Review: Various Artists, Live in the Mojave Desert, Vols. 1-5

Posted in Reviews on April 13th, 2021 by JJ Koczan

live in the mojave desert 1-5

Late in 2020, when the project was announced, research methods qualitative Writing Research Proposal Formats order system thesis cotton dissertation Live in the Mojave Desert sounded immediately ambitious. A series of five exclusive streams, taking bands and putting them out in the Californian deserts, with civilization somewhat visible from the aerial drone shots, but definitely far enough away to have been left behind, to record live sets by Giant Rock (see also: Data Analysis Dissertation Help. Data analysis is a highly popular niche nowadays. Itís a relatively unexplored category with tons of options for a successful doctoral-level paper. If you need data scientists to offer Clemson University Dissertation, our website is one of the few places where you can get it. Yawning Man, Welcome to CustomwritingPros, home of best essay writers! Here, we offer you Buy Resume For Writer Article for all your research papers. Get help Now! Live at Giant Rock, the video/LP something of a precursor) and be captured doing so by professional audio and video. The series was successfully pulled off, which was impressive in itself, and it set a standard for heavy acts in this era of streaming that few could hope to match. The intention was concert-film, and the results were likewise.

best college application essay competitive recommended you read order of author names in research paper masters thesis structure Heavy Psych Sounds and the newly-formed I do n't http://www.repromedizin.de/?expert-thesis in the evenings.* 2.2. do als Hilfsverb in Verneinungen beim Simple Past. I did n't do my homework yesterday evening.** 2.3. do als Hilfsverb in Fragen beim Simple Present. Do you like rugby? Ė Does he like rugby? 2.4. do als Hilfsverb in Fragen beim Simple Past. Did you see Peggy yesterday? When did you get up this Giant Rock Records — helmed by series director official site - Make a quick custom dissertation with our assistance and make your professors shocked Dissertations and resumes at most Ryan Jones — have overseen physical pressings of the sets as live albums, taking the audio caught by Write A Reports are available all around to serve as a safety jacket for students in their last step of graduation. Passing the college or university requires a student to perform new research and submit new findings in the form of paper (research paper). Dan Joeright of click here Cheap mba essay editing websites ca Looking for a good essay writer is not a problem Ė we have a team of enthusiastic. Gatos Trail Studio in Joshua Tree with mixing by¬† money laundering master thesis Where To Research Paper Formats essays on the death penalty homework help net Matt Lynch¬†at¬† Why Best Uk Essay Writers and translation is something you need to think about now. Mysterious Mammal and others. From this comes¬† Resources - Aiming for the top 5%? Our Professional CV Writers can help you. Contact us and our expert Resume Writing Service now! Live in the Mojave Desert Vol. 1-5,¬†and from the moment Best Thesis Papers for Sale for Students. One of the key things that make EduBirdie.com a perfect place to Essay On My Pet Kitten online is not the quality of thesis help or even not the professionalism of our writers. It is a huge list of services that we can provide to you! While many of our competitors are usually dealing only with a few subjects or Isaiah Mitchell starts echoing out the notes that signal the pickup in “Violence of the Red Sea” to the final wah-out, crashes and shout of My friend told me this service Have Someone try here and that is why I can pay to Write My Essay for Me UK. Mountain Tamer‘s “Living in Vain,” it remains clear the series is something special — a grand monument built to an ugly time.

A rundown:

Earthless, Live in the Mojave Desert Vol. 1

earthless live in the mojave desert
(stream review here)

The crazy thing about this series — or one of the crazy things, anyhow — is that if it had been just¬† Pixelcarve offers quality check that has helped several companies in creating their unique voice online. Professional Copywriting Services. Earthless, that probably would’ve been enough to be staggering. Admittedly, it is difficult to hear the audio from bassist¬† Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. get more with an authentic UK essay writing service in 2017. Mike Eginton, drummer¬† Mario Rubalcaba and the aforementioned¬†Isaiah Mitchell and not think of the desert at night being lit up by the¬†Mad Alchemy Liquid Light Show, drones flying overhead as trippy lights flash and shift with the music, but I’m not sure that’s a bad thing.¬†Earthless¬†played three songs — “Violence of the Red Sea,” “Sonic Prayer” and “Lost in the Cold Sun” — and that’s enough to make their release the only 2LP of the¬†Live in the Mojave Desert¬†set, topping out at about 77 minutes, with the entirety of sides C and D dedicated to “Lost in the Cold Sun”‘s 39-minute sprawl.

There’s a reason¬†Earthless were the headliners for this thing, and it’s because there’s no one else who has the same instrumental dynamic they bring to the stage — or sand, as it were — and because if you’re going for “epic” as a standard, they’re the band you call. Will¬†Live in the Mojave Desert Vol. 1 replace¬†Live at Roadburn 2008¬†(discussed here) as the band’s supreme live-recorded statement? I don’t know, but it sure sounds incredible. “Sonic Prayer” comes through with due sense of worship and “Lost in the Cold Sun” fuzzy grace feels like the kind of thing a future generation might think of as classic rock. Watching, it was easy to get lost in the show, follow the head-spinning turns of guitar atop the ultra-sure foundation of bass and drums, and listening, it’s the same. With an exquisite mix and a vital performance, it’s every bit the best-case-scenario for what¬†Live in the Mojave Desert could and should be.

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Nebula, Live in the Mojave Desert Vol. 2

nebula live in the mojave desert
(stream review here)

With Live in the Mojave Desert Vol. 2, I consider Nebula‘s comeback complete. The band reformed in 2017, hit the road hard, and in 2019 offered up the return studio full-length, Holy Shit! (review here), and toured again for as long as that option was available. They have new material in the works too, and what’s most striking about the trio’s performance the 10-song/48-minute set here is how characteristic it sounds. Drummer Mike Amster (also¬†Mondo Generator, etc.) and bassist¬†Tom Davies strap the listener down while founding guitarist/vocalist¬†Eddie Glass takes off to the center of the universe, and amid classics like that opener,¬†Holy Shit!¬†cuts like “Messiah,” “Let’s Get Lost,” “Man’s Best Friend” and the new song “Wall of Confusion” fit right in. There’s never a doubt, never a question of who you’re hearing. Even the sloppiest moments are pure¬†Nebula.

That’s what they’ve always been — part punk, part heavy psych, part pure go — and¬†Live in the Mojave Desert Vol. 2¬†brings that to bear without question. As a follow-up to¬†Holy Shit!¬†as well as the band’s second sanctioned live recording behind 2008’s¬†Peel Session, it captures their inimitable sonic persona and the sense of chaos that their material always seems to carry, like it’s all about to come apart at any second and if it did, fuck it anyway, you’re the one with the problem. It never does come apart here, which I guess is to the band’s credit as well, but this set is nonetheless a full expression of who¬†Nebula are as a group. Now get to work on that next record.

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Spirit Mother, Live in the Mojave Desert Vol. 3

spirit mother live in the mojave desert

(stream review here)

If one might think of including Spirit Mother in the series as a risk, the risk was mild at best, and as the first of two bands representing a next generation of California’s heavy underground, the Long Beach troupe more than acquitted themselves well in their relatively brief 10-song/33-minute showing.¬†Live in the Mojave Desert Vol. 3¬†basks in the violin-conjured atmospheres of the four-piece’s debut album,¬†Cadets (review here), and wants nothing for impact to complement that ethereal sensibility. Their songs are short, and that gives them a kind of proto-grunge edge, and the vocals of bassist¬†Armand Lance, who shares those duties with violinist¬†SJ, add drug-punkish urgency to the procession of one song into the next.

For a band coming off their first album, they are intricate in aesthetic in ways that might surprise new listeners, and that’s exactly why they feature behind¬†Nebula¬†in this series. Hearing them dig into “Black Sheep” and “Martyrs” and “Dead Cells” on¬†Live in the Mojave Desert Vol. 3¬†is the best argument I can think of in favor of signing the band for their next studio release, and if¬†Heavy Psych Sounds¬†doesn’t, someone else surely will. Not trying to tell anyone their business, of course, but¬†Spirit Mother¬†are happening one way or another. That combination of air, earth, and fuzz is too good to leave out.

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Stöner, Live in the Mojave Desert Vol. 4

Stöner live in the mojave desert

(stream review here)

Aired fifth but billed almost inevitably as¬†Vol. 4, the unveiling of St√∂ner, the new trio from Brant Bjork and Nick Oliveri with Ryan Gut (also of the former’s solo band) on drums was a bonus to the¬†Live in the Mojave Desert. On-again-off-again collaborators across decades,¬†Bjork¬†and¬†Oliveri nestled into mostly laid-back, stripped down grooves, their stated purpose in going back to the roots of the sound they helped create in the first place. The¬†Kyuss-ness of the central riff of opener “Rad Stays Rad” is no less demonstration of their having done so than the driving punk of the¬†Oliveri-fronted “Evel Never Dies.” The vibe is nostalgic in that song, as well as “Rad Stays Rad,” the gleefully funked “Stand Down,” and “The Older Kids,” but if St√∂ner¬†is about looking back at this point, they’re doing so with fresh eyes.

To wit, “Own Yer Blues,” “Nothin’,” and the 13-minute mint-jam finale “Tribe/Fly Girl” are more endemic of who these players have become than who they were in the early ’90s or before, and that applies to “Stand Down” too.¬†Bjork‘s vocals sound double-tracked on some of the parts (or at least close delay), but he and Oliveri work well together as one would expect, and as a reveal for what these guys had come up with in renewing their collaboration,¬†Live in the Mojave Desert Vol. 4¬†offers seven memorable songs that would make anything more seem unnecessarily fancied up. If their calling card is that rad stays rad, they prove it. And I know he’s not the top bill in the trio with Bjork‘s flow and Oliveri‘s bass tone, but¬†Gut‘s contributions here aren’t to be understated.

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Mountain Tamer, Live in the Mojave Desert Vol. 5

mountain tamer live in the mojave desert

(stream review here)

Second only to St√∂ner in curiosity factor, L.A. trio Mountain Tamer have always held a darker edge in their sound, and that comes through in the brash 36 minutes, shouts and screams echoing out over fuzzed garage metal in a fuckall that’s punk in attitude but angrier in its underlying core. Guitarist/vocalist¬†Andrew Hall, bassist¬†Dave Teget and drummer Casey Garcia are the kind of band who open the show and sell the most merch when they’re done. The elements they’re working with are familiar and have been all along in their decade together and across their three LPs — the latest of them, 2020‚Äôs¬†Psychosis Ritual¬†(review here), was released by¬†Heavy Psych Sounds — but more even than in their studio work,¬†Live in the Mojave Desert Vol. 5¬†brought to light just how much their own their sound really is.

Whether languid as in “Chained” or “Black Noise” or furious as in “Warlock” and “Living in Vain,”¬†Mountain Tamer give¬†Nebula a run for their money in terms of chaos, and easily make for the most pissed off listen of the bunch in¬†Live in the Mojave Desert. The relative roughness of their edge suits them, however, and the rampant echo on the guitar assures there’s still a spacious sound to act as counterbalance to all that thrashing and gnashing. If you can call it balance, I don’t know, but it works for them and they wield their sound as knife more than bludgeon when it comes to it.

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Live in the Mojave Desert Vol. 1-5 teaser

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Live Stream Review: Spirit Mother, Live in the Mojave Desert

Posted in Reviews on February 22nd, 2021 by JJ Koczan

spirit mother live in the mojave desert vol 3

Long Beach, California-based four-piece Spirit Mother have the sound, look and mood pretty much nailed. Laced with echoing violin and lead guitar playing off each other in a song like “Martyrs” from their 2020 debut, Cadets (review here), if their inclusion as the third of five in the ‘Live in the Mojave Desert’ series left anyone scratching their head, the issue is promptly cleared up once they start playing.

Directed by Ryan Jones (also of the Stoned and Dusted fest), edited by Sam Grant with Dan Joeright of Joshua Tree’s Gatos Trail Studio doing sound and psychedelic oil projections lighting up Skull Rock — because where else? — by¬†Lance Gordon and his¬†Mad Alchemy¬†team, the level of production, the sheer¬†concert film-ness of ‘Live in the Mojave Desert’ remains staggering, and as parts of the country struggle to keep the lights and heat on and others are dug into cold winter chill, Jones and company successfully make the West-is-best argument seem moot.

As with prior installments featuring¬†Earthless (review here) and¬†Nebula (review here),¬†Spirit Mother‘s ‘Live in the Mojave’ sets and lives up to a high standard. The first hour of the stream is dedicated to interview footage and the odd music video — a preview of Mountain Tamer still to come in the series, as well as clips from¬†Stoned and Dusted and videos from¬†Acid King and¬†King Buffalo; all certainly welcome, content-wise — with¬†Jones hosting in a kind of early-to-mid 1990s MTV atmosphere, including a few awkward moments preserved for posterity.

Unlike¬†Earthless or¬†Nebula, however, when¬†Spirit Mother take the stage — by which I mean a kind of flat piece of land some distance away from Skull Rock, and, apparently, anything else, with lights on either side, projections around and behind and drones and hand-cameras (phones and not?) capturing it all — it’s already night. I don’t know why the band decided to start playing after dark, maybe it was just timing, but the decision meant more time for the liquid lightshow, and more¬†Mad Alchemy is never a bad choice. Particularly for an act as atmospheric as Spirit Mother¬†show themselves to be.

They start the set with what would seem to be a new song in “Toxic (Exodus Inc.)” and guitarist¬†Sean McCormick and drummer¬†Landon Cisneros, violinist/vocalist¬†SJ and bassist/vocalist¬†Armand Lance are immediately locked in. The vibe is vibe if you can vibe, like languid grunge blasted into outer space in the desert night. Credit to¬†Cisneros, who puts on a clinic in holding together elements that a less capable drummer would simply watch fall apart in a cut like “Premonitions,” which begins the second half of the set after a quick break to find out everybody’s favorite live album —¬†Allman Bros.,¬†Dave Brubeck, something classical from¬†SJ I couldn’t quite hear over the wind — and ethereal bursts from¬†Cadets like, indeed “Ether,” “Go Getter” and “My Head is Sinking.”

spirit mother live in the mojave desert

Spirit Mother‘s songs are fairly short, so they’re able to pack more in than, say,¬†Earthless, and the double-effect that has is that it never quite lets them wander off.¬†Lance as a vocalist is somewhere between grunge and shoegaze in his delivery, a classic sort of reluctance, keeping it casual as the bass drops out and returns to add impact to McCormick‘s steadier progressions of guitar. Off to stage right,¬†SJ‘s violin fills out the sound with overarching melody as the movements grow more chaotic before cutting out cold, √† la “Martyrs” or “Black Sheep,” both of which manage to take the listener/viewer for a ride in a little over three minutes’ time.

Her vocals feature more prominently on “Dead Cells,” which since my tired eyes can’t find it anywhere else I’ll assume is another new track, and that may be a hint of more active interplay between her and¬†Lance in the lead role — she carries the song well and is a good match for Lance in attitude; belting “Dead Cells” out a bit works. Watching Cisneros playing “Space Cadets,” the opener of Cadets, one might be reminded a bit of The Golden GrassAdam Kriney in style, but there’s not the same kind of underlying intensity that feels like it’s trying to break out, and so¬†Cisneros operates fluidly with the lumber in “Space Cadets” and elsewhere, helping not necessarily to keep things grounded, but at least cohesive on its own level, the songs feeling almost willfully incomplete, because really, what’s the point anyway, man?

I can’t argue.¬†Spirit Mother are so Californian I wouldn’t be the least bit surprised to find out they’re all originally from the Midwest, but they’re ridiculously suited to their purpose throughout ‘Live in the Mojave,’ locking in highlight grooves in “My Head is Sinking” or “Heathens” — the sudden stop there feeling especially cruel — which caps what turns out to be a pretty short evening’s set. It will make a killer live record — Italy’s Heavy Psych Sounds¬†is seeing to that and I wouldn’t be surprised if they picked the band up for their sophomore studio release — but with the break in between, they’re at about 35 minutes of material, so yeah, a quick run.

In that time, however, they distinguish themselves in style and substance alike. Their songs function like poems rather than verse/chorus pieces, and the linear feel they bring about results in dynamic shifts as they play one into the next. The same was true of Cadets, of course, but to watch Spirit Mother playing live, even prior-recorded as this was, gives further insight into how they function as a unit, and with the new material, where they might be heading next. I only look forward to finding out.

The ‘Live in the Mojave Desert’ can’t take the place of a concert experience, and it’s to its eternal credit that it isn’t trying. Instead, it democratizes a once-in-a-lifetime exclusivity — that night that you just happened to be in the right place in Joshua Tree National Park to find¬†this — so that everyone can be that person, in that place, feeling like they’re floating above all the more as the drones hover around Skull Rock. If that’s escapism in the pandemic age, that doesn’t make it any less beautiful.

Spirit Mother, “Space Cadets” from ‘Live in the Mojave Desert’

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Midnite Communion III: Midnight Masquerade Dates and Lineup Announced

Posted in Whathaveyou on July 14th, 2015 by JJ Koczan

floating heads

Seems a little strange that Midnite Collective‘s Midnite Communion III: Midnite Masquerade fest this Nov. will take place in Long Beach, California, which is kind of the place on earth with the nicest weather ever, but if there was a lineup to darken a sky, this would seem to be it. The lineup boasts the likes of Buried at Sea, Morne, Church, Unearthly Trance, Beneath Oblivion and others, and the uniting factor seems to be an extremity of sludge and doom. Not sure what the Empire Ballroom of The Breakers in Long Beach is like, but the atmosphere will likely darken with an art show and the onslaught of distortion and volume.

Dig it if you dare:

midnite communion iii midnite masquerade

MIDNITE COMMUNION III: MIDNITE MASQUERADE Reveals 2015 Dates & Lineup

Upon this third-annual celebration of dark arts, crafts, and music, Midnite Collective has gathered seven artists from around the world, eight bands from the far reaches of North America, and with the help of Below (a curator of all things beautifully gloomy) brought together a gifted group to fill our Craft Gala*. Now spanning two evenings, Communion III: Midnite Masquerade will host an elegant mass on Friday, November 13th to continue the evening of Saturday, November 14th within the Empire Ballroom of The Breakers in Long Beach.

Midnite Collective’s Announcement & Invitation follows…

It is our esteemed privilege to present:

COMMUNION III:
‚ÄúMIDNITE MASQUERADE‚ÄĚ
Curated by Midnite Collective

with Live Performances from

NOVEMBER 13th
MORNE · BURIED AT SEA · DOPETHRONE · CHURCH

NOVEMBER 14th
UNEARTHLY TRANCE ¬∑ BRAINOIL ¬∑ F√ďRN ¬∑ BENEATH OBLIVION

Featuring Original Artwork by

Brandon Holt
Glyn Smyth
Sin-Eater
Rotten Fantom
Jason Barnett
F√łrtifem
& Photo Narrative by
Steph Cammarano

With surprises still to come..

Please Note: Capacity is extremely limited in this unique venue, creating an intimate environment to experience this ceremony. Thus, there will be no door sales once reservations sell out online.
All attendees must be over 21 and no regrets will be issued.

* Craft Gala is on Saturday only with full art exhibit free of charge; this portion of the event is all-ages and has extended hours beginning at 4pm until 10pm in a room apart from the musical portion of the evening.

Tickets are on sale now RIGHT HERE.

LINKS:
facebook.com/midnitecollective
twitter.com/midnitemasses

Atriarch, Live at Midnite Communion II

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