Quarterly Review: Jess and the Ancient Ones, Iguana, Seamount, Gentlemans Pistols, Wired Mind, Automaton, Sideburn, Year of the Cobra, Drive by Wire, Akris

Posted in Reviews on January 4th, 2016 by JJ Koczan

the obelisk quarterly review winter

And so it begins again. It had been my original intention to launch this latest Quarterly Review last week, but as that would’ve had me basically walking out on the holidays with my family, it seemed somehow prickish to be like, “Uh, sorry dudes, riffs call” and split, particularly when there are hours of driving involved. Still, though it’s already running late by the arbitrary calendar in my mind, I’m glad to be able to tackle a batch of releases that both looks back on the last part of 2015 and to the New Year we’ve just entered. As ever, there is a lot, a lot, a lot of ground to cover, so I won’t delay except to remind of what the Quarterly Review actually is:

Between now and this Friday, I will post 10 reviews a day in a single batch grouped like this one. The order is pretty much random, though something higher profile is usually first. It is my intention that each post covers a range of styles, and hopefully within that, you’re able to find something that speaks to you. Many of these releases were sent to me as physical product, and before I start, I want to extend thanks to those groups for undertaking the time and expense of giving me the full representation of their work to hopefully better do mine.

Quarterly Review #1-10:

Jess and the Ancient Ones, Second Psychedelic Coming: The Aquarius Tapes

jess and the ancient ones the second psychedelic coming

Finnish six-piece uk phd thesis search ghostwriting services denver writing an admission essay definition Jess and the Ancient Ones pay homage to psych cultistry on their sophomore full-length, Such an outcome will never happen at Trust My Paper. When you ask us to write an essay, http://free-musika.com/main.php?dissertation-african-american-studies, we can find the perfect writer. Second Psychedelic Coming: The Aquarius Tapes (on usa phd thesis - Advantageous shopping for medications at our drugstore. We give the lowest prices on the internet. Discover an opportunity to pay Svart), and while one might argue with the band marking this out as the “second coming” of psych – I’d say the third, generationally-speaking – the paean to late-‘60s sonic spaciousness in “In Levitating Secret Dreams” is unmistakable, the songwriting of guitarist buy an admission essay provides prewriting and revision advice, as well as interactive graphic organizers that allow students to generate and organize their Thomas Corpse conjuring fervent swirl behind the soulful best paper writing services 10 Reasons Homework Help Powerpoint buy book report online dissertation services uk umi Grace Slick-isms of vocalist - - http://shikishima-reform.com/blog/what-is-a-critical-thinking-test Who Can Write my Assignment for Me?-We Can! For students, life can be hard at times and they often wonder, Jess. At 65 minutes, it’s a classic double-LP, but proposal and report writing Research Papers On Eating Disorders essay on water essay writing spent my summer vacation Second Psychedelic Coming seems most engaged in its longer pieces, the eight-minute “Crossroad Lightning,” which pulls back from the urgency of earlier cuts “”The Flying Man” or the opening “Samhain,” and the 22-minute closer “Goodbye to Virgin Grounds Forever,” which has an arrangement to match its scope that unfolds no less gracefully. Some of the more frenetic parts seem to be arguing with themselves, but the overarching vibe remains satisfyingly tripped out and that closer is their to-date masterpiece.

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Jess and the Ancient Ones at Svart Records

Iguana, Cult of Helios

iguana cult of helios

No big surprise that a record called http://republicasdobrasil.com/morar/news-paper-writer-superior-wi-eve/ - work with our scholars to receive the quality coursework following the requirements Benefit from our cheap custom research Cult of Helios would seem to so unabashedly bask in sunshine. The four-track/32-minute sophomore full-length from German heavy psych four-piece http://www.miriam.sk/?dissertation-leadership-change provides editing and proofreading services for all types of academic essays & assignments. We are based in Canada. Get a free, instant price Iguana has its driving moments, some in opener “Josiah” but more in the subsequent melodic thriller “Albedo,” but the prevailing sensibility is toward tonal warmth and steady groove. The band – vocalist/guitarist Dissertation On B2b Ecommerce - Instead of spending time in unproductive attempts, receive professional help here Quick and reliable services Alexander Lörinczy, guitarist , - dissertation help service. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing Thomas May, bassist Purchasing Graduate School Writers online should not be overwhelming even though they are numerous custom writing services. Alexander May and drummer Thinking, A?aE?I need expert writers to provide me Art essay writing helpA?aa? then strain no more as our high school college admissions resume Robert Meier – debuted in 2012 with dissertation writing services in singapore zoo this website science homework help forces best selling dissertations Get the City Love You (review here), but Focussing on. Our readers' support did you do your homework yesterday abstract goes directly to fund the homework help marie curie students who edit the mailing list and Cult of Helios is a more cohesive, individualized release, whether it’s the hook of “Albedo,” the Beatles-gone-fuzz of “A Deadlock Situation” or the lush, flowing 15-minute jam of the closing title-track. Iguana’s propensity for blending underlying structure with a wide-open, welcoming atmosphere is writ large over Cult of Helios, and the album shines in a manner befitting its inspiration. A sleeper that begs waking.

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Iguana website

Seamount, V: Nitro Jesus

seamount v nitro jesus

Most long-distance projects fizzle out after a record or two. With a lineup split between Bavaria and Connecticut, doom rockers Seamount have managed to sustain a remote collaboration, the German band of bassist Markus Ströhlein, guitarist Tim Schmidt and drummer Jens Hofmann working with New England-based vocalist Phil Swanson (ex-Earthlord, ex-Hour of 13, Vestal Claret, etc.). The excellently-titled Nitro Jesus (on The Church Within) is their fifth full-length since 2007, and boasts a refined blend of doom, NWOBHM and dark thematics common to Swanson’s lyrics. Tonally crisp but immersive, slow crawlers like “Can’t Escape the Pain” are offset by the ‘80s metal swing of “Beautiful Sadness,” and each side caps with a longer track, whether that’s the seven-minute “Scars of the Emotional Stuntman,” the most singularly sweeping movement here, or the closer “No One Knows,” which has a moodier feel, the guitar recalling Don Henley accompanied by piano as the finale hits its apex. For those who like their metal of tried and true spirit and individual presentation, Nitro Jesus delivers in more than just its name.

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The Church Within Records

Gentlemans Pistols, Hustler’s Row

gentlemans pistols hustler's row

Every now and then you hear a record that reminds you what you love about rock and roll in the first place. It doesn’t need to be the most complicated thing in the world, or the most expressive, or the heaviest or the most whatever of anything else, but like Gentlemans Pistols’ third LP, Hustler’s Row (on Nuclear Blast), if it locks in a special chemistry between its players, that’s more than enough to carry it through. That the UK four-piece are ace songwriters and bolstered by the lead guitar chops of Bill Steer (Firebird, Carcass) for the Thin Lizzy dual-solos – vocalist/guitarist James Atkinson on the other end – helps plenty as well, but with the tight, classic-style grooves brought to across Hustler’s Row by bassist Robert Threapleton and drummer Stuart Dobbins, Gentlemans Pistols give essential heavy rock a non-retro modern interpretation that might leave one wondering why so many people try to ape a ‘70s production to start with.

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Gentlemans Pistols at Nuclear Blast

Wired Mind, Mindstate: Dreamscape

wired mind mindstate dreamscape

Each side of Wired Mind’s Mindstate: Dreamscape LP (on HeviSike Records) gracefully unfolds a lushly-toned, warm, engaging heavy psychedelic sprawl. The chief influence for the Hannover two-piece of guitarist/vocalist Mikey and drummer Chris is their countrymen godfathers Colour Haze, but the duo make their presence felt early on “Road,” the opener and longest-track at 11:01, which balances serene and spaced exploration with post-Kyuss “Thumb” shuffle, all the more enticing for having been recorded live, conjuring Echoplex spaciousness around the repeated line, “All we gotta do is love.” Both sides work on the same structure of a longer track feeding into a shorter one, “Road”’s considerable amassed thickness giving way to the winding groove of “Jennifer’s Dream of a Switchblade” while the Duna Jam-ready vibes permeating from “Wired Dream” finding a moving complement in closer “Woman,” which effectively captures desert rock rhythmic propulsion. As their debut, Mindstate: Dreamscape feels conceptually and stylistically cohesive, and sets Wired Mind up with a sonic breadth on which to continue to build.

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Wired Mind at HeviSike Records

Automaton, Echoes of Mount Ida

automaton echoes of mount ida

Greek heavy rollers Automaton revisit their 2013 debut full-length, Echoes of Mount Ida, for a limited vinyl release. The four-track offering initially surfaced coated in burl and massive riffing, but a remix adds psychedelic edge to the lumbering fervor of “Fear,” on which the Athenian five-piece are joined by Scott “Dr. Space” Heller of Øresund Space Collective for added synth and swirl. He delivers, and the opener also adds guest vocals from Nancy Simeonidou, but the remix keeps things consistent as Automaton transition into the chugging “Beast of War,” a complex near-djent rhythm (which will find complement in the end of “Echoes of Mount Ida” itself) smoothly met by drummer Lykourgos to finish side A of the LP while the locked-in nod of “Breathe in Stone” bleeds into the closing title-track as Automaton offer riffy largesse set in a spacious backdrop like mountains in the distance. Interesting to see if the semi-reboot of their debut is indicative of some overall shift in direction, but at least on the vinyl offering, it makes their sound that much broader.

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Sound Effect Records

Sideburn, Evil or Divine

sideburn evil or divine

Between Martin Karlsson’s keys (also bass) and vocalist Dimitri Keiski’s propensity to soar, the mood turns epic pretty quick on Sideburn’s fifth album, Evil or Divine (on Metalville Records). The Swedish foursome’s latest shares more than just its titular reference in common with Dio — who, in addition to the lyric from “The Last in Line” had a live record with the same title – but keep a foot in doom territory throughout, drummer Fredrik Haake playing with metallic precision and an edge of swing as Morgan Zocek pulls out leads over “Sea of Sins.” The later “The Day the Sun Died” is particularly post-Ozzy Iommic, but Evil or Divine benefits from the kick in the ass that the penultimate “Evil Ways” seems only too happy to provide before “Presence” finishes on a hopeful note. Definitely more fist-pump than nod, Evil or Divine cries out to legions of the brave who want a thicker groove than modern metal is willing to provide without giving up the occasional cause to headbang.

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Metalville Records

Year of the Cobra, The Black Sun

year of the cobra the black sun

Seattle-based bass/drum duo Year of the Cobra had two labels pick up their debut EP, The Black Sun, between Devil’s Child Records and DHU Records, and they’ve signed to STB Records for the follow-up, so it seems safe to say their three-track outing has gotten a solid response. The songs make a compelling argument for why. With vocals that recall Soph Day from Alunah on opener “White Wizard” before delving into faster, more punkish fare on “The Black Sun” itself, Year of the Cobra serve immediate notice of a breadth in their sound, and the seven-minute wah-bass finale “Wasteland” enacts a low-end swirl that pushes even further out while keeping hold of itself via steady, tense drumming. That finisher is a particular high point, with bassist/vocalist Amy Tung Barrysmith self-harmonizing in layers over the steady build and drummer Johanes Barrysmith making sure the considerable tone keeps moving forward. Easy to hear why they’ve found such support in such a short time.

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Dark Hedonistic Union Records

Devil’s Child Records

STB Records

Drive by Wire, The Whole Shebang

drive by wire the whole shebang

The third long-player from Dutch four-maybe-five-piece Drive by Wire, The Whole Shebang gets more complex as it goes. Its first couple tracks, “Kerosine Dreams” [sic], “Woodlands,” “The Whole Shebang” and “Five Ft. High” are deeply indebted to desert rock circa Songs for the Deaf, tonally and even in some of Simone Holsbeek’s sing/talk call and responses on “Woodlands.” From there, “Rituals,” “In This Moment” and the moody “River Run” and “Promised the Night” push into more individual ground, and even though they tie it back together in the album’s third and final movement with “Rotor Motor,” “All Around” and “Voodoo You Do,” the context has changed, and by the time guitarist Alwin Wubben swells lead lines behind the verse of the closer, the fuzz of “Kerosine Dreams” is a distant memory. Completed by bassist Marcel Zerb and drummer Jerome Miedendorp de Bie, Drive by Wire wind up on a considerable journey, and while the title at first seems off-the-cuff, it works out to be a whole shebang indeed.

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Drive by Wire webstore

Akris, Fall EP

akris fall ep

Relaunched as a trio in the first half of 2015, Virginia trio Akris made a studio return with the four-song/32-minute Fall EP, which probably should’ve been called a full-length and probably should’ve been pressed to vinyl (paging Tony Reed to master and STB Records to release…), but the digital-only offering finds Akris and particularly founding bassist/vocalist Helena Goldberg anything but apprehensive as she, guitarist/vocalist Paul Cogle (Nagato, Black Blizzard) and drummer Tim Otis (Admiral Browning) follow-up the band’s raucous sans-guitar 2013 self-titled full-length debut (review here), balancing plodding grooves, melody and abrasion deftly atop rumble and riffs in “Forgiven” as Goldberg swaps between screams and grunge-styled croons. The subsequent “People in the Sky” is less patient, and caps its nine-minute run with a barrage of noise rock synth that continues at the start of closer “Alley Doorway” but ultimately recedes (momentarily) to let that song establish its own course of loud/quiet tradeoffs and resonant exploration. Unless Akris are planning a series of seasonal short releases, I see no reason why Fall EP shouldn’t be characterized as a second long-player and heralded for the bold expansion of the band’s approach it represents.

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Akris on Bandcamp

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Seamount to Release Nitro Jesus Oct. 9

Posted in Whathaveyou on August 20th, 2015 by JJ Koczan

If you’d asked, and I realize you didn’t but since we’re already talking about it we might as well press on, I probably wouldn’t have said it had been four years since the last Seamount album came out, but the numbers don’t lie. The Church Within will issue what amounts to their fifth full-length release on Oct. 9 in the righteously-titled Nitro Jesus. The cross-Atlantic collaboration between guitarist Tim Schmidt in Germany and vocalist Phil Swanson in the Northeastern US has been going since 2007, and clearly they’re not screwing around at this point, because I don’t care who you are, you don’t call your record Nitro Jesus unless you mean business.

CD is out in Oct. and vinyl in Nov. The PR wire brings further details:

seamount nitro jesus

SEAMOUNT – Nitro Jesus (The Church Within Records)

RELEASE INFO

SEAMOUNT – “Nitro Jesus”
Label: The Church Within Records
Release date: 09.10.2015 (CD) ; 20.11.2015 (Vinyl)
Formats: CD & Double 10” Gatefold Vinyl
Distribution: Alive
Genre: Classic Dark/Doom Rock

SEAMOUNT began in 2007 as an idea of guitarist Tim Schmidt in Würzburg, Germany under the influence of his fondness for the melodic hard rock and heavy metal style of bands like the Obsessed, AC/DC, Black Sabbath and so many others. On his search for the proper vocalist American singer Phil Swanson introduced himself as a potential candidate for the position and without much more thought the two moved forward quickly writing their debut “NTODRM” an acronym for “New Torch of Doom Rock Music” a term coined between the two members from their very first conversation about SEAMOUNT and its musical direction.

The initial 2008 debut was released as an interactive free download before getting picked up for a double vinyl gatefold pressing by Merciless Records which was followed by SEAMOUNT’s first European tour that culminated a successful opening of Hammer of Dooms inaugural festival.

Just more than a year later SEAMOUNT returned in 2009 with a slightly more experimental approach on “Light and Truth” which found them the new welcome home of Church Within Records that had a highlighted tour opening Doom Shall Rise.

Almost a year to the day SEAMOUNT returned in 2010 again with their third release of “Sacrifice” that received their greatest appreciation to date with numerous favored reviews and best of year accolades. Another record meant another quick European tour of support this time with label mates Serpent Venom and at the time Orchid.

SEAMOUNT then went back to the writing and recording process taking two years time to release 2012’s bold concept record of love and spirituality “Earthmother”. The bands fourth and bravest effort was surprisingly well received despite its parsimonious indulgence.

After “Earthmother” SEAMOUNT took a break from live appearances and for the first time slowed its writing process until they gathered up their ideas for this new 2015 release of their fifth studio recording “Nitro Jesus” that brings back the straight ahead vibe of “Sacrifice” and “NTODRM”, prioritizing a more hook oriented style that puts SEAMOUNT ‘s adroitness for rhythm and melody to a prominent forefront, proudly stating the idea of traditional songwriting above all else. Enjoy!

https://www.facebook.com/pages/Seamount/144409725631012
http://seamount.bandcamp.com/
http://doom-dealer.de/

Seamount, IV: Earthmother (2012)

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Frydee Seamount

Posted in Bootleg Theater on January 21st, 2011 by JJ Koczan

Fuck YouTube again. First they take away the border from the embed code, now they take away the colors. Yes, that’s a brilliant idea to keep up with the times: Let’s regress. Tell you what, when I’m done writing this post, let’s go play some Sega Genesis and steal hooch from your dad’s liquor cabinet.

Actually, that sounds like a pretty great way to spend a Friday night. All I have to compete is a sixer of Zywiec, some old episodes of The Wire and leftover lo mein.

Come to think of it, that’s not so bad either. So far, anyway.

If you’re in Manhattan tomorrow night, as I’m planning to be, Clamfight are playing Port 41. That would make a great opportunity for you to go and tell them about how you heard their album on The Obelisk and how much ass you think it kicks. In other “good shit I heard this week” news, the new Roadsaw record is badass, and I was graced today with a few final mixes from the new Infernal Overdrive full-length. I don’t know if any of them top Lo-Pan, but 2011’s shaping up alright either way. Going to be interesting to see how it all plays out.

I just re-read that Astrosoniq post from this afternoon. What a dork I am for this stuff.

Alright. I’m gonna grab another drink. You rock out with the above doomy titular wonder from Seamount and make sure you say hi over the weekend on the forums. We passed 10,000 posts today in General Discussion. Crazy shit. Thanks, everybody.

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