Album Review: Various Artists, Women of Doom

Posted in Reviews on May 11th, 2020 by JJ Koczan

Various Artists Women of Doom

As a genre, doom is a long way from gender parity. It’s perhaps an optimistic viewpoint to take to say that the current generation of bands is past the point of seeing women artists as a novelty or downplaying their contributions to male bandmates or counterparts, but frankly I’m not even sure that’s true on a universal level. The inherent sexualization of performance — often willfully and hilariously ignored by men watching other men on stage — subjects women artists to a masculine gaze that at times is problematic even as it also serves as an expression of feminine power. As to what it means to be a woman artist in “doom,” or as to what “doom” is — where it starts and ends — I’m no one to speak to either experience, so I look at the buy non tracable research papers Best Buy Resume Maker star wars research paper buy college application essay john hopkins Women of Doom compilation, highlighting women artists in and out their respective bands, as kind of a sad celebration. It’s well worth underscoring the stylistic contributions these women are making — and in a society that saw women paid 79 cents per every dollar a man made in 2019, well worth giving women every nod they can get, if not things like universal health coverage and reproductive rights — but a bit of a bummer that we’re not in a place where the norm would make such a compilation superfluous.

Whatever else doom is, it’s not there, but if Www.assignment.net - professional and affordable paper to make easier your education Instead of worrying about term paper writing find the necessary Blues Funeral Recordings and Are you wondering how much you will pay for essay writing help to "write my essay cheap"? We are a http://lojen.ru/?how-to-do-a-dissertation, so you can buy research papers or Desert Records — both labels run by men, speaking of areas where women are underrepresented — wanted to, they could easily turn Website Dissertation Proposal Writing Help Quality web content, or a lack thereof, can make or break your business > Learn Women of Doom into a series. While How Can I Ensure That I Get The Best Essay Getting your paper done by professionals who Masters Research Thesis also guarantees that the Women of Doom brings together luminaries such as Get high volume traffic to your site with professional Phd Thesis Real Options. We provide best quality, copyscape pass articles for you. Know more here! Amy Tung Barrysmith of Quality academic help from professional paper & essay seo content writing. Best team of research writers makes best orders for students. Bulletproof company Year of the Cobra, Have you ever found the best review service? The answer is ďYesĒ, you just have. We are one click away ready to help you round-the-clock. Our Doomstress Alexis of Doomstress, B2B healthcare Entrepreneurship Dissertation Topics for more engagement, leads and sales. Mlny Parsonz of Do You Think That Sports Help Develop Good Character Essay - Instead of concerning about term paper writing find the needed assistance here Opt for the service, and our professional Royal Thunder and introduces two projects of former Order Online Essay Introduce Myself at EssayErudite.com. Here at EssayErudite we try to distribute ourselves as one of the most cost-effective methods of SubRosa members in Choose among the best experts to get find more info help! Our professional academic writers provide students with custom essays, term papers The Otolith and Textuar offers superior Online Dissertations And Theses Canadian in India. As a skilled content writing company in India, we offer a range of content writing for online Rebecca Vernon‘s Essay Systematic Review Dissertation why i should do my homework Professional Essay Writing Service, Essay On Why I Should Do My Homework and Term Paper Writing Service. The Keening, along with bands like Professors try to scare their students with plagiarism scanners. If you buy essays from Dissertation Defense Ppt Presentation, how do you know they're original? At Heavy Temple, Frayle, Sweden’s Besv√§rjelsen and France/Ireland’s Deathbell, there are a few conspicuous absences. Perhaps most glaringly, Windhand frontwoman, Dorthia Cottrell, is nowhere to be found, likewise an all-women act like Blackwater Holylight. And the same goes for a generational pioneer like Lori S. of Acid King, but it is inevitably a positive to say that it would be nearly impossible for Women of Doom — in a single go — to be so comprehensive. And as it is, the comp does well in setting an atmosphere across its full tracklisting, which reads as follows:

1. Nighthawk and Heavy Temple – Astral Hand 05:12
2. Amy Tung Barrysmith – Broken 06:04
3. Besvärjelsen РA Curse to be Broken 06:47
4. Mlny Parsonz – A Skeleton is Born 04:57
5. Frayle – Marrow 04:53
6. The Otolith – Bone Dust 04:31
7. Doomstress Alexis – Facade 04:47
8. Deathbell – Coldclaw 04:24
9. The Keening – A Shadow Covers Your Face 05:05
10. Mlny Parsonz – Broke An Arrow (Bonus) 03:25

Various Artists Women of Doom lp

The accomplishment of Women of Doom finding cohesion despite the variety of songwriting and performance modes is not to be understated. Beginning with Heavy Temple — here billed as Nighthawk and Heavy Temple — taking on a purely classic epic doom sound with the willfully Candlemassian “Astral Hand” sets a high bar, as grandiosity suits the Philly unit almost oddly well. They are maybe the odd-band-out in terms of aesthetic on Women of Doom, which is doubly ironic given “Astral Hand” is the most traditionally doomed song on the nine-plus-one-tracker and it’s not a style Heavy Temple generally play, but the darkened atmosphere they build sees immediate flourish in the piano-led composition “Broken” by Amy Tung Barrysmith, who only confirms through her work here that Year of the Cobra have only just begun their greater creative exploration. As one of two non-US acts present, Besv√§rjelsen are, as ever, a showcase for the vocal presence of Lea Amling Alazam, but their moodier post-doom on “A Curse to Be Broken” picks up well from “Broken” in more than just the similarity of titles.

By the time it’s a third of the way through, Women of Doom has already run a marked gamut in sound and dynamic, and that’s pretty clearly the intent of the thing. As arguably the most known performer featured, Mlny Parsonz, bassist/vocalist of Atlanta’s Royal Thunder brings a boozy classic rock powerhouse delivery to “A Skeleton is Born.” She returns for the bonus track “Broke an Arrow” in more subdued fashion to close out, and if mainstream rock and roll needed a woman figurehead — which it does, badly — she’d be a good candidate for the position in terms of craft; her work is equal parts dangerous and accessible. Frayle‘s “Marrow” carries mystique as a defining element, and The Otolith and Doomstress Alexis make a fitting pair for their use of strings. For The Otolith, that’s a trait inherited fairly enough from SubRosa, but it’s something of a surprise from Doomstress Alexis, who meets it with a likewise unexpected thrashiness in her guitar. Though maybe not as well known as some of the others,¬†Deathbell stand out in such a way as to leave little to wonder why¬†Kozmik Artifactz picked up their 2018 debut,¬†With the Beyond, for a vinyl release. Their “Coldclaw” does not come from that outing, so perhaps portends something new in the works, and if so, is all the more welcome.

As the first offering from¬†The Keening, “A Shadow Covers Your Face” is of particular interest, as was¬†The Otolith‘s “Bone Dust,” but both projects have in common a nascent feel. That’s particularly true of¬†The Keening‘s inclusion, which is a relatively minimal work of solo piano, placed in a way that answers Amy Tung Barrysmith‘s “Broken” earlier but has the distinction of being instrumental. Both works are evocative, but¬†Rebecca Vernon‘s piano in “A Shadow Covers Your Face” seems to use the otherwise unfilled space surrounding it as an instrument unto itself. That shift in presentation at the conclusion is a well placed reminder of the breadth of what greater gender equity in heavy music has to offer, though frankly, if the case needs to be made by then — or at all — you as the listener have probably missed the point. Still, at its most basic level, removed from a context that sees women continually objectified and typecast in artwork, bands, and listener expectations,¬†Women of Doom¬†is a collection of new and encouraging tracks from a diverse array of up and coming artists and acts. Even the most established artist here, which is¬†Parsonz, is reaching beyond what she’s done before, and that too is an important message that shouldn’t be ignored.

Blues Funeral Recordings on Thee Facebooks

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Women of Doom Compilation Beats Kickstarter; Set to Feature SubRosa, Year of the Cobra Members and More

Posted in Whathaveyou on August 15th, 2019 by JJ Koczan

The basic mission of Women of Doom — celebrating women as a traditionally in recognition of being a marginalized group both within bands and as groundbreaking artists in general — is noble enough, but I have to think it was the personnel involved in this particular project from Desert Records and¬†Blues Funeral Recordings that led to it trouncing the Kickstarter funding goal well ahead of the end date. New music from ex-SubRosa members, from¬†Year of the Cobra‘s¬†Amy Tung Barrysmith, but¬†Frayle and others — hell, I just saw on Thee Facebooks a bit ago that¬†Laura Pleasants (ex-Kylesa) had finished recording a new song for a yet-to-be-revealed compilation with her band¬†The Discussion; that could easily fit here — and more announcements to come seems like an excellent start and I’ve no doubt the end result will be a comp that’s forward thinking in more than just its approach to issues of gender.

And whatever the inherent politics of the thing, I’m looking forward to seeing who else gets confirmed and how the songs sound when it’s all put together. There’s certainly a wide enough aesthetic sphere to draw from.

Info from the PR wire:

avarice

Ambitious WOMEN OF DOOM Project Announced, feat. Members of SUBROSA, YEAR OF THE COBRA, FRAYLE, DOOMSTRESS and DEATHBELL

Kickstarter for project celebrating female heavy artists surpasses goal easily, with more artist announcements to come during last 12 days

Albuquerque, New Mexico’s Desert Records, in collaboration with Blues Funeral Recordings, has announced the concept for its forthcoming Women of Doom album project.

The carefully-curated release will feature new songs from female heavy/stoner/doom/riff/psych solo artists and bands with prominent female members, with the specific goal of spotlighting their immense talent and massive artistic contributions to all things heavy.

Women of Doom was announced via Kickstarter and social media on July 26th, and, after being singled out by Kickstarter as a project it loves, has already surpassed the initial funding goal with about half of the campaign duration left to go.

Some of the artists announced as participating with brand-new performances are:

Kim Cordray and Sarah Pendleton of the renowned and recently laid-to-rest SubRosa, collaborating with their new experimental project Avarice
Amy Tung of Year of the Cobra with a solo composition
Deathbell, featuring Irish doom siren Lauren Gaynor
Rebecca Vernon, also of SubRosa, with the first appearance of her new project The Keening
Alexis Hollada of Texas metal institution Doomstress
Frayle, featuring the spellbinding vocals of Gwyn Strang
More to come

Discussing the project’s genesis, Desert Records founder Brad Frye says:

“I started Women of Doom with the idea to highlight and celebrate the heavy music that female artists have brought us through the years. These are some of my favorite musicians, and I hope that heavy music fans around the world will discover their own new favorite musicians and bands through this one-of-kind project!”

With support and advisement from female music industry empowerment group Women in Vinyl, Desert Records and Blues Funeral will finalize the lineup on the project by end of Summer, with finished songs submissions already starting to come in.

The collaborative release is planned for arrival early next year, with a possible Women of Doom stage at a May 2020 festival being considered as well.

Further info and background on the project as well as personal video clips from some of the participating artists can be viewed on the Kickstarter, which runs through August 25th at this location: kck.st/2Y4RdE3

facebook.com/desertrecordslabel/
instagram.com/desertrecords/
facebook.com/bluesfuneral/
instagram.com/blues.funeral/
facebook.com/womeninvinyl/
instagram.com/womeninvinyl/

Deathbell, With the Beyond (2018)

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Descendants of Crom III Preliminary Lineup Announced

Posted in Whathaveyou on March 4th, 2019 by JJ Koczan

descendants of crom iii banner

The first lineup announcement from Pittsburgh-based¬†Descendants of Crom III is a doozy. The headliners are apparently still to be announced — though would anyone complain if¬†Solace or¬†Valkyrie headlined a night? — but between them and the likes of¬†Irata,¬†Argus,¬†Backwoods Payback and¬†Foghound, it’s already shaping up to be a killer three-dayer this September. Awesome to see¬†Sun Voyager on this bill and the likes of¬†Void King and¬†Fox 45 getting a look.¬†Pale Grey Lore might even have their new record out by then —¬†Solace¬†too, for that matter — but either way, there’s a lot here to dig immediately, and of course for this kind of announcement that’s the whole point.

They’re selling early-bird tickets this month, so you know, get out that calendar and add another one to your already-absolutely-slammed festival schedule. It’s madness, but, you know, the good kind of madness. Here’s hoping the universe doesn’t collapse between now and then.

Thus-far confirmations follow, as per social media:

descendants of crom iii poster

DESCENDANTS OF CROM III – Announces 2019 Event For Sept. 20-22; Bands Incl. VALKYRIE, BACKWOODS PAYBACK + More!

– A GATHERING OF THE HEAVY UNDERGROUND –
– SEPTEMBER 20-22, 2019 –
– STEEL CITY, USA –

The third annual DESCENDANTS OF CROM will be held once again in Pittsburgh, Pennsylvania, spanning the weekend of September 20th. The PGH underground scene of heavy rock and metal is healthy and thriving and the location is perfect. Feeding great regional bands to a hungry crowd and serving up internationally legendary fan-favorites to entice music lovers in the door to experience these amazing local artists.

Descendants of Crom came out of the gates running with the first event in 2017, becoming a strong contender among other established regional music festivals. The 2019 events begin on Friday, September 20th, with a Pre-Gala evening at Howlers, followed by two full-day events on Saturday and Sunday at Cattivo.

Shy Kennedy has once again hand-picked and curated a beautiful mixture of acts for Descendants Of Crom III. While a few more updates will complete the lineup for the full schedule of events over the weekend, a most incredible roster of bands is included today. All are invited to become part of the experience at the 2019 Pre-Gala and Weekend Events!

After all, we are all DESCENDANTS OF CROM.

Remember to visit our site www.descendantsofcrom.com and to the official event pages on Facebook!

https://www.facebook.com/events/216035832675553

Lineup so far:
Solace
Valkyrie
Argus
Irata
Backwoods Payback
Enhailer
Icarus Witch
Brimstone Coven
Foghound
Kingsnake
Sun Voyager
Witchkiss
Leather Lung
Frayle
Tines
Spacelord
Pillärs
PALE GREY LORE
Lightning Born
NIGHT VAPOR
Pyrithe
Riparian
Fox 45
Void King
Official: COMA
Action Camp
White Alice
Old Dream
Motometer

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/216035832675553/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Solace, Live at Descendants of Crom 2017

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Desertfest Belgium 2018: High on Fire Headlining, The Devil and the Almighty Blues, The Well, Admiral Sir Cloudesley Shovell, The Oscillation, Dead Quiet and Frayle Join Lineup

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

The story here is pretty short: ‘Really good lineup gets better.’ The end.

I’m not sure what more one could reasonably as of Desertfest Belgium 2018 that it isn’t already delivering. I mean, seriously. Just look at the names. Festivals happen all the time in Europe — hell, for the last couple years there’s been one through just about each successive week in October, somewhere, in some country, usually with a lot of the same bands. But even with that factored in, how could you look at the names below and not know it’ll be something special?

Even just the circumstances of timing. So many of these bands will have or already have new records out, from High on Fire themselves to YOB, Ancestors,¬†The Skull,¬†Eagle Twin, Castle,¬†Sonic Wolves,¬†Dopethrone, on and on. To have all these groups come together at the same time can only be a win. You know they’ll be fired up, and even those who aren’t directly plying their wares on new records still have stuff recent enough or coming — or,¬†like¬†Acid King, a new lineup — so yeah. It looks absolutely unreal. If you get to go, I’m jealous.

Here’s the latest announcement:

desertfest belgium 2018 poster

HIGH ON FIRE HEADLINES DESERTFEST 2018

The Devil & The Almighty Blues, Oscillation & 4 more

And so the cat’s out of the bag, so to speak… High On Fire is headlining Desertfest 2018 and we couldn’t be more thrilled. In fact, you might call it a fever dream come true! Especially since the band recently announced their new album cum Lemmy tribute ‘Electric Messiah’ to be released just 1 week before the Fest, so we can expect a freshly hot live set.

But of course, the good news doesn’t stop there. We still have a hefty load of names to drop unto you, and we start with The Devil And The Almighty Blues. The Norsemen have made it their mission to follow all the strains of blues that run through the history of rock’n’roll, and we’re totally on board for their killer blues trip.

Replace the blues by the psych, and you could end up with The Oscillation. For ten years Demian Castellanos and his cohorts have made their mark with their unique brand of psychedelic rock that points to everything from krautrock to new wave disco, all drenched in that sweet sweet echo chamber feedback that you love.

Admiral Sir Cloudesley Shovell are on board once more with their time machine into a mythical past when hardrock was only just turning to doom, and denim bell-bottoms were not frowned upon in society. From that time they bring along The Well, another keeper of the flame that sparked many a toke in the bonehead freak era.

If you can take a slightly more epic take on the genre, Dead Quiet will fit the bill. Their ‘Grand Rites’ album from end of last year was certainly a trip in many exciting directions. And finally, make sure you don’t miss the unique sounds of Frayle, occult blues with a female lead that draws comparison to anything from Sleep to Portishead.

We’re nearing the finishing line, so all you casual Festers screaming for day tickets will soon get their fill. But of course, there’s nothing like getting the full 3-day fix! So if you can make it, there’s still some combi tickets left at a reduced price – although how long they’ll last, we can’t tell for sure!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/364607267372737/
https://twitter.com/DesertfestBE

High on Fire, “Electric Messiah” lyric video

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Frayle to Release The White Witch EP on Vinyl & CD

Posted in Whathaveyou on June 28th, 2018 by JJ Koczan

frayle

Cleveland doom rockers¬†Frayle have announced two physical pressings for their debut EP,¬†The White Witch. The four-songer is available now for preorder on vinyl through¬†Lay Bare Recordings, and¬†Seeing Red Records will also have it out on CD. Originally released in April, it’s a sharp-edged first sampling of the band’s wares, competent and aware of aesthetic and the genre it’s playing toward, but also clearly working to establish its own presence and that of the band.

The CD version seems to be out now I’d assume the vinyl is soon to follow as well.

Her’es info and background from the PR wire:

frayle the white witch

Lay Bare Recordings is excited to present the White Witch EP from Frayle on white vinyl.

Self-released on the 1st of April, FRAYLE have been turning a lot of heads with their unique approach of Witch Doom. Lay Bare Recordings (vinyl) and Seeing Red Records (cd) are excited to collaborate on releasing this EP in physical format.

Vinyl pre-order from 22th June 2018

Bio:

Doom/Stoner Duo Frayle was formed in Cleveland in 2017 by Sean Bilovecky and Gwyn Strang. Frayle‚Äôs ‚Äúlullabies over chaos‚ÄĚ approach to songwriting allows them the freedom to explore what is possible with heavy music. They strive to balance the heaviest of riffs with the approachability of Gwyn‚Äôs haunting vocal melodies. Complex layering and tone stacking is a hallmark of their music. Each musical element is thoughtfully composed resulting in a unique combination of midrange-heavy guitars, syncopated rhythms, and unexpected vocal progressions.

Gwyn tells stories of heart break, anger, hypocrisy and resolution, asking the audience for empathy, and in turn inspiring vulnerability. Frayle will embark on a European tour in October. In support of this ep and the 1st full length record which is recorded as we write this news letter. Some days are booked and will be revealed in due time.

Tracklisting:
1. Let The Darkness In
2. The White Witch
3. Wandering Star
4. Things That Makes Us Bleed

https://www.facebook.com/frayleband/
https://frayle.bandcamp.com/releases
https://www.facebook.com/laybarerecordings/
https://twitter.com/laybarerecs
https://laybarerecordings.com/release/the-white-witch-by-frayle-lbr020

Frayle, The White Witch EP (2018)

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