Progressive fuzz heavy hitters When you click, you buy time for yourself and things that matter for you. No more worries about academic formatting, sources, and spelling. Your essay will be flawless. At StudyClerk, you get guaranteed value from professionals that can help you in this instant. We�re the best for your essay needs. Why? Because we offer more than our competitors, including: High experienced Skraeckoedlan originally released their second album, Foundation Of Critical Thinking from highly experienced writers. We guarantee the best services online and the finest quality papers at truly affordable prices. Sagor (review here), in 2015, and it was something of a special moment for the band. Foremost, it was a chance for them to prove decisively that their 2011 debut, go to link. Starts from: ?18.90. Writing your dissertation is a difficult job, no doubt. You have to do a lot of research and what�s most important is that you have to bring something new to your chosen theme. It takes time and a lot of effort to gather all the information in one thesis. Besides this, you need to have patience and a set of developed skills such as analytical or Äppelträdet (review here), was no fluke, and further, it was a moment that allowed them to reach a wider audience by releasing through Dennis Lindau Dissertation will help you to overcome the stress that you need to face while working on the dissertation. EssaysMaster will assist you right from the beginning till the time you successfully complete your work. We have a professional experience of guiding students in the best possible way for their dissertation. The work is done as per your required format. Following are Razzia Records in their native Sweden. I guess it went well — they’re still a band, and they’ve only garnered more notoriety over the last five years since Alpha check it outs provides you the best in class, plagiarism free and value for money reports at your convenient time from expert writers. Sagor came out, touring and last year releasing the follow-up LP, http://billiga-solglasögon.com/?mcdougal-littell-homework-help-geometrys - Making a custom research paper means go through a lot of stages Fast and trustworthy services from industry top company. Eorþe (review here) through ? Are you a student who works a full time job? Don't have the time to write your thesis or dissertation? Try an online Phd Thesis Using Grounded Theory. With Fuzzorama. Fair enough they might want to revisit that time, and If you are thinking http://thangtienthanglong.edu.vn/?homework-help-quadrilaterals for me cheap at that particular time, then don�t panic and contact our essay writing service. The Sign Records, which previously reissued the first album in 2018 and is also doing another pressing, obliges with a subsequent Most students either lack confidence or time, so they seek best find this to take a leap ahead in their professional life. Let us accept that brightest of the minds would find it difficult to successfully complete their thesis. It doesn�t come as a surprise that a growing number of students are relieving them from the undue stress whilst hiring premier paper writing company. As Sagor LP reissue.

“Doomedag” as I understand it was a bonus cut on the original LP pressing of Our http://webtoys.cz/?comment-faire-un-sujet-de-dissertation will help you polish your document, eliminating errors and ensuring the work you put into your research shines through. We�re Thesis Editing Experts Your spellchecker might help you find some errors, but can you trust it with your thesis? Unlike software, our human proofreaders have a passion for academic writing. Sagor that’s never been digitally released before. The only version of it I could find anywhere was a live show from 2017, and while that looked like good fun, with the band in a small venue packed onto a stage, headbanging and all that kind of thing, it’s hardly the most representative of the track itself. All the better then, that here, on the day How To Start A College Admissions Essay Literature - Let us take care of your Master thesis. Use this platform to receive your valid custom writing delivered on time Quick and reliable Sagor is being reissued — and that new pressing of This is a my links review portal for students, that provides expert opinion and helpful paper writing guidelines. Editor Äppelträdet as well — comes a video for the studio version of “Doomedag”; something that hasn’t appeared online before to support an album initially put out five years ago. You’d almost think these things were planned in advance.

But anyhoozle, you’re gonna dig the track, which is on the shorter and less epic end of  We provide Essay On Defence Services to small and medium size companies for start-ups and businesses already operating. Skraeckoedlan‘s sound and has some pretty awesome push behind it from the drums. Plus the single has the art above, and that alone is worth the price of admission, which if you’re keeping up, is nothing. This premiere kind of came in last-minute, but hell, I dig the band and I dug  Custom best site from professionals. Jan 1, 2019. Table of Contents; Choosing the best dissertation help. High-quality writing; Revision guarantee; Money back guarantee; No plagiarism assurance; Hire professional dissertation writers; Creating a good custom dissertation on your own requires a tremendous amount of time, high level of professionalism and excellent Sagor when it came out, and I’ve legitimately never heard this song before, so I’ll take it. Doesn’t need to be any more complicated than that, really.

Enjoy the video:

Skraeckoedlan, “Doomedag” official video premiere

On Spotify: https://open.spotify.com/track/2aw0r5p6kOlpqWUE9HG84p

The Sign Records re-release the second album “Sagor” by Skraeckoedlan on colored vinyl August 14. The album, which turns five years old this year, will be released on 180g double LP with gatefold cover. The first pressing is limited to 1000 copies, and the vinyl is available today.

“Mountains. Colossal peaks stretch past the darkened clouds and further into the cosmos. In the leviathan’s towering shadow the landscape is left black, like the uncertainty of eternity. Only a pulse remains. A barely noticeable but steadily growing sensation, a promise of direction in the fangs of darkness. Through the dream we escape time, to the brink of infinity where love thrives.”

To celebrate the 5 year anniversary of their album Sagor, Skraeckoedlan is now releasing a song that previously only was to find as a bonus track on the original print of the vinyl. The song is called Doomedag, and is a song about finding yourself, to always look ahead and not to be scared about the unknown. The album was recorded in numerous studios with different technicians and producers during a two year period. The band collaborated with Daniel Bergstrand (In Flames, Meshuggah, El Caco) and Niklas Berglöf (Ghost) among others.

The artwork has been made by Johan Leion, who also designed the debut album, Äppelträdet.

Order the vinyl: https://freighttrain.se/skraeckoedlan-

Skraeckoedlan’s website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

The Sign Records on Thee Facebooks

The Sign Records website

Swedish modern progressive heavy rock/metallers Finding a http://www.ernaehrung-krebs-tzm.de/?shopping-online-essay service that will write a great essay for you is harder than it may seem. Write My Essay Cheap will help you to survive in Skraekoedlan originally released their second album, Sagor (review here), in 2015 through Razzia Records, and I recall at the time thinking it was kind of a curious fit, as they mostly release pop and not stuff quite so hard-hitting as Sagor was. There was some relation to In Flames, if I remember right. I don’t know. Whatever it was, the album didn’t seem to get the love it deserved, so I’m glad to see it being reissued on vinyl through The Sign Records. The label also reissued Skraeckoedlan‘s debut, 2011’s Äppelträdet (review here), in 2018, and that’s being pressed again as well. The more the merrier.

Preorders are up. Here’s the info from the PR wire:

Skraeckoedlan to re-release second album “Sagor” on colored vinyl

The Sign Records will re-release the second album “Sagor” by Skraeckoedlan on colored vinyl August 14. The album, which turns five years old this year, will be released on 180g double LP with gatefold cover. The first pressing is limited to 1000 copies, and the vinyl is available for pre-orders today.

Skraeckoedlan’s second album “Sagor” was released in June 2015 on Razzia / Sony Music. The album was praised by both critics and fans, and the physical release has for long been difficult to obtain. This year, the album turns 5 years old. To celebrate this, Skraeckoedlan has partnered up with The Sign Records for a physical re-release of the vinyl. The band has previously collaborated with the label – in 2018, The Sign Records released a repress of Skraeckoedlan’s debut album “Äppelträdet”, and in the fall of 2019 Skraeckoedlan headlined The Sign Records’ traveling festival “The Sign Fest”.

Robert Lamu, vocalist and guitarist in Skraeckoedlan, states:

“We are very happy to finally be able to re-release our album “Sagor” on vinyl after 5 long years. This album means a lot to us, and it feels good to finally be able to offer it on the format it was meant for.”

“Sagor” will be available in 1000 copies of colored, 180g double LP. Like the original, the album will have a gatefold cover. In addition, the design of the cover artwork will have a few changes. Besides the re-release of “Sagor”, The Sign Records will also release a new pressing of Skraeckoedlans debut album “Äppelträdet” in 500 copies of 180g purple vinyl.

The re-release of “Sagor”, as well as the new pressing of “Äppelträdet”, will be out on vinyl format August 14. Both albums are available as pre-orders today.

Pre order “Sagor” and “Äppelträdet”:
https://freighttrain.se/preorder/

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Erik Berggren – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
https://www.facebook.com/thesignrecords/
http://www.thesignrecords.com

Skraeckoedlan, “El Monstro” official video

How’s your Latin? Mine stinks. Sweden’s Year of the Goat seem to have a handle on the grammar though, and that’s fortunate as regards the cult rockers naming their new album Novis Orbis Terrarum Ordinis. The offering will be made with the backing of Napalm Records on Sept. 6, and preorders and a new video for the song “Avaritia” are both up right now. The tracklisting is duly ending-in-vowels (opener “Subortus” aside), and one imagines the release itself carries no shortage of ensuing drama as the line between what’s cult and what’s goth seems to be blurring generally. These guys haven’t had the same hype as some plying their trade in the dark arts, but they’ve got that aesthetic pretty much down, as the video shows. I guess some people on the internets said the art looks like something Batushka did? I’m gonna go with “yeah not really” on that one, at least going by my immediate search results for that band’s album covers.

Here’s info from the PR wire:

Occult rock masters YEAR OF THE GOAT reveal album details, brand new video + kick off pre-order!

Novis Orbis Terrarum Ordinis coming this September on Napalm Records!

September 6th will see Swedish occult rock masters YEAR OF THE GOAT return with their brand new opus, Novis Orbis Terrarum Ordinis, on Napalm Records. Today the band is not only sharing the initial album details, spectacular album artwork, but also a brand new music video for the hard-hitting rock juggernaut Avaritia!

“Four years of neverending lust for creativity. For years of gluttony and decadence within our most sacred temple. For years of unspeakable boiling wrath. For years of greed filled wastefulness. Now, envy us in our moment of pride.” the band states.

Evoking a musically, sinister reality that surrounds us in this world with the majestic sound by YEAR OF THE GOAT, the occult rock collective adds a fire to the chaos with the band’s third studio album. In these times of global upheaval, the band’s upcoming record will celebrate your sins “[…] and rejoice in the perverseness of evil”, but one is definitely clear: The YEAR OF THE GOAT is now! Novis Orbis Terrarum Ordinis showcases YEAR OF THE GOAT’s roots in the darker sounds of the 60’s and 70’s, while they have never sounded so bracing before. Captivating tracks such as the just released Avaritia indulge in the finest occult rock full of blackened heart`s blood and elegiac melody lines that will haunt your dreams!

Watch the brand new video for Avaritia HERE!

Novis Orbis Terrarum Ordinis Tracklisting:
1. Subortus
2. Acedia
3. Luxuria
4. Ira
5. Superbia
6. Gula
7. Avaritia
8. Invidia
9. Subicio

Coming September 6th 2019 with Napalm Records and available as LP, CD and digital formats, the pre-order has just started at THIS LOCATION!

YEAR OF THE GOAT is:
Thomas Sabbathi – vocals, guitar
Jonas Mattsson – guitar
Linus Lundgren – guitar
Daniel Melo – drums
Joona Hassinen – bass
Pope – mellotron, vocals

www.facebook.com/yearofthegoat
www.napalmrecords.com

Year of the Goat, “Avaritia” official video

I happen to know for a fact that Skraeckoedlan vocalist/guitarist Robert Lamu has the winged deer from the cover of Dozer‘s Through the Eyes of Heathens tattooed on his arm, so it’s easy to imagine he’s good and stoked to share the stage with Skraeckoedlan‘s usually-not-all-that-active countrymen forebears. That’s badass in itself, but word that Skraeckoedlan will share the stage this Spring with fellow badass Swedes Vokonis, will play Desertfest London 2019 and are welcoming a new bassist even as they release their third album, Eorþe (review here), on Fuzzorama only broaden the scope of awesomeness surrounding them at this point. The moral of the story? It’s a good week to be in Skraeckoedlan.

The following is culled from social media and the PR wire:

Swedish fuzz-fictioneers SKRAECKOEDLAN announce Desertfest London appearance and Spring Tour with Vokonis

People of Earth!

We are super excited to welcome our new band member and bass player extraordinaire. Skraeckoedlan is once again a 4 piece.

Please give Erik Berggren the warmest of welcomes.

Skraeckoedlan live:
02.23 Malmö SE Plan B (Stad I Mörker)*
03.16 Göteborg SE Truckstop Alaska*
03.23 Köpenhamn DK Beta*
04.20 Borlänge SE Broken Dreams (w/ Dozer)
05.03 London UK Desertfest
05.17 Umeå SE Droskan (Make it Sound)*
05.18 Vilhelmina SE Folkets Hus*
06.01 Sundsvall Aveny (Club Deströyer)
* with Vokonis

Heading into 2019 with the help of Fuzzorama Records, Skraeckoedlan steer a course to Eorþe, their first album in over three years and undoubtedly their most progressive. With the big metal riffs of new single ‘Kung Mammut’ riding shotgun alongside the more introspective and explorative moments of songs like ‘Mammutkungens Barn’ and ‘Angra Mainyu’, the trio have cut a definitive and spellbinding record of light and dark. In addition to the CD and standard vinyl editions, Eorþe will also come in a limited-edition box set which sees the album split across two gatefold vinyl records; Earth: Above and Earth: Below. The set will come packed with pieces of merchandise that revolve around the story and feature alternative artwork.

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Erik Berggren – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, “Creature of Doggerland”

[Click play above to stream the premiere of Skraeckoedlan’s translated-lyric video for “Creature of Doggerland.” Their new album, Eorþe, is out Feb. 15 on Fuzzorama Records. Preorders are here.]

I generally assume that if I’m writing about something, you already know about it because you’re cooler than I am, because, frankly, that’s how it usually works. But if you haven’t heard of Skraeckoedlan — especially if you don’t live in Sweden — there’s a decent chance it’s because they sing in Swedish. The fuzz rockers have parted with bassist Tim Ångström since their 2015’s Sagor (review here) with Robert Lamu moving from guitar to bass in addition to vocals, while Henrik Grüttner handles the lone guitarist role as well as more vocals and Martin Larsson remains on drums. One might think the band’s third album and first for Fuzzorama Records, Eorþe, would be more stripped down as a result, but the truth is it’s the most progressive record they’ve made in the decade they’ve been together. Their 2011 debut, Äppelträdet (review here) — also recently reissued by The Sign Records from the original release on Transubstans — blended fuzz-drenched tonality with a post-Mastodon style of metal, but they’ve only grown more since then, and as they align with Fuzzorama, they continue an association with sadly-defunct countrymen Truckfighters that extends all the way back to the recording of their first album.

Indeed, one might look at Eorþe as inheriting the mantle of fuzzprog that the last couple Truckfighters albums were working toward, running a fluid nine songs and 54 minutes with a greater depth of melody and broader sonic reach than they’ve ever shown. Songs like “Mammutkungens Barn,” the earlier highlight “Kung Mammut,” the 10-minute “Elfenbenssalarna” and the acoustic closer “Peggys Sång” demonstrate the range of their composition, while even a song like the under-four-minute “Tentakler & Betar” finds a way to hit new ground with vocal harmonies and a pointedly forward thrust. Whether it’s an extended piece like “Creature of Doggerland” (note the English title), or the opener “Guldåldern” or the drum-led beginning of “Angelica,” Eorþe wants nothing for heft either in tone or construction — indeed, tone has been a strength of Skraeckoedlan all along and very much remains one — but even as they hold onto their stylistic weight, they turn into a more nuanced and individualized unit.

When it comes right down to it, Eorþe is Skraeckoedlan reestablishing themselves after a change in their dynamic. The shift from two guitarists to one, even covered in the studio by layering guitar tracks and whatever else, is not a minor one. It affects songwriting as well as how the material is played. And Skraeckoedlan pull that off, no question. For a band who’ve been around for 10 years and have experience recording and touring, that’s not a huge surprise. They should know what they want to sound like — at least to some basic degree — and be able to make that happen. Fine. Where Eorþe really succeeds though is in not only finding Skraeckoedlan make this claim on who they are as a band, but in moving their sound forward from where it was three years ago. Their work is richly textured and in listening to the melody in the chorus of “Mammutkungens Barn,” one can hear their heritage in Scandinavian metal coming through in more than just the language they’re using, but like the grunge-style opening riff of that song — reminds of something from the early-mid ’90s; is it Sonic Youth? — they bring each of their influences into a context that is their own.

They did the same on Äppelträdet in imagining a fuzz-metal stomp in the first place, but with just about every move they make on Eorþe, they do so with a greater scope and identity born of the maturity of their composition. As a result, Eorþe isn’t just Skraeckoedlan‘s finest hour, but a way forward for them in this new incarnation that builds on what they’ve done before. In the tension of “Guldåldern” or the atmosphere of the penultimate instrumental “Angra Mainyu,” their ability to craft a flow and mood across disparate elements brought into a single presentation is engrossing, and the confidence with which they execute the material is what allows them to carry the audience along every step of the way. Lamu, Grüttner and Larsson are in absolute control of their sound in these tracks, and the potential that always seemed to be residing in their sound has begun to bear fruit accordingly.

Skraeckoedlan have generally kept to a unifying science-fiction thematic over their years, writing about monsters and in this case specifically, mammoths and beasts that may or may not have tentacles and tusks, etc., but whether or not a given listener speaks Swedish, there’s no mistaking the intent of their craft. They are a band who have worked diligently to hone their approach, and while Eorþe is dense, and not a minor undertaking at 54 minutes long, they remain accessible through their use of melody and rhythmic momentum. The fluidity of Eorþe is not to be understated, and while I don’t know if they’re telling a unified story in the lyrics, the underlying point is that the album itself is unified, and the trio are unified in their mission to grow as a band. They have. They do. One hopes they’ll continue to.

In the largesse-laden instrumental stretches of “Elfenbenssalarna,” Skraeckoedlan make clear not only how they’ve developed, but that their commitment is to keep evolving as a creative force, and that the impact that was so much of their initial appeal remains an important factor in what they do. Listening to Eorþe, one can only be glad that’s the case, but the truth is that Skraeckoedlan have expanded their aesthetic to the point that they’re about so much more than just the volume at which one hears them. The melody, the quick turns, the ambience of Eorþe have just as much of an effect on the overarching experience of the songs as the fuzzy tones, shouts and consistent sense of lumber. Whatever it is that has one hearing them, though, they’re a band who deserve more attention than they’ve gotten, and regardless of whatever language barrier there might be with a broader public, Skraeckoedlan break through it like one of the tentacled mammoths of their own creation.

Skraeckoedlan’s website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

Skraeckoedlan on Twitter

Fuzzorama Records

Fuzzorama on Bandcamp

So, it’s four-thirty in the morning and I’m sitting at my kitchen table putting this post together about Grandier joining the ever-expanding ranks of Italy’s Argonauta Records. Empty iced tea cup on my left, empty coffee cup on my right, baby monitor on mute but in the periphery. I’ll admit I’ve never heard the Swedish trio before, so I plunk over to their Bandcamp to see what’s there, and put on the demo for “Butterfly in Flames.” And sitting here by myself, with early commuters whizzing by on the rain-slicked road outside, I listen to “Butterfly in Flames,” and as soon as the vocals kick in, I say out loud to absolutely nobody, “Nice.”

The power of good music, folks.

Grandier will make their full-length debut through Argonauta in 2019. The PR wire has details and background, and you’ll find “Butterfly in Flames” at the bottom of this post for your streaming pleasure.

Dig:

SWEDISH HEAVY ROCKERS GRANDIER SIGN WITH ARGONAUTA RECORDS!

Heavy rockers Grandier are pleased to announce the collaboration with Argonauta Records for their first full length album, due for a release in 2019! Hailing from Norrköping, Sweden, Grandier was formed when guitarist Patrik teamed up with bassplayer and vocalist Lars (ex Bokor) for songwriting and studio sessions. With the inclusion of drummer Claes Pålsson Grandier moved forward as classic power trio.

True to their roots, Grandier focus on slow and heavy riffs influenced by the classic hard rock and early metal, but also with a massive hint of the doom, psych and stoner rock. Add a dose of grandeur and grunge sounds on the other hand, and Grandier deliver some finest head-crushing rock sound nowadays scene will have to offer!

The band released two singles, „Church Of Let It All Go” and „The Crows“, before they caught the attention of Argonauta Records in 2018. Grandier is currently putting final touches on their upcoming record in the studio, which will be seeing the light of day in 2019 with Argonauta Records.

„From the start of the band in late 2016, we wanted to focus on riffs and slow, heavy groove, and Lars vocals. Moody and groovy. So far, it has turned out pretty OK, and we’re quite obsessed with sound, recording and mixing so that’ll probably show, too. We’re also starting to look for shows to play live, but the focus right now is getting the album done.“

Grandier is Patrik Lidfors (Guitars) Lars Carlberg (Vocals, Bass) and Claes Pålsson (Drums).

www.facebook.com/grandierofficial
grandierofficial.bandcamp.com/
www.grandier.se
www.argonautarecords.com

Grandier, “Butterfly in Flames” demo

Well how about that? I said a thing might happen and it’s happening. Are you impressed at my prescience? No? Yeah, me neither. Fact is, that when Swedish fuzzlifters Skraeckoedlan announced the 180g vinyl reissue of their first album, Äppelträdet (review here), on The Sign Records, it wasn’t such a huge leap to think a new full-length would follow sometime soon.

Their third, it follows behind 2015’s Sagor (review here) and has been given the title Eorþe. The word translates to ‘earth,’ which makes sense given that the ‘þ’ character roughly equates to a “th” sound (if I learned nothing else from Icelandic black metal, I learned that), and while it’s a pretty ambitious stage-setter in terms of scope, Skraeckoedlan have only grown increasingly progressive as time has gone on, so it’s likewise easy to imagine the planet is only a launching point for the ground the record will actually cover.

There’s a teaser clip playing now — or at least it’s playing after you click play — at the bottom of this post that gives a quick sampling of the fuzzy depth of tone the band brings to bear this time around for what, suitably enough, will be their debut on Fuzzorama Records. The label announcement follows, via the PR wire:

SKRAECKOEDLAN announces new album!

Fuzzorama Records proudly presents, from the imaginarium of author Nils Håkansson: Eorþe. As the enlightened has predicted since the birth of the aeons, 2019 will set in motion events of cosmic proportions. Be they good or evil or beyond our understanding of intent, questions better asked of species to come, for dim lay the waters of tomorrow’s reflection. But take heart, the seas will part in the springtime, and that which was meant for the depths will reemerge anew.

This fuzzy masterpiece will be released early 2019!

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Tim Ångström – Bass
Martin Larsson – Drums

http://www.skraeckoedlan.com/
http://instagram.com/skraeckoedlan
https://www.facebook.com/SKRAECKOEDLAN/
http://twitter.com/skraeckoedlan
http://www.fuzzoramarecords.com/
https://www.facebook.com/Fuzzorama
https://twitter.com/fuzzorecords

Skraeckoedlan, Eorþe teaser

As you can see in the photo above, Sweden’s Skraeckoedlan were really just kids when they made their debut in 2011 with Äppelträdet (review here). Kids who kicked ass. That album, originally released through Transubstans, is set to arrive as a 180g vinyl and CD through The Sign Records on Oct. 12. I have an enduring affection for that record, as it was my introduction to the band, who’ve since grown into a progressive fuzz metal individualism drawing from a number of modern sources and made their own — as heard on their 2015 follow-up, Sagor (review here) — so it’s cool to see it getting back out to public ears and given a due deluxe-ification with new LP artwork and whatnot.

Skraeckoedlan have peppered out a few singles and live outings since Sagor, but one hopes for a third album maybe sometime in 2019. Last I heard, they were picked up by Fuzzorama Records, which seems only fitting since their relationship with Truckfighters obviously goes back a ways.

Info and preorder link from the PR wire:

SKRAECKOEDLAN – ÄPPELTRÄDET -The Second Coming-

Fuzz-science fiction rockers Skraeckoedlan are set to do the international release of their debut album ‘Äppelträdet’ (The Apple Tree), the 12th of October. Since its initial release 2011 in Sweden, ‘Äppelträdet‘ have been a gem hard to find. When the album was first released it reignited and marked the start of the modern Swedish stoner scene. The record will be released through The Sign Records and comes available on CD and vinyl with world wide distribution.

Äppelträdet is available for pre-order HERE

Originally recorded in 2010, in Truckfighters’ Studio Bombshelter, the album will once again see the light of day this fall, when it returns as a 180g transparent green vinyl housed in a single sleeve cover with updated artwork. A CD version with the original artwork will also be available, both versions featuring the ten seeds that grow to be the Apple Tree.

Also emerging anew are Skraeckoedlan themselves. While still singing in their native tongue, telling stories about mythological beings and cosmic wonders, having just come out of hiatus the band recently made the transition from quartet to trio. The as of now three-piece shares the following words concerning the reprint:

“The reissue of Äppelträdet is, in a somewhat allegorical sense, a celebration of what has been and to a certain extent of what still is, but it also serves as a kind of bridge to what will be. These are our roots and they grow deep.”

https://www.facebook.com/SKRAECKOEDLAN
https://twitter.com/skraeckoedlan
https://skraeckoedlan.bandcamp.com/
http://thesignrecords.com/
https://freighttrain.se/en/the-sign-record/skraeckoedlan/

Skraeckoedlan, Äppelträdet (2011/2018)