Hällas Announce Live Dates with Graveyard for Nov./Dec.

Posted in Whathaveyou on October 15th, 2018 by JJ Koczan

I had a couple crucial learnings at this year’s Hostsabbat Festival in Oslo. Among them? Patchy pants are all the rage in Norway. I guess it’s a post-apocalyptic kind of thing? Like acknowledging that the dystopia is already here? Anyway, by the time I left town two days later, I wanted a pair. Still do.

More relevant: Hällas do not screw around on stage. Their set opening the fest in the Kulturkirken Jakob was likewise pro-shop and raucous; hot rock delivered with a cool hand but not at all staid or boring to watch. I felt fortunate to be able to catch them, and they more than stood up to the task of the high ceiling under which they played.

In addition to being one of the first bands announced for Desertfest Berlin 2019, they’ll be out for more than a handful of Scandinavian dates alongside kingpins Graveyard starting in early November and finishing up just before the holidays.

Don’t forget your patchy pants:

hallas

Hällas Announces Tour supporting Graveyard

Hällas announces a Scandinavian tour supporting Graveyard. These dates will provide a perfect mixture of Swedish rock during eleven dates. Tickets to the tour is running low on several dates. Secure your tickets through Ticketmaster.

Hällas Tour supporting Graveyard
2018.11.02 – SE – Nöjesfabriken – Karlstad
2018.11.03 – SE – Nordfest – Sundsvall
2018.11.09 – SE – Frimis Salonger – Örebro
2018.11.10 – DK – Pumpehuset – Copenhagen
2018.11.22 – SF – Tavastia – Helsinki
2018.11.23 – SF – Lutakko – Jyväskylä
2018.11.24 – SF – Klubi – Tampere
2018.12.14 – SE – Pustervik – Göteborg
2018.12.15 – SE – Pustervik – Göteborg (Sold Out)
2018.12.21 – SE – Cirkus – Stockholm

Hällas album “Excerpts from a future past” was released in October 2017 by the Sign Records. The band have toured all over Europe upon the release. The band have played festivals as Høstsabbat (NO), Devilsstone (Lit), Fusion Fest (De), Roadburn (NL) and Muskelrock (SE) during the last couple of months. The bands just released their hit single ‘Star Rider’ as a flexi seven inch as the band once again heads out on tour, this time in Scandinavia.

Hällas is:
Tommy Alexandersson (bass/vocals)
Alexander Moraitis (guitar)
Kasper Eriksson (drums)
Marcus Pettersson (guitar)
Nicklas Malmqvist (keys)

https://www.facebook.com/haellas/
https://www.instagram.com/hallasband/
http://www.hallasband.com/
https://www.facebook.com/thesignrecords/
http://freighttrain.se

Hällas, “Star Rider” official video

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Live Review: Høstsabbat 2018 Night One in Oslo, Norway, 10.05.18

Posted in Reviews on October 6th, 2018 by JJ Koczan

hostsabbat 2018 poster

I can’t remember the last time I went 24 hours without coffee, but here in Oslo, the morning after the first night of Høstsabbat 2018, I’m pretty sure I’m at that mark. Thursday evening I flew out of Boston, got into Copenhagen yesterday morning, connected to Norway and took the Flytoget train into Oslo Central Station and walked from there to the Anker Hotel where I’m staying, about a block and a half away from the Kulturkirken Jakob, where the fest is being held. All that time, no caffeine. Haven’t really had five minutes to get any. I don’t know if there’s coffee at the show. I was too busy yesterday to ask.

Two years ago, I was fortunate enough to be invited to Høstsabbat at the Vulkan Arena. That was crazy. This is another level. Kulturkirken Jakob is literally a church — it is accurately-enough depicted on the festival poster that I recognized it looking out the window of the hotel room — and a large one at that with high ceilings, big altar, a raised pulpit, wood floors, etc. And downstairs, a basement that’s essentially the opposite: low ceiling, cobwebs, concrete supports for the massive structure overhead. And the fest is both aware of and reveling in the difference. With a stage upstairs and a stage downstairs, they’re playing to both ends of the spectrum between grandiosity and no frills volume-assault basement gigs, and with the mix of bands across a range of styles, it totally works. I spoke to fest organizers Ole C. Helstad and Jens Andreas Storaker yesterday, and they both seemed really pleased with how everything has turned out. As well they should be.

It was eight bands, four on each stage rotating back and forth between them. Downstairs, upstairs, downstairs, upstairs, and so on. No crossovers in the lineup though, so if you wanted to, you could see everything. That was my goal and I’m happy to say it worked out. It went like this:

hostsabbat art

SÂVER

Saver (Photo by JJ Koczan)

The all-caps post-noise sludgers SÂVER announced earlier this week that they will issue their debut LP, They Came with Sunlight, early next year on Pelagic Records. It was far away from a release party, then, but their set in the basement — the Crypt Stage, as it’s being called — was kind of a preview of what’s in store. In the tight space downstairs, the Oslo-native trio unfurled the first of the night’s several genuine volume blasts, a crunch and lurch and Neurosis-style tension cut through only by Markus Støle‘s drums and the shouts of bassist Ole C. Helstad and guitarist Ole Ulvik Rokseth. They were loud enough to shake the floor and packed enough low-end punch to vibrate the plugs in your ears, but there was a cohesive sense of atmosphere as well, and that extends to the album as well. They could be and often were brutally heavy, but there was a depth to that heft as well, so that it wasn’t an all out assault without purpose. It was an early start at 5PM on a workday, but the room was still decently packed, and they gave all present a reason to look out for They Came with Sunlight‘s impending release. I know I will, anyhow.

Hällas

Hallas (Photo by JJ Koczan)

Høstsabbat‘s throwing the doors open as regards vibe was evident from the moment Sweden’s Hällas took the stage. Glammed-out to the point of bassist/vocalist Tommy Alexandersson wearing a cape and metallic-shining boots, the five-piece nonetheless brought classic progressive-edged boogie to life in a way that immediately answered any and all questions about the vitality of retroism in heavy rock. Alexandersson, guitarists Alexander Moraitis and Marcus Pettersson and drummer Kasper Eriksson played down on the stage while keyboardist Nicklas Malmqvist took to the raised pulpit and even worked in a little ultra-appropriate church organ to the proceedings. They came supporting their 2018 full-length, Excerpts from a Future Past, and handled the big stage like absolute professionals. Lush as their sound was, it was an immediate contrast to the rawness of SÂVER back downstairs, and as the evening went on, that only more clearly came into focus as being precisely the intent. Heavy isn’t just dark, or catchy, or loud. Hällas opened the upstairs stage with uptempo kick, danceable groove and a classic feel that seems to become all the more crucial as time goes on.

Krokofant

Krokofant (Photo by JJ Koczan)

And if Hällas made the point, Krokofant only confirmed it with their go-anywhere doom jazz. With Jørgen Mathisen on saxophone, clarinet and keys, Tom Hasslan on guitar and Axel Skalstad on drums, the well-named trio were a gleeful excursion into the outer reaches of weird. There were moments where they reminded my East Coast US ears of Stinking Lizaveta for their ability to keep an overarching groove locked in while also running circles around it in intricate scales, but Krokofant were by and large more angular and mathy-sounding, giving the feeling they were crunching numbers as much as riffs, and still being an awful lot of fun. Whether it was Skalstad looking like his drumkit was his favorite playground or Hasslan every now and again stepping to the fore with a spacious lead, they were an outlier who served that necessary function well, giving yet another definition of “heavy” for the fest’s ongoing creative statement on the subject. I knew nothing about them going into the set and still had fun watching them play, and I was by no means the only one.

Lonely Kamel

Lonely Kamel (Photo by JJ Koczan)

If you can see Lonely Kamel, do it. That’s the message plain and simple of their live set. I had a feeling Lonely Kamel were going to kick ass, and they did. Four years after putting out Shit City via Napalm Records, the Oslo heavy rockers took the altar supporting this year’s Death’s Head-Hawkmoth (review here) on Stickman, and in so doing gave a reminder that sometimes all you need is songwriting and performance. I don’t mean to make that sound easy, because it isn’t — though Lonely Kamel made it look that way — but it’s true. They’re not a niche band. They’re not really trying to innovate in terms of aesthetics. But they’re excellent at what they do, and they’re tight enough that anything else they did would seem superfluous anyway. They don’t need it. They have songs and they have performance. “Evil Man” from 2011’s Dust Devil (review here) was a highlight, and the hook of “Inebriated” from the new record was recognizable as soon as they hit into it, while “Fascist Bastard” brought an edgier groove to the set. They were locked in, on fire, and whatever other cliche you’d want to put to it, and they too were a lot of fun, but you could also hear their experience in how they played. Their straightforward approach was an excellent grounding point for the rest of the night to come, but also, another distinguishing factor that made them different from everyone else who played. It was that kind of night. Right on.

Domkraft

Domkraft (Photo by JJ Koczan)

Stand and watch and hear Domkraft play for any given three minutes of their set and you might come away with a completely different impression of what they do. Over here, the Swedish trio are digging into post-Monolord nod-of-riff largesse, over there they’re pulling off a Hawkwindian push through the cosmos, and even further on, they’re shouting out aggro noise-laced heavy rock. The key aspect of all of it is that they tie it together. It’s fluid. They make it all theirs. That’s true even more on their impending second record, Flood, which is out Oct. 19 on Blues Funeral Recordings as the follow-up to 2016’s The End of Electricity (review here), which was issued by Magnetic Eye Records, though “Sandwalker” and “Dead Skies Red Eyes” from the new album matched up pretty well down in the Kulturkirken Jakob basement with the punch of “Meltdown of the Orb” and “The Rift” from its predecessor. The three-piece capped off with “The Watchers” and “Landslide,” a reverse ordering of the opening salvo of Flood, and demonstrated all the more their progressive will and encompassing vision of heavy, which they matched with a fervently aggressive lumber and depth of fuzz. They had been one of the bands I was most looking forward to on the night’s bill, and they absolutely delivered.

Spurv

Spurv (Photo by JJ Koczan)

Not going to claim to know what night two of the festival will bring or anything, but there’s a good chance that Spurv had the entire weekend’s only trombone. Even Krokofant didn’t have one, jazzy as they were, but as Oslo instrumentalist post-rockers Spurv were playing earlier 2018’s Myra LP in full, trombone and the violin on the other side of the stage were both essential along with the three guitars, bass and drums. There was some kind of metallic underpinning to the material — especially in the drums — but my bottom line in watching their set was there’s very little in this world that can make you want an album you don’t have as much as seeing that album played live. As Spurv ran through their tracks, their energy made so much of post-rock seem silly, as though they were asking, “why would I be gazing at my shoes when I’m making such cool sounds?,” and I found I had no answer for that question. With more than a hint of prog and post-black metal wash, Spurv engulfed the church with a fitting spaciousness and seemed to be ecclesiastic in just the right way for the setting. It was gorgeous. I already regret not buying the record when they finished.

Eagle Twin

Eagle Twin (Photo by JJ Koczan)

Certainly the loudest band in the basement. Upstairs was working on a different scale, but I think if you took volume in per-capita measure, they were probably the loudest band of the night overall. I also didn’t realize just how much blues there is in Eagle Twin‘s sound. Their 2018 album, The Thundering Heard (Songs of Hoof and Horn) review here, is the occasion for their being in Europe for the next couple weeks, and as they hop from fest to fest to fest, they left no shortage of footprint in Oslo. Even before they started, drummer Tyler Smith‘s line-checking his snare drum required earplugs just to take it, and guitarist/vocalist Gentry Densley plugged into every amp and cabinet in the downstairs backline, so yes, much volume there as well. And it’s easy to lose in all that volume, in the riffing and throat-singing and crash, but year, there’s an awful lot of blues to what they do. It was a welcome discovery for one such as myself, who is years late on seeing Eagle Twin live, and I feel like finally doing so has genuinely helped me better understand where their albums are coming from. Time for a revisit to The Thundering Heard, I think.

Toner Low

Toner Low (Photo by JJ Koczan)

I have no problem admitting that by the time Toner Low went on, I felt beat to hell. It had been a long day of travel and riffs, and I had one of those ultra-tired headaches that neither water nor riffs was going to cure. Still, how are you not going to watch Toner Low? The most stoned of the stoner bands, hailing from the Netherlands, essentially played in the dark, as is their wont, and what light there was was tinted weedian green to match their hyperdense riffing and overarching plod. I said it on on the social medias, but it bears repeating: All your tone worship, amp worship, riff worship bands: Toner Low destroys them all and they’ve been doing it for a long time now. I’ve been fortunate enough to see them live before, so I wasn’t entirely unfamiliar with what was coming, but to hear that low end bounce off the vaulted ceiling was more than its fair share of incredible, and even exhausted as I was, Toner Low made themselves absolutely indispensable with their chest-rattling lumber and ultra-languid flow. I’ll go ahead and take a new album whenever it’s ready, please. The sooner the better.

Can’t even tell you how much I’ve been falling asleep while putting this together. Because I’ve been too unconscious to know. Sorry for typos, wrong or missing words, etc.

Night two kicks off in a few hours, so I’m going to crash back out and see if I can revive myself at least enough to open both eyes at the same time.

Until then, enjoy the pics after the jump below:

Read more »

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Desertfest Berlin 2019 First Announcement: Witch, Earthless, All Them Witches, Colour Haze, 24/7 Diva Heaven and Hällas Added

Posted in Whathaveyou on September 24th, 2018 by JJ Koczan

desertfest berlin 2019 banner

Not to be outdone by its London counterpart, Desertfest Berlin 2019 makes its own first lineup announcement, and once again it finds the two fests working under the same banner sharing a goodly portion of their bill. A big four names are showcased in All Them Witches, Witch, Earthless and Colour Haze, and as ever, each Desertfest brings a bit of its own personality to the proceedings, in the case of Berlin 2019 thus far with Hällas from Sweden bringing their traditionalist heavy rock and 24/7 Diva Heaven delving into ’90s-era riot grrrl noise. Between those and the bigger acts shared with London, it will once again be interesting to see how the two festivals develop their coinciding rosters. I can’t imagine trying to coordinate one fest schedule, let alone two, and oh hey because why not, Desertfest Berlin 2019 has a boat involved. And I defy you to find someone who doesn’t enjoy riffs on a boat. That’s a distinguishing factor right there.

Kickass poster art and the PR wire announcement follow, of course with more to come:

desertfest berlin 2019 poster

DESERTFEST BERLIN ANNOUNCES FIRST BANDS FOR 2019!

Legendary WITCH, ALL THEM WITCHES, COLOUR HAZE, EARTHLESS, HÄLLAS & 24/7 DIVA HEAVEN added to the first round of acts!

Desert rockers, it’s finally time to unveil the first bands for 2019, and WHAT a first start of acts this is! DESERTFEST BERLIN is more than proud to welcome the one & only, legendary J Mascis who will crash the ARENA BERLIN with his band mates in stoner metal icons WITCH!

Formed in 2005 by Dinosaur Jr. guitarist Mascis, in WITCH the distinctive pioneer of rock music goes back to his roots and takes over the drums. The band’s eponymous self-titled debut has been released in 2006, followed by the highly accclaimed ‘Paralyzed’ album back in 2008. We could not be prouder to welcome this unique cult band to our 2019-edition!

Rumors have been going on for a while, and yes they became true: ALL THEM WITCHES will be playing DESERTFEST BERLIN 2019! This rare gig the legendary rockers from Nashville will play in Berlin, will truly belong to one of THE live highlights in the history of DESERTFEST BERLIN and yours, too. With their heavy blues and psychedelic desert rock, ALL THEM WITCHES will literally put the ARENA on FIRE, don’t miss one of their only shows in Europe live at DESERTFEST BERLIN 2019!

But we got way more sweet acts to be unveiled today and in this first band announcement every stoner rocker’s heart will beat faster for: Please welcome psychedelic rockers EARTHLESS to the 8th edition of DESERTFEST BERLIN! With their extensive jams, the Californian multi-instrumentalists will turn the ARENA into a psychedelic wonderland, join them for a long ride on their unique classic rock and jazzy Krautrock trips!

Another exciting band we like to unveil today: COLOUR HAZE will celebrate their 25th band anniversary live at DESERTFEST BERLIN! They belong to the oldest psychedelic institution and became the flagship of the German heavy stoner scene, the more we are stoked to welcome them to our next year’s line-up. With an additional keyboarder live at DESERTFEST BERLIN, COLOUR HAZE will take us on a magic sound landscape drown in the haze and true rock spirit. Let’s celebrate 25 years of the legendary COLOUR HAZE together with the band, live at DESERTFEST BERLIN 2019!

To close this first round of already stunning bands, we have added Swedish hardrockers HÄLLAS to our 2019-bill! Describing themselves as Adventure Rock, we cannot wait to join them on a live adventure noone of us will forget. Last but not least, ladies and gentlemen let’s start a Riot: With a delicate and true LO-FI sound, inspired by bands such as L7, Bikini Kill, The Melvins, Nirvana, Dinosaur Jr. or Sonic Youth, the ladies in 24/7 DIVA HEAVEN will bring their pure blend of Hard Rock, Grunge and Punk Rock which is all bounded by the legendary Riot Grrrl sound to our stage in 2019, be prepared!

DESERTFEST BERLIN 2019 will take place between May 3th – 5th 2019 at the ARENA BERLIN.

In 2018, Desertheads from over 40 different countries came to witness the premiere at the Arena in the heart of Berlin, rocked out and celebrated the almighty riffs of the Stoner, Doom & Psychedelic Rock. In the last weeks the DESERTFEST BERLIN crew put their heads together to discuss and improve the 2019 edition. As the festival organizers just recently commented:

“We listened to the critics, cause we love you and we worked on all topics: Besides a totally new banging soundconcept and much simplified paying methods (token anyone?), we will come along with more space for you to hang and chill. And that is just the beginning of a whole candyjar of more sweet and trippy extras! So now that we took the Desertfest to the water and we saw how much you enjoyed our boatride… remember that white ship, the “Hoppetosse” docking on the outside area ? For DF 2019 we inked a deal with the owner and are now able to use the “Hoppetosse” as an additional chillzone as well as a rock and party stage. We will have bands playing there during the day, but also we will also host the aftershow parties on board. Hope you like this great news. More news are to come in the next days , so stay tuned!”

A new sound-and payment-system on the ground, more space AND a chillout- and live zone on a boat, with this already stunning line-up DESERTFEST BERLIN 2019 will mark the best edition you have ever been to!

Start your trip to the heart of the capitol of the almighty riffs, we cannot wait to see you all at the ARENA BERLIN 2019!

www.desertfest-tickets.de
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Desertfest Berlin 2019 first announcement teaser

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Hällas Summer Tour Starts This Week

Posted in Whathaveyou on July 10th, 2018 by JJ Koczan

hallas

I don’t care if each one was five copies — and rest assured, each one was substantially more in this case — getting through two full album pressings and releasing a third in the span of eight or nine months is pretty impressive. Such is the cast for Swedish heavy rockers Hällas, whose Excerpts from a Future Past came out last October through The Sign Records to wide-ranging “ooh”s and “aah”s. Good on ’em, what with the rock and roll and all. They’ll start taking it to the people — the people! — this week in support of the album, heading out for a weekender in Finland and Lithuania ahead of more fest dates later on. Much to do, much to do. The five-piece have been a steadily growing presence in the European heavy underground, and even as they seem to be gearing their summer toward hitting as many eyes as possible each time out, I wouldn’t be surprised if they kept up the festival appearances going into the busy Fall season, unless other plans should interfere. One never knows.

The PR wire sent the dates along, as follows:

hallas summer tour poster

Hällas Announces Summer Tour!

Today, Hällas announces their summer tour. The band will play 8 show between July and August in Finland, Lithuania, Germany and Norway.

Hällas just released the third press of their album “Excerpts from a future past” that was originally released in October 2017 by the Sign Records. The band has reached great success with their single “Star Rider”, and are now ready for the European festival summer.

Since the release of their debut album back in 2015, Hällas has gained a lot of popularity amongst rockers all over the world. With a sound that crosses the borders between the future and the past, between experimentation and catchiness, all wrapped together by spacey storytelling lyrics, the band has created something totally unique – by themselves referred to as “Adventure Rock”.

Summer Tour Dates:
12/7 Klubi -Tampere, Finland
13/7 Devilstone -Anyksciai, Lithuania
14/7 Uleaborg Psych Fest -Oulu, Finland
21/7 Chaos Descends Festival -Crispendorf, Germany
3/8 Kaupungin Aanet -Lahti, Finland
10/8 Aquamaria Festival -Plattenburg, Germany
11/8 Void Fest -Sinzendorf, Germany – SOLD OUT
25/8 Beyond The Gates -Bergen, Norway

Hällas is:
Tommy Alexandersson (bass/vocals)
Alexander Moraitis (guitar)
Kasper Eriksson (drums)
Marcus Pettersson (guitar)
Nicklas Malmqvist (keys)

https://www.facebook.com/haellas/
https://www.instagram.com/hallasband/
http://www.hallasband.com/
https://www.facebook.com/thesignrecords/
http://freighttrain.se

Hällas, “Star Rider” official video

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Roadburn 2018: Earthless to be Artist-in-Residence; Crowbar, Kikagaku Moyo, Zola Jesus, Mutoid Man, Joy, Harsh Toke, Petyr, and More Added

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

This invariably happens every year. Roadburn hits a point where the festival loses its damn mind and delivers a completely overwhelming onslaught of lineup additions, greatly affirming the overall character of the event as well as its ongoing utter creative dominance of the Spring festival scene in Europe. I knew it was coming. I guess I just didn’t expect it so soon.

More the fool I. Today, Roadburn 2018 confirms Earthless will serve as Artist-in-Residence, and in addition to playing a set on their own, they’ll jam out with krautrock legend Damo Suzuki of Can as well as lead the charge of a ‘San Diego Takeover’ featuring the likes of Harsh TokeJoyPetyr and Sacri Monti. Not only that, but Crowbar will play Odd Fellows Rest in full at Jacob Bannon‘s curated event, and another takeover — this time by Japanese psychedelia — brings confirmation of Kikagaku MoyoMinami Deutsch and Dhidalah. Oh, and there’s a shit ton of others added as well, including Mutoid ManJarboe and Ruins of Beverast.

If you can get your head around it, you’ve got one up on me, though it’s certainly fun to try. I got to write the Earthless announcement, so make sure you read that one. Here’s all of it from the PR wire:

roadburn 2018 banner

Roadburn Festival 2018 Artist in Residence announced; plus more lineup confirmations

– Earthless confirmed as 2018 Artist in Residence
– Huge San Diego Takeover project announced feat. collaborations and jam sessions.
– Japanese Psych Experience courtesy of Kikagaku Moyo, Minami Deutsch and Dhidalah
– Crowbar & Zola Jesus confirmed for Jacob Bannon’s curated stages

Artistic Director, Walter Hoeijmakers commented:
“To be Roadburn’s Artist in Residence is quite a prestigious position; it really gives bands a chance to open up and explore different facets of their collective personalities. Earthless are – to me – the perfect fit for this next year; their bond with Roadburn is strong and we’re thrilled to have seen them grow and develop over the years since they first played Roadburn. In fact, it will be a full decade since their first performance on a Roadburn stage – and what a way to mark the occasion.

“The whole San Diego Takeover has been over a year in the planning, and we’re still working on even more ways to enhance what is already going to be such an incredibly special part of Roadburn 2018.”

ARTIST IN RESIDENCE: EARTHLESS

Roadburn is proud to welcome back our benevolent cosmic instrumentalist overlords in 2018! Earthless will perform three sets as our Artist in Residence, including some incredibly special, Roadburn-exclusive jams.

It’s been a decade since the San Diego three-piece of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba set a standard for epic with the performance that became their landmark Live at Roadburn 2LP in 2008. Since then, Earthless have become the standard-bearers of a heavy psychedelic boom in California, inspiring countless acts around them.

As our Artist in Residence they will take the stage three times. For the first set, they’ll play in their standard three-piece incarnation, showcasing material from their upcoming 2018 album. The second set unites Earthless with progressive rock and improvisational legend Damo Suzuki, a set that is bound to be an occurrence of galaxy-shaking significance. If that’s not enough, Earthless will also take part in an ‘East Meets West’ psych jam with other members of the San Diego scene and members of Kikagaku Moyo from Japan.

The poster for Earthless was created by Maarten Donders.

Read more about Earthless, and Damo Suzuki.

SAN DIEGO TAKEOVER

Steeped in psychedelia and inspired by Earthless – who played a pivotal role in sparking this particular fire – the new breed of San Diego psych-rock bands is gearing up to launch themselves on Tilburg next April. Stand by; the San Diego circus is coming to town.

A veritable gang of musicians will be leaving behind the Pacific Ocean and making their way to the slightly less sun soaked – although no less open minded – vistas of Tilburg.

Each participating band will perform over the course of the weekend as part of the main festival programme at the 013, but a movement this influential deserves it’s own space to spread out, bloom, and indeed envelope us all. So, with that in mind, there will be a Californian takeover at the Hall of Fame on both Friday and Saturday; welcome to the San Diego Clubhouse!

When you count professional skaters among your ranks, it would seem remiss to not factor a skate expo into proceedings. Plus there will be visual exhibitions by the likes of JT Rhoades, Lannie Rhodes and BB Bastidas (the man responsible for the incredible poster below), there will also be stalls featuring Vol.4 Clothing and Psockadelic. We didn’t know we needed Roadburn branded socks until just now, but now we really need them…

More details will unfurl over the next couple of months, but for now, it’s time to get stoked: California is coming. Performing as part of the Roadburn 2018 San Diego takeover will be:
Harsh Toke
Sacri Monti
Joy
Petyr

Read more about the San Diego Takeover.

JAPANESE PSYCH: KIKAGAKA MOYO, MINAMI DEUTSCH, DHIDALAH

In conjunction with the San Diego Takeover, Roadburn 2018 will also host a Japanese psych experience! Steeped in ’60s and ’70s tradition, these bands are exploring psychedelia in a transportive and meditative way. Emphasis is put on the past, but they’re pushing the envelope, and it’s their forward-looking vision that’s prompted us to bring them to Roadburn 2018.

Please brace yourself to explore the sonic spectrum with these new champions of Japanese psych!

Centered around cult-label GuruGuruBrain, the following bands will perform as the Japanese counterparts of The San Diego Takeover:
Kikagaku Moyo
Minami Deutsch
Dhidalah

JACOB BANNON’S CURATION: CROWBAR

Crowbar have been at the forefront of heavy music for nearly three decades, and in 1998 released the album Odd Fellows Rest. This incredible album merged their existing heaviness with a refined melodic sensibility, creating one of the most powerful metal albums of the era.

Jacob Bannon comments:
“In 1991 I was introduced to Crowbar when I bought a tape of their Obedience Thru Suffering album. The sheer heaviness of the band floored me and I was hooked ever since. For me personally, their 1998 album Odd Fellows Rest is a high watermark of creativity. It is an incredible collection of songs that have been daily listens for me for nearly two decades. It’s an honor to have the band perform this record live at Roadburn Festival 2018.”

Read more about Crowbar.

JACOB BANNON’S CURATION: ZOLA JESUS

Zola Jesus is the stage name of Russian American musician Nika Roza Danilova. Under the name Zola Jesus, she has released a number of genre bending EPs and albums. Her approach is a cross pollination of electronic/industrial, classical, and gothic sounds; all of it coming together as a dark and emotional artistic experience.

Jacob Bannon comments:
“I first heard Nika’s work on the Stridulum EP. Every aspect of the release connected with me and it soon became a daily listen. The record (and all of her work) was relatable and infectious. I’ve been an avid listener ever since. Watching her artistry grow and deepen over time has been inspiring. Okovi, the latest from Zola Jesus is such a powerful album. I am truly honored to have Nika and Company at Roadburn 2018 as part of my curation.”

Read more about  Zola Jesus.

JARBOE FT. FATHER MURPHY

Jarboe has always made collaboration an essential part of her work, and her work with Italian duo Father Murphy has so far been incredibly fruitful. When they perform together at Roadburn, Father Murphy will take to the stage first and set the mood with heir creepy and enveloping aural tapestries, after which Jarboe, in all her glory, will join them to perform those songs. After that, the trio will perform a selection of some of the most powerful moments of the singer’s career so far.

Read more about Jarboe ft Father Murphy.

BIG BRAVE invite us to peek further into the shadows. Read more
DAWN RAY’D will be initiated into the Roadburn family. Read more.
HÄLLAS carry the heart and soul of the seventies. Read more.
KÆLAN MIKLA soundtrack the apocalypse with threatening darkwave rumblings beneath ominous monologues. Read more.
MUTOID MAN shake off the “super group” shackles and re-write the rules. Read more.
PLANNING FOR BURIAL are set to defy description and capture our hearts.Read more.
THE RUINS OF BEVERAST will reprise their 2013 show-stealing performance, this time with added Exuvia; they’ll play their latest album in full. Read more.
UNE MISÈRE are an explosive combination of elongated atmospherics and insanely meaty riffs. Read more.
WIEGEDOOD: furious catharsis, raging obscurity and fiery destruction from the Church of Ra  Read more.
WRECK AND REFERENCE shall devour genres and resist categorisation. Read more.
YELLOW EYES… With burning intention and a sight without limits, BLACK METAL AS SPIRITUAL WAR. Read more.

TICKET ONSALE INFORMATION
Roadburn 2018 tickets are on sale now. 3 and 4 day tickets are currently available, with day tickets going on sale at a later date.

4-day-tickets €198,40 (including €3,40 service fees)
3-day-tickets €175,40 (including €3,40 service fees)

Camping tickets are also available to purchase, with additional options (such as Festipis and camper vans) also possible. This year the urban campsite will be in a new location – but still within walking distance to the 013 venue – providing a comfortable and affordable option for Roadburn attendees.

Click here for more information on tickets and the campsite

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Roadburn 2018 Third Announcement Video

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