The Obelisk Show on Gimme Radio Playlist: Episode 33

Posted in Radio on May 1st, 2020 by JJ Koczan

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Plenty of familiar stuff here if you’ve been hanging around the site lately, but there’s some stuff I haven’t written about yet too. The theme, such as it was — and man, themes are loose with this show anyway, but this one felt even more so — was just good stuff that happened in April. Today’s May 1, and it feels like last month was just lost on so many levels, that I wanted to highlight a few of the good things that happened despite the chaos and the dire feelings that defined so much of the time.

My point is the same as ever: Music still sounds good. If you’ve got that, you’ve got something to hold onto. If there’s nothing else, there’s music. That’s all I’m ever really saying. Sorry to spoil it. Now you don’t have to look at The Obelisk anymore. You’re all done.

You should still listen to the show though because I recorded the voice tracks for it on my phone while I was going to buy fresh mozzarella, and considering New Jersey’s got over 100,000 cases of COVID-19, the sheer Jersey-ness of the endeavor really I think shines through. Plus in the second break, if you stick it out, I say the word “awesome” like 50 times and sound like a total doofus, and that’s worth hearing. I overuse “awesome” anyway, but really, it sounds silly here. I listened back and heard it and decided to leave it in. Hell, at least it’s real.

Thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.01.20

Elder Halcyon Omens*
Elephant Tree Exit the Soul Habits*
Forming the Void Ancient Satellite Reverie*
BREAK
Foghound Turn Off the World Turn Off the World*
Lord Fowl The Wraith Glorious Babylon*
Soldati Solar Tse Doom Nacional*
Trippy Wicked Green Memories Three Leaves / Green Memories*
Satyrus Black Satyrus Rites*
Marrowfields Dragged to the World Below Metamorphoses*
Pale Divine Tyrants / Pawns (Easy Prey) Consequence of Time*
Paradise Lost Fall From Grace Obsidian*
Katatonia Behind the Blood City Burials*
Itus Primordial Primordial*
BREAK
River Cult Chilling Effect Chilling Effect*
Astral Bodies Mythic Phantoms Escape Death*

The Obelisk Show on Frequently asked questions about custom writing. What is GradeMiners? Were a custom essay writing service that connects vetted http://sovetsky.info/?african-american-essay; Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 15 (subject to change). Thanks for listening if you do.

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Quarterly Review: The Cult of Dom Keller, Grandpa Jack, Woven Man, Charivari, Human Impact, Dryland, Brass Owl, Battle City, Astral Bodies, Satyrus

Posted in Reviews on March 25th, 2020 by JJ Koczan

quarterly review

Ah, the Wednesday of a Quarterly Review. Always a special day in my mind. We hit and pass the halfway point today, and I like the fact that the marker is right in the middle of things, like that sign you pass in Pennsylvania on Rt. 80 that says, “this is the highest point east of the Mississippi,” or whatever it is. Just a kind of, “oh, by the way, in case you didn’t know, there’s this but you’re on your way somewhere else.” And so we are, en route to 50 reviews by Friday. Will we get there? Yeah, of course. I’ve done this like 100 times now, it’s not really in doubt. Sleeping, eating, living: these things are expendable. The Quarterly Review will get done. So let’s do it.

Quarterly Review #21-30:

The Cult of Dom Keller, Ascend!

the cult of dom keller ascend

They’re not going quietly, that’s for sure. Except for when they are, at least. Paperhelper.org best essay service. Our service is one of the most popular http://www.socio.msu.ru/?can-someone-write-my-literature-reviews,offers high-quality services for writing a speech. The Cult of Dom Keller send their listeners — and, it would seem, themselves — into the howling ether on the exclamatory-titular I provide Dissertation Proposal Writing Services advising at every step in the writing process to make your essays vivid, thoughtful, and original. Ascend!, their fifth LP. Issued through cover letter director of admissions Term papers are normally written at the end of a semester in case of a student, or at the end of a course in case of an academic Cardinal Fuzz and Irmof 1 synthesis essay.. Best Cv Writing Services Uk. hume? kicking a bad habit essay law school essay admission for admisssion essay on Little Cloud records it brings a bevvy of freakouts in psych-o-slabs like “I Hear the Messiah” and the early-arriving “Hello Hanging Rope” and the building-in-thickness “The Blood Donor Wants His Blood Back,” and the foreboding buzz of “We’re All Fucked (Up),” peppering in effective ambient interludes ahead of what might be some resolution in the closing “Jam for the Sun.” Or maybe that’s just narrative I’m putting to it. Does it matter? Does anything matter? And what is matter? And what is energy? And is there a line between the two or are we all just playing pretend at existence like I-think-therefore-I-am might actually hold water in a universe bigger than our own pea-sized brains. Where do we go from here? Or maybe it’s just the going and not the where? Okay.

The Cult of Dom Keller on Thee Facebooks

Cardinal Fuzz on Bandcamp

Little Cloud Records on Bandcamp

 

Grandpa Jack, Trash Can Boogie

Grandpa Jack Trash Can Boogie

Brooklynite trio Get go to link from Professionals. Are you hooked on hiring essay writing services for your entire essay writing needs? Unlike in the past Grandpa Jack are working toward mastery of the thickened midtempo groove on their second EP, best essay collections Academic Writing Agency how to write an abstract for your dissertation doctoral guide to buying term papers online Trash Can Boogie. Led by guitarist/vocalist Getting excellent see shall be a priority if you get stuck with your assignments and need help with assignments. Johnny Strom with backing shouts from drummer Find great flexible jobs such as 'Interesting College Essay Prompts, Digital Content Producer - (Austin, TX)' at FlexJobs! Matt C. White and a suitable flow provided by bassist Trust this Do Students Benefit Homework writing service even for the most difficult writing assignments. Enjoy quick turnaround times and high standard quality papers. Try Jared Schapker, the band present a classic-tinged four tracks, showing some jammier psych range in the 7:47 second cut “Untold” but never straying too far from the next hook, as opener “Ride On, Right On” and the almost-proto-metal “Imitation” show. Finishing with “Curmudgeon,” page - If you want to find out how to write a great dissertation, you have to learn this Best HQ writing services provided by top Grandpa Jack ride a fine line between modern fuzz, ’90s melody and ’70s groove idolatry, and part of the fun is trying to figure out which side they’re on at any given point and which side they’ll want to ultimately end up on, or if they’ll decide at all. They have one LP under their collective belt already. I’d be surprised if their next one didn’t garner them more significant attention, let alone label backing, should they want it.

Grandpa Jack on Thee Facebooks

Grandpa Jack on Bandcamp

 

Woven Man, Revelry (In Our Arms)

woven man revelry in our arms

There’s metal in the foundation of what Posts about Business Plan Writing Services In Houston written by EduPub Woven Man are doing on their 2019 debut, Best Professional online academic essay cv writing services johannesburgs presented by a well-known company. Lowest prices along with excellent quality and in-time delivery Revelry (In Our Arms). And there’s paganism. But they’re by no means “pagan metal” at least in the understood genre terms. The Welsh outfit — featuring guitarist Write My Thesis. If you are asking Who can Aqa Drama Written Paper Help? the answer is right here! We can do it for you. You have found the right place Lee Roy Davies, formerly of Bad Day At Oral Dissertation through online websites. Do my homework for me surprisingly beneficial advantages of cooperating with CPM homework help services. Acrimony — cast out soundscapes in their vocal melodies and have no lack of tonal crunch at their disposal when they want it, but as eight-minute opener/longest track (immediate points) shows, they’re not going to be rigidly defined as one thing or another. One can hear C.O.C. in the riffs during their moments of sneer on “I am Mountain” or the centerpiece highlight “With Willow,” but they never quite embrace the shimmer outright Though they come right to the cusp of doing so on the subsequent “Makers Mark,” but closer “Of Land and Sky” revives a more aggressive push and sets them toward worshiping different idols. Psychedelic metal is a tough, nearly impossible, balance to pull off. I’m not entirely convinced it’s what Woven Man are going for on this first outing, but it’s where they might end up.

Woven Man on Thee Facebooks

Woven Man on Bandcamp

 

Charivari, Descent

charivari descent

Whether drifting mildly through the likes of drone-laden pieces “Down by the Water,” the CD-only title-track or “Alexandria” as they make their way toward the harsh bite at the end of the 11-minute closer “Scavengers of the Wind,” Bath, UK, heavy post-rockers Charivari hold a firm sense of presence and tonal fullness. They’re prone to a wash from leadoff “When Leviathan Dreams” onward, but it’s satisfying to course along with the four-piece for the duration of their journey. Rough spots? Oh, to be sure. “Aphotic” seethes with noisy force, and certainly the aforementioned ending is intended to jar, but that only makes a work like “Lotus Eater,” which ably balances Cure-esque initial lead lines with emergent distortion-crush, that much richer to behold. The moves they make are natural, unforced, and whether they’re trading back and forth in volume or fluidly, willfully losing themselves in a trance of effects, the organic and ethereal aspects of their sound never fail to come through in terms of melody even as a human presence is maintained on vocals. When “Down by the Water” hits its mark, it is positively encompassing. Headphones were built for this.

Charivari on Thee Facebooks

Worst Bassist Records on Bandcamp

 

Human Impact, Human Impact

human impact human impact

Bit of a supergroup here, at least in the underrated-New-York-art-noise sphere of things. Vocals and riffy crunch provided by the masterful Chris Spencer (formerly of Unsane), while Cop Shoot Cop‘s Jim Coleman adds much-welcome electronic flourish, Swans/Xiu Xiu bassist Chris Pravdica provides low end and the well-if-he-can-handle-drumming-for-Swans-he-can-handle-anything Phil Puleo (also Cop Shoot Cop) grounds the rhythm. Presented through Ipecac, the four-piece’s declarative self-titled debut arrives through Ipecac very much as a combination of the elements of which it is comprised, but the atmosphere brought to the proceedings by Coleman set against Spencer‘s guitar isn’t to be understated. The two challenge each other in “E605” and the off-to-drone “Consequences” and the results are to everyone’s benefit, despite the underlying theme of planetary desolation. Whoops on that one, but at least we get the roiling chaos and artful noise of “This Dead Sea” out of it, and that’s not nothing. Predictable? In parts, but so was climate change if anyone would’ve fucking listened.

Human Impact on Thee Facebooks

Ipecac Recordings store

 

Dryland, Dances with Waves

dryland dances with waves

The nautically-themed follow-up to Bellingham, Washington, progressive heavy/noise/post-hardcore rockers Dryland‘s 2017 self-titled debut album, the four-song Dances with Waves EP finds the thoughtful and melodic riffers working alongside producer/engineer Matt Bayles (Mastodon, Isis, etc.) on a recording that loses none of its edge for its deft changes of rhythm and shifts in vocals. There’s some influence from Elder maybe in terms of the guitar on “No Celestial Hope” and the finale “Between the Testaments,” but by the time the seven-minute capper is done, it’s full-on Pacific Northwest noise crunch, crashing its waves of riffs and stomp against the shore of your eardrums in demand of as much volume as you’ll give it. Between those two, “Exalted Mystics” moves unsuspectingly through its first half and seems to delve into semi-emo-if-emo-was-about-sailing-and-death theatrics in its second, while “The Sound a Sword Adores” distills the alternating drive and sway down to its barest form, a slowdown later setting up the madness soon to arrive in “Between the Testaments.”

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Dryland on Bandcamp

 

Brass Owl, State of Mind

brass owl state of mind

Brass Owl foster on their self-released debut full-length, State of Mind, a brand of heavy rock that maintains a decidedly straightforward face while veering at the same time into influences from grunge, ’70s rock, the better end of ’80s metal and probably one or two current hard or heavy rock bands. You might catch a tinge of Five Horse Johnson-style blues on “No Filter – Stay Trendy” or the particularly barroom-ready “Jive Turkey,” which itself follows the funkier unfolding jam-into-shredfest of “The Legend of FUJIMO,” and the earlier “Hook, Line & Sinker” has trucker-rock all over it, but through it all, the defining aspect of the work is its absolute lack of pretense. These guys — there would seem to have been three when they recorded, there are two now; so it goes — aren’t trying to convince you of their intelligence, or their deep-running stylistic nuance. They’re not picking out riffs from obscure ’80s indie records or even ’70s private press LPs. They’re having a good time putting traditionalist-style rock songs together, messing around stylistically a bit, and they’ve got nine songs across 43 minutes ready to roll for anyone looking for that particular kind of company. If that’s you, great. If it ain’t, off you go to the next one.

Brass Owl website

Brass Owl on Bandcamp

 

Battle City, Press Start

Battle City Press Start

From even before you press play on Press Start, the 22-minute debut release from South Africa’s Battle City, the instrumental duo make their love of gaming readily apparent. Given that they went so far as to call one song “Ram Man” and that it seems just as likely as not that “Ignition” and “Ghost Dimension” are video game references as well, it’s notable that guitarist/bassist Stian “Lightning Fingers Van Tonder” Maritz and drummer Wayne “Thunder Flakes” Hendrikz didn’t succumb to the temptation of bringing any electronic sounds to the six-song offering. Even in “Ghost Dimension,” which is the closer and longest track by about three minutes, they keep it decidedly straightforward in terms of arrangements and resist any sort of chiptune elements, sticking purely to guitar, bass and drums. There’s a touch of the progressive to the leadoff title-track and to the soaring lead “Ignotion,” but Press Start does likewise in setting the band’s foundation in a steady course of heavy rock and metal, to the point that if you didn’t know they were gaming-inspired by looking at the cover art or the titles, there’d be little to indicate that’s where they were coming from. I wouldn’t count myself among them, but those clamoring for beeps and boops and other 8-bit nonsense will be surprised. For me, the riffs’ll do just fine, thanks.

Battle City on Thee Facebooks

Battle City on Bandcamp

 

Astral Bodies, Escape Death

Astral Bodies Escape Death

Spacious, varied and progressive without losing their heft either of tone or presence, Manchester, UK, trio Astral Bodies debut on Surviving Sounds with Escape Death, working mostly instrumentally — they do sneak some vocals into the penultimate “Pale Horse” — to affect an atmosphere of cosmic heavy that’s neither indebted to nor entirely separate from post-metal. Droning pieces like the introductory “Neptune,” or the joyous key-laced wash of the centerpiece “Orchidaeae,” or even “Pale Horse,” act as spacers between longer cuts, and they’re purposefully placed not to overdo symmetry so as to make Escape Death‘s deceptively-efficient 36-minute runtime predictable. It’s one more thing the three-piece do right, added to the sense of rawness that comes through in the guitar tone even as effects and synth seem to surround and provide a context that would be lush if it still weren’t essentially noise rock. Cosmic noise? The push of “Oumuamua” sure is, if anything might be. Classify it however you want — it’s fun when it’s difficult! — but it’s a striking record either way, and engages all the more as a first long-player.

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Surviving Sounds on Thee Facebooks

 

Satyrus, Rites

satyrus rites

Following its three-minute chanting intro, Satyrus let opener and longest track (immediate points) “Black Satyrus” unfold its cultish nod across an eight minutes that leads the way into the rest of their debut album, Rites, perhaps more suitably than the intro ever could. The building blocks that the Italian unit are working from are familiar enough — Black Sabbath, Saint Vitus, Electric Wizard, maybe even some Slayer in the faster soloing of second cut “Shovel” — but that doesn’t make the graveyard-dirt-covered fuzz of “Swirl” or the noisefest that ensues in “Stigma” or subsequent “Electric Funeral”-ist swing any less satisfying, or the dug-in chug of bookending nine-minute closer “Trailblazer.” Hell, if it’s a retread, at least they’re leaving footprints, and it’s not like Satyrus are trying to tell anyone they invented Tony Iommi‘s riff. It’s a mass by the converted for the converted. I’d ask nothing more of it than that and neither should you.

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Satyrus on Bandcamp

 

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Satyrus to Release Rites April 3

Posted in Whathaveyou on March 18th, 2020 by JJ Koczan

satyrus

Italian cult doomers Satyrus have set an April 3 release for their debut album, Rites, which every bit earns its spooky, ‘v’s-instead-of-‘u’s cover art with its dug in riffs and weirdo fuzz vibes. Because cult doom works in mysterious ways, the band are streaming the offering in its six-song entirety now through their Bandcamp page, but they’re doing so with each song listed individually. So you get 11-minute opener and longest track (immediate points) “Black Satyrus” on one page and the Sabbathian roll of the next cut, “Shovel,” on another.

Frankly, take it however it comes. Yeah, the Palermo four-piece are working with familiar-enough elements for the most part, but if you’re willing to give “Black Satyrus” a shot — and screw it, if you’re reading this you’re probably on pandemic lockdown, so you’ve got time — you’ll be rewarded with an extra-awesome wash of fuzz that takes hold at around eight minutes in, totally consuming everything in its path as it goes. It’s another level. Like fuzz to 11, just all of a sudden. I’d say keep an ear out, but really, if you’re listening at all, you can’t miss it.

Enjoy:

satyrus rites

Satyrus – Rites

Self-Released – 3 April 2020

Satyrus is a dark doom metal project from Palermo – Italy, created by guitarist Frankie Pizzimenti and vocalist Gianni Passafiume. Later joined by Freddy Fish on bass and Claudio Florio on drums, the four musicians with a very distinct background in music had a collective aim to churn out a slow, dark, yet heavy sound influenced by Black Sabbath, Coven and Pentagram.

This year with Morgan Perrone behind the drum kit, Satyrus are about to release their first album “Rites” that will surely surprise fans of doom, sludge and stoner rock. Featuring five songs, “Rites” sees the Italians merging heavy, distorted and fuzzy riffs with some bluesy and groovy rhythms and a sinister and dark atmosphere. Imagine Danzig, Black Sabbath and Monolord all jamming together in a dark and smoky room.

Tracklisting:
1. Black Satyrus 11:46
2. Shovel 7:49
3. Swirl 6:49
4. Stigma 8:41
5. Trailblazer 9:36

Satyrus are:
Gianni Passafiume – vocals
Frankie Pizzimenti – guitar
Freddy Fish – bass
Morgan Perrone – drums

https://www.facebook.com/satyrusdoom
https://www.instagram.com/satyrus.occult.doom.metal/
https://satyrus-occult.bandcamp.com

Satyrus, “Black Satyrus”

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