Trippy Wicked and the Cosmic Children of the Knight Sign to APF Records for Movin’ on Singles

Posted in Whathaveyou on September 24th, 2019 by JJ Koczan

Warms the heart, this one does. Specifically, The Black Heart, most likely, which is where I’d imagine Trippy Wicked and the Cosmic Children of the Knight would end up doing the release show for what will be their first outing through APF Records. Earlier this year, the kinda-reunited-but-we-never-really-broke-up-but-everybody’s-been-really-busy-with-life-and-stuff-and-you-know-how-it-is-and-also-Pete‘s-in-ElephantTree-and-Chris-has-like-50-projects-and-Dicky-can’t-really-tour heavy rockers began issuing digitally a series of singles recorded a decade ago as a way of honoring the 10th anniversary of the sessions for their 2009 debut full-length, Movin’ On (review here). Speaking as someone who still thinks of that record fondly, it was a fun way to relive it without doing the standard reissue thing and getting something previously unheard from the band, if not something actually new.

Well, because every now and then the universe bends its will to my druthers, APF Records has picked up the series for what will be aptly-titled Movin’ On Singles as a compilation and released on Oct. 30, which also just happens to be the same day Movin’ On came out those 10 years ago. Like I said, warms the heart.

Trippy Wicked have a couple shows lined up, including — now that I look — The Black Heart in Camden Town on Oct. 25, and Sophie Fest in Manchester on Nov. 23. They also just played this past weekend at Ripple Music‘s London Ripplefest along with Stubb, War Cloud and a host of other cool bands.

Here’s APF‘s announcement of the signing:

trippy wicked and the cosmic children of the knight

APF Records – Trippy Wicked and the Cosmic Children of the Knight

I can’t even begin to tell you how thrilled I am to confirm that Trippy Wicked have signed to APF Records.

Their first APF release will be a limited edition digipak CD of their “Moving On Singles” on 30th October – which is the 10th anniversary of the release of the Moving On album. More info coming soon.

Chris, Pete, Dicky – a warm welcome to the APF family.

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Trippy Wicked, “Things Go Up”

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Trippy Wicked Post Seasick Steve Cover “Things Go Up”

Posted in Whathaveyou on July 1st, 2019 by JJ Koczan

trippy wicked

Alright, I’ll go ahead and admit I didn’t know who Seasick Steve was. The third in a seemingly ongoing series of singles from Trippy Wicked and the Cosmic Children of the Knight that were recorded along with what became their 2009 debut long-player, Movin’ On (review here), “Things Go Up” is indeed a take on the Seasick Steve song of the same name, and I suppose if you’re more down than I am with your modern blues — as no doubt you are — you might already know it comes from the Oakland country bluesman’s 2006 album, Dog House Music, but yeah, I’d never heard it. Hey, I never said I knew everything. Usually I say the opposite.

Trippy Wicked‘s “Things Go Up” gives the slide-acoustic groove of the original version a thickened-fuzz treatment while guitarist Peter Holland toys with a Southern US accent as heard on parts of the album itself. And “toys” is the operative word. They’re clearly having a good time, and with all the American singers who’ve pretended to be from London over the last century of recorded music, it seems only fair. Two-way street, and so on.

Some comment from bassist Dicky King and the track itself follow, courtesy of the PR wire:

trippy wicked things go up

TRIPPY WICKED RELEASE NEW SINGLE

Trippy Wicked & The Cosmic Children Of the Knight have just released a doomed out cover of Seasick Steve’s “Things Go Up”

Bassist Dicky King commented “I had never heard the original by Seasick Steve, but when Chris and Pete played it to me I loved it. We ran through this version and straight away it had that “Trippy touch” to it, while keeping close to the original. Pete’s vocals worked really with that southern sound and the riffs and drums were full on heavy with a hint of groove. I used to forget the name of the track and always say “let’s do Up & Down” which of course set me up for taking some stick. The song would go down well in a live set too and many a time people would be shouting out for us to play it, so we must have been doing something right with our take on it.”

Listen to the track here: http://smarturl.it/ThingsGoUp?IQid=c

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Trippy Wicked, “Things Go Up”

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Trippy Wicked Release Lost Single “Hark at You” from Movin’ On Sessions

Posted in Whathaveyou on May 10th, 2019 by JJ Koczan

trippy wicked

London’s Trippy Wicked and the Cosmic Children of the Knight continue their celebration of the 10th anniversary for 2009’s debut full-length, Movin’ On (review here), by releasing another yet-unheard track from those sessions. How many songs did they record that didn’t make the album? I don’t know, but “Hart at You” is the second one released behind “Evil” (posted here), which they put out last month. “Hark at You” has a bit of the sleaze that “Southern” from the album accomplished, but is noisier and more of a banger in terms of tempo. Like its predecessor, it’s a fun cut and kind of a hidden gem that could just as easily have wound up on the record. Seems to me they’re building an EP one song at a time here, but if these tracks all wind up collected at some point or other, this is still a cool way to unveil them so that each gets properly highlighted.

Dig it:

trippy wicked hark at you

To celebrate the 10 year anniversary of their album “Movin On” TRIPPY WICKED & THE COSMIC CHILDREN OF THE KNIGHT have just released “Hark At You”.

Drummer Chris West commented “Hark at You was a song we were often playing live around the time of Movin On. I don’t remember if we’d already decided not to include it on the album by the time we were mixing but we treated the mix a little different to most of the others. It’s mostly mono guitar on the track with extra guitar/stereo stuff happening during the slower parts. The drums are also slightly off to one side to make a bit of room in the mix. For me at the time it seemed a little too rough sounding, but listening to it now I love how raw and gnarly it is.”

Listen to the track here: https://trippywicked.fanlink.to/Hark

The early years of Trippy Wicked & the Cosmic Children of the Knight are a mix of lineup changes, demos, gigs to empty rooms and stylistic development. Throughout that time the constants of founding members Pete Holland (guitar, vocals) and Chris West (drums), a DIY ethic, and a gut feeling they were onto something worth pursuing remained true. Early 2019 saw the reformation of the ‘not quite original but longest serving lineup’ of Holland and West with later addition bassist Dicky King. (West having previously quit the band in 2013 before his return.)

Along with the announcement of the lineup change, Trippy Wicked also noted they are writing their third full length album and will return to playing live after a two-year break.

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Trippy Wicked and the Cosmic Children of the Knight, “Hark at You”

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Trippy Wicked and the Cosmic Children of the Knight Post “Evil” from Movin’ On Sessions

Posted in Whathaveyou on April 18th, 2019 by JJ Koczan

trippy wicked

With an opening riff that channels Phantom of the Opera, Trippy Wicked and the Cosmic Children of the Knight dig back into their past to unveil “Evil.” It’s not a Willie Dixon cover, which was my first thought — you might recall Cactus‘ version of that song on Restrictions, among many others — but the seven-minute piece comes from the sessions of 2009’s debut full-length, Movin’ On (review here), and in honor of the record’s 10th anniversary and the recently announced reformation of that lineup, they will post a series of lost tracks from that era. There are three of them and “Evil” is the first. The next, I’m sure, will be posted as soon as this goes live — because that’s how good my timing usually is in terms of making sure I’m constantly behind on everything — but until then, you can enjoy “Evil” at the bottom of this post. Nostalgia achieved, gents.

And that’s a quick 10 years.

From the PR wire:

trippy wicked evil

Trippy Wicked release previously unreleased track “Evil” from Movin On recording sessions

Trippy Wicked & the Cosmic Children of the Knight recently announced original drummer Chris West is back in the band after a five-year departure. Given that the band also announced they were writing new material, you would be forgiven for asking why they are now releasing material from a decade ago.

Well, October 2019 marks the 10-year anniversary of the band’s debut album, Movin On. During the recording session at Chuckalumba Studios (most noted for being the studio Electric Wizard recorded Dopethrone and Let Us Pray), Trippy Wicked recorded some songs that either didn’t get an official release or have never been heard.

To mark the anniversary Trippy Wicked are releasing these songs as singles and the first of these comes in the form of “Evil’. The song had appeared on an earlier demo but this version gets the full ‘blown out amps committed to tape’ treatment that Chuckalumba does so well.

Singer Pete Holland commented on the inspiration behind “Evil”:
“Evil is about the oppression from forces that try to dictate how you should live your life, and trying to break that train of thought to be free to imagine the life you want.”

Listen to the song on all major platforms here: http://smarturl.it/TrippyEvil

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Trippy Wicked and the Cosmic Children of the Knight, “Evil”

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Trippy Wicked Announce Lineup Change; New Songs in the Works

Posted in Whathaveyou on March 7th, 2019 by JJ Koczan

You know, I’d sort of seen around the social medias that Peter Holland (also of Elephant Tree) and Chris West (also of Named by the Sun, etc.) — former bandmates together in Trippy Wicked and the Cosmic Children of the Knight — were doing shows together under the banner of TW. Could be that was kind of a process of feeling their way back to getting back with the full trio of HollandWest and bassist Dickie King as Trippy Wicked, but either way, the news is welcome that they’ve done so. Further, that there’s new material in the works. They’ve done rock, they’ve done metal, they’ve done acoustic, so at this point I’m not really willing to venture a guess as to what that new material might sound like, but they’ve earned a fair amount of trust over the course of the last decade, so I’m willing to roll with it and find out when we get there. They say it’s “heavier,” and  “a little darker,” which tells you precisely not much.

But the anticipation is part of the fun, and Trippy Wicked back with the original lineup is nothing but fun, however dark it might ultimately sound.

Their announcement of the homecoming follows:

trippy wicked

TRIPPY WICKED AND THE COSMIC CHILDREN OF THE NIGHT – NEWS!

Hey all. We have some news for you. After a lengthy break we’re back, we’re writing new music and original drummer Chris is back in the band. We’re getting a set up to scratch and will be gigging again as soon as possible.

We’ll mostly be playing new stuff. It’s a little heavier, a little darker but it’s still Trippy. Life happens you know, and that comes out through the music. Get over it.

We’d like to thank Bill for stepping in and all he’s done for Trippy over the last few years. He carried the weight, brought the groove and put his personal touch on the Guppy EP. Always a pro on the throne and still a good friend.

Trippy Wicked.

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Trippy Wicked, Stakes ‘n’ Scale (2019)

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Quarterly Review: Trippy Wicked, Dunbarrow, The Vintage Caravan, Zatokrev & Minsk, Owl Maker, Orbital Junction, Bourbon, Birnam Wood, Wytch Hazel, The Soulbreaker Company

Posted in Reviews on December 3rd, 2018 by JJ Koczan

quarterly-review

You know how this goes by now, right? Well, okay, except that because I skipped the Quarterly Review that I otherwise would’ve done in September (or, more likely, October), I’m doubling-up this time. 100 reviews instead of 50. Two full weeks of 10 albums per day. Will I survive? Yeah, probably. Will it be completely overwhelming? Already is. Thanks for asking.

I’ll save the summaries of the year that was for list-time, which is fast approaching, but consider the fact that there are well more than 100 albums I could include in this roundup emblematic of just how vibrant heavy rock and doom are in the US, EU, UK, Australia and elsewhere. It’s a universal thing, and accordingly, there’s a whole universe of it to explore. This is just a sampling.

But yeah, time’s a wastin’, so let’s get to it.

Quarterly Review #1-10:

Trippy Wicked and the Cosmic Children of the Knight, Stakes n Scale

trippy wicked stakes n scale

An acoustic EP from Trippy Wicked and the Cosmic Children of the Knight — who, let’s face it, were way ahead of the curve when it comes to the UK scene’s thing for long and ridiculous band names — is a considerable departure from where they were two years ago on their split/collaboration with GurT (review here), but those familiar with the band might recall their past penchant for the occasional unplugged cover recorded for YouTube. Chris West (also Crawling for Carrion, Glanville, etc.), who engineered the recording and plays guitar, and vocalist Peter Holland (also Elephant Tree) revamp Trippy Wicked‘s “Up the Stakes” from 2012’s Going Home (review here), and cover “Scale the Mountain” by Stubb, of which both were members when the song was written. Together, they make for a nine-minute showcase for the character in Holland‘s voice and the melodies and craft at root in both tracks, and while its arrival feels like kind of a one-off, it’s certainly no less welcome for that.

Trippy Wicked on Thee Facebooks

Trippy Wicked on Bandcamp

 

Dunbarrow, II

dunbarrow ii

The novelty of new bands playing through vintage gear in order to capture a heavy ’70s sound may have faded, but like all subgenres, as time goes on, the retro-ist style continues to shift and change as bands like Dunbarrow bring new character to established tenets. Their second LP for RidingEasy is aptly-titled II and sways between honoring the likes of Pentagram and acts like Witchcraft who’ve helped craft that band’s hindsight-founded legacy. Dunbarrow‘s noodly style, restrained rhythmic shove and ride-the-riff melody on “Weary Lady” and the foresty creep of “The Demon Within” capture the vibe well, the latter occurring in a second half of II populated with “The Wolf” and “Witches of the Woods Pt. II,” a sequel to the closer of their 2016 self-titled debut (review here) that here leads to the more severe roll of the finale, “On this Night,” emblematic of the changing character of the band even as it reaffirms in its tense midsection the roots from which they sprung.

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RidingEasy Records on Bandcamp

 

The Vintage Caravan, Gateways

the vintage caravan gateways

With their third record and second for Nuclear Blast, Icelandic trio The Vintage Caravan affirm not only their passion for the boogie of old on cuts like “The Way” and the strutting “Hidden Streams,” but secure a place as being worthy of the consideration they’ve been given to a degree by the wider Continental European heavy underground. They are strikingly mature in their approach for still being a relatively young band, and their albums have worked quickly to develop a character that is becoming more and more their own. They do the fests and they tour, and so on, but they seem to be engaged in building their listenership one pair of ears at a time. Having a metal-major label behind them hasn’t hurt their promotional cause, but frankly, they’re not as big as they should be for the level of work they’re doing, and even with songs like “Reset” and “Reflections” and the composed-strictly-for-vinyl-sounding closer “Tune Out” to their credit, they’re still largely a word of mouth band, especially in the US. Well, consider this your word of mouth. If you haven’t heard Gateways yet, you should get on that.

The Vintage Caravan on Thee Facebooks

The Vintage Caravan at Nuclear Blast

 

Minsk & Zatokrev, Bigod

zatokrev minsk bigod

Post-metallic powerhouses Minsk and Zatokrev — both of whom hit their 15th anniversary last year — teamed up for a European tour this Fall. To mark the occasion, Consouling Sounds and Czar of Crickets celebrated with Bigod, a split with two tracks from each band arranged in alternating order — Minsk, then Zatokrev, etc. — intended to highlight the symmetry between them not just of circumstance and root influence in the Neurosis school of atmospheric sludge, but the fact that they share these commonalities despite their origins in Illinois and Switzerland, respectively. Each band opens with a longer track (double points) in Minsk‘s “Invoke/Revive” and Zatokrev‘s “Silent Gods,” each of which push past 13 minutes as likely at any moment to be pummeling as ambient, and follows with two shorter cuts, Minsk‘s “Salvatore” swelling theatrically from its minimalist beginnings while Zatokrev‘s “The Chalice and the Dagger” seems to explode from the foundation the prior band laid out. It must have been a hell of a tour, but whether you saw it or not, the split is a welcome conglomeration from two of post-metal’s strongest acts.

Minsk on Thee Facebooks

Zatokrev on Thee Facebooks

Consouling Sounds website

Czar of Crickets Productions website

 

Owl Maker, Sky Road

owl maker sky road

Self-recording guitarist/vocalist Simon Tuozzoli (Vestal Claret, ex-Guerra, etc.) leads Connecticut-based three-piece Owl Maker through a complex thematic of Native American folklore and heavy metal classicism. The NWOBHM plays a strong role in his riffing style, but one of the two tracks included on the two-songer single Sky Road, “Owl City,” also veers into more extreme territory with a departure from clean vocals to harsher screaming. All told, it’s about eight minutes of music, but Sky Road nonetheless follows Owl Maker‘s earlier-2018 EP, Paths of the Slain (review here), with an uptick in melodic presence in the vocals of Tuozzoli and bassist Jessie May and progression in the chemistry between the two of them and drummer Chris Anderson, and with the fluidity of their transitions between various styles of heavy, their scope seems only to be growing. To wit, “Sky Road” itself is only 3:42, but still demonstrates a clear-headed compositional method based around storytelling and a subtly encompassing range. Whether it’s early warning for what they do next or a conceptual one-off, its quick run seems just to be begging for a 7″ pressing.

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Owl Maker on Bandcamp

 

Orbital Junction, Orbital Junction

Orbital Junction orbital junction

The Londonderground continues to produce acts ready and willing to worship at the altar of riffs. Orbital Junction‘s self-release debut EP makes an impression not only because of the markedly pro-shop production by Chris Fielding at Skyhammer Studios and the cover art by SoloMacello, but the hooks to live up to those high standards. “6 ft. 2” follows opener “Space Highway” with a bit of dudely chestbeating — note: I don’t know how tall any of them actually are — but the swing of EP centerpiece “Devil’s Double” and the bounce of “Gypsy Queen” speak for the four-piece’s roots and appreciation of straightforward heavy, void of pretense and tapping into an easy mid-paced fluidity that slows up somewhat on closer “Pagan” without really losing the central groove of the offering overall. They’ll have their work cut out for them in distinguishing themselves over the longer term amongst London’s burl-fueled hordes, but their first outing shows their instincts headed in the right direction in terms of songwriting, performance and presentation.

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Orbital Junction on Bandcamp

 

Bourbon, Fuente Vieja

Bourbon Fuente Vieja

Crisp but warm in its tone and presentation, rife with melody and carrying a laid back spirit despite a fervent underlying groove — the bass on “El Sendero” rests well within gotta-hear-it territory — Spanish purveyors Bourbon emobody some of the best of post-Viaje a 800 Andalusian heavy rock and roll on their third LP, Fuente Vieja (on Spinda). Their fuzz makes its presence known early on “Si Véis La Luz, Corred” and continues as a running theme as tracks like “A Punto de Arder” and the side-A-capping title-cut grow increasingly progressive. There’s room for some shuffle, of course, as side B begins with “La Triste Realidad,” and the slower “Hacia el Sol” gracefully blends electrified wah and acoustic guitars beneath a well-timed standout vocal performance, but the highlight might be eight-minute closer “Destierro,” which seems to bring everything else under one roof while tapping into a poppier structure early — acoustics and electrics aligning effectively circa two minutes in — while providing the album with a graceful and fittingly organic-sounding finale.

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Spinda Records webstore

 

Birnam Wood, Wicked Worlds

birnam wood wicked worlds

Birnam Wood don’t have time for bullshit, but they do have time for a bit of shenanigans. Thus the 1:44 surge of opener “Time of Purification” leads into the sample-laden roller groove of “Richard Dreyfuss” on their as-of-now-self-released Wicked Worlds, and the “Hole in the Sky”-style “Dunsinane” shifts into the more blown-out “Early Warning,” which, by the time its tectonic low end kicks in, is indeed something of a clarion. At seven-tracks/34-minutes, Wicked Worlds is somewhere between an EP and an LP, but I’d argue it as the latter with the flow from “Greenseer” into the massive “A Song for Jorklum” and the seven-minute finale “Return to Samarkand” making for a righteous side B, but either way, it’s a Boston-crafted assault of grit-tone and aggro doom that finds the band not overwhelmed by the heft of their own tones but able to move and manipulate them to serve the purposes of their songs. Those purposes, incidentally, are mostly about kicking ass. Which they do. Copiously.

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Birnam Wood on Bandcamp

 

Wytch Hazel, II: Sojourn

Wytch Hazel II Soujorn

It would not seem to be a coincidence that UK self-aware four-piece Wytch Hazel — guitarists Conlin Hendra (also vocals) and Alex Haslam, bassist Matt Gatley and drummer Jack Spencer nod to Wishbone Ash‘s Argus with the cover of their second LP, II: Sojourn (on Bad Omen). They do a lot of that kind of nodding, with a sound culled from a valiant blend of classic progressive and early NWOBHM styles that makes the point of how closely related the two have always been. “The Devil is Here” starts out at a fervent gallop with just an underpinning of Thin Lizzy, while the later “See My Demons” shifts from its steady roll and rousing hook into an acoustic/electric break that seems to pull from Jethro Tull as much as Scorpions. At 10 tracks/45 minutes, they have plenty of time to flesh out their ideas, and they do precisely that, whether it’s the careful unfolding around the keys and acoustics of closer “Angel Take Me” or the over-the-top instrumental push of “Chorale” or the moodier “Wait on the Wind,” the wah solo of which is a highlight on its own. There are some burgeoning harmonies in Hendra‘s vocals, which is an impulse he should follow as it would only enhance the material, but after making their debut with 2016’s Prelude, II: Sojourn finds Wytch Hazel sounding comfortable and well established in their niche.

Wytch Hazel on Thee Facebooks

Bad Omen Records on Bandcamp

 

The Soulbreaker Company, Sewed with Light

the soulbreaker company sewed with light

Progressive, expansive and engaging, the sixth album from Spanish sextet The Soulbreaker Company, Sewed with Light (on Underground Legends), taps into classically Floydian influences on songs like “The Word, the Blade” while still keeping a foot in heavy rock on the prior “Together,” and setting a quick course into a varied sonic persona via the seven-minute opener and longest track (immediate points) “Inner Dark.” Hypnotizing not necessarily with drift but with sheer willful exploration, The Soulbreaker Company work with a variety of key sounds and craft-minded ranging guitar in order to effect an atmosphere of thoughtful songwriting even in their most outwardly trippy moments. The sneering semi-psychedelic rock of “Avoid the Crash” and the more stripped-down roll of “Arrhythmia” (video premiere here) lead the way into closer “In the Beginning,” which marks yet another departure with its grandeur of string sounds and electronic beats leading to a chugging big finale. As with the bulk of The Soulbreaker Company‘s work, it requires an active ear, but Sewed with Light both encourages and well earns consideration as more than background noise.

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Underground Legends on Bandcamp

 

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Gurt & Trippy Wicked Release Guppy Split May 6

Posted in Whathaveyou on April 20th, 2016 by JJ Koczan

If you’re wondering where Gurt and Trippy Wicked and the Cosmic Children of the Knight got the name of their new split, Guppy, that’s due to release on May 6, take a look at their names: “Gu” from the former, “ppy” from the latter. That bit of cleverness, no doubt, is emblematic of the shenanigans throughout the CD/DL set to arrive via When Planets Collide and the limited run of tapes that’ll be out through HeviSike Records, and it works even more because they not only recorded together and collaborated on a song, but they share drummer Bill Jacobs between them, so yes, the running theme is togetherness. And togetherness if great. Who doesn’t like togetherness?

A trailer for the release has surfaced that emphasizes the level of good times involved, if indirectly. Find that under the info below, which comes from the PR wire:

gurt trippy wicked guppy

Gurt & Trippy Wicked team up for GUPPY split – May 6th

The build up has been pretty long and a lot of work has gone in to creating it but When Planets Collide are very happy to announce that ‘GUPPY’, the new split release between GURT and Trippy Wicked and the Cosmic Children of the Knight is ready for release on Friday May 6th!

Digital / CD – When Planets Collide
Limited Edition Cassette Tape – HeviSike Records

The release features 5 songs clocking in just short of half an hour with two brand new songs from each band and one epic collaboration which features both guitarists, both bassists and both vocalists… we really can’t wait for you to hear what we hope will be one of the best releases so far in 2016.

The bands have been close friends for many years (as well as now sharing a drummer in Bill Jacobs) so entering the studio together to create GUPPY was a natural move. With the help of Steve Sears and Tony Nigelson at TITAN Studios in Watford the record sounds absolutely massive and showcases the expert groove and wicked sense of humour that both bands pride themselves on!

The track-listing is as follows:

1: OWLMEGGEDON
2: SUPER FUN HAPPY SLIDE
3: REVOLTING CHILD
4: I REGRET NOTHING

You’ll have to work out for yourself which songs are by which band!

GURT are:
Bill Jacobs – Drums
Richard Williams – Guitar
Gareth Kelly – Vocals
David Blakemore – Bass

TRIPPY WICKED are:
Peter Holland – Guitar/Vocals
Dicky King – Bass
Bill Jacobs – Drums

https://www.facebook.com/GURTsludge/
https://www.facebook.com/trippywicked
https://www.facebook.com/whenplanetscollideuk
https://whenplanetscollideuk.com/
https://www.facebook.com/hevisike
http://hevisike.com/

Gurt & Trippy Wicked, Guppy teaser

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Trippy Wicked, Wizard Fight and Lacertilia Set for Long Weekender

Posted in Whathaveyou on October 7th, 2015 by JJ Koczan

UK’s heavy rock scene continues to reshape itself and grow. Trippy Wicked and the Cosmic Children of the Knight, who haven’t been heard from much since 2013’s Underground EP (review here), have joined forces with Wizard Fight and Lacertilia to hit the road for a handful of shows next weekend in England, hitting Cardiff, Bristol, Manchester for the Noiz All-Dayer, which also features GroanAlunahChubby Thunderous Bad Kush Masters and Monolith Cult, among others, and closing out in London. They’re calling the long weekender “Carry on Tripping,” but really, whatever they wanted to call it, it’s heavy.

Silly poster, info and dates follow:

wizard fight trippy wicked lacertilia

In the year of 2015 three bands come together to bring fourth the heaviest, dirtiest carry on saga one would struggle to fully comprehend! Coming October 15th-18th 2015!

Trippy Wicked and the Cosmic Children of the Knight
A rolling, thundering mass of infectious riffs, distorted gut-busting bass, tripped out vocals, relentless beats and hairy sweaty faces twisted with grins and gurns. Trippy Wicked & the Cosmic Children of the Knight cut a groove deeper than the ocean abyss.

Wizard Fight
Formed in 2012 by Luke Bolton (ROTS) and former Steak drummer of 7 years, Dan Kinsey. They set out as a two piece to play insanely sludgey filth with a good measure of Doom and a wee bit of hazy Stoner groove. Early 2013 see the addition of Dave on bass adding the much needed earth shaking guts needed to add to the Wizard Fight sound.

Lacertilia
Lacertilia are a tripped out rock n roll machine from South Wales that brings together the manic stomp and wild stage performance of The Stooges, the fuzzy desert sounds of Kyuss, the weird psychedelic frequencies of The 13th Floor Elevators and the proto doom of Pentagram.

Rolling in on….
October 15th – Fuel Rock Club, Cardiff
October 16th – Stag & Hound, Bristol
October 17th – Rebellion, Manchester (NOIZ ALL-DAYER)
October 18th – The Unicorn – London

https://www.facebook.com/events/1679292702289298/
https://www.facebook.com/trippywicked
https://trippywicked.bandcamp.com/
https://www.facebook.com/LacertiliaUKBand
https://lacertilia-uk.bandcamp.com/releases
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https://wizardfight.bandcamp.com/

Trippy Wicked, “Hillbilly Moonshine” Live in Newcastle under Lyme

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