Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan
It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.
Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.
2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.
Here’s the lineup:
Psycho Las Vegas 2018
Hard Rock Hotel and Casino Las Vegas 4455 Paradise Rd, Las Vegas, Nevada 89169
PSYCHO LAS VEGAS 2018 lineup: DIMMU BORGIR (west of chicago exclusive) HELLACOPTERS (one of two shows to be played in the USA in 2018) SUNN 0))) GODFLESH (west of chicago exclusive) WITCHCRAFT (one of two shows to be played in the USA in 2018) ENSLAVED AMERICAN NIGHTMARE HIGH ON FIRE ROCKET FROM THE CRYPT RED FANG ZAKK SABBATH CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego) TINARIWEN GOBLIN CKY VENOM INC EYEHATEGOD VOIVOD BORIS COVEN INTEGRITY PALLBEARER WITH THE DEAD (USA exclusive 2018) MONOLORD LUCIFER (USA exclusive 2018) ACID WITCH SURVIVE DOPETHRONE BIG BUSINESS UNEARTHLY TRANCE MUTOID MAN TODAY IS THE DAY HELMS ALEE SPIRIT ADRIFT BATUSHKA PRIMITIVE MAN DVNE ALL PIGS MUST DIE EIGHT BELLS WORMWITCH INDIAN NECROT HOMEWRECKER BRAIN TENTACLES CLOAK BLACK MARE MAGIC SWORD UADA TEMPLE OF VOID DREADNOUGHT WOLVHAMMER ASEETHE DISASTROID FORMING THE VOID VENOMOUS MAXIMUS GHASTLY SOUND HOWLING GIANT KING BUFFALO NIGHT HORSE THE MUNSENS GLAARE
Paradise Pool Pre Party
August 16th
WOLVES IN THE THRONE ROOM ELDER YOUNG AND IN THE WAY DENGUE FEVER FIREBALL MINISTRY TOKE
Center Bar DJ’s Andrew W.K. Nicke Andersson (Entombed/Hellacopters) Johanna Sadonis (Lucifer)
Posted in Whathaveyou on February 20th, 2018 by JJ Koczan
My understanding there’s a whole lot more that goes on at Calgary’s 420 Music and Arts Festival than just bands playing, but golly, there sure are a lot of bands playing. I just hope someone keeps a running tally of what’s on the playlist for Brant Bjork‘s DJ set, because you know that dude is going to both out-funk and out-punk the entire room and I’d pretty much take each track as a recommendation for an album I needed to check out. Oh yeah, Dopethrone, Sasquatch, La Chinga, Mendozza, and about 20-odd other bands playing are pretty cool too. Not taking anything away from that. Just saying someone needs to write that shit down for me.
The PR wire has all the info:
CALGARY’S 420 MUSIC & ARTS FESTIVAL ANNOUNCES 2018 LINE-UP W/ DOPETHRONE, BRANT BJORK, SASQUATCH, LA CHINGA – TICKETS ON SALE NOW!
Official Festival Poster Artwork by Mike Calhoun / Sketchy Intuitions, Austin, TX
Calgary, AB’s 420 Music & Arts Festival presented by METALHEADS UNITED announces their 2018 line-up for April 19th, 20th, and 21st featuring headliners Dopethrone, Brant Bjork (Kyuss, Vista Chino) (special guest DJ set on 420), Sasquatch and La Chinga along with over 20 other acts ranging from stoner rock/stoner metal, doom, psychedelic and heavy blues.
420 Music & Arts Festival 2018 Line-Up
Thursday April 19
Sasquatch (Los Angeles, CA) Great Electric Quest (San Diego, CA) Electric Owl (Calgary, AB) Gin Lahey (members of Chron Goblin and Witchstone) (Calgary, AB) RAW (Calgary, AB) Set and Stoned (Calgary, AB) Solid Brown (Calgary, AB)
Friday April 20
Brant Bjork (Palm Desert, CA) (DJ sets between bands, spinning rare vinyl and closing the festival night) La Chinga (Vancouver, BC) Buffalo Bud Buster (Calgary, AB) Mendozza (Vancouver, BC) Bazaraba (Calgary, AB) Chronobot (Sask) Black Hell Oil (Saskatoon, SK) The Mothercraft (Edmonton, AB)
Saturday April 21
Dopethrone (Montreal, QC) Buzzard (Victoria, BC) Orbital Express (Regina. SK) The Electric Revival (Calgary, AB) Chunkasaurus (Nanaimo, BC) Heron (Vancouver, BC) Ogimaa (Winnipeg, MB) Haaze (Calgary, AB) Pelican Death Squad (Calgary, AB)
Ticket Info:
Advance festival 3 day passes are now available for $69 CAD (plus applicable service charges) until April 1st then will increase to regular price of $89 (plus applicable service charges).
Limited quantities of individual day tickets will be available beginning March 1st.
Festival passes available online only at the festival store at the following link: http://www.420musicandartsfestival.ca/store-2/
Festival passes give fans entry to Distortion on April 19, 20 and 21 and additional 420 Music and Arts Festival Events to be announced at a later date.
Passes are not transferable between attendees during the event. Passes will be exchanged for wrist bands, which must be worn for entrance to the events.
All passes purchased online will be available for pick up at venue or shipped to choice of mailing address. Physical passes will be mailed out in early February. Any passes purchased for shipping by February 15th, are scheduled to arrive by March 1st. If you do not receive your passes by the listed date, please contact the festival at http://www.420musicandartsfestival.ca/contact/. A shipping confirmation will be sent when passes are mailed.
All ticket sales are final. No refunds will be issued unless full festival cancellation. 420 Music & Arts Festival reserve the right to change the line up as required due to band scheduling and / or other circumstances beyond their control.
Posted in Whathaveyou on August 31st, 2016 by JJ Koczan
Montreal doomscummers Dopethrone have issued a new EP titled 1312 as the follow-up to last year’s blazingly well received Hochelaga (review here) full-length. Unless I’m crazy, the trio were in Europe about a month ago and they’ll be back over there to play Smoke the Fuzz and more, continuing to destroy minds, reap souls, and all that other stuff that riffs do these days, and though likely a stopgap on their way to whatever’s next — more touring? another album? more likely both — fans could do a lot worse. They have a video for “Shot Down,” but frankly, the cover art for the EP is NSFW enough. Only so many titties I’m willing to post per day. Take that, patriarchy.
Oh yeah, and the download is free. From the PR wire:
Montréal’s sludge blues trio DOPETHRONE hit hard once again, with the 100% free release of their new EP “1312” on Riff Dealer Records. This 3-track joint also comes with the intoxicating video for “Shot Down”.
DOPETHRONE’s new EP “1312” was written and recorded in the winter of 2015, and serves as a transition between the band’s largely acclaimed fourth album “Hochelaga” and their next full-length. The video for “Shot Down” features live footage and behind the scenes from the many festivals and clubs they have played in Europe and the U.S this year.
TRACKLISTING: 1. Shot Down 2. Drifter 3. Skag Reek – Artwork by Alexandre Goulet –
After three records that have knocked out all sludge and doom fans across the globe, Canada’s insane weed-laden trio DOPETHRONE returned in 2015 with their fourth album “Hochelaga” – named after the band’s dodgy neighbourhood in Montréal. “Hochelaga” is simply their most infectious effort to date, which has been widely acclaimed by the international critic. Despite a severe leg injury for guitarist/vocalist Vince that led the band to cancel many shows, 2016 has been a very productive year for the band, who released a split record with US doom merchants Fister and the “1312” EP, as well as bringing their dirty grooves to many European and North America cities through an extensive summer and fall tour.
DOPETHRONE ON TOUR NOW 06.09 – Köln (DE) @ Sonic Ballroom 07.09 – Amsterdam (NL) Winston Kingdom 08.09 – Newcastle (UK) @ Cluny* 09.09 – Edinburgh (UK) @ Studio* 10.09 – Bolton (UK) @ Alma Inn* 11.09 – London (UK) @ Underworld* 17.09 – Athens (GR) @ Smoke the Fuzz Fest w/ Yob, Bongzilla, Sons of Otis… 23.09 – Québec (CA) @ Considered Dead Fest 24.09 – Trois-Rivères (CA) 27.09 – Montréal (CA) @ Katacombes 29.09 – Sherbrooke (CA) 30.09 – Toronto (CA) @ Music For The Masses w/ Sons Of Otis *w/ GURT
Posted in Whathaveyou on July 14th, 2015 by JJ Koczan
Seems a little strange that Midnite Collective‘s Midnite Communion III: Midnite Masquerade fest this Nov. will take place in Long Beach, California, which is kind of the place on earth with the nicest weather ever, but if there was a lineup to darken a sky, this would seem to be it. The lineup boasts the likes of Buried at Sea, Morne, Church, Unearthly Trance, Beneath Oblivion and others, and the uniting factor seems to be an extremity of sludge and doom. Not sure what the Empire Ballroom of The Breakers in Long Beach is like, but the atmosphere will likely darken with an art show and the onslaught of distortion and volume.
Upon this third-annual celebration of dark arts, crafts, and music, Midnite Collective has gathered seven artists from around the world, eight bands from the far reaches of North America, and with the help of Below (a curator of all things beautifully gloomy) brought together a gifted group to fill our Craft Gala*. Now spanning two evenings, Communion III: Midnite Masquerade will host an elegant mass on Friday, November 13th to continue the evening of Saturday, November 14th within the Empire Ballroom of The Breakers in Long Beach.
Brandon Holt Glyn Smyth Sin-Eater Rotten Fantom Jason Barnett Førtifem & Photo Narrative by Steph Cammarano
With surprises still to come..
Please Note: Capacity is extremely limited in this unique venue, creating an intimate environment to experience this ceremony. Thus, there will be no door sales once reservations sell out online. All attendees must be over 21 and no regrets will be issued.
* Craft Gala is on Saturday only with full art exhibit free of charge; this portion of the event is all-ages and has extended hours beginning at 4pm until 10pm in a room apart from the musical portion of the evening.
Here we are, the final day of The Obelisk’s Quarterly Review. I won’t lie and say it’s been easy this whole time, but the challenge has been worth it. Will I do another one? I guess that depends on how backed up records get. Even with all of this, I haven’t managed to fit in everything, so yeah, it doesn’t seem unlikely I’ll wind up with fodder for more of this kind of thing. Once again, not at all a hardship to have people interested enough in having me write about their music to send it to me. Not at all something I’m going to complain about.
Thanks to everyone who’s taken the time to read or share the link or whatnot, and of course to bands and labels for caring enough to send the music.
Quarterly Review #41-50:
Bubonic Bear, Shaved Heat
In and out of their three-song Shaved Heat tape in under 10 minutes, one could hardly accuse Philly guitar/drum duo Bubonic Bear of being overly elaborate in their approach, but the tracks, particularly closer “Clean,” drive home their post-hardcore rawness with suitable intensity. No frills, just impact. Vocals are raw shouts and the blue tape, which is limited to 50 copies through Bastard Sloth Records, has a kind of avant garde charm, underground in the house-show sense and mean, mean, mean, but probably nice enough to talk to. “Chlorine,” “Witch Pyle” and “Clean” are arranged shortest to longest, but all three hover around three minutes and tear into frenetic turns and let’s-call-it-spirited pummel. Andrew and Dustin, the pair involved, have a slew of EPs and splits and one full-length under their belt, and their six-plus years together are evident in the sheer fact that they can execute material so chaotic without having it fall apart under their stamping feet.
From its biker chug to its unabashed confrontationalism and attitude-laced approach to songs like “Who Crowned You King” and “Axe to Grind,” The F.T.W.’s Vendetta Kind of Mood just screams oldschool New York. Not the New York that’s the family-friendly (as long as you’re rich) center of the fashion world, but the New York that was really eager to tell you about how it was going to kick your ass, if not actually do so. The 10-track vinyl self-release is clean in its production and straightforward structurally, but has a gritty undercurrent anyway, showing some thrash (or is that NYHC? So hard to tell sometimes) influence in “Bleed Out” and a bit of rawer punk in “Billy Bats,” though they wait till the closer to actually extract a “Pound of Flesh,” which they slice with a choice solo and some Judas Priest riffing from guitarist TheMajor Nelson, joined in the trio by bassist/vocalist Michael Dolan and drummer Jason Meraz. Something tells me they’re not abbreviating “for the win.”
Kristalliarkki is the third offering from Finland’s Seremonia on Svart Records, and while all of their albums have thrilled in that quiet, warm-toned, psych-proto-ritual kind of way, the crystal ark is where it’s at. The record lands big with penultimate 14-minute sprawler jam “Kristalliarkki I,” open enough to set down a blanket and have a picnic next to the tree line, but before they get there, the five-piece of vocalist Noora Federley, guitarists Teemu Markkula and Ville Pirinen drummer/flautist Erno Taipale and bassist Ilkka Vekka vibe out fuzzy hypnosis on eight shorter native-language tracks, otherworldly from the word “go” and held together with a glue of ‘70s-style shufflebuzz on “Lusiferin Lapset” and the quick bouncer “Kuolema Voittaa” that beg to be dug on repeat visits. At just 1:14, “Kristalliarkki II” taps punker soul to close out with a sudden finish that leaves one wondering what the hell just happened, and no doubt that’s exactly what Seremonia had in mind.
JPT Scare Band, Acid Acetate Excursion & Rape of the Titan’s Sirens
A twofer! Kansas City acid rockers JPT Scare Band – Jeff Littrell (“J”), Paul Grigsby (“P”) and Terry Swope (“T”) – dig into their archival material to couple their first two records, Acid Acetate Excursion and Rape of the Titan’s Sirens, for Ripple Music. Both were recorded in the ‘70s but not released until 1994 and 1998, respectively, and the trio’s blown-out heavy continues to wear its years well, the bluesy fire in Swope’s guitar work leading the way through 81 minutes of long-range jams and classic vibes, still underrated after all these years. The second record has more bite tonally than the first, the recording is rougher, but I won’t take anything away from the force behind the 13-minute “King Rat” from the debut either. Think of it as an archival release more than a reissue, and if you haven’t yet been introduced to JPT Scare Band, think of the vinyl as an educational expense.
Bordeaux trio Libido Fuzz trip out pretty hard on heavy ‘70s influences, but I feel like their Kaleido Lumo Age debut LP (on Pink Tank Records) is all the more praiseworthy for the simple fact that it doesn’t sound like Graveyard. Casting off much of the blues that seems to have afflicted so many the world over, Thibault Guezennec, Pierre-Alexis Mengual and Rory O’Callaghan dip back maybe a couple years before ’71, let’s call it ’68, but filter the Hendrix and The Who influences through modern tonality, which means that a boogier like “Raw Animal” and the proto-stoner shuffle of “Enter the Occult” satisfy in concept and execution. Each of the evident two sides caps with a cut past the eight-minute mark, and both “Redemption of the Bison” and album closer “Haight Ashbury” offer significant heavy psych immersion, though it’s the side B finale that ultimately wins out thanks to its second half journey into noise wash, lysergic swirl, last-minute nod and epilogue of birdsong-esque feedback.
Filth-caked Montreal trio Dopethrone eat crust and shit riffs on their Totem Cat-released fourth record, Hochelaga, coating themselves in backpatch-worthy tone and throat-searing screams that would do Bongzilla proud. Weedian scummery through and through. Save for “Dry Hitter,” each of Hochelaga’s seven tracks starts with a sample, as if to emphasize the utter stoner fuckall with which Dopethrone – guitarist/vocalist Vincent, bassist Vyk and drummer Borman – execute their rolling grooves and lumbering viciousness once it kicks in. “Sludgekicker,” “Vagabong” and “Riff Dealer” tell the tale, and the record’s 40 minutes play out in largely unipolar but universally righteous fashion, “Scum Fuck Blues” summing up the ethic nicely with the line, “Smoke, drink, die.” Dopethrone make a show of their rawness, but Hochelaga’s fullness of tone and clarity of aesthetic speak to an underlying sense of knowing what they’re doing, and a record this cohesive doesn’t happen by accident, much as it might be telling you otherwise. That doesn’t mean they’re not also high as hell, just that they can keep it together.
A presumed sequel to their 2013 debut, They Fall, Hamburg trio The Moth‘s sophomore full-length, And Then Rise, pulls off heavy rock ethics with a heavy metal sense of purpose and basks in an overarching tension throughout its nine tracks. Fast or slow, doomed or thrashing, cuts like “Battle is Over” and “Travel Light” carry a progressive feel to match their hooks, later doomers like “Slowly to Die” and closer “Fire” – which hides a bonus track in its span – holding onto the tightness even as the relinquish in terms of pacing. Dark atmospherically but brazenly intricate, the three-piece of guitarist/vocalist Freden, bassist/vocalist Cécile and drummer Tiffy are never showy or putting on a technical clinic, but everything seems to be geared toward the purpose of enhancing the songs, which of course is the ideal. Because the sound is so condensed, it might take a couple listens for And Then Rise to sink in – not saying the chug of “Last Times” doesn’t also have immediate appeal – but The Moth’s genre-bending compositions prove worth the active engagement.
I’m pretty sure War Iron could play fast and it would still sound slow. They don’t really try it. Deep, deep low end is cut through by indecipherable-but-get-their-point-across-anyway screams on the Northern Irish four-piece’s third album, Precession of the Equinoxes, which plods out a grueling extremity of doom across its four included tracks, the shortest of which is the 7:37 “Summon Demon Scream the Abyss,” a harsh ritual of sonic heft and disaffection well met by its compatriots, from the churning opener “Bludgeon Lord,” to the title-track – which actually does up the pace somewhat, relatively speaking (and yes, it still sounds slow), and only temporarily – which crushes hopes and eardrums alike leading into the closer “From Napalm Altar,” a final affirmation of the deathly miseries at heart in War Iron’s approach, vocalist Baggy going high-low with screams and growls over the Ross’ guitar, Dave’s bass and Marty’s drums. It is a fearsome and challenging listen.
Guitarist/vocalist Owen Carty, formerly of underappreciated, coulda-been-contender sludge rockers Dopefight, lends his riffy services to the cumbersomely-named trio Chubby Thunderous Bad Kush Masters (also stylized all-lowercase), who make their debut with the self-released five-song Earth Hog EP. Bassist Will Hart and drummer Mark Buckwell swing heavy and land hard on the opening title-track, and there’s not much letup from there, wah bass and cowbell leading to some fervent stomp in the second half of “Chopsticks and Bad Meatballs,” which starts out as a punk song, and “Devil’s Buttermilk” brazenly tackling Southern riffing without the chestbeating that way, way too often accompanies. More cowbell there too, because if you’re going to do something, overdo it. “Mother Chub” and “Riff Richard” close out, the latter with a slowdown that emphasizes the point: the kush may be bad, but the riffs are primo. Silly name or not, I’ll take this shit any day of the week, and considering Earth Hog was recorded in a living room, I have the feeling it’s only going to get louder from here. Right on.
With a sense that they’re continuing to feel out where they want to be sonically, Brazilian three-piece Red Mess follow-up last year’s Crimson EP (review here) with the newly-issued two-tracker Drowning in Red – apparently working on a theme chromatically – the cuts “Daybreak’s Dope” and “Ready to Go” impressive in performance and tone as guitarist/vocalist Thiago Franzim shreds out on the latter atop Lucas Klepa’s bass and Douglas Villa’s speaker-popping kick. Each song has a markedly different approach, with “Daybreak’s Dope” topping seven minutes via a Sleep-style rollout while, true to its title, “Ready to Go” seems to have no interest in holding its shuffle still. Pairing them shows sonic breadth, and in the case of the second, a bit of ‘70s influence to coincide with what they showed on Crimson, though the results will still ultimately be familiar. They’re making progress, though, and their cohesiveness and catchiness through stylistic shifts is encouraging.
Posted in Whathaveyou on January 22nd, 2015 by JJ Koczan
Montreal sludge trio Dopethrone will release their fourth album, Hochelaga, on Totem Cat Records in April. They have a quality-over-quantity round of European tour dates booked to celebrate, slots included at Desertfest in London and Berlin as well as Heavy Days in Doomtown and shows with Eyehategod and Acid King. I’m also interested to find out if their noted-but-not-specified Los Angeles appearance in November is a part of a festival — as I recall, the Day of the Shred was around that time last year — or just a regular one-off gig. Would be a long way to go for a club show.
Hochelaga will be out by then, but it’s still in preorders for now. Link, album info and trailer follow, courtesy of the PR wire:
Canada’s sludge legends DOPETHRONE to release new album this April on Totem Cat Records!
Montréal-based DIY filthmongers DOPETHRONE finally return this spring with their heaviest album to date! “Hochelaga” is slated for vinyl and digital release on April 13th via independent label Totem Cat Records. Get whatever substance you may need ready, hide your daughters: they’re back…
After they have mercilessly pounded eardrums and spread their groove-laden lunacy on an international scale with three widely acclaimed eargasmic LPs, it is finally time for one of North America’s filthiest weed-infused doom acts DOPETHRONE to take over your households once again. Named after their ghetto stronghold in Montréal, this fourth record betokens DOPETHRONE’s determination to stir up even more trouble and take their sonic power to a higher level.
Enjoy yourselves now and prepare for the takeover with the album’s official trailer.
The riff comes in many forms. Sometimes it’s clean, catchy and elegant. Sometimes it’s filthy, grimy and about as elegant as a sledgehammer to the sternum. DOPETHRONE is the latter. This D.I.Y trio from Hochelaga, Montreal’s trashiest ghetto, wallows in smoke, demons, death, the occult and enough psychotropic drugs to send both Hunter S. Thomspson and William Burroughs on one hell of a trip. Delivering some of the filthiest, most skull-crushing riffs drenched in distortion and fuzz, they encompass the bleakness of black metal, the steadfastness of New Orleans-style sludge with a heavier-than-thou doom mentality. Riffage is thick, punishing, suffocating and destructive and demonic vocals are harsh, visceral and animal-like for tunes dripping with pervasive THC. DOPETHRONE take over doom and view it through a crusty lens, and that perspective rise the genre to new heights of sonic filth.
After they released their first LP “Demonsmoke” on STB Records, the band unleashed “Dark Foil” via Totem Cat Records in 2011, then got invited to Roadburn Festival in 2012 by festival curators Voivod. The performance was followed by the release of third album “III”, in support of which the trio toured Europe two times. Montreal’s distortion-powered sledgehammer DOPETHRONE is set to be back in 2015 with a fourth heavier and most of all thrashier full-length… The band will perform at DesertFest London and Berlin and Heavy Days In Doomtown this spring, and will make their very first appearance in Los Angeles for a special performance in November !
In support of the release, DOPETHRONE will play some of the best heavy festivals this spring, including a bunch of club shows in the rest of Europe. More dates to be announced soon, including North American dates.
UPCOMING SHOWS: 22.04 – LYON (FR) MJC Ô Totem w/ EyeHateGod 23.04 – STRASBOURG (FR) Molodoï w/ EyeHateGod 24.04 – LONDON (UK) Desertfest London 25.04 – BERLIN (DE) Deserfest Berlin 28.04 – PARIS (FR) Glazart w/ Acid King & Black Cobra 29.04 – AMSTERDAM (NL) TBA 30.04 – ATHENS (GR) An Club w/ Belzebong 01.05 – COPENHAGEN (DK) Heavy Days In Doomtown 03.05 – HAMBURG (DE) Hafenklang
DOPETHRONE IS: Vince – Guitar & Vocals Carl – Drums Vyk – Bass
Posted in Whathaveyou on October 17th, 2014 by JJ Koczan
Desertfest teased this announcement yesterday, and since Human Disease Promo/When Planets Collide have put together a stage at each of the past fests, that they’d do so again at Desertfest London 2015 isn’t a huge surprise, but still, they’ve acquired some killer acts to fill it out. The reactivated Minsk will apparently make a trip overseas next April, and Black Cobra will return to Desertfest after playing at the Underworld last year. Add Noothgrush on top as headliners and Dopethrone, Agrimonia and Walk through Fire to round it out and it’s safe to say Desertfest London won’t be lacking for sludge next year.
The PR wire put it like this:
NOOTHGRUSH, MINSK, BLACK COBRA, DOPETHRONE, AGRIMONIA and WALK THOUGH FIRE confirmed for DESERTFEST LONDON 2015
Like every year, London promoters When Planet Collides and Human Disease Promo will be curating a stage at The Underworld, hosting some of the most crushing and bleak riffage on the whole festival. Let’s all welcome the mighty NOOTHGRUSH, MINSK, BLACK COBRA, DOPETHRONE, AGRIMONIA and WALK THROUGH FIRE at DESERTFEST LONDON 2015, taking place on April 24-26th in Camden.
Already confirmed: SLEEP RED FANG ORANGE GOBLIN MY SLEEPING KARMA
Human Disease Promo / When Planets Collide Stage NOOTHGRUSH MINSK BLACK COBRA DOPETHRONE AGRIMONIA WALK THROUGH FIRE
For the fourth year running, Camden will be hosting one of the most exciting stoner/doom/sludge/psyche gatherings in Europe, for a full weekend of fuzzed-out tunes, psychedelia and partying. As the first headliner of this 2015 edition, American stoner rock pioneers SLEEP will be treating the Desertfest crowd to the finest smoked-out odysseys, with an exclusive headlining set at London’s famous venue Koko. Also headlining, Portland’s heavy rock’n’rollers RED FANG are set to turn this fourth edition into a massive metal celebration. The ground is set to tremble once again this year, with UK metal heavyweights ORANGE GOBLIN delivering their fiery metal anthems for a one-off 20th anniversary performance. It’s very rightfully than German psych foursome MY SLEEPING KARMA will be perfectly embodying the cosmic side of the lineup.
This new announcement with cult North-American outfits NOOTHGRUSH, MINSK, BLACK COBRA and DOPETHRONE, as well as Sweden based AGRIMONIA and WALK THROUGH FIRE is giving our 2015 lineup the blackened twist that is expected by all sludge and doom worshippers each year. Impending earthquake in Camden…
Posted in Bootleg Theater on November 9th, 2013 by JJ Koczan
Electric Wizard, Dopethrone (2000)
The Patient Mrs. and I were walking around Ikea tonight, basking in the mediocre consumer hell that is our 30s and looking for a shelf I can put LPs on, since apparently I have enough now to warrant one — also a lamp because with the time change it gets dark in my office before I’m done working — and I couldn’t get Electric Wizard out of my head. They seem to be an immediate go-to association for those moments when you most want to say fuck everyone and everything and drop completely out of society. Ikea on a Friday night will do that.
Then we went to the Costco.
Suburbs, man. Some harsh shit.
I’ve always hated Ikea, and I feel like the worst part is I can’t really complain — we got both a lamp and a shelf, as well as a whole load of oh-yeah-we-totally-need-this bargain bulk crap at Costco. If we get snowed in tomorrow and are stuck until June like in The Shining, I’ll have enough deodorant to get me through. That’s not really something I worry about, but unit prices exist whether you want them to or not and I’m not in a position to be throwing money around willy nilly to not stink. There are bills to pay.
So although we were listening to the much more peaceful Papermoon Sessionscollaboration between Papir and Electric Moon — which I’ll be reviewing next week along with Lumbar, or EYE, or Corrections House or whatever it is I find myself wanting to hear because god damn it that’s how I pick records these days — the Wizard were on my mind and I figured Dopethronewas a decent enough cap to the evening. So far so good.
Other than the big box surroundings in that, which was the early going, it was hardly an unpleasant night. I feel lucky when I get to spend real time with The Patient Mrs. that isn’t me working at my desk and she working at hers or the two of us too tired to have an actual conversation, and we got dinner afterwards — she called me interesting! — and I’m looking forward to a relatively low key weekend ahead of what will be a busy week to come, with shows on deck from Blaak Heat Shujaa and Devilto Pay and maybe High on Fire, at least two, maybe three nights in a row.
On that subject, toward the end of next week I’ll probably have few posts up, since Postman Dan — you may recall my travel partner out to Days of the Doomed or know him because he’s generally awesome and seems to know everyone anyway — is flying in on Thursday from Michigan. It wouldn’t really do to be like, “Hey dude, glad you’re here, but I gotta go review some shit for like three hours so I’ll talk to you later. Good to see you though.” Not that I doubt he’d be fine on his own, it’s just rude.
Plenty with which to stay busy through all that though, and I’ll probably find some room in there to talk about some records, tapes, CDs, whatever format it might be. When the Deadbolt Breaks also have a new video that I’ll be posting and there’s a lot of other stuff to come as well, so please stay tuned.
And in the meantime, as always, have a great and safe weekend. Enjoy the Electric Wizard (I know I am), and please check out the forum and radio stream.