Desertfest Berlin 2020: First Lineup Announcement: Masters of Reality, Brant Bjork, C.O.C., Orange Goblin & More

Posted in Whathaveyou on September 30th, 2019 by JJ Koczan

desertfest berlin 2020 banner

I admit, I’m going to miss seeing the poster art for Desertfest Berlin 2019 around thee social medias, but if there’s one thing that eases that loss, it’s the poster art for Desertfest Berlin 2020. It’s like something out of a cel-shaded JRPG, but, you know, awesome, and an airship is always welcome as far as I’m concerned. Will this be the year I finally get my ass to Berlin? I’d be lying if I said that their having Masters of Reality — who’ll also be in London — on the bill wasn’t a significant draw in my head. I’d wonder if they won’t do New York as well, but they don’t do a lot of shows at all, so I’m not going to bank on that. Of course, having Corrosion of ConformityBrant BjorkOrange GoblinPapirMinami DeutschSÅVER, Earth Tongue and Dhidalah certainly doesn’t hurt the argument either, but it’s just the beginning of Spring fest-announcement season, and so there’s much more to get all giddy-hyperbole about to come in the next few months. Hell, they haven’t even held Desertfest Belgium yet.

Bottom line: expect this airship to circle around many more times before May 1.

From the PR wire:

desertfest berlin 2020 first poster

https://www.facebook.com/events/520164272080736/

MASTERS OF REALITY | CORROSION OF CONFORMITY | BRANT BJORK | ORANGE GOBLIN | MINAMI DEUTSCH | EARTH TONGUE | PAPIR | DHIDALAH | SÂVER confirmed for Desertfest Berlin 2020!!!

Tickets now on sale at: www.desertfest-tickets.de

Finally, we are thrilled to announce the first batch of (outstanding!) acts for our 9th edition, taking place at the ARENA BERLIN May 1st – 3rd 2020. You may not believe your eyes, but it’s a dream come true: Palm Desert scene icons, Masters Of Reality – Official, are finally playing Desertfest! Fronted by Chris Goss, renowned producer of legendary bands such as Kyuss, Queen of the Stone Age and many more, with their Black Sabbath-inspired sound MASTERS OF REALITY will take you on an unforgettable trip through the desert. A true milestone in the eclectic live history of Desertfest Berlin!

It’s been a dozen years since Southern Rock legends, Corrosion Of Conformity, would reunite with Pepper Keenan to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup DOWN, Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard. And the long wait is over, we will give them a warm and heavy rocking welcome in 2020!

The Godfather of Desert Rock, Brant Bjork, will return to the Desertfest Berlin stage and revive your spirit! Brant has spent over a quarter-century at the epicenter of Californian desert rock. From cutting his teeth alongside Fatso Jetson’s Mario Lalli in hardcore punkers De-Con to drumming and composing on Kyuss’ landmark early albums, to propelling the seminal fuzz of Fu Manchu from 1994-2001 while producing other bands, putting together offshoot projects like Ché, embarking on his solo career as a singer, guitarist and bandleader, founding his own record label and more, his history is a winding narrative of relentless, unflinching creativity. Expect timeless classics and a new album next Spring, and lay back to get into the groove with the one & only, Mr. BRANT BJORK live at the Arena Berlin!

Widely admired as one of the most ludicrously thunderous and entertaining live bands on the planet, longtime Desertfest comrades Orange Goblin, are on their unstoppable mission to bring us joyous, blood ’n’ thunder metal! With a steady stream of critically acclaimed albums that boldly and gleefully blurred the lines between stoner, doom, black, crust and southern rock, while always fervently saluting the old school heavy metal flag and the sacred Sabbathian code. 2020 will celebrate their 25th anniversary, still ORANGE GOBLIN is an inspiration, full of power and ready to unleash their thunder over Berlin!

Hailing from Japan, kraut rock masters Minami Deutsch have been finally confirmed for the Berlin edition of Desertfest! After their highly acclaimed show at Desertfest Belgium two years ago, desert festers in Berlin will be finally able to witness their unique, mesmerizing live performance. Kraut rock may be alive heavier than ever, but this Tokyo trio proves they are way more than just a revival act. Don’t miss this EXCLUSIVE show of the fantastic MINAMI DEUTSCH!

Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying. That’s the space that New Zealand prog-rockers Earth Tongue occupy. With their 2016- debut EP and a just released full-length album, these guys quickly became one of NZ’s most exciting underground live acts and it wasn’t long until they were playing alongside international touring bands like Red Fang, Beastwars or
Monolord. We are thrilled to welcome EARTH TONGUE live in 2020, taking us all on raw and fuzzy journey into psych-rock with a sound that weaves between melodic and jarring, with unexpected turns leaving us in a disoriented, euphoric haze.

Copenhagen trio, Papir, might be the ultimate expression of the Danish creative soul: distinctively modern, deceptively minimalistic, and stylish yet understated. A band of virtuoso musicians who move between psychedelic rock, jazz and krautrock seamlessly with the ability to hypnotize you at the Arena Berlin; PAPIR are the real deal for fans of bands alike Causa Sui, and could easily become the showboats of the scene!

Dhidalah burst into the fuzz rock scene in 2013, and has hailed from the Tokyo underground as a space rock power trio. The band name derives from the Japanese legend of the Giant Gods — known as the creaters of mountains, lakes and islands. DHIDALAH plays improvisational music performances inspired by various genres from stoner and doom to kraut rock. Give these Japanese Giant Gods a very warm welcome next Spring, when the Arena will be turned into a psychedelic wonderland!

Norway’s hottest underground act, SÂVER, is the new project of Ole Christian Helstad, Ole Ulvik Rokseth and Markus Støle of TOMBSTONES and HYMN. The band delivers an astounding sound of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass. SÂVER’s tunes can be characterized by a strong component of apocalyptic synths and textural electronics hovering above the base of heavy guitars and bass – a mélange that works incredibly well, and has seen SÂVER rising up and being no longer just one of the world’s best kept music secrets!

Friends, we hope you enjoy this first round of bands as much as we do, with many more killer names to come. After last year’s changes of a new sound system, the “Black Box“, that many of you seem to appreciate, we will also again provide a lot more specials, space, and again a chill- and live zone on the ubercool Hoppetosse boat! Don’t miss THE fuzz rock party of the year, at the capitol of the almighty riffs: DESERTFEST BERLIN 2020 is ready to roll!

Tickets & more infos are now available at:
www.desertfest.de

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Masters of Reality, “Dreamtime Stomp”

Tags: , , , , , , , , , , , ,

Freak Valley 2019: Wolfmother, Brant Bjork, YOB, The Obsessed, Minami Deutsch and Dead Lord Added

Posted in Whathaveyou on December 27th, 2018 by JJ Koczan

FREAK VALLEY 2019 BANNER

The three-night Freak Valley fest has unveiled its first headliner in the form of Australia’s Wolfmother. You know, I wrote this announcement. Like two weeks ago. And I thought I put it up and then I got a message yesterday off of Jens, who runs the festival and he was like, “Uh dude, were you going to post that?” Hey, look. Forgetting to post a press release is one thing. It happens regularly enough around here. A lot of stuff comes in, people asking for coverage and so on. Forgetting to post a press release that I wrote? That’s a new level of head-up-my-ass for me. So yeah, if you saw this news already, my apologies, but I wanted to get it up here because, yes, I wrote it, and also because the lineup for Freak Valley 2019 is kicking ass. Next announcement I’ll be more timely. I hope.

The holidays are a special time for us all.

With apologies for tardiness:

FREAK VALLEY 2019 poster

°!° WOLFMOTHER °!° BRANT BJORK °!° YOB °!° THE OBSESSED °!° MINAMI DEUTSCH °!° DEAD LORD °!°

Freaks!

Some of you may have already seen the news that leaked, but in case not, Wolfmother are coming to headline Freak Valley Festival 2019! What you didn’t know yet is that Brant Bjork will also headline, and we’ve added Yob, The Obsessed, Minami Deutsch and Dead Lord to the bill!

WOLFMOTHER

The Australian ambassadors of classic heavy rock are celebrating 15 years since the release of their first EP next year, and we couldn’t be more proud to host them as a part of that amazing anniversary. Led by guitarist/vocalist Andrew Stockade, Wolfmother’s four albums have transcended the underground to earn acclaim from all corners of the globe.

Whether it was their landmark 2005 self-titled LP or 2016’s aptly-named Victorious, the band has never given up its roots in classic ‘70s rock and has never failed to push their ideas forward to new stages. Wolfmother have been a generation’s entrée to the ways of ‘70s heavy and its modern incarnations. We are thrilled and proud to have them headlining Freak Valley in 2019!

BRANT BJORK

Make no mistake, Brant Bjork is the godfather of desert rock. This year he joined forces with HEAVY PSYCH SOUNDS to release Mankind Woman, a soulful dive into fuzzy funk and heavy groove with his signature jammy smoothness.

Brant Bjork sounds like the kind of cool we’d all like to be, and his live shows are not only a celebration of that and a chance to gawk at a living legend from Kyuss and Fu Manchu, but a chance to feel that righteousness in every fuzzy note and low desert punk vibe. He is unmistakable and we can’t wait to host him on the Freak Valley stage.

YOB

Some day, some place, in some context, you’ll be telling people about the time you saw YOB. Maybe FREAK VALLEY will be the first time you’ve ever caught the Oregonian trio live. Maybe not. But either way, that story will take place. Mark our words. YOB’s 2018 album, Our Raw Heart, continues a progressive thread that’s made them not only one of the most distinct bands in doom, but among the most pivotal heavy acts of their generation. Whether you’ve seen them before or not, they are utterly essential, like a spiritual restoration.

The Obsessed

Scott “Wino” Weinrich returns to Europe bringing with him the modern incarnation of ultra-classic doomers The Obsessed. The storied guitarist/vocalist known also for his work in Saint Vitus, The Hidden Hand, Spirit Caravan, Shrinebuilder, etc., leads the lineup of bassist Reid Raley (also Rwake) and drummer Brian Costantino in the revitalized power trio, and their 2017 album, Sacred, showed that their years away did nothing to dull the force of their impact. Mandatory doom.

Minami Deutsch

Tokyo space rockers Minami Deutsch make an exclusive European appearance at FREAK VALLEY 2019! That’s right: if you want ‘em — and you do — then Netphen/Deuz is the place to be. Working with the label Guruguru Brain, Minami Deutsch released their second LP, With Dim Light, this year, and mellowed out some of the space rocking furies of their self-titled debut, but the journey has just begun for these psychedelic explorers, and we can’t wait to be bathed in the warm lysergic sounds they’ll bring (only!) to FREAK VALLEY.

Dead Lord

How are you gonna say no to Dead Lord? You’re not. The Swedish Thin Lizzy-style bouncers have kicked around the underground in Europe and the UK for the last five years, and we’ve hosted them before at other events, but this will be their first appearance at FREAK VALLEY FESTIVAL itself, and we can’t wait to welcome their uptempo, classic-styled heavy rock to our stage. Their third album, In Ignorance We Trust, came out last year on Century Media Records, so make sure you’re schooled by the time they get here, because you won’t want to miss it.

Line-up 2019:
WOLFMOTHER, BRANT BJORK, YOB, The Obsessed, The Vintage Caravan, Electric Moon, Minami Deutsch, Spaceslug, Arc of Ascent, Dead Lord, Slomatics

FREAK VALLEY FESTIVAL 2019 // No Fillers – Just Killers

www.freakvalley.de
https://www.facebook.com/freakvalley
https://www.facebook.com/events/299339670806919/
https://twitter.com/FreakValley

YOB, Our Raw Heart (2018)

Tags: , , , , , , , , ,

SonicBlast Moledo 2019: Orange Goblin, Om, My Sleeping Karma, Minami Deutsch, Windhand, Zig Zags, Dopethrone and The Obsessed to Play

Posted in Whathaveyou on December 19th, 2018 by JJ Koczan

I was this close — this frickin’ close — to going to SonicBlast Moledo earlier this year. It was an enviable lineup, and when I saw the pictures after the fact, it only confirmed for me how much I wanted to have been there. So it goes.

Will I get that close to SonicBlast Moledo 2019? Probably not. Opportunities like that don’t come along every day or every year, and I know that. Still, in part because I’m a glutton for punishment — also for peanut butter — I’ll be doing my best to keep up with the lineup as it’s announced for next August’s edition of the beachside fest in Moledo, Portugal. Already, as I think you can see, they’re well on their way to destroying and winning hearts and minds.

To wit, a first lineup announcement that brings Om to Europe for the summer (they’ll be there in Spring too; I have to wonder just how long the band is spending abroad or if they’re racking up frequent flier miles), Orange Goblin, My Sleeping Karma (some day I will see that fucking band), Windhand, The Obsessed, Minami Deutsch, Zig Zags and Dopethrone is as righteous as it is varied, and it sets a pretty wide open sphere for what the rest might bring. I don’t have an inside track on that or anything, but 2018’s SonicBlast was certainly awesome looking and I see no reason why 2019 would be any different.

Tickets are available and I’m sure it’ll sell out. Words from the fest:

sonicblast moledo 2019

First bands for SonicBlast Moledo 2019! Let’s start the pilgrimage.

We’re so stoked to announce the first bands for SonicBlast Moledo 2019! Aug. 8-10.

Let’s start the pilgrimage.

OM, Windhand, Orange Goblin, MY SLEEPING KARMA, The Obsessed, Dopethrone, Minami Deutsch and Zig Zags are ready to burn the beach!
3 days that you’re never ever forget!

Om (usa) + Orange Goblin (uk) + My Sleeping Karma (ger) + Windhand (usa) + The Obsessed (usa) + Dopethrone (can) + Minami Deutsch (jp) + Zig Zags (usa) +++ many more tba +++

Artwork by Branca Studio

Tickets are now available at here.
(Also available in Portugal, through BOL physical point of sales: Fnac, Worten, Ctt’s…)

https://www.facebook.com/sonicblastmoledo/
https://sonicblastmoledo.com/

Orange Goblin, “The Wolf Bites Back” live at StoneFree Festival

Tags: , , , , , , , , , , ,

Roadburn 2018 Day Two: Sessions of Light

Posted in Features, Reviews on April 20th, 2018 by JJ Koczan

roadburn 2018 day two banner

04.20.18 – 11:25PM CET – Friday night – Hotel Mercure Rm. 224

You know what I did this afternoon before the show started? I slept. For about an hour. It was fucking crazy. A post-‘zine, pre-Roadburn-day-two nap. I’m not sure I can convey to you the novelty of such a thing. With a 3:10PM start to the day, it never would’ve been possible before, as I’d be folding copies of the Weirdo Canyon Dispatch. Yesterday, today and tomorrow that task is outsourced. Sunday will be folding penance. But damn I enjoyed that nap.

I also enjoyed an inhuman(e) amount of espresso today. You might say I’m sipping one right now. By the time Motorpsycho took to the Main Stage for their two-hour early-headlining set, I’d certainly had a few, and they came in handy in keeping up with the Norwegians’ semi-psychedlic heavy progressive rock. I will not at all pretend to motorpsycho (Photo by JJ Koczan)be an expert on the band — I saw the a few years ago in Eindhoven and they were doing a concept show or something and it didn’t really hit a nerve — but what may or may not still be their latest LP, 2017’s The Tower (review here), was a thrill, so to hear cuts from that like “In Every Dream Home (There’s a Dream of Something Else)” was likewise and as they settled in for the longest haul to feature today on the Main Stage, the crowd seemed to do much the same.

For anyone in the US who might be reading this, Motorpsycho are a huge deal over here. They are legends, legitimately. They’ve been at it for nearly 30 years, and they have a discography that at this point is nigh on insurmountable to which they continuously add releases. They’re relatively obscure in America compared to some other progressive rock-type outfits, but they’re the kind of band who can get on stage, play a song called “Starhammer” from an album called Heavy Metal Fruit and have a couple thousand people absolutely wrapped around their collective finger. Their material is enticingly complex, with ebbs and flows in energy and volume, and when they want to, they can be quite heavy, but while their delivery is technically precise, they’re not overly showy, and the sense of class with which they play holds firm throughout. They, and the response they got, were both a joy to watch.

There was, however, a reason I only stayed for an hour and 45 minutes of their full two-hour set, and that was because over at Cul de Sac, Toronto’s Comet Control were on next, and I was taking zero chances when it came to the potential of missing them. I showed up too late for Insect Ark yesterday and missed my shot. Getting to see Comet Control meant showing up as Ulsect were finishing and waiting the 40comet control 1 (Photo by JJ Koczan) minutes for them to load their gear in, set up, soundcheck, etc. Time well spent as far as I’m concerned, because as I think I’ve said several times by now, there was simply no way I wasn’t going to see them.

My vigilance in doing so was rewarded with a shit-eating-grin-on-my-face life-affirming set the likes of which I’ve only ever experienced at Roadburn. I stayed down the front of the Cul de Sac and stood in front of the stage the entire time. They were my first complete set of the weekend (and only one to this point) and were so good that I wanted to sit it down and explain it to them. Or write a letter. “Dear Comet Control: You guys and gal are fucking awesome. When you played ‘Blast Magic’ I thought my heart was going to explode.” They did that track and “Dig out Your Head” from their excellent 2016 sophomore full-length, Center of the Maze (review here), and were joined on stage by Mario Rubalcaba from Earthless who took over on guitar from Chad Ross for a song — holding the instrument upside down to play left-handed — before they dug back into Ross‘ and fellow guitarist Andrew Moszynski‘s former outfit, Quest for Fire, to play “Greatest Hits by God” and “Sessions of Light,” the opening and closing cuts from 2010’s Lights from Paradise (review here; discussed here).

That. Well. That. That kind of felt like a birthday present to the universe. Quest for Fire played Roadburn in 2011 in what was then called the Bat Cave. I remember standing there in the hallway of the pre-redo 013 and watching them through the door in the smallest of the then-three rooms in the buildingcomet control (Photo by JJ Koczan). Cul de Sac isn’t the smallest venue at Roadburn 2018 — that honor goes to Hall of Fame, up by the Kopelhal and the merch area — but it was an intimate, packed show all the same, and it was the only time so far this weekend that I pulled my earplugs even part of the way out of my ears during a set to let the loudness in. Ross‘ and Moszynski‘s guitars were a wash across two channels, and even though the skin on the kick drum broke, the band made it work. They were my one “must” of the day, and completely justified my anticipation. I sincerely hope this isn’t the only time I get to see them.

When they were done, I lumbered clumsily back to the 013 proper to check out Crowbar on the Main Stage playing Odd Fellows Rest in full as part of Jacob Bannon from Converge‘s curated day. They very much sounded like Crowbar, and that’s not a complaint. The New Orleans sludge purveyors are pro-shop the whole way through and their set was likewise. It’s always interesting to see who gets into the spirit of Roadburn and who plays it like another gig. Again, nothing against Crowbar, who’ve no doubt played European fests in front of tens of thousands of people, and it being a full-album performance, it was still something special to see, founding guitarist/vocalist Kirk Windstein thanking the crowd profusely as well as Jacob Bannon and Walter for having them back.

I dipped out to grab a quick bite for dinner — there’s this fish in like a lemoncrowbar (Photo by JJ Koczan) cream sauce kind of thing this year in the catering room backstage; I felt like I didn’t want to stop — and made it back in time to catch Crowbar play their cover of “No Quarter” and close out their set with a couple other tunes before Windstein said they were gonna “do that gay thing everyone does” and take a picture on stage with the crowd behind them. Pulled the wind right out of my enjoyment of seeing them. Like a balloon making a fart noise as the air escapes. Bummer. You can call me PC or whatever. I don’t give a fuck. Crowbar has ruled for a long-ass time, but that shit is lame. Moving on.

The delightfully punctuated Seinäjoki, Finland, progressive psych outfit Kairon; IRSE! were wrapping up in the Green Room around the same time, so I waddled in there and caught the end of their set from the balcony. The assembled masses before them were clearly loyal to the cause and it was easy to see why. Heady stuff. They’re on Svart, which is all the endorsement they need as far as I’m concerned, and I may yet pick up their albums in the merch area, where the label has a table all set up that I’ve now visited twice, but I was really in the Green Room to catch Minami Deutsch.

My thinking was that I owed it to myself to catch at least some of the Japanese Psych Experience while I was here — set up by Walter with the minami deutsch (Photo by JJ Koczan)label Guru Guru Brain in a similar kind of thing to the San Diego Takeover, only, you know, from Japan, with acts like Kikagaku Moyo, Dhidalah and Minami Deutsch playing — and I’d heard all along that Minami Deutsch were the mellowest of the bunch. That suited me just fine. I waited for them to go on and when they did, it was easy-groove spacial drift the whole way through and it turned out to be just the vibe I was looking for. I was not the only one, as the room was loaded with people all the way out the door. How many times in my life will I get to see them? I don’t know. Maybe twice if I’m lucky. Point is they were right on and especially as a part of the J-psych theme, a band I felt extra fortunate to be able to catch.

Speaking of possibly-once-in-a-lifetime experiences, up at the Koepelhal — which is on the other side of the train tracks from the 013 in what, with the weather so nice and all the people laying in the grass outside smoking, drinking, whatever, looked like the Roadburn Annex — it was nearly time for Earthless and Damo Suzuki to fuse their mind energies for a set of what I believe was fully improvised psychedelic wandering. There was a little time, so I hobbled next door to the Hall of Fame to watch Petyr play heavy ’70s covers for a minute or two, and perused the merch again, only making myself sad in the process on any number of levels. These are interesting days. Did I mention I ate dinner?

Anyhow, when it was time for Earthless and Damo Suzuki to play their set — which, once more, is the kind of thing that may or may not ever, ever happen again — the Koepelhal was absolutely rammed with bodies looking for a bit of psychedelic communion. As it happens, damo suzuki earthless (Photo by JJ Koczan)that is precisely what they got. The mood started out quiet and built up and came down, with Suzuki on mic, someone else playing another stringed instrument, and EarthlessIsaiah Mitchell, Mike Eginton and Mario Rubalcaba not quite playing the role of the backing band, but definitely giving Suzuki respect on stage and the space to do what he does in terms of proclamations largely indecipherable but completely in the moment. The whole thing, really. Completely in the moment. That seemed to be the entire point.

And maybe it was the heat, or maybe it was the humidity, or maybe it was just me being a sucker and remembering how good they were last time I saw them here in 2013, but something drove me back toward the 013 Main Hall in order to catch the start of Godflesh performing 1994’s Selfless in its entirety. I knew I wasn’t going to see the whole thing — writing to do — but I also knew there was no way I’d be able to consider the night complete without watching them at least for a while. So I did. I peeled myself out of Koepelhal and floundered back to the 013, wheregodflesh (Photo by JJ Koczan) Justin K. Broadrick — with hair, no less — and G.C. Green went on about 10 minutes past their allotted start time and only built on the tension that late start created with their dissonant, crushing industrial aggression.

Like few bands I’ve ever seen, Godflesh seem to have the power to just reach into your lungs and squeeze them until they’re all the way empty. It’s something to behold. Selfless had them beginning to experiment with melody, but the electronic beats and the intensity were (and still are) there to be sure, and Broadrick and Green captivated a full Main Stage area, spaced out across the stage just as they were when I saw them play their 1989 debut, Streetcleaner here in 2011. That was also an adventure in sonic brutalism.

After a while, the get-to-work itch started to become unbearable and I blundered my way back through Weirdo Canyon to the hotel where so-much-and-yet-not-enough coffee awaited. It had been another excellent day — it was hard to believe it was only the second one of the fest itself — but Roadburn 2018 picks up early tomorrow with Bell Witch playing Mirror Reaper in its entirety, and well, if I’m going to have my head cleaved open with doom, the very least I can do is be well rested in advance for it.

Thanks for reading. More pics after the jump and more to come tomorrow.

Read more »

Tags: , , , , , , , , , ,

Tube Cult Fest 2018 Announces Full Lineup

Posted in Whathaveyou on February 22nd, 2018 by JJ Koczan

Let’s say maybe you’re the kind of person who doesn’t just want to sit in the dark all the time by yourself. You like to leave the house, and you do so without the fear of the judgment of others or worry about pianos falling from the sky and so on. You like to be in the company of those who share your interests, and perhaps to partake of the occasional adult beverage while enjoying a wide variety of loud, heavy and high-energy musical performances. Well. You are in luck. Because it just so happens there are these things called music festivals that happen pretty much every weekend between now and forever,, and should you happen to find yourself in Pescara, Italy, on April 27-28, there’s one you might want to check out.

This year marks the 10th anniversary of the Tube Cult Fest, which, putting aside all joking about agoraphobia — which is a serious condition from which many people suffer — is a significant accomplishment that in itself justifies showing up if you’re in the area. Past years have featured the likes of Ufomammut and 1000mods, and Tube Cult Fest 2018 is no slouch either in the lineup department, with Weedeater, Sannhet, Zatokrev, Freedom Hawk, Minami Deutsch and a significant slew of others to claim your mind, heart and/or soul as their own.

To wit:

tube cult fest 2018 poster

TUBE CULT FEST 2018 • Chapter X

April 27 – April 28

Tube Cult Fest Chapter 10 is revealed.
Here’s the full line-up of the Adriatic’s Loudest Festival.

Get your presales here:
https://www.eventbrite.it/e/biglietti-tube-cult-fest-2018-27-28-aprile-pescara-11235534787

Friday, 27th April
Zatokrev (CH)
Freedom Hawk (USA)
Sannhet (USA)
Messa (IT)
High Reeper(USA)
Sum Of R (CH)
Calvario (IT)

Saturday, 28th April
Weedeater (USA)
Minami Deutsch (JP)
Lleroy (IT)
Charun (IT)
MalClango (IT)
The Slave Preacher (USA)
Flynotes (RU)

Scumm & MamiWata
Via delle Caserme, Pescara

Event: TUBE CULT FEST 2018 • Chapter X

For informations send us a private message or write to skeptic.agency@yahoo.it

https://www.facebook.com/TubeCultFest/
https://www.facebook.com/events/1604355379641309
http://www.tubecultfest.it/
https://www.eventbrite.it/e/biglietti-tube-cult-fest-2018-27-28-aprile-pescara-11235534787

Freedom Hawk, Live in Virginia Beach

Tags: , , , , , , , , , , , , , , , , ,

Roadburn 2018: Earthless to be Artist-in-Residence; Crowbar, Kikagaku Moyo, Zola Jesus, Mutoid Man, Joy, Harsh Toke, Petyr, and More Added

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

This invariably happens every year. Roadburn hits a point where the festival loses its damn mind and delivers a completely overwhelming onslaught of lineup additions, greatly affirming the overall character of the event as well as its ongoing utter creative dominance of the Spring festival scene in Europe. I knew it was coming. I guess I just didn’t expect it so soon.

More the fool I. Today, Roadburn 2018 confirms Earthless will serve as Artist-in-Residence, and in addition to playing a set on their own, they’ll jam out with krautrock legend Damo Suzuki of Can as well as lead the charge of a ‘San Diego Takeover’ featuring the likes of Harsh TokeJoyPetyr and Sacri Monti. Not only that, but Crowbar will play Odd Fellows Rest in full at Jacob Bannon‘s curated event, and another takeover — this time by Japanese psychedelia — brings confirmation of Kikagaku MoyoMinami Deutsch and Dhidalah. Oh, and there’s a shit ton of others added as well, including Mutoid ManJarboe and Ruins of Beverast.

If you can get your head around it, you’ve got one up on me, though it’s certainly fun to try. I got to write the Earthless announcement, so make sure you read that one. Here’s all of it from the PR wire:

roadburn 2018 banner

Roadburn Festival 2018 Artist in Residence announced; plus more lineup confirmations

– Earthless confirmed as 2018 Artist in Residence
– Huge San Diego Takeover project announced feat. collaborations and jam sessions.
– Japanese Psych Experience courtesy of Kikagaku Moyo, Minami Deutsch and Dhidalah
– Crowbar & Zola Jesus confirmed for Jacob Bannon’s curated stages

Artistic Director, Walter Hoeijmakers commented:
“To be Roadburn’s Artist in Residence is quite a prestigious position; it really gives bands a chance to open up and explore different facets of their collective personalities. Earthless are – to me – the perfect fit for this next year; their bond with Roadburn is strong and we’re thrilled to have seen them grow and develop over the years since they first played Roadburn. In fact, it will be a full decade since their first performance on a Roadburn stage – and what a way to mark the occasion.

“The whole San Diego Takeover has been over a year in the planning, and we’re still working on even more ways to enhance what is already going to be such an incredibly special part of Roadburn 2018.”

ARTIST IN RESIDENCE: EARTHLESS

Roadburn is proud to welcome back our benevolent cosmic instrumentalist overlords in 2018! Earthless will perform three sets as our Artist in Residence, including some incredibly special, Roadburn-exclusive jams.

It’s been a decade since the San Diego three-piece of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba set a standard for epic with the performance that became their landmark Live at Roadburn 2LP in 2008. Since then, Earthless have become the standard-bearers of a heavy psychedelic boom in California, inspiring countless acts around them.

As our Artist in Residence they will take the stage three times. For the first set, they’ll play in their standard three-piece incarnation, showcasing material from their upcoming 2018 album. The second set unites Earthless with progressive rock and improvisational legend Damo Suzuki, a set that is bound to be an occurrence of galaxy-shaking significance. If that’s not enough, Earthless will also take part in an ‘East Meets West’ psych jam with other members of the San Diego scene and members of Kikagaku Moyo from Japan.

The poster for Earthless was created by Maarten Donders.

Read more about Earthless, and Damo Suzuki.

SAN DIEGO TAKEOVER

Steeped in psychedelia and inspired by Earthless – who played a pivotal role in sparking this particular fire – the new breed of San Diego psych-rock bands is gearing up to launch themselves on Tilburg next April. Stand by; the San Diego circus is coming to town.

A veritable gang of musicians will be leaving behind the Pacific Ocean and making their way to the slightly less sun soaked – although no less open minded – vistas of Tilburg.

Each participating band will perform over the course of the weekend as part of the main festival programme at the 013, but a movement this influential deserves it’s own space to spread out, bloom, and indeed envelope us all. So, with that in mind, there will be a Californian takeover at the Hall of Fame on both Friday and Saturday; welcome to the San Diego Clubhouse!

When you count professional skaters among your ranks, it would seem remiss to not factor a skate expo into proceedings. Plus there will be visual exhibitions by the likes of JT Rhoades, Lannie Rhodes and BB Bastidas (the man responsible for the incredible poster below), there will also be stalls featuring Vol.4 Clothing and Psockadelic. We didn’t know we needed Roadburn branded socks until just now, but now we really need them…

More details will unfurl over the next couple of months, but for now, it’s time to get stoked: California is coming. Performing as part of the Roadburn 2018 San Diego takeover will be:
Harsh Toke
Sacri Monti
Joy
Petyr

Read more about the San Diego Takeover.

JAPANESE PSYCH: KIKAGAKA MOYO, MINAMI DEUTSCH, DHIDALAH

In conjunction with the San Diego Takeover, Roadburn 2018 will also host a Japanese psych experience! Steeped in ’60s and ’70s tradition, these bands are exploring psychedelia in a transportive and meditative way. Emphasis is put on the past, but they’re pushing the envelope, and it’s their forward-looking vision that’s prompted us to bring them to Roadburn 2018.

Please brace yourself to explore the sonic spectrum with these new champions of Japanese psych!

Centered around cult-label GuruGuruBrain, the following bands will perform as the Japanese counterparts of The San Diego Takeover:
Kikagaku Moyo
Minami Deutsch
Dhidalah

JACOB BANNON’S CURATION: CROWBAR

Crowbar have been at the forefront of heavy music for nearly three decades, and in 1998 released the album Odd Fellows Rest. This incredible album merged their existing heaviness with a refined melodic sensibility, creating one of the most powerful metal albums of the era.

Jacob Bannon comments:
“In 1991 I was introduced to Crowbar when I bought a tape of their Obedience Thru Suffering album. The sheer heaviness of the band floored me and I was hooked ever since. For me personally, their 1998 album Odd Fellows Rest is a high watermark of creativity. It is an incredible collection of songs that have been daily listens for me for nearly two decades. It’s an honor to have the band perform this record live at Roadburn Festival 2018.”

Read more about Crowbar.

JACOB BANNON’S CURATION: ZOLA JESUS

Zola Jesus is the stage name of Russian American musician Nika Roza Danilova. Under the name Zola Jesus, she has released a number of genre bending EPs and albums. Her approach is a cross pollination of electronic/industrial, classical, and gothic sounds; all of it coming together as a dark and emotional artistic experience.

Jacob Bannon comments:
“I first heard Nika’s work on the Stridulum EP. Every aspect of the release connected with me and it soon became a daily listen. The record (and all of her work) was relatable and infectious. I’ve been an avid listener ever since. Watching her artistry grow and deepen over time has been inspiring. Okovi, the latest from Zola Jesus is such a powerful album. I am truly honored to have Nika and Company at Roadburn 2018 as part of my curation.”

Read more about  Zola Jesus.

JARBOE FT. FATHER MURPHY

Jarboe has always made collaboration an essential part of her work, and her work with Italian duo Father Murphy has so far been incredibly fruitful. When they perform together at Roadburn, Father Murphy will take to the stage first and set the mood with heir creepy and enveloping aural tapestries, after which Jarboe, in all her glory, will join them to perform those songs. After that, the trio will perform a selection of some of the most powerful moments of the singer’s career so far.

Read more about Jarboe ft Father Murphy.

BIG BRAVE invite us to peek further into the shadows. Read more
DAWN RAY’D will be initiated into the Roadburn family. Read more.
HÄLLAS carry the heart and soul of the seventies. Read more.
KÆLAN MIKLA soundtrack the apocalypse with threatening darkwave rumblings beneath ominous monologues. Read more.
MUTOID MAN shake off the “super group” shackles and re-write the rules. Read more.
PLANNING FOR BURIAL are set to defy description and capture our hearts.Read more.
THE RUINS OF BEVERAST will reprise their 2013 show-stealing performance, this time with added Exuvia; they’ll play their latest album in full. Read more.
UNE MISÈRE are an explosive combination of elongated atmospherics and insanely meaty riffs. Read more.
WIEGEDOOD: furious catharsis, raging obscurity and fiery destruction from the Church of Ra  Read more.
WRECK AND REFERENCE shall devour genres and resist categorisation. Read more.
YELLOW EYES… With burning intention and a sight without limits, BLACK METAL AS SPIRITUAL WAR. Read more.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2018 Third Announcement Video

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,

Desertfest Belgium 2017: Graveyard, White Hills, Elephant Tree, OHHMS, Minami Deutsch and Kaleidobolt Join Lineup

Posted in Whathaveyou on June 22nd, 2017 by JJ Koczan

As predicted at the outset, the poster showcasing the lineup for Desertfest Belgium 2017 has become very, very crowded. I don’t think they’re done, either. Where will the next batch of bands squeeze, what with the sizable logo addition of Graveyard here along with OhhmsElephant TreeWhite Hills and so on? I don’t know. It’s a problem for a graphic designer to tackle that’s well beyond my depth, to be sure. But they’ll sort it out. They always do.

The Fall festival season — there are many, you know the names and don’t need me to recount — by now rivals Spring. It might even surpass it in terms of the sheer one-into-the-next-into-the-next-into-the-next style proceedings from country to country, weekend to weekend. It’s astounding how strong and sustaining the European underground has become over the last several years. Desertfest, the growth of the brand in general and in its autumnal incarnations in Antwerp and Athens, has been a big part of that, and accordingly, Desertfest Belgium 2017 stands among the best lineups one is likely to find on the continent this Fall.

To wit:

desertfest-belgium-2017-poster-graveyard

GRAVEYARD PLAYS DF ANTWERP 2017 – White Hills, Elephant Tree & more announced

So here it is – Karma strikes, part two!

Last year we were gutted when GRAVEYARD decided to call it quits, moments before their appearance at Desertfest Antwerp. Fortunately, their breakup turned out to be short-lived, and the band announced their return with a new drummer in January 2017. So naturally, we had to put ’em in a headliner spot again to make it up to you guys!

We’re also very glad to announce the appearance of WHITE HILLS, possibly the coolest band in the universe. With OHHMS and ELEPHANT TREE, we present you with two of the hottest bands from the UK heavy scene at the moment. Going worldwide, let’s throw in Oriental Krautrock with MINAMI DEUTSCH from Tokyo, and the psychedelic jazz-prog of KALEIDOBOLT from Helsinki.

From where we’re sitting, Desertfest Antwerp is starting to look pretty good… and we’re still not done!

GRAVEYARD

After the breakup of 2016, Graveyard did what every great classic rock band should do: take some time off to recollect the good spirit, and then come back with a mighty vengeance. And so here they are: the Swedish rock giant is back in the saddle with a new drummer, and ready to kick ass in 2017! We can only imagine what awesomeness they’ll bring to make it up to the DF crowd…

WHITE HILLS

White Hills are proponents of psychedelia as transformation. The music made by Dave W. and Ego Sensation is risky and cutting edge, rooted in dystopian futurism and hyper-conscious of our constant desire for a new and better drug. On their new album ‘Stop Mute Defeat’, White Hills has flipped the script with an industrially-charged record that pulsates unlike anything you’ve heard of them before.

OHHMS

OHHMS (written “((OHHMS))”) are a Canterburian metal band who are quickly becoming the buzz of the UK doom scene. They’ve established a reputation of playing extremely loud, delivering long and complex tracks at a deafening volume. Their first album release ‘The Fool’ is earning accolades across the scene, winning over crowd and critics alike.

ELEPHANT TREE

Another big promise from the UK, Elephant Tree came out with one of the best damn albums from 2016. Combining clear vocal harmonies with insanely heavy riffs, and switching it up with sudden mood shifts and slow-burning grooves, their debut album is truly something special that you should seek out immediately. Word from Desertfest London & Berlin is they easily hold their ground on the stage.

MINAMI DEUTSCH

Minami Deutsch is a Krautrock band from Tokyo. Starting off playing live music on the city streets, they got picked up for a spot at the Tokyo Psych Fest. In September 2015, they released their first record through the English cult label Cardinal Fuzz Records, as well as Japanese psych label Guruguru Brain. Expect motorik kraut grooves with a distinct Oriental flavour!

KALEIDOBOLT

Kaleidobolt is a power trio from Helsinki, blending loud guitars with furious jazz moves. Their music is a dizzying maelstrom of progressive song structures, crushing riffs and loose psychedelic soundscapes, delivered with joy and ferociousness. Working since 2014, they’ve released two albums to much acclaim, and toured with the likes of Radio Moscow and Samsara Blues Experiment.

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/264364590656095/
https://twitter.com/DesertfestBE

Tags: , , , , , , , , ,