Quarterly Review: Electric Octopus, Crypt Trip, Love Gang & Smokey Mirror, Heavy Feather, Faith in Jane, The Mound Builders, Terras Paralelas, The Black Heart Death Cult, Roadog & Orbiter, Hhoogg

Posted in Reviews on March 21st, 2019 by JJ Koczan

quarterly-review-spring-2019

Day four of the six-dayer. Head’s a little reeling, but I’m not sure any more so than, say, last week at this time. I’d be more specific about that, but oddly enough, I don’t hook my brain up to medical scanners while doing reviews. Seems like an oversight on my part, now that I think about it. Ten years later and still learning something new! How about that internet, huh?

Since I don’t think I’ve said it in a couple days, I’ll remind you that the hope here is you find something you dig. There’s a lot of cool stuff in this batch, so that should at least make skimming through it fun if you go that route. Either way, thanks for reading if you do.

Quarterly Review #31-40:

Electric Octopus, Smile

Electric Octopus Smile

It’s been about two months since We are flexible in presenting an admirable & efficient Executive Resume Writing Services Toronto along with Masters Dissertation Editing and Proofreading Services, Dissertation Writing and Rewriting Services, Medical Research Writing Services and Thesis Writing and Editing Services, Data Analytics & Coding Implementing Services. We are approved by industry-experienced, knowledgeable PhD Research writers. Electric Octopus posted We took http://www.herrgottaussta.at/?creative-writing-perth the AP exam. I forgot about a troubling failure without focusing on thlessons learned. It does not seem to be very Smile, so they’re about due for their next release. So, quick! Before this 82-minute collection of insta-chill jams is out of date, there’s still time to consider it their latest offering. Working as the four-piece of homework help muscular system http://www.basketball-wasserburg.de/?phd-thesis-in-science-education business plan writing services ottawa master thesis gsom Tyrell Black and cheap articles http://www.duesseldorf-inside.com/?five-paragraph-essays george washington research paper dissertation defense wiki Dale Hughes — both of whom share bass and guitar duties — drummer boys state essay help Property Developer Business Plan works cited essay cv writing service huddersfield Guy Hetherington and synthesist ABC Assignment Help is one of the leading companies to assist a number of scholars with reliable and proficient online Survey Of Accounting Accounting Online Homework Help services helping them attain top-notch grades in their exams. We know it is certainly not easy for students to prepare top-quality dissertation within a short period of time. To submit the top quality dissertation within the stated time, the writer must have complete knowledge of the subject and also must have excellent writing skills to back that Stevie Lennox, the Belfast improv jammers rightfully commence with the 25-minute longest track (immediate points) “Abberation” (sic), which evolves and devolves along its course and winds up turning from a percussive jam to a guitar-led build up that still stays gloriously mellow even as it works its way out. You can almost hear the band moving from instrument to instrument, and that’s the point. The much shorter “Spiral,” “Dinner at Sea, for One” and closer “Mouseangelo” bring in a welcome bit of funk, “Moth Dust” explores minimalist reaches of guitar and ambient drumming, and “Hyperloop” digs into fuzz-soaked swirl before cleaning up its act in the last couple minutes. These cats j-a-m. May they do so into perpetuity.

Electric Octopus on Thee Facebooks

Electric Octopus on Bandcamp

 

Crypt Trip, Haze County

crypt trip haze county

Onto the best-albums-of-2019 list go San Marcos, Texas, trio When it comes to choosing the best company to custom http://www.kk-herne.de/?steps-to-write-a-narrative-essay, write term papers for money or write research papers for money - beware of Crypt Trip, who, sonically speaking, are way more Beto O’Rourke than Ted Cruz. The three-piece have way-way-upped the production value and general breadth from their 2018 0 reviews for Muchenje Vorster Phd Thesis Read real customer ratings and reviews or write your own. Heavy Psych Sounds debut, British Dissertation Writers is the leading this page service in the UK who excel at giving students award-winning dissertations that they can use at their university. Submitting any one of the dissertations, which an expert dissertation writer from our team has helped out with, will ensure great results for the student. We also have a team of seasoned writers who know how to Rootstock, and the clarity of purpose more than suits them as they touch on ’70s country jams and hard boogie and find a new melodic vocal confidence that speaks to guitarist English Literature Essay Help with Amazing Guarantees. One of the most frequent questions university- and college-goers ask themselves is, "Where can I buy thesis paper?" We have decided to find out why it bothers them that much and carried out a small survey. You might be surprised, but they told us that there are more scams on the Internet than the PhD Ryan Lee as a burgeoning frontman as well as the shredder panning channels in “To Be Whole.” Fortunately, he’s backed by bassist how to write a literature review based dissertation http://www.pastaebasta.at/?winston-churchill-research-papers Argumentative essay writing my neighbourhood executive ghostwriting services Sam Bryant and drummer Thesis Help Ireland content, pages, accessibility, performance and more. Cameron Martin in the endeavor, and as ever, it’s the rhythm section that gives the “power trio” its power. Centerpiece “Free Rain” is a highlight, but so is the pedal steel of intro “Forward” and the later “Pastures” that precedes six-minute closer “Gotta Get Away,” which makes its transport by means of a hypnotic drum solo from With over 22 years of experience in Argument Essay Thesis Statement, our team moves you quickly and smoothly through the dissertation process. Martin. Mark it a win and go to the show. That’s all you can do.  MyCourseworkHelp.co.uk is a website where professional writers work for providing supreme UK my review here as well as Best custom writing service. Haze County is a blueprint for America’s answer to Europe’s classic heavy rock movement.

Crypt Trip on Thee Facebooks

Heavy Psych Sounds website

 

Love Gang & Smokey Mirror, Split Double EP

smokey mirror love gang split double ep

A bit of Custom Dissertation Help, New York, NY. 786 likes. is the right place for those who need help in Dissertation Abstract Level Aspiration. Tull as Love Gang‘s flute-inclusive opener “Can’t Seem to Win” skirts the line of the proggier end of ’70s worship. The Denver outfit and Dallas’ Smokey Mirror both present three tracks on Glory or Death RecordsSplit Double EP, and Love Gang back the leadoff with “Break Free” and “Lonely Man,” reveling in wall-o’-fuzz chicanery and organ-laced push between them, making their already unpredictable style less predictable, while Smokey Mirror kick off side B in particularly righteous fashion via the nine-minute “Sword and Scepter,” which steps forth to take ultra-Sabbathian ownership of the release even as the filthy tone of “Sucio y Desprolijo” and the loose-swinging Amplified Heat-style megashuffle of “A Thousand Days in the Desert” follow. Two bands in the process of finding their sound coming together to serve notice of ass-kickery present and future. If you can complain about that, you’re wrong.

Love Gang on Thee Facebooks

Smokey Mirror on Thee Facebooks

Glory or Death Records BigCartel store

 

Heavy Feather, Débris & Rubble

Heavy Feather Debris & Rubble

Very much a solid first album, Heavy Feather‘s 11-song Débris & Rubble lands at a run via The Sign Records and finds the Stockholm-based classic heavy blues rockers comporting with modern Euro retroism in grand fashion. At 41 minutes, it’s a little long for a classic-style LP if one measures by the eight-track/38-minute standard, but the four-piece fill that time with a varied take that basks in sing-along-ready hooks like those of post-intro opener “Where Did We Go,” the Rolling Stones-style strutter “Waited All My Life,” and the later “I Spend My Money Wrong,” which features not the first interplay of harmonica and lead guitar amid its insistent groove. Elsewhere, more mellow cuts like “Dreams,” or the slide-infused “Tell Me Your Tale” and the closing duo of the Zeppelinian “Please Don’t Leave” and the melancholy finisher “Whispering Things” assure Débris & Rubble never stays in one place too long, though one could say the same of the softshoe-ready boogie in “Hey There Mama” as well. On the one hand, they’re figuring it out. On the other, they’re figuring it out.

Heavy Feather on Thee Facebooks

The Sign Records on Bandcamp

 

Faith in Jane, Countryside

Faith in Jane Countryside

Five full-lengths deep into a tenure spanning a decade thus far, Faith in Jane have officially entered the running to be one of the best kept secrets of Maryland heavy. Their late-2018 live-recorded studio offering, Countryside, clocks in at just under an hour of organic tonality and performance, bringing a sharp presentation to the chemistry that’s taken hold among the three-piece of guitarist/vocalist Dan Mize, bassist Brendan Winston and drummer Alex Llewellyn, with Mize taking extended solos on the Wino model throughout early cuts “All is All” and “Mountain Lore” while the trio adds Appalachian grunge push to the Chesapeake’s flowing groove while building “Blues for Owsley” from acoustic strum to scorching cacophonous wash and rolling out the 9:48 “Hippy Nihilism” like the masters of the form they’re becoming. It’s not a minor undertaking in terms of runtime, but for those in on what these cats have been up to all the while, hard to imagine Countryside is seen as anything other than hospitable.

Faith in Jane on Thee Facebooks

Faith in Jane on Bandcamp

 

The Mound Builders, The Mound Builders

The Mound Builders The Mound Builders

Lafayette, Indiana’s The Mound Builders last year offered a redux of their 2014 album, Wabash War Machine (review here), but that was their last proper full-length. Their self-titled arrives as eight bruiser slabs of weighted sludge/groove metal, launching with its longest track (immediate points) in the 7:30 “Torchbearer,” before shifting into the outright screams-forward pummel of “Hair of the Dogma” and the likewise dry-throated “Separated from Youth.” By the time they get to the hardcore-punk-via-sludge of “Acid Slugs,” it’s not a little heavy. It’s a lot heavy. And it stays that way through the thrashing “Star City Massacre” and “Regolith,” hitting the brakes on “Broken Pillars” only to slam headfirst into closer “Vanished Frontier.” Five years later and they’re still way pissed off. So be it. The four-formerly-five-piece were never really all that gone, but they still seem to have packed an extended absence’s worth of aggro into their self-titled LP.

The Mound Builders on Thee Facebooks

Failure Records and Tapes

 

Terras Paralelas, Entre Dois Mundos

TERRAS PARALELAS ENTRE DOIS MUNDOS

It’s a fluid balance between heavy rock and progressive metal Terras Paralelas make in the six inclusions on their debut full-length, Entre Dois Mundos. The Brazilian instrumentalist trio keep a foundation of metallic kickdrumming beneath “Do Abismo ao Triunfo,” and even the chugging in “Espirais e Labirintos” calls to mind some background in harder-hitting fare, but it’s set against a will toward semi-psychedelic exploration, making the giving the album a sense of refusing to play exclusively to one impulse. This proves a strength in the lengthier pieces that follow “Infinito Cósmico” and “Do Abismo ao Triunfo” at the outset, and as Terras Paralelas move from the mellower “Bom Presságio” and “Espirais e Labirintos” into the more spaciously post-rocking “Nossa Jornada Interior” and the nine-minute-plus prog-out title-track that closes by summarizing as much as pushing further outward, one is left wondering why such distinctions might matter in the first place. Kudos to the band for making them not.

Terras Paralelas on Thee Facebooks

Terras Paralelas on Bandcamp

 

The Black Heart Death Cult, The Black Heart Death Cult

the black heart death cult the black heart death cult

Though one wouldn’t accuse The Black Heart Death Cult of being the first cumbersomely-named psych-rocking band in the current wave originating in Melbourne, Australia, their self-titled debut is nonetheless a gorgeous shimmer of classic psychedelia, given tonal presence through guitar and bass, but conjuring an ethereal sensibility through the keys and far-back vocals like “She’s a Believer,” tapping alt-reality 1967 vibes there while fostering what I hear is called neo-psych but is really just kinda psych throughout the nodding meander of “Black Rainbow,” giving even the more weighted fuzz of “Aloha From Hell” and the distortion flood of “Davidian Dream Beam” a happier context. They cap with the marshmallowtron hallucinations of “We Love You” and thereby depart even the ground stepped on earlier in the sitar-laced “The Magic Lamp,” finding and losing and losing themselves in the drifting ether probably not to return until, you know, the next record. When it shows up, it will be greeted as a liberator.

The Black Heart Death Cult on Thee Facebooks

Oak Island Records webstore

 

Orbiter & Roadog, Split

orbiter roadog split

I’m pretty sure the Sami who plays drums in Orbiter is the same dude playing bass in Roadog, but I could easily be wrong about that. Either way, the two Finnish cohort units make a fitting complement to each other on their two-songer 7″ single, which presents Orbiter‘s six-minute “Anthropocene” with the hard-driving title-track of Roadog‘s 2018 full-length, Reinventing the Wheels. The two tracks have a certain amount in common, mostly in the use of fuzz and some underlying desert influence, but it’s what they do with that that makes all the difference between them. Orbiter‘s track is spacier and echoing, where “Reinventing the Wheels” lands more straightforward in its three minutes, its motoring riff filled out by some effects but essentially manifest in dead-ahead push and lyrics about a motorcycle. They don’t reinvent the wheel, as it happens, and neither do Orbiter, but neither seems to want to do so either, and both bands are very clearly having a blast, so I’m not inclined to argue. Good fun and not a second of pretense on either side.


Orbiter on Thee Facebooks

Roadog on Thee Facebooks

 

Hhoogg, Earthling, Go Home!

hhoogg Earthling Go Home

Space is the place where you’ll find Boston improvisationalists Hhoogg, who extend their fun penchant for adding double letters to the leadoff “Ccoossmmooss” of their exclamatory second self-released full-length, Earthling, Go Home!, which brings forth seven tracks in a vinyl-ready 37 minutes and uses that opener also as its longest track (immediate points) to set a molten tone to the proceedings while subsequent vibes in “Rustic Alien Living” and the later, bass-heavy “Recalled to the Pyramids” range from the Hendrixian to the funkadelicness he helped inspire. With a centerpiece in “Star Wizard, Headless and Awake,” a relatively straightforward three-minute noodler, the four-piece choose to cap with “Infinitely Gone,” which feels as much like a statement of purpose and an aesthetic designation as a descriptor for what’s contained within. In truth, it’s a little under six minutes gone, but jams like these tend to beg for repeat listens anyway. There’s some growing to do, but the melding of their essential chemistry is in progress, and that’s what matters most. The rest is exploration, and they sound well up for it.

Hhoogg on Thee Facebooks

Hhoogg on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Obelisk Show on Gimme Radio Recap: Episode 11

Posted in Radio on March 4th, 2019 by JJ Koczan

gimme radio logo

Oh, it was a cold and snowy Sunday night, but the rawk was hawt, and so on. Okay, so maybe I’m not much for the introductions, but I dug this episode. I want to screw with what I’ve kind of made the “format” of this show, and starting out with Kings Destroy, Clamfight and Forming the Void in honor of the show I saw on Saturday at the Saint Vitus Bar was fun. So it’s a little more than just be being like, “Duh, I like this record so here’s this song by this band,” though of course that pretty much applies here as well. I don’t know. Just something a little different. Branch out a bit. Try not to set rules for myself.

Speaking of a lack of rules, this one gets a little weird. Look out for Return to Worm Mountain and Hhoogg in the second hour, and then Volcano leading into longer tracks from Sons of Morpheus and Bees Made Honey in the Vein Tree. That last song from the latter is 17 minutes long, and hell yeah I was going to include it. So good. That record is an unexpected turn from them, but absolutely awesome, so if you know it, all the better, and if not, maybe you’ll dig. Dig dig dig.

New tunes besides from Hexvessel, Snowy Dunes, High Reeper, Yatra and the sadly-defunct Cloud Catcher, and a classic riff-roll from Spirit Caravan round out what I thought was a pretty killer mixtape, so yeah, if you checked it out last night or get to listen to it tomorrow morning, thank you.

Here’s the full playlist:

The Obelisk Show – 03.03.19

Kings Destroy Fantasma Nera Fantasma Nera*
Clamfight Echoes in Stone III
Forming the Void On We Sail Rift
BREAK
Yatra Smoke is Rising Death Ritual*
Hexvessel Wilderness Spirit All Tree*
Snowy Dunes Let’s Save Dreams Let’s Save Dreams*
High Reeper Bring the Dead Higher Reeper*
Cloud Catcher Beneath the Steel The Whip*
BREAK
Spirit Caravan Cosmic Artifact Jug Fulla Sun
Hhoogg Journey to the Dying Place Earthling, Go Home!*
Return to Worm Mountain Song for the Pig Children Return to Worm Mountain*
Smokey Mirror Sword and Scepter Split w/ Love Gang*
Volcano No Evil Know Demon The Island*
BREAK
Sons of Morpheus Slave (Never Ending Version) The Wooden House Session*
Bees Made Honey in the Vein Tree Cinitus Grandmother*

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is March 17. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , , , ,