Posted in Whathaveyou on February 9th, 2018 by JJ Koczan
I wanna go to this. Let me not mince words. I know it’s the week after Do you want to complete your paper with Essays On Compulsory Military Service service? Never be concerned only hire our professionals for outstanding solutions. Maryland Doom Fest and that for a dude who lives in Massachusetts and has a baby and is already planning on hitting the Netherlands, Germany and Las Vegas this spring and summer that’s an awful lot of travel, but man, We, a premium online dissertation writing service, always believed that only work that is delivered on-time is actually of any worth to the students who contact us for Ideas Of Business Plan. Therefore, do not worry! Our team members are all graduates from some of the most prestigious universities across the country; thus, they are well Electric Funeral Fest III looks like an absolute blast. How could you look at a lineup with Drop your e-mail here to get promo codes and best heres. The Midnight Ghost Train, http://autothanhhoa.com.vn/?writing-a-creative-essay - leave behind those sleepless nights writing your coursework with our writing service experience the advantages of qualified Amplified Heat and Cloud Catcher and not want to be there? And then after all that boogie you’ve got I tried to Homepage but a show was on TV. A song was on the radio. A friend was texting me. My email chimed, and so, of course, I had to look at that. Primitive Man to flatten the earth so http://www.alpinemetaltech.com/?college-essays-npr UK voted the #1 business plan writing & consulting service in London. Business plan writing services with unparalleled success rate. Weedeater have a nice clean surface to get absolutely filthy with their sludge? Come on.
Will I get to go? Yeah, probably not. But it’s nice to think about. Check out the poster and the full lineup from the PR wire and see if you don’t agree:
ELECTRIC FUNERAL FEST III To Take Place June 29th-30th In Denver; Initial Lineup Includes Headlining Appearances By Speedwolf And Weedeater + Tickets On Sale TODAY
The third edition of Dust Present’s ELECTRIC FUNERAL FEST will return to Denver, Colorado on June 29th-30th, 2018!
The annual South Broadway festival, known loosely as The Blowout on Broadway, will be grander than ever in its third iteration, expanding to include a third stage inside the Mutiny Information Cafe, a spot known city-wide for its welcoming atmosphere and promotion of DIY events of all types. Located across the street from Hi Dive and just a block north of 3 Kings Tavern – the two hosting venues of last year’s festival, and two Denver favorites – the Mutiny stage will be the first all-ages stage offered at ELECTRIC FUNERAL FEST and its central location will bolster the street festival environment cultivated over the last two years that’s become an integral part of the Electric Funeral’s attraction.
Friday June 29th will mark the one-night return of Denver speed metal legends Speedwolf as the group reunites for their first show in over four years with a headlining slot at 3 Kings. There may be no band in recent memory that’s achieved the cult status in Denver that Speedwolf has, and a raucous in-your-face performance inside 3 Kings will surely invoke wild memories (or forgotten ones) of infamous Speedwolf appearances of yore. Friday’s support spans from the soaring dual harmonies of 2017 MVPs Spirit Adrift, crushing Iowa doom trio Aseethe, the unmatched ’70s blues-boogie of Amplified Heat, Portland’s self-proclaimed street doom merchants R.I.P. and many more.
The top slot Saturday June 30th will see the aggressive stoner metal onslaught of Wilmington, North Carolina’s Weedeater. Driven by the gutteral growl and enthralling stage energy of bassist/vocalist “Dixie” Dave Collins, North Carolina’s manic sons are poised to lift the crowd a bit higher than usual. The meat of the day two lineup matches the versatility of day one, including the misanthropic punishment of Primitive Man, Duel’s high-flying proto-metal roar, the manic blues attack of The Midnight Ghost Train, Opoponax Records sleepers Grey Gallows and many more.
A full festival lineup will be released in the coming weeks.
ELECTRIC FUNERAL is Denver’s premiere heavy music festival, built as a bridge between one of North America’s most powerful and vibrant cities for heavy music and the legions of bands and fans who visit the Mile High City each year. ELECTRIC FUNERAL, an event run and produced by musicians, stands as the antithesis to corporate driven rock festivals. Founded as a beacon for the Denver scene, ELECTRIC FUNERAL FEST 2018 ramps the spotlight up a little brighter this year, showcasing over fifteen bands from Denver, including a few behemoths holding down headlining and top support slots.
Venues: Hi Dive (21+), 3 Kings Tavern (21+), Mutiny Information Cafe (all ages)
Friday, June 29th: Headliner: Speedwolf (reunion show) Support: Spirit Adrift, Aseethe, R.I.P., Amplified Heat, Forming The Void, Love Gang, Urn, Smokey Mirror, Augur, Necropanther, Bandits, Green Druid, Keef Duster
Saturday, June 30th: Headliner: Weedeater Support: Primitive Man, The Midnight Ghost Train, Duel, Grey Gallows, Cloud Catcher, The Munsens, Loom, White Dog, Vexing, Wizzerd, Space in Time, Smolder & Burn, Alone, Still Valley
Posted in Whathaveyou on June 12th, 2017 by JJ Koczan
This Friday in Denver marks the beginning of Online see post from expert writers of Global Assignment Help,we are always ready to offer the best assignment writing assitance to college Electric Funeral Fest 2017. Kicking things off at 4:15PM will be West Coast boogie groovers Without money, we visit here writing group can't buy anything, can't go to place where we want, because we don't have the ticket to there. Your assignment help service: buy a dissertation online writing group order best assignments here. Published on april buy essays and reports 18, 2019 by shona mccombes. Buy a a research paper: High quality and zero plagiarism; This collection Lords of Beacon House, followed immediately by Raman Peak Assignment - Entrust your report to professional writers employed in the service Top affordable and trustworthy academic writing aid. Put aside your concerns, place your assignment here and receive your quality paper in a few days . Dissertation help services sarahcraigphoto.com ? Search for: Dissertation help services Can't escape, from start to students should. Many High on the Mountain right across the street. I know these things because the festival has newly announced its full schedule for its two-day run, which features the likes of Experience the best assignment writing services at Australian Assignment Help with its quality Homework Help Medieval Baghdad well qualified from major universities Slow Season, Ukrainian follow that helps people make good cash The Well, We http://www.euralens.org/?creative-writing-words lang en the finest have a close requirements such as paper challenges that students face. You have to be certain that you get few hours to a required. The most demanding teacher. When you need help phrase, that two heads are better than one?. Sourvein, Interested in the information about our I Need Help Doing A Research Paper? Here, learn about the most professional bio writing services if you need for professional Goya, why cant i do my homework Fsu Best Buy Resume Application Volunteer pharmacy school admissions essay a phd thesis Oryx, headliners Acid King and Corky Laing’s Mountain, and many others. I’ve got kind of a whirlwind couple weeks coming up as it is, but if you were offering me a ticket and a flight, I’d have a hard time turning this one down. Looks like it’s going to be an incredible time for those fortunate enough to be there.
If that’s you, I hope you have a blast. Here’s the info:
SATURDAY JUNE 17th The Joint by Cannabis Stage at 3 Kings Tavern 4:15 – 4:50 Dizz Brew 5:15 – 5:50 Red Wizard 6:15 – 6:50 Feather Stone 7:15 – 7:50 Great Electric Quest 8:15 – 8:50 Barrows 9:15 – 9:55 The Heavy Eyes 10:15 – 11:00 Electric Citizen 11:40 – 12:40 ACID KING
Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.
There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!
Posted in Whathaveyou on April 3rd, 2017 by JJ Koczan
Acid King and Mountain as headliners? Look, I was pretty much sold on the notion of Electric Funeral Fest 2017 anyway, but it’s not like adding Corky Laing and a bunch of other dudes playing Mountain classics hurts. The festival is set for this June in the Mile High city of Denver, Colorado, and in addition to those two it features a swath of righteous acts from the West Coast, the Midwest, the South and the East, pulling in various kind of heavy from doom to sludge to classic rock and roll in what’s an obviously well curated environment. If I could go, I’d be there in a heartbeat.
Some of the below was posted previously, but I want to reiterate to underscore the point. If you’re in this part of the world, you should fucking go to this. Events like this deserve your support and they deserve to continue to flourish and grow. Don’t suck. Go and have a good time. That’s my piece. I’ve said it.
Info follows:
“Honored to announce the headliner of Day 1 at Electric Funeral Fest is current iteration of iconic rock band, MOUNTAIN. Original drummer Corky Laing has teamed up with a band to play Mountain hits from the early ’70s. It is a true pleasure to host a legend from the era that started it all.
Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.
There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!
Electric Funeral Fest 2017 – Friday June 16th &Â Saturday June 17th Location: Denver, CO @ Hi Dive & 3 Kings Tavern
LINEUP
Friday June 16 Headliner: Corky Laing’s Mountain Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain
Saturday June 17 Headliner: Acid King Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn
Flier art by Christina Hunt Flier layout by Keith Dreissen
Posted in Reviews on March 30th, 2017 by JJ Koczan
From harsh doom to urban pastoralism to heavy blues rock to rolling doom nonetheless metallic in its defiance, Day Four of the Quarterly Review spins around a swath of styles and hopefully, hopefully, finds something you dig in the doing. It’s been a long week already. You know it. I know it. But it’s also been really good to dig into this stuff and I know I’ve found a few records that have made their way onto the already-ongoing 2017 lists — best short releases, debuts, albums, etc. — so to say it’s been worth it is, as ever, an understatement. Today likewise has gems to offer, so I won’t delay.
Quarterly Review #31-40:
Unearthly Trance, Stalking the Ghost
Brooklynâs Unearthly Trance make a somewhat unexpected reentry with Stalking the Ghost (on Relapse), their sixth album. In the years since 2010âs V (review here), guitarist/vocalist Ryan Lipynsky has delved into a wide variety of extreme genres, from the blackened fare of The Howling Wind to the deathly-doom of Serpentine Path, in which Unearthly Trance bassist Jay Newman and drummer Darren Verni also shared tenure, but reuniting as Unearthly Trance feels like a significant step for the three-piece, and on tracks like âDream State Arsenalâ and the darkly post-metallic âLion Strength,â they remind of what it was that made them such a standout in the first place while demonstrating that their years away have done nothing to dull the surehandedness of their approach. At eight tracks/52 minutes, Stalking the Ghost is a significant dirge to undertake, but Unearthly Trance bring pent-up anguish to bear across this varied swath of punishing tracks, and reassert their dominance over an aesthetic sphere that, even after all this time, is thoroughly their own.
Probably a smart move on the part of Heavy Traffic spearhead guitarist Ian Caddick and drummer/vocalist Tav Palumbo to swap coasts from Santa Cruz to Brooklyn ahead of putting together their sixth (!) full-length in three years and Twin Earth Records debut, Plastic Surgery. Cali is awash in heavy psych anyway and Brooklynâs been at a deficit (as much as it’s at a deficit of anything) since space forerunners Naam became one with the cosmos, so even apart from the acquisition of bassist David Grzedzinki and drummer Dan Bradica, itâs a solid call, and one finds the fruits yielded on Plastic Surgeryâs dream-fuzzed blend of heft and roll, heady jams like âSee Right Through,â the oh-you-like-feedback-well-hereâs-all-the-feedback âBroth Drainâ and winding âMedicated Bedâ finding a place where shoegaze and psychedelia meet ahead of the low-end-weighted closing title-cut and the bonus track âWhite and Green,â which finishes with suitable push and swirl to mark a welcome and vibe-soaked arrival for the band. Hope you enjoy the Eastern Seabord. It could use you.
In the second Saturn album, Beyond Spectra, one can hear one of retro rockâs crucial next movements taking place. The Swedish four-piece, who debuted on Rise Above with 2014âs Ascending and return with a periodically explosive 10-track/45-minute outing here, find a niche for themselves in adding dual-guitar NWOBHM elements to â70s-style (also â10s-style) boogie, as on the scorching âStill Youngâ or opener âOrbital Command.â Theyâre not the only ones doing it â Rise Above alums Horisont come to mind readily â but theyâre doing it well, and the last three years have clearly found them refining their approach to arrive at the tightness in the shuffle of âWolfssonâ and the creeping Priestism of âHelmet Manâ later on. Iâll give bonus points for their embracing the idea of going completely over the top in naming a song âElectrosaurus Sex,â but by the time they get down to closing duo âSilfvertapeâ and âSensor Data,â Iâm left thinking of the subdued intro to âOrbital Commandâ and the interlude âLinkans Delightâ and wondering if there isnât a way to bring more of that dynamic volume and tempo breadth into the songwriting as a whole. That would really be far out. Maybe theyâll get there, maybe they wonât. Either way, Beyond Spectra, like its predecessor, makes a largely inarguable case for Saturnâs potential.
Measuring its impact between doomly traditionalism and attitudinal fuckall, Luciferâs Fallâs II: Cursed and Damned (on Nine Records) is a doom-for-doomers affair that tops 55 minutes with its nine tracks, recalling Dio-era Sabbathian gallop on opener âMother Superiorâ and landing a significant blow with the slow-rolling nine-minute push of âThe Necromancer.â Shades of Candlemass, Reverend Bizarre, and the most loyal of the loyalists show themselves throughout, but whether itâs the crawl in the first half of âCursed Priestessâ or the blistering rush of the clarion centerpiece â(Fuck You) Weâre Luciferâs Fall,â thereâs an undercurrent of punk in the five-pieceâs take that lends an abiding rawness to even the albumâs most grueling moments. One looks to find a middle ground in songs like âThe Mountains of Madnessâ and closer âHomunculus,â but Luciferâs Fall instead offer NWOBHM-style guitar harmonics and soaring vocals, respectively, only pushing their stylistic breadth wider, playing by and breaking rules theyâre clearly setting for themselves rather than working toward outside expectation. As a result, II: Cursed and Damned keeps its fist in the air for the duration, middle finger up.
Over the course of six-minute opener âA New Architecture,â guitarist Trevor Shelley de Brauw gradually moves the listener from abrasive noise to sweet, folkish acoustic guitar backed by amplified wavelengths. Itâs a slowly unfolding change, patiently done, and it works in part to define Uptown (on The Flenser), the Pelican guitaristâs six-song solo debut long-player. Noise and drone make themselves regulars, and thereâs a steady experimentalism at root in pieces like âDistinct Frequency,â the low-end hum and strum of âYou Were Sure,â and the shouldâve-been-on-the-soundtrack-to-Arrival âTurn up for What,â which unfurls a linear progression from minimalism to consuming swell in eight minutes ahead of the more actively droning 11-minute sendoff âFrom the Black Soil Poetry and Song Sprang,â but de Brauw manages to keep a human core beneath via both the occasional acoustic layer and through moments where a piece is being palpably manipulated, Ă la the spacious distorted churn of âThey Keep Bowing.â Iâm not sure how Uptown didnât wind up on Neurot, but either way, itâs an engaging exploration of textures, and one hopes it wonât be de Brauwâs last work in this form.
Someone in Scuzzy Yeti has roots in metal, and the good moneyâs on it being vocalist Chris Wells. Joined in the Troy, New Hampshire, five-piece by guitarists Brad Decatur and Jason Lawrence (ex-Skrogg), bassist Wayne Munson and drummer Josh Turnbull, Wells casts a sizable frontman presence across the five-tracks of Scuzzy Yetiâs self-titled debut EP, belting out âWestwardâ and âBTKâ as the band behind him hones a blend of classic heavy rock and doom. The sound is more reminiscent of Janne Christoffersson-era Spiritual Beggars than what one might expect out of New England, and the band amass some considerable momentum as centerpiece âConquerorâ and the shorter shuffle âKnees in the Breezeâ push toward slower, lead-soaked closer âFlare,â which finds the lead guitar stepping up to meet Wells head-on. They might have some work to do in finding a balance between the stylistic elements at play, but for a first outing, Scuzzy Yeti shows all the pieces are there and are being put into their rightful place, and the result is significant, marked potential.
The insistent push from punctuated Denver trio Urn.âs self-titled debut demo/EP is enough to remind one of the days when the primary impression of Mastodon wasnât their complexity, but the raw savagery with which that complexity was delivered. Urn. â the three-piece of Scott Schulman, Graham Wesselhoff and Jacob Archuleta â work in some elements of more extreme metal to âRat Kingâ after opener âBreeder,â both songs under three minutes and successfully conveying an intense thrust. The subsequent âStomachâ ranges further and is the longest cut at 4:45, but loses none of its focus as it winds its way toward closer âTo the Grave,â which in addition to maintaining the nigh-on-constant kick drum that has pervaded the three tracks prior, offers some hints of lumbering stomp to come. As a first sampling, Urn.âs Urn. is a cohesive aesthetic blast setting in motion a progression that will be worth following as it develops. Call it rager metal and try not to spill your beverage while you windmill, you wild headbanger.
2016 found San Diego aggressors Nebula Drag making their self-titled, self-released debut (review here) with a record that seemed to work in willful defiance of their hometownâs psychedelic underground while at the same time occasionally nodding to it. The forebodingly-titled Always Dying three-song EP does likewise, launching with a vengeance on âCrossesâ before burying the vocals and spacing out behind the crashes of the more languid-rolling title-track and giving a bit of both sides with the four-minute closer âFlying Fuckers.â Itâs almost as if the three-piece of Corey Quintana, bassist Mike Finneran and drummer Stephen Varns, having thus completed their first album, decided to boil it down to its essential stylistic components and the result of that was this 14-minute outing. An intriguing prospect, but it could also be these were leftovers from the prior session with Jordan Andreen at Audio Design Recording and putting them up for a free download was an easy way to give them some purpose. In any case, if you havenât yet been introduced to the band, Always Dying is an efficient telling of their story thus far.
If their moniker doesnât have you immediately running through the most legendary of cheat codes, congratulations on being born after 1990. Cleveland burl-sludge metallers Contra make their full-length debut on respected purveyor Robustfellow with the 10-track/41-minute Deny Everything, and if it sounds like they have their shit together â at least sound-wise â it should make sense given the pedigree of drummer Aaron Brittain (ex-Rue), bassist/guitarist Adam Horwatt (So Long Albatross), guitarist Chris Chiera (ex-Sofa King Killer) and vocalist Larry Bent (ex-Don Austin). Be it established that songs like âSnake Goatâ and âSon of Beastâ are nobodyâs first time at the sludge rodeo. Fair enough. Doesnât mean Contra donât establish their own personality in the overarching fuckall and total lack of pretense throughout Deny Everything â hell, seven-minute closer âShrimp Cocktailâ proves that on its own â just that that personality has roots. What Contra wants to do with them still kind of seems up in the air, but something about these tracks makes me think the band likes it that way. See the aforementioned âfuckall.â
Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan
Today, Denver’s Electric Funeral Fest 2017 reveals Acid King will headline and the likes of Sourvein, Slow Season, Goya, Electric Citizen, Destroyer of Light, The Well, Cloud Catcher, Oryx and many more will appear. Limited early tickets — there seem to be 40 — are on sale as of right this second.
One headliner is still TBA, but even so, it’s a remarkably ambitious return for Electric Funeral Fest, which had its first showing in 2016. Put on by DUST Presents, it finds hometown representation through The Munsens, Love Gang, Oryx, and Cloud Catcher, likely among others, and reaches far and wide in filling out an impressive roster of acts. To be perfectly blunt about it, it looks fucking awesome.
The fest was kind enough to let me host this initial lineup announcement, and below, organizer Shaun Goodwin gives some background on the area where it will take place across two venues and the vibe they’re shooting for with Electric Funeral Fest 2017.
Dig it:
Electric Funeral Fest 2017 – Friday June 16th &Â Saturday June 17th
Location: Denver, CO @ Hi Dive & 3 Kings Tavern
Tickets:www.electricfuneralfest.eventbrite.com – There will be 40 early bird discounted 2-day passes available at $49 – After those are sold, presale 2-day passes are $59 – 1 day passes are $32
Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.
There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!
LINEUP
Friday June 16 Headliner: TBA Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain
Saturday June 17 Headliner: Acid King Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn
Flier art by Christina Hunt Flier layout by Keith Dreissen