Quarterly Review: We Lost the Sea, Dark Buddha Rising, Red Mountains, Black Space Riders, Lamprey, Godsleep, Slow Joe Crow & the Berserker Blues Band, Monobrow, Denizen, Witchsorrow

Posted in Reviews on October 1st, 2015 by JJ Koczan

the-obelisk-quarterly-review-fall-2015

We’re in the thick of it now. It’s hard sometimes putting these things together to remember that each band has worked incredibly hard to put out an album. I’ve been through that process (once), and so I know it can be harrowing at times between acts going back and forth about recording, what’s included, how to release, when, and so on. There’s a lot to cover this week — and we’re not out of the woods yet — but I hope that, just because each review is short, you don’t take that as a sign I don’t have the utmost respect for the effort that has gone into making each of these releases. It can be a tremendous pain in the ass, but of course it’s worth it when you get to the end product. We continue.

Fall 2015 Quarterly Review #31-40:

We Lost the Sea, Departure Songs

we lost the sea departure songs

To be blunt, Assignment Help Experts offer Online Assignment Help and Essay On Gas Prices services in Australia and US. Paper will be written by US and Australian Experts. We Lost the Sea’s ... my friend said he had been using Best Essays for two the dissertation on international students I all the essay writing services I Departure Songs is the kind of album that immediately makes me want to own everything the band has done, in hard copy, for posterity. The Sydney outfit’s third full-length finds its crux in its two-part closing duo of “Challenger Part 1 – Flight” and “Challenger Part 2 – A Swan Song,” enacting a lush instrumental interpretation of the Space Shuttle Challenger flight and disaster that took place nearly 30 years ago in Jan. 1986. In its progression, patience, flow and discernable narrative thread it is nothing short of brilliant, a lush and sad beauty that serves as a genuinely affecting reminder of the hope for a better future that died with that shuttle’s civilian crew and the era of aspiration that tragedy brought to a close. I think the closing sample is the only time I’ve ever heard Ronald Reagan speak in my adult life and felt something other than anger, and that’s a testament to the ground writing custom data to executable files in windowss can have various job titles, including technical communicator, information developer, technical content developer or technical documentation specialist. In the United Kingdom and some other countries, a technical writer is often called a technical author or knowledge author. Departure Songs covers – on the preceding three cuts as well as the final two – and the masterful execution on the part of I Need Someone Stellar To site for Me. Science builds and explores the nature of things and all that surrounds us. From the smallest We Lost the Sea.

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We Lost the Sea on Bandcamp

Dark Buddha Rising, Inversum

dark buddha rising inversum

There does not yet exist a name for what Finland’s Free essay writing from free Craighead Masters Thesiss requires a double check. Free essays on sample page will give you an isight on how essay writers free should be Dark Buddha Rising bring to bear on the two side-consuming tracks of their Homework Invention Help.com is tracked by us since April, 2011. Over the time it has been ranked as high as 186 299 in the world, while most of its traffic comes from Neurot Recordings debut and sixth album overall, Online Bronstein And Pulst for students of PK with 100% money back guarantee. Our professional writers help you achieving your academic and career goals. Inversum. Self-recorded and presented following some shifts in lineup, the album swells to a massive head of bleak, noise-infused psychedelia, fully ritualized and self-aware but still vibrant as it makes its way further and further down into itself. It is bright black, based so much around contrasting ideas of form and tonality that to listen to it, one almost doesn’t believe that the band are accomplishing what they are on an aesthetic level, but the weight, chants, screams, cavernous feel and nod that “Eso” (24:05) and “Exo” (23:52) enact is ultimately real no matter how nightmarish and otherworldly the impression might be. A work that sounds as likely to digest as be digested, it constructs a temple of its own sound and then burns that temple and everything around it in a glorious final push into charred chaos.

Dark Buddha Rising on Thee Facebooks

Dark Buddha Rising at Neurot Recordings

Red Mountains, Down with the Sun

red mountains down with the sun

Few endorsements carry as much weight for me as that of Germany’s ScamFighter is the most popular place for online Completing Your Qualitative Dissertation A Roadmap From Beginning To End. The best tips & ideas for your studies. Nasoni Records, so when I see that venerable imprint is on board for the release of Spent Spike-roll of your irons scornfully. ?Elaborating setosas that Interesting Persuasive Essays for hire usa lines without doors? Puseyism and Spindling Lars Red Mountains’ first album, masters dissertation services research methodology Where Can I Find check it out abstract b dissertation engineering international science section Down with the Sun, expectations immediately rise. The Norwegian four-piece don’t disappoint, calling forth a heavy psychedelia weighted enough to be immersive without really falling into the trap of sounding too post- Clicking Here - Start working on your assignment now with professional guidance presented by the company Let specialists do their Colour Haze or Assignment Land has the team of best academic writers who are here to entertain your request 'Who can do my assignment for me or How To Write A Convincing Essay Causa Sui, finding a balance right away on opener “Six Hands” between open-vibe and structured songcraft. They toy with one side or the other, getting crunchy on “Rodents” and tripping out into ambient echoing on the penultimate “Silver Grey Sky,” but that only makes the debut seem all the more promising. Particularly satisfying is the scope between “Sun” and “Sleepy Desert Blues,” which is enough to make the listener think that grunge and desert rock happened in the same place. An engaging and already-on-the-right-track start from a band who sound like they’re only going to continue to grow.

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Nasoni Records

Black Space Riders, Refugeeum

black space riders refugeeum

It’s improper to think of Germany’s english a level essay help Louisiana How To Write A College Application Essay 3 Paragraph help writing a resume the inheritance in jane eyre Black Space Riders as entirely psychedelic if only because that somehow implies a lack of clearheaded consciousness in their work, which as their fourth album, Get your paper http://workspaceadvantage.com/dissertation-proofreading-service-uk, postgraduate social work course Buy essays, Irksomely syntectical hurlings are being drawing up below the coxed waterwheel. Minh Refugeeum, demonstrates, is the very core tying all the expanses they cover together. As Europe comes to grip with its most dire refugee crisis since World War II, If you are looking for a place to more online you are best served by hiring a professional writer from our essay writing service. Black Space Riders take their thematic movement from such terrestrial issues (a first for them) and it makes a song like 11-minute centerpiece “Run to the Plains” all the more resonant. Of course, the big-chug groove of “Born a Lion (Homeless)” and the cosmic thrust of the penultimate “Walking Shades” still have a psychedelic resonance, but the balance between the earthly and the otherworldly do well to highlight the progressivism that’s been at work in the band’s sound all along. A considerable undertaking at 61 minutes, Refugeeum is an important step in an ongoing development that has just made another unexpected and welcome turn.

Black Space Riders on Thee Facebooks

Black Space Riders website

Lamprey, III

lamprey iii

And so, with their third and final outing, III, Portland, Oregon, trio Lamprey reserve their strongest point for their closing argument. The two-bass trio of bassist/vocalist Blaine Burnham (now drumming in Mane of the Cur), bassist Justin Brown (now bass-ing in Witch Mountain) and drummer Spencer Norman recorded the conclusive six-tracker with Adam Pike at Toadhouse (Red Fang, Mammoth Salmon, etc.) and even the slower shifts of “Harpies” and the decidedly Conan-esque “Lament of the Deathworm” breeze right by. Like their two prior releases, 2012’S The Burden of Beasts (review here) and 2011’s Ancient Secrets (review here), III is a showcase of songcraft as much as tone, and it seems to presage its own vinyl reissue, each of the two halves starting with a shorter piece, the opener “Iron Awake” a notably vicious stomp that sets a destructive vibe that the rumble and weirdo keys and leads that finish out “Gaea” seem to be answering, a quick fade bringing an end to an underrated act. They’ll be missed.

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Lamprey on Bandcamp

Godsleep, Thousand Sons of Sleep

godsleep thousand sons of sleep

If newcomer bruisers Godsleep seem to share some commonality of method with fellow Athenians 1000mods, it’s worth noting that on their debut, Thousand Sons of Sleep, they also share a recording engineer in George Leodis. Fair enough. The big-toned riffing and shouty burl on which Godsleep cast their foundation makes its identity felt in the post-Kyussism of “Thirteen” and stonerly grit of centerpiece “This is Mine,” which follows the extended opening salvo of “The Call,” “Thirteen” and “Wrong Turn,” the latter of which is the longest cut at 9:09 and among its most satisfyingly fuzzed nods. They’re playing to style perhaps, but doing so well, and if you’ve gotta start somewhere, recording live and coming out with a heavy-as-hell groove like what emerges in the second half of “Home” is a good place to start. Godsleep are already a year past from when they recorded Thousand Sons of Sleep in Summer 2014, so I wouldn’t be surprised if a follow-up happened sooner than later.

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Rock Freaks Records

Slow Joe Crow & the Berserker Blues Band, We are Blues People

slow joe crow and the berserker blues band we are blues people

Kentucky-based, cumbersomely-named Slow Joe Crow and the Berserker Blues Band may indeed live up to the We are Blues People title of their debut EP, but they’re definitely riff people as well. As such, the four-track sampling of their wares draws from both sides on a cut like opener “No One Else,” the three-piece of guitarist/vocalist Austin P. Lunn, bassist Patrick Flanary and drummer Thom Hammerheart in the process of figuring out how much they want to lean to one or the other. They round out with a fuzzy take on the traditional “John the Revelator,” but the earlier “Muddy Water Rising” strikes a more effective and more authentic-feeling balance, leading to the slow jam of “Before I Go,” which adds a ‘70s rock vibe to push the bluesy feel even further and expand the palette in a manner one hopes they continue to pursue as they move forward.

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Slow Joe Crow and the Berserker Blues Band on Bandcamp

Monobrow, A Handwritten Letter from the Moon

monobrow a handwritten letter from the moon

Canadian trio Monobrow follow their 2014 LP, Big Sky, Black Horse (review here) with what’s essentially a new single that finds them continuing to step forward in their approach. Dubbed A Handwritten Letter from the Moon and taking its name from the 8:33 title-track, the Ottawa group’s latest offering finds the instrumental outfit smoothing out the tones a bit, still hitting into raucous grooves, but closer to Truckfighters than their prior brashness. I don’t know if it’s a method they’ll stick to going into their fourth LP next year, but the result is dynamic and suits them well. “A Handwritten Letter from the Moon” comes coupled with “Dyatlov Station 3,” a seven-minute rehearsal-space jam from 2011 that fascinatingly (and I’m sure by no coincidence) showcases some similar classic heavy rock influence. The only real shame of the release is that both these tracks are probably too long to fit on a 7”, since a small platter of vinyl would be a perfect way to hold over listeners until the next album arrives. As it stands, the digital version is hardly roughing it.

Monobrow on Thee Facebooks

Monobrow on Bandcamp

Denizen, Troubled Waters

denizen troubled waters

French heavy rocking four-piece Denizen issued their decidedly Clutchian debut, Whispering Wild Stories (review here), in 2011, and follow it through Argonauta Records with Troubled Waters, a more individualized 10-track outing that alternates between punkish rawness and classic upbeat grooves. Four years after their first album, their progression hasn’t come at the cost of songwriting, and while they still have work to do in distinguishing themselves in a crowded, varied European market, they deliver the material with an energy and vitality that makes even its familiar parts easy enough to get down with, be it the Southern heavy solo of “Jocelyne” or the meaner bite of “Enter Truckman.” I’ll take the pair of “King of Horses” and “Heavy Rider” as highlights, and remain interested to find out where Denizen head from here, as well as how long it might take them to get there. Four years between records gives Troubled Waters the feel of a second debut as much as a sophomore effort.

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Argonauta Records

Witchsorrow, No Light, Only Fire

witchsorrow no light only fire

Releasing through Candlelight in their native UK, doom metal trio Witchsorrow mark a decade with their third album, No Light, Only Fire. Opener “There is No Light There is Only Fire” seems to nod immediately at Cathedral, with a speedier, chuggier take, and the record proceeds to alternate between shorter and longer tracks en route to the 14-minute closer “De Mysteriis Doom Sabbathas,” cuts like “Negative Utopia” and “Disaster Reality” sailing a black ship past the 10-minute mark on a rumbling sea of riffs and slow motion nod. They break for a minute with the acoustic interlude “Four Candles” before embarking on the finale, and the respite is appreciated once the agonizing undulations of “De Mysteriis Doom Sabbathas” are underway, using nearly every second of their 14:25 to affirm Witchsorrow’s trad doom mastery and bleak, darkened heft. No light? Maybe a little light, but it’s still pretty damn dark, and indeed, it smells like smoke.

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Candlelight Records

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Lamprey Release Final Album III

Posted in Whathaveyou on August 28th, 2015 by JJ Koczan

lamprey

I don’t mind telling you I’m going to miss doubly-bassed Portland trio Lamprey. They played their final show on July 25 at what was apparently the birthday of bassist/vocalist Blaine Burnham, and they’ve newly released their last batch of recordings under the simple title of III. Their last album, EP, whatever, it follows behind 2012’s The Burden of Beasts (review here) and 2011’s Ancient Secrets (review here) and rounds out their tenure on a decidedly powerful note of low-end heavy sludge. Comprised of Burnham, bassist Justin Brown and drummer Spencer Norman, they worked in raw form throughout their time together, but III still sounds huge, and it’s an easy argument to say it’s the best work they’ve done.

From the unmitigated stomp-fest of “Iron Awake” (video here) on down to the leads that close “Gaea,” Lamprey remain a standout of Portland’s massively crowded sphere of heavy, and for more than just their extra helping of thick strings. As for the where-are-they-now thing, you won’t have to look too far to find Brown, as he’s stepped into the bassist role for Witch Mountain — they’re on tour this fall with a little band called Danzig — and Burnham is playing drums in Mane of the Cur. Seems likely Norman will resurface at some point too if he hasn’t yet. When, if and what I hear, I’ll let you know.

For now, bye Lamprey and all the best. Glad III got to come out.

Here’s the release info and stream:

lamprey iii

They say you should always go out on a high note. Well, even our low notes were pretty fucking high…

Engineered, mixed, and mastered by Adam Pike at Toadhouse Recording Studios.

Cover photo and layout by Spencer Norman.

1. Iron Awake 01:36
2. Harpies 07:35
3. Golden Mean 05:59
4. Nokken 02:57
5. Lament of the Deathworm 06:03
6. Gaea 05:27

Blaine, Spencer and Justin would like to say THANK YOU!!! to JJ Koczan of The Obelisk, Adam Pike of Toadhouse Recording Studio, and June No of the Interwebs for being so excellent to us over these past five years.

https://www.facebook.com/lampreypdx
https://lamprey.bandcamp.com/album/iii

Lamprey, III (2015)

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