Posted in Whathaveyou on December 2nd, 2022 by JJ Koczan
No lack of substance as Desertfest Berlin 2023 moves forward this morning (afternoon CET) with its second announcement for next May, adding the likes of Corrosion of Conformity, Bongzilla, Monolord, Slift, Minami Deutsch, Valley of the Sun, Dommengang, Kanaan, Mother Engine, and Gnome to what was already a packed bill. Accordingly, the European underground’s touring sphere — of which this fest is a significant part in the Spring season — is also starting to take shape, and if you’re paying attention, you can start to connect some of the dots for who will be on the road when and where, as well as speculate who will be out with whom, and so on. These are things I enjoy thinking about.
I’ve never been to this fest, would love to go. I imagine it’ll be a little different this year with a shift in venue, but my understanding is the vibe is where it’s at in Berlin, and after so many years, I have no trouble thinking Desertfest Berlin feels like home to many who will attend, no matter where it’s actually taking place. I mean, as long as it’s in Berlin. Would be weird if they decided to run Desertfest Berlin in Copenhagen one year or something (though an extension of the festival brand in that Danish city would likely be ace in its own right).
Here’s the latest, courtesy of the fest:
DESERTFEST BERLIN — NEW BANDS ADDED TO THE 2023 LINE-UP
Desertfest Berlin is happy to add to the line-up of the 2023 edition (May 19-21, 2023):
CORROSION OF CONFORMITY MONOLORD SLIFT BONGZILLA MINAMI DEUTSCH MOTHER ENGINE VALLEY OF THE SUN DOMMENGANG KANAAN GNOME
Along with: UNCLE ACID & THE DEADBEATS THE OBSESSED KING BUFFALO CHURCH OF MISERY DOZER BLOOD CEREMONY L.A. WITCH SOMALI YACHT CLUB GNOD ECSTATIC VISION DAILY THOMPSON GAUPA PSYCHLONA + much more TBA
Weekend tickets for Desertfest Berlin 2023 are on sale NOW via the link in our bio or www.desertfest.de
The new venues for the 2023 edition will be Columbiahalle and Columbia Theater Berlin (with additional outdoor space & stage). Address: Columbiadamm 13-21, 10965 Berlin.
Desertfest Berlin May 19th – 21st 2023 will take place at Columbiahalle and Columbia Theater (with additional outdoor space & stage) this year.
Posted in Whathaveyou on April 14th, 2022 by JJ Koczan
You don’t need much more here than the list of bands, which is its own excuse for being. Italian label Heavy Psych Sounds returns to the States at the end of next month with Heavy Psych Sounds Fests in Los Angeles and San Francisco. With the day-splits announced, you get a little more sense of how the two nights in two cities will function (it’s not an insignificant drive from one to the other, mind you) and share bands, but any way you go, you don’t lose, whether you’re looking at Dead Meadow and Weedeater headlining, the appearances of long-running acts like 16 and Danava and Nebula, or relative newcomers in Kadabra or Mountain Tamer and others from the label’s ever-expanding roster of talent.
It’s a fucking solid two day lineup. Doesn’t look completely overwhelming. Looks like a party, which is exactly what I expect it will be for those fortunate enough to be in attendance. Maybe that’s you. If so, cheers. I hear Bongzilla like it if you bring them weed.
From the PR wire:
HEAVY PSYCH SOUNDS FEST CALIFORNIA 2022 – DAY SPLITS LINE UP
– feat. DEAD MEADOW, WEEDEATER, THE ATOMIC BITCHWAX, BONGZILLA, NEBULA, DANAVA and many more –
HEAVY PSYCH SOUNDS in cooperation with SUBLIMINAL SF and SOS BOOKING present:
HEAVY PSYCH SOUNDS FEST CALIFORNIA 2022
28 & 29 May
(Memorial Day weekend)
LOS ANGELES @ 1720 Club
SATURDAY, MAY 28th
DEAD MEADOW DANAVA NEBULA HIPPIE DEATH CULT 16 KADABRA MOUNTAIN TAMER
SUNDAY, MAY 29th
WEEDEATER BONGZILLA THE ATOMIC BITCHWAX HIGH REEPER WARLUNG THE FREEKS JD PINKUS HIGH TON SON OF A BITCH
SAN FRANCISCO @ Openair at Thee Parkside
SATURDAY, MAY 28th
WEEDEATER BONGZILLA THE ATOMIC BITCHWAX HOT LUNCH HIGH REEPER WARLUNG JD PINKUS HIGH TON SON OF A BITCH
SUNDAY, MAY 29th
DEAD MEADOW DANAVA NEBULA HIPPIE DEATH CULT 16 KADABRA MOUNTAIN TAMER DISASTROID
I hadn’t necessarily planned on doing a tribute to Desertfest London 2022. Not that it doesn’t deserve it, just that it didn’t occur to me until last week’s lineup announcement happened to hit at the right moment for my brain to connect the two things: the show and the fest. Sometimes you get these impulses and it’s a good idea to follow.
In the voice tracks here I mumble a couple times about doing a second installment because this is so packed and there’s still so much more that got left out because the show is only two hours long. I may get around to doing a second one, or I might do a Berlin one, a New York one, or a Freak Valley one, Krach am Bach, Stoned From the Underground, etc. There are many, many options, and that’s not to mention Roadburn, which is also happening in two weeks.
But god damn the lineup for Desertfest London 2022 is sick, and I’m happy to report that the playlist below follows suit accordingly.
Thanks if you listen, thanks if you’re reading. Thanks in general.
The Obelisk Show airs 5PM Eastern today on the Gimme app or at: http://gimmemetal.com.
Full playlist:
The Obelisk Show – 04.01.22
Witchcraft
No Angel or Demon
Witchcraft
Electric Wizard
The Chosen Few
Witchcult Today
Greenleaf
On Wings of Gold
Echoes From a Mass
Josiah
Malpaso
Josiah
VT
Elephant Tree
Sails
Habits
Steak
Papas Special Custard
Acute Mania
YOB
Quantum Mystic
The Unreal Never Lived
Conan
Eye to Eye to Eye
Existential Void Guardian
King Witch
Under the Mountain
Under the Mountain
VT
Earthless
Gifted by the Wind
Black Heaven
Green Lung
Reaper’s Scythe
Black Harvest
MaidaVale
Another Dimension
Madness is Too Pure
Bongzilla
Free the Weed
Weedsconsin
VT
Old Horn Tooth
True Death
True Death
1782
Bloodline
From the Graveyard
Lowrider
Sernanders Krog
Refractions
The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 15 (subject to change). Thanks for listening if you do.
Posted in Whathaveyou on January 24th, 2022 by JJ Koczan
Fitting that Desertfest London should respond to two years without a festival by making a festival big enough for two years. A new stage has been added for Sunday and Bongzilla (who we knew were spending some significant time abroad this Spring) and Slabdragger and Poseidon and Parish have been added, as well as an Eric Wagner tribute that, while details are scant as yet, will no doubt be something special. Perhaps some Orange Goblin involvement there? They’ve covered Trouble before, if you’ll recall.
In any case, it’s an astounding bill Desertfest London 2022 is hosting. The kind of thing one daydreamed about even harder during lockdown, and it seems they’re not done, either. I’m not 100 percent on the location of ‘stoner alley,’ but if it’s that spot right outside the Black Heart, there’s plenty of room to get up to some shenanigans there, and apparently announcements to come in that regard.
The word here is ‘admirable,’ and I can hardly think of a more appropriate way for Desertfest London to mark the beginning of its second decade as well as its return after two years’ absence.
From the social media:
***DESERTFEST ADDS BONGZILLA, SLABDRAGGER & MORE WITH ADDITION OF POWERHAUS ON SUNDAY MAY 1ST PLUS 2-DAY ‘NON-ROUNDHOUSE’ PASSES AVAILABLE NOW**
We are thrilled to be adding another stage to the mammoth Desertfest London 2022 line-up, as PowerHaus will host stoner favourites Bongzilla on Sunday 1st May (we know you’ve been waiting for that one!). Alongside hometown heroes Slabdragger, the cathartic sounds of Poseidon, plus pastoral power-trio Parish. We will also be welcoming a very special collaborative tribute to doom legend Eric Wagner, with more details TBA.
We know some folk have missed out on general tickets, so we are releasing a 2-Day Saturday + Sunday Combo pass that provides access to all venues EXCEPT the Roundhouse. Due to specific venue protocols & capacity restrictions, we are unable to release more general weekend or full day tickets. We hope you understand that we are trying to accommodate as many of you as possible in the spaces we have.
The best way to be in with a chance of picking up a general weekend or Friday day ticket is to join the waiting list at DICE – which is the only re-seller of DF tickets. Thank you so much for the continued support, we still have a lottt more to announce in regards to ‘Stoner Alley’ on Greenland Place + some v. special after-parties!
Posted in Whathaveyou on October 28th, 2021 by JJ Koczan
Esbjerg Fuzztival has persevered through cancelations and reschedulings and setbacks like everyone else, but they’ve done so without flinching and they’ve done so with a special fervency toward putting on the best show they possibly can under the circumstances. With Bongzilla announced among their first bands — I’m not even sure if they’re headlining — the promise for 2022 to be the Danish two-dayer’s biggest year yet seems like one they’re no less intent to keep. Right on. They’ve built a cult following and what seems to be a supportive community around it and that’s the ideal no matter who shows up on the bill. If you don’t have that vibe, all you’re doing is putting on a show.
They’re set for May 13 and 14 at the Tobakken Esbjerg in — you guessed it — the city of Esbjerg, which is on Denmark’s west coast, about three hours straight shot from Copenhagen. I don’t know where you fly into if you’re flying over, but it sure would be fun to find out. Ha. In any case, these people do good work and are fun to keep up with. I’ll hope to do just that as we get nearer to next Spring.
Tickets go on sale this weekend. Here’s the latest:
Tickets and more band announcements soon! But let’s just say: ’22 will be our BIGGEST festival ever!
Fuzztival proudly presents… KAL-EL!
Do you like to groove and dance and be merry? Then you came to the right place! Nothing better than a day full of stoner rock to get those hips moving.
Hot from the Chilean highlands Fuzztival proudly presents… ARTEAGA!
Their distinct brand of satanic retro acid fuzz is not to be missed at their first show in Denmark!
Full festival partout tickets available October 31st! That’s THIS Sunday! We have plenty of huge bands still TBA! Don’t miss the party of the year!
Posted in Whathaveyou on October 21st, 2021 by JJ Koczan
Wisconsin’s Bongzilla make ready to head abroad next year in support of their 2021 album, Weedsconsin (review here). Does the tour start on 4/20? No, but close enough, and you’ll note that they have May 1 listed as an open date in London. Well, that’s the final day of Desertfest London 2022, so don’t be surprised when or if they show up as a late addition to that considerably-packed bill too. Hard to imagine them finding anything other than a welcome reception, frankly.
It’s worth taking a second to appreciate looking at a list of tour dates and thinking it’s more likely they’ll happen than not. Obviously I won’t claim to know what the conditions of anything will be by the time next Spring rolls around, but it doesn’t seem outside the realm of possibility that these dates, including the couple TBAs, could go off without a hitch. Hope everybody got their shots. Boosters for all and safe travels.
From the PR wire:
BONGZILLA – EU/UK TOUR 2022
We are so stoked to announce the comeback of the Weedsconsin riffers BONGZILLA.
The band will smash Europe and UK in April/May 2022 bringing their brand new album Weedsconsin.
*** BONGZILLA EU/UK TOUR 2022 *** FR 08.04.2022 IT BOLOGNA Freakout SA 09.04.2022 IT VERONA Kroen SU 10.04.2022 AT SALZBURG Rockhouse MO 11.04.2022 AT VIENNA Arena TU 12.04.2022 AT INNSBRUCK p.m.k WE 13.04.2022 IT TORINO Bunker TH 14.04.2022 CH MARTIGNY Les Caves Du Manoir FR 15.04.2022 FR MARSEILLE Jas’ Rod SA 16.04.2022 ES BARCELONA Upload SU 17.04.2022 ES MADRID Caracol MO 18.04.2022 ES SAN SEBASTIAN Dadadaba WE 20.04.2022 FR TOULOUSE Le Connexion TH 21.04.2022 FR NANTES La Scene Michelet FR 22.04.2022 FR LILLE Black LAb SA 23.04.2022 NL LEIDEN Gebr. De Nobel SU 24.04.2022 NL SNEEK Bolwerk MO 25.04.2022 BEL AALST Cinema Aalst TU 26.04.2022 UK MANCHESTER Deaf Institute WE 27.04.2022 UK BRISTOL Thekla TH 28.04.2022 UK SHEFFIELD Record Junkee FR 29.04.2022 UK GLASGOW Ivory Blacks SA 30.04.2022 UK LEEDS Boom SU 01.05.2022 UK LONDON TBA MO 02.05.2022 FR PARIS TBA TU 03.05.2022 DE COLOGNE MTC WE 04.05.2022 DE BERLIN Bi Nuu TH 05.05.2022 PO WROCLAW Akademia FR 06.05.2022 DE DRESDEN Chemiefabrik SA 07.05.2022 DE KARLSRUHE Dudefest SU 08.05.2022 DE LEIPZIG Conne Island TU 10.05.2022 FIN HELSINKI Kuudes Linja WE 11.05.2022 CH ZURIGO Dynamo 250 TH 12.05.2022 CH BASEL Hirscheneck FR 13.05.2022 SE MALMO Plan B SA 14.05.2022 DK ESBJERG Fuzztival
BONGZILLA is: Mike “Muleboy” Makela – bass/vocals Jeff “Spanky” Schultz – guitars Mike “Magma” Henry – drums
Posted in Reviews on April 28th, 2021 by JJ Koczan
None crustier. None more stoned. That’s the reputation that precedes Bongzilla headed into Weedsconsin, their first album in 16 years. That’s the standard. And while the Madison, Wisconsin, trio of Michael “Muleboy” Makela (bass/vocals, formerly guitar/vocals), guitarist Jeff “Spanky” Schultz and drummer Michael John “Magma” Henry have no doubt been busy in the intervening years working as high-power lobbyists toward the ultimate goal of marijuana legalization on the federal level in the US — an argument they state efficiently if not clearly in Muleboy‘s rasp on “Free the Weed” — their return to more riff-led weedian proselytizing is notable on its own merits in addition to the influence the band has had largely in their absence on a generation of underground listeners and players who’ve come to prominence in the years since 2005’s Amerijuanican was issued through Relapse Records.
Weedsconsin finds the band aligned with Heavy Psych Sounds, and with production by the late John Hopkins, who passed away in Nov. 2020 following a heart attack, Bongzilla sound utterly unmistakable. Their closest sonic kin have always been Weedeater — they would seem to pay homage with a short interlude that opens side B called simply “The Weedeater” — but the six-song/43-minute run of this collection makes that North Carolinian outfit seem accessible by comparison. Of course, the album arrives some six years after Bongzilla returned to touring, so they’ve had plenty of time work work out material, but the truth is that in 95 percent of cases, the prospect of a new full-length from this band was going to be a no-doubter. What, Bongzilla were going to become math metal? Embrace their inner djent? They’re fucking Bongzilla. The biggest favor they might do their attendant listenership, new and old, is to sound like it, and that’s exactly what they do on Weedsconsin.
The album opens sharp and purposeful with “Sundae Driver.” It’s the shortest inclusion at about four and a half minutes, and it builds a massive wall of lumbering fuzz to set a high tonal standard for the rest of what follows. If the message is to reassure their audience that Bongzilla know what’s expected of them and are ready to deliver, the harsh-lung gutturalism of “Sundae Driver”‘s verse dispenses immediately with all doubt. Atop a chugging riff that opens into a rolling hook, Muleboy earns copious nodules in nothing-too-fancy lines that are made impressive through the excruciating-sounding execution. The great balance of Bongzilla has always been between the stoned and the brutal. “Sundae Driver” calls out both in deceptively clear fashion, and “Free the Weed” follows with a bigger central riff that holds its line out and lets Magma‘s hi-hat hold the procession together until the next round of lurch kicks in. It is pummeling and arguably the highlight of Weedsconsin for how its second half flows into its solo section with the bass and guitar taking their respective whims for a walk, but really, pick your poison. If it’s jams you’re looking for, the best is surely yet to come.
To wit, side A wraps with “Space Rock,” the first of two inclusions on Weedsconsin to top 10 minutes long. Time well spent. A first few minutes lull the listener into hypnotic nod before the full low end weight kicks in circa 2:30 and continues to cycle through until the big slowdown into the stoner softshoe riff about a minute later, all classic swagger as the bed for the verse, echoing and largely indecipherable. They pick up speed, subtly, but ultimately make their way back to the mellower movement and use that as the launch point for a jam that consumes the rest of the song leads the way out of side A, with the 35-second “The Weedeater” following its rumbling end with a slow drum beat, sample and maybe a keyboard of some sort or guitar playing some sparse notes. There’s a hard stop before the subsequent, 15-minute “Earth Bong/Smoked/Mags Bags” arrives, but the two pieces connect just the same, and the three stages of Weedsconsin‘s sprawling exercise in instrumentalist fuckall likewise flow into each other as they inevitably would.
There are tempo shifts throughout — and maybe the coughing 10 minutes in signals a turn to “Mags Bags,” which puts the bass more forward before oozing out its central riff, more stoner than sludge if it even matters by then — but Bongzilla were right to put all this stuff into a single track and just roll it out, because by the time the drums and whatever percussion is included finishes out, they’ve well established they can do whatever the hell they want anyway and still come out on the other end red-eyed but otherwise unscathed. Slow stick-clicks later and the six-minute “Gummies” wraps with more mostly-instrumental plodding — there’s voice there, but it’s buried deep — as the band cap their first album in more than a decade and a half by getting willfully lost in the fog of their own making and inviting their listenership to do largely the same. That’s not to say they’re not following a plan throughout Weedsconsin, but the plan sounds like it was to get high and wander off, letting one heavy riff after the next lead where they will.
If you can think of a more fitting showing for Bongzilla to make than to return with a six-track album and jam out for more than half its runtime, I’d love to hear about it. The fact of the matter is Bongzilla after a quarter-century since their inception know what they’re about, and Weedsconsin is Bongzilla being Bongzilla. I don’t know what various hyperbole has been tossed the album’s way, but its central achievement is that it is Bongzilla. If you know the band, you know what they do, and this is what they do. If you’re new to the band, then consider Weedsconsin your representative start as you head deeper into their catalog. It’s not that they’re not trying anything new here, but the overarching context is so much the band’s own that it is simply inescapable. And that’s the point. You would ask no less of Bongzilla. That’s their standard, and they meet it dead-on, without flinching.
I was putting the show together the other day — like everything else in the last two weeks, I had to push off doing so owing to family stuff — and when I was picking tracks, it just kind of occurred to me that I might as well do a whole show of Heavy Psych Sounds stuff. It was like, “Oh, I’ll play Bongzilla and those new Hippie Death Cult and Acid’s Trip tracks,” and then it was “Well I haven’t played any of the new Sonic Flower yet and that’s Tatsu from Church of Misery so that’s cool,” and then from there filling out an entire two hours’ worth of Heavy Psych Sounds stuff was shockingly easy.
New 16, 1782, Cosmic Reaper, Acid Mammoth, on and on, and some other awesome stuff that’s come out in the last couple years, and two hours later, it still only barely scratches the surface of what the Italian label has done. To wit, the catalog reissues from Doze and Nebula and Brant Bjork go unrepresented here. As does the last Yawning Man or the upcoming Yawning Sons, both of which I’ve played recently on the show. But yeah, there’s so much stuff to go through, I simply didn’t have room for it all, especially knowing that I wanted to end with the 19-minute track from Orgöne because that record is so weird and out there even in comparison to other stuff the label does.
I talk a bit here, mostly just to be like, “Duh that was awesome” about one song or another. Despite my verbal bumbling and constant “uh”-ness, I hope you enjoy the show.
Thanks for listening and/or reading.
The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com
Full playlist:
The Obelisk Show – 03.19.21
Bongzilla
Free the Weed
Weedsconsin
Hippie Death Cult
Red Meat Tricks
Circle of Days
Acid’s Trip
Faster, Chopper, Boogie!
Strings of Soul
Sonic Flower
Super Witch
Rides Again
16
Death on Repeat
Doom Sessions Vol. 3
VT
Black Rainbows
Sacred Graal
Cosmic Ritual Supertrip
Fatso Jetson
Flesh Trap Blues
Split with Farflung
Ecstatic Vision
Grasping the Void
For the Masses
Acid Mammoth
Ivory Towers
Caravan
Crypt Trip
Hard Times
Haze County
VT
Big Scenic Nowhere
Tragic Motion Lines
Vision Beyond Horizon
High Reeper
Bring the Dead
Higher Reeper
The Pilgrim
Waiting for the Sun
…From the Earth to the Sky and Back
Geezer
Black Owl
Groovy
Cosmic Reaper
Hellion
Cosmic Reaper
1782
The Chosen One
From the Graveyard
VT
Orgöne
Erstes Ritual
Mos/Fet
The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 2 (subject to change). Thanks for listening if you do.
