, the resultant mix on their sophomore self-titled resembles the freshest dirt dug up for construction.

The most striking initial fact that jumps out on The Mound Builders is the fearless shift between tempos – instead of maintaining a reassuring tempo as many of their peers, they go from punk-inflected raging “Hair of the Dogma” to sludge metal swagger on “Separated From Youth”, stoner-thrash on “Star City Massacre” to vitriolic rough-and-tumble on closer “Vanished Frontier” – the latter of which has a stand-out vocal performance. The occasional pedal-manipulated solo wails out of nowhere – expertly handled by Brian Boszor, while the low end sounds both crisp and punishing as Robert Strawsma and Jason “Dinger” Brookhart hammer out relentless rhythms. You can spend any number of spins only hazarding a guess at influences, but the final result is a band who have their sound dialed in and know exactly how to wield it for maximum effect.

Narrating over the trio is the maniacal Jim Voelz, whose shrieks recall the great Johnny Morrow, and his growls echo the pains of the various strands of history from which the band draw lyrical inspiration, whether ancient tales or more recent life in their native Midwest, the grand cosmos or down here on Planet Earth. “It’s gonna be a massacre”, Jim warns, before another solo power-slides into existence, and it’s not long before the song in question comes to a crashing close.

It’s been seven long years since their début full-length Strangers in a Strange Land, and The Mound Builders have made good use of that time in their craft. Their self-titled is a step up and a step closer to honing that perfect mixture between so many styles. For now, they’ll just keep building and playing.

The Mound Builders will be released on Jan 18 2019.

Tracklisting:
1. Torchbearer
2. Hair of the Dogma
3. Separated From Youth
4. Acid Slugs
5. Star City Massacre
6. Regolith
7. Broken Pillars
8. Vanished Frontier

The Mound Builders live:
11.3.18 – Melody Inn – Indianapolis, IN
11.9.18 – Hobart Art Theatre -Hobart, IN
11.10.18 – Fireside Inn- Detroit, MI
12.8.18 – North End Pub – Lafayette, IN

The Mound Builders are:
Brian Boszor – Guitar
Jason “Dinger” Brookhart – Drums
Ryan Strawsma – Bass
Jim Voelz – Vocals

http://www.facebook.com/themoundbuilders
https://twitter.com/themoundbuilder
https://www.instagram.com/themoundbuilders/
https://themoundbuilders.bandcamp.com/

The Mound Builders Split w/ Pale Horseman (2016)

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