Review & Track Premiere: Motorpsycho, The Tower

motorpsycho the tower

[Click play above to stream ‘A.S.F.E.’ from Motorpsycho’s The Tower. Album is out Sept. 8 via Stickman Records and Rune Grammofon.]

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Now, it can be a fine line, because The Tower still shares plenty of the post-Greg Lake-era King Crimsoned progadelic pastoralism of its predecessor, but to put it in terms of that band, it’s like the difference between “The Court of the Crimson King” and “21st Century Schizoid Man,” where Here be Monsters is the former and The Tower is the latter. Still in the same vein, but by seamlessly integrating Järmyr into the trio, Motorpsycho can remain as intricate in their composition and arrangements as they were with Kapstad behind the kit, while offering more thrust behind The Tower in cuts like “A.S.F.E.” (an acronym for “a song for everyone”), which seems to imagine what would happen if “Weird Al” Yankovic decided to go space rock — hint: it would be awesome — and the subsequent “Intrepid Explorer,” which builds in a patient swell of melody to one of the album’s most satisfying payoffs before receding into the folkish “Stardust.” Of course, Motorpsycho are still very much Motorpsycho, but as they have all along, during Kapstad‘s 10-plus years with the band and before that as well, they’re making efforts to reshape that definition for themselves and their followers.

motorpsycho

Does it work? Yes, it does. The Tower is a significant climb, and well past the standards of manageability with its 10-track and nearly 85-minute runtime. But the final three tracks, the dreamy-into-percussive “A Pacific Sonata” and the aforementioned “The Cuckoo” and “Ship of Fools” consume more than 37 minutes of that on their own, and a clear 2LP structure to the placement of the songs — with “The Tower,” “Bartok of the Universe” and “A.S.F.E.” as side A, “Intrepid Explorer,” “Stardust” and “In Every Dream Home (There’s a Dream of Something Else)” as side B, the mood-setting psych-folk of “The Maypole” moving into “A Pacific Sonata” for side C and “The Cuckoo” and “Ship of Fools” as a final immersion on side D — makes it that much easier for the listener to put their trust in Sæther, Ryan and Järmyr for the duration. A clear shift in purpose between the first and second platters, from the harder prog of the earlier cuts to the peaceful vibes of “The Maypole” and “Pacific Sonata” — prefaced somewhat by “Stardust” — and the okay-now-it’s-time-to-get-swallowed-in-this closing statement of “The Cuckoo” and “Ship of Fools” (despite the memorable hook of the latter), only reinforces the message to those who’d engage with the material:

Relax. You’re in the hands of professionals.

Maybe it is that overarching sense of command that lets Motorpsycho not only introduce Järmyr without missing a beat (pun totally intended; why even ask?), but do so with a consuming double-LP nearly twice as long as its predecessor and arriving just a year later. If that’s the case, then Ryan and Sæther‘s many years working together are a context from which The Tower can’t and shouldn’t be divorced, but if they’re motivated by a need to reinforce their own will to keep going despite the lineup change or if they’ve simply hit a creative burst, the results are a triumph in these songs. Whether it’s in the longer-form explorations of “A Pacific Sonata” and “Ship of Fools” — the keys alone of which make it a highlight, let alone all the torrential churn surrounding at its apex — the quirky craftsmanship of “Bartok of the Universe” and “A.S.F.E.,” the brief acoustic excursions of “Stardust” and “The Maypole” or the arc-defining prog of the title-track, “Intrepid Explorer,” “In Every Dream Home (There’s a Dream of Something Else)” and “The Cuckoo,” there isn’t a moment that doesn’t earn its place, and as few 2LPs can, The Tower brings forth coherent realization without giving up on the varied nature of its delivery.

That is to say, Motorpsycho chart a difficult course for themselves and then navigate it with enviable ease. Longtime listeners would expect no less of them, but The Tower remains a marked achievement in a discography crowded with them, and if it’s signaling the start of a new era for the band, one can only look forward to the growth Motorpsycho will continue to foster as they inch closer to 30 years on from their beginning. They sound, and are, vital.

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One Response to “Review & Track Premiere: Motorpsycho, The Tower

  1. si loxham says:

    First review seen, thanks for the comprehensive summary. As a psychonaut I cant wait to hear the new album. I hope their fusion and psychedelic jazzy bits are there in abundance. Peace.

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