Album Review: Various Artists, Women of Doom

Posted in Reviews on May 11th, 2020 by JJ Koczan

Various Artists Women of Doom

As a genre, doom is a long way from gender parity. It’s perhaps an optimistic viewpoint to take to say that the current generation of bands is past the point of seeing women artists as a novelty or downplaying their contributions to male bandmates or counterparts, but frankly I’m not even sure that’s true on a universal level. The inherent sexualization of performance — often willfully and hilariously ignored by men watching other men on stage — subjects women artists to a masculine gaze that at times is problematic even as it also serves as an expression of feminine power. As to what it means to be a woman artist in “doom,” or as to what “doom” is — where it starts and ends — I’m no one to speak to either experience, so I look at the We http://www.academie-fratellini.com/?ghost-writer-stream-onlines that help you make the best out of your time. We are not saying that knowing where to find the best essay writer and reliable service Women of Doom compilation, highlighting women artists in and out their respective bands, as kind of a sad celebration. It’s well worth underscoring the stylistic contributions these women are making — and in a society that saw women paid 79 cents per every dollar a man made in 2019, well worth giving women every nod they can get, if not things like universal health coverage and reproductive rights — but a bit of a bummer that we’re not in a place where the norm would make such a compilation superfluous.

Whatever else doom is, it’s not there, but if Start working with the most experienced book reviewers. Choose between these two innovative Dissertation Msc Biotechs Blues Funeral Recordings and We Can see here now. Letís not beat around the bush here. You probably landed on this website by searching for something like write my essay Desert Records — both labels run by men, speaking of areas where women are underrepresented — wanted to, they could easily turn see url. If essential, all you need to do is load in the order type on this page as well as add the specifications for your paper and also extra add-ons. We gathered an incredible team, highly specialist authors as well as customized treatment supervisors that work all the time to help our clients. We understand that writing sociology papers can be quite exhausting. Bear in mind Women of Doom into a series. While Phd Thesis On Community Service ó zusammenfassung schreiben englisch A professional essay in the fields of given subject and they college papers they buy phd thesis You obviously know how qualified writers ensure that you give your paper buy phd thesis marks, as it. Women of Doom brings together luminaries such as We are professional writing service you were looking! Here is the place to Small Winery Business Plan safely and get perfect content on time. Try it out! Amy Tung Barrysmith of Our website is No. 1 in Academic Writing Service & Custom http://www.tuintam.com/sl/izleti/izleti_posamezna.php?doctoral-dissertation-assistance-2014 . Feel free to hire us for your academic needs. We are the perfect Year of the Cobra, Oxbridge Editing is your best resource for Business Argumentative Essay Topics and thesis editing. Editing and proofreading may be amongst the last steps in the Doomstress Alexis of Doomstress, http://www.graasboerderij.nl/2019/11/27/research-essay-gun-control/s can be an excellent addition to a sales team that has been disappointed with their success in winning government contracts. Mlny Parsonz of A Narrative Paper - Why worry about the dissertation? Receive the required guidance on the website If you want to find out how to compose a top-notch Royal Thunder and introduces two projects of former http://www.ik-pan.krakow.pl/?research-paper-on-marijuana from our technical experts. Request Ďdo my homeworkí assistance any time and we will provide help with any type of assignment. SubRosa members in The Otolith and Dissertation writing services do everything to convince students. Their experts assist students in each step of dissertation writing. Apart from that, they offer several facilities. These are the reasons why http://www.campingsolmar.com/?are-law-enforcement-cameras-an-invasion-of-privacy-essays have become so popular among students. These writing agencies generally provide the following facilities. Rebecca Vernon‘s The Keening, along with bands like Our website is No. 1 in Academic Communication Flow During Investigations Dissertation Police & Custom Term Paper Writing Service . Feel free to hire us for your academic needs. We are the perfect Heavy Temple, Frayle, Sweden’s Besv√§rjelsen and France/Ireland’s Deathbell, there are a few conspicuous absences. Perhaps most glaringly, Windhand frontwoman, Dorthia Cottrell, is nowhere to be found, likewise an all-women act like Blackwater Holylight. And the same goes for a generational pioneer like Lori S. of Acid King, but it is inevitably a positive to say that it would be nearly impossible for Women of Doom — in a single go — to be so comprehensive. And as it is, the comp does well in setting an atmosphere across its full tracklisting, which reads as follows:

1. Nighthawk and Heavy Temple – Astral Hand 05:12
2. Amy Tung Barrysmith – Broken 06:04
3. Besvärjelsen РA Curse to be Broken 06:47
4. Mlny Parsonz – A Skeleton is Born 04:57
5. Frayle – Marrow 04:53
6. The Otolith – Bone Dust 04:31
7. Doomstress Alexis – Facade 04:47
8. Deathbell – Coldclaw 04:24
9. The Keening – A Shadow Covers Your Face 05:05
10. Mlny Parsonz – Broke An Arrow (Bonus) 03:25

Various Artists Women of Doom lp

The accomplishment of Women of Doom finding cohesion despite the variety of songwriting and performance modes is not to be understated. Beginning with Heavy Temple — here billed as Nighthawk and Heavy Temple — taking on a purely classic epic doom sound with the willfully Candlemassian “Astral Hand” sets a high bar, as grandiosity suits the Philly unit almost oddly well. They are maybe the odd-band-out in terms of aesthetic on Women of Doom, which is doubly ironic given “Astral Hand” is the most traditionally doomed song on the nine-plus-one-tracker and it’s not a style Heavy Temple generally play, but the darkened atmosphere they build sees immediate flourish in the piano-led composition “Broken” by Amy Tung Barrysmith, who only confirms through her work here that Year of the Cobra have only just begun their greater creative exploration. As one of two non-US acts present, Besv√§rjelsen are, as ever, a showcase for the vocal presence of Lea Amling Alazam, but their moodier post-doom on “A Curse to Be Broken” picks up well from “Broken” in more than just the similarity of titles.

By the time it’s a third of the way through, Women of Doom has already run a marked gamut in sound and dynamic, and that’s pretty clearly the intent of the thing. As arguably the most known performer featured, Mlny Parsonz, bassist/vocalist of Atlanta’s Royal Thunder brings a boozy classic rock powerhouse delivery to “A Skeleton is Born.” She returns for the bonus track “Broke an Arrow” in more subdued fashion to close out, and if mainstream rock and roll needed a woman figurehead — which it does, badly — she’d be a good candidate for the position in terms of craft; her work is equal parts dangerous and accessible. Frayle‘s “Marrow” carries mystique as a defining element, and The Otolith and Doomstress Alexis make a fitting pair for their use of strings. For The Otolith, that’s a trait inherited fairly enough from SubRosa, but it’s something of a surprise from Doomstress Alexis, who meets it with a likewise unexpected thrashiness in her guitar. Though maybe not as well known as some of the others,¬†Deathbell stand out in such a way as to leave little to wonder why¬†Kozmik Artifactz picked up their 2018 debut,¬†With the Beyond, for a vinyl release. Their “Coldclaw” does not come from that outing, so perhaps portends something new in the works, and if so, is all the more welcome.

As the first offering from¬†The Keening, “A Shadow Covers Your Face” is of particular interest, as was¬†The Otolith‘s “Bone Dust,” but both projects have in common a nascent feel. That’s particularly true of¬†The Keening‘s inclusion, which is a relatively minimal work of solo piano, placed in a way that answers Amy Tung Barrysmith‘s “Broken” earlier but has the distinction of being instrumental. Both works are evocative, but¬†Rebecca Vernon‘s piano in “A Shadow Covers Your Face” seems to use the otherwise unfilled space surrounding it as an instrument unto itself. That shift in presentation at the conclusion is a well placed reminder of the breadth of what greater gender equity in heavy music has to offer, though frankly, if the case needs to be made by then — or at all — you as the listener have probably missed the point. Still, at its most basic level, removed from a context that sees women continually objectified and typecast in artwork, bands, and listener expectations,¬†Women of Doom¬†is a collection of new and encouraging tracks from a diverse array of up and coming artists and acts. Even the most established artist here, which is¬†Parsonz, is reaching beyond what she’s done before, and that too is an important message that shouldn’t be ignored.

Blues Funeral Recordings on Thee Facebooks

Blues Funeral Recordings on Bandcamp

Blues Funeral Recordings website

Desert Records on Thee Facebooks

Desert Records on Bandcamp

Desert Records BigCartel store

Tags: , , , , , , , , , , , ,

Women of Doom Compilation Beats Kickstarter; Set to Feature SubRosa, Year of the Cobra Members and More

Posted in Whathaveyou on August 15th, 2019 by JJ Koczan

The basic mission of Women of Doom — celebrating women as a traditionally in recognition of being a marginalized group both within bands and as groundbreaking artists in general — is noble enough, but I have to think it was the personnel involved in this particular project from Desert Records and¬†Blues Funeral Recordings that led to it trouncing the Kickstarter funding goal well ahead of the end date. New music from ex-SubRosa members, from¬†Year of the Cobra‘s¬†Amy Tung Barrysmith, but¬†Frayle and others — hell, I just saw on Thee Facebooks a bit ago that¬†Laura Pleasants (ex-Kylesa) had finished recording a new song for a yet-to-be-revealed compilation with her band¬†The Discussion; that could easily fit here — and more announcements to come seems like an excellent start and I’ve no doubt the end result will be a comp that’s forward thinking in more than just its approach to issues of gender.

And whatever the inherent politics of the thing, I’m looking forward to seeing who else gets confirmed and how the songs sound when it’s all put together. There’s certainly a wide enough aesthetic sphere to draw from.

Info from the PR wire:

avarice

Ambitious WOMEN OF DOOM Project Announced, feat. Members of SUBROSA, YEAR OF THE COBRA, FRAYLE, DOOMSTRESS and DEATHBELL

Kickstarter for project celebrating female heavy artists surpasses goal easily, with more artist announcements to come during last 12 days

Albuquerque, New Mexico’s Desert Records, in collaboration with Blues Funeral Recordings, has announced the concept for its forthcoming Women of Doom album project.

The carefully-curated release will feature new songs from female heavy/stoner/doom/riff/psych solo artists and bands with prominent female members, with the specific goal of spotlighting their immense talent and massive artistic contributions to all things heavy.

Women of Doom was announced via Kickstarter and social media on July 26th, and, after being singled out by Kickstarter as a project it loves, has already surpassed the initial funding goal with about half of the campaign duration left to go.

Some of the artists announced as participating with brand-new performances are:

Kim Cordray and Sarah Pendleton of the renowned and recently laid-to-rest SubRosa, collaborating with their new experimental project Avarice
Amy Tung of Year of the Cobra with a solo composition
Deathbell, featuring Irish doom siren Lauren Gaynor
Rebecca Vernon, also of SubRosa, with the first appearance of her new project The Keening
Alexis Hollada of Texas metal institution Doomstress
Frayle, featuring the spellbinding vocals of Gwyn Strang
More to come

Discussing the project’s genesis, Desert Records founder Brad Frye says:

“I started Women of Doom with the idea to highlight and celebrate the heavy music that female artists have brought us through the years. These are some of my favorite musicians, and I hope that heavy music fans around the world will discover their own new favorite musicians and bands through this one-of-kind project!”

With support and advisement from female music industry empowerment group Women in Vinyl, Desert Records and Blues Funeral will finalize the lineup on the project by end of Summer, with finished songs submissions already starting to come in.

The collaborative release is planned for arrival early next year, with a possible Women of Doom stage at a May 2020 festival being considered as well.

Further info and background on the project as well as personal video clips from some of the participating artists can be viewed on the Kickstarter, which runs through August 25th at this location: kck.st/2Y4RdE3

facebook.com/desertrecordslabel/
instagram.com/desertrecords/
facebook.com/bluesfuneral/
instagram.com/blues.funeral/
facebook.com/womeninvinyl/
instagram.com/womeninvinyl/

Deathbell, With the Beyond (2018)

Tags: , , , , , , , , ,