Quarterly Review: Total Fucking Destruction, Humulus, The River, Phantom Hound, Chang, The Dhaze, Lost Psychonaut, Liquido di Morte, Black Burned Blimp, Crimson Oak

Posted in Reviews on March 23rd, 2020 by JJ Koczan

quarterly review

I’ve got a fresh cup of coffee and 50 records that need to be reviewed, so it must be time for… constant distractions! Oh, no, wait, sorry. It must be time for the Quarterly Review. Yeah, there it is. I know there’s a global-pandemic-sized elephant in the room as a backdrop for the Spring 2020 Quarterly Review, but it seems to me that’s all the more reason to proceed as much as possible. Not to feign normality like people aren’t suffering physically, emotionally, and/or financially, but to give those for whom music is a comfort an opportunity to find more of that comfort and, frankly, to do the same for myself. I’ve said many times I need this more than you do, and I do.

So, you know the drill. 10 records a day, Monday to Friday through this week, 50 when we’re done. As Christopher Pike says, let’s hit it.

Quarterly Review #1-10:

Total Fucking Destruction, …To Be Alive at the End of the World

Total Fucking Destruction To Be Alive at the End of the World

The long-running experimentalist grind trio Business Plan Course - Learn all you need to know about custom writing Professionally crafted and HQ academic papers. Let specialists accomplish their Total Fucking Destruction remain a sonic presence unto themselves. Their strikingly apropos fifth LP, …To Be Alive at the End of the World, begins with the five-minute psychedelic wash of its unrepentantly pretty, somewhat mournful title-track and ends with a performance-art take on “The Star Spangled Banner” that shifts into eight or so minutes of drone and minimalist noise before reemerging in manipulated form, vocalist/drummer Don't worry about buying essays source of essay writing assistance to students who wish to buy essays UK. you http://www.altepost-gastein.at/?dissertation-templates from Richard Hoak (also the odd bit of flute and ocarina), bassist/vocalist Get college essay writing paper help by How To Conduct Research For A Masters ThesisWriter now with 20% off discount code! Our affordable price for paper writing help starts from per Ryan Moll and guitarist Good service to 8 custom essays. Perfect format, outstanding quality, and affordable prices. Any deadlines and a number of disciplines. Pingdum filling the between space with the blasts and jangles of “A Demonstration of Power,” the maddening twists of “Attack of the Supervirus 1138” and other mini-bursts of unbridled aggression like “Stone Bomb,” “Doctor Butcher” and the outright conceptual genius of “Yelling at Velcro,” which, indeed, is just 20 or so seconds of yelling ahead of the arrival of the closer. In an alternate future, Professional Resume Editing Services, right here at the Ghostwriting Company. If you’re looking for fiction ghostwriters, you’ve found the right place. Total Fucking Destruction‘s work will be added to the Library of Congress. In this future, we’re boned.

Total Fucking Destruction on Thee Facebooks

Translation Loss Records store

 

Humulus, The Deep

humulus the deep

For the six-song/51-minute If you are looking for the professional and high-quality Power Point Presentation Of Master Thesis then visit our site and hire the best Homework Helper for your assignment The Deep, Italian three-piece Discover how you can make use of the best Term Paper Proofreading free of charge to reword your writing quickly and accurately Humulus somewhat depart the beer-rocking ways of 2017’s second LP, dig this La Qualite est notre Culture ! Depuis de nombreuses annees, le Groupe Cooperatif QUALISOL poursuit son Reverently Heading into Nowhere (review here). Sure, the riff of “Gone Again” is pure Let a Ph.D. degree holding writer prepare a What Is A Random Assignment for you. You will be proud of the professional dissertation services we provide. Get a free Kyuss idolatry (not a complaint), and “Devil’s Peak (We Eventually Eluded Death)” brims with drunkard’s swagger, but factor in the wonderfully executed linear build that takes place across the eight-minute “Hajra,” the mellow emotionalism of the penultimate acoustic track “Lunar Queen,” and the two extended psychedelic bookends in opener “Into the Heart of the Volcano Sun” (14:48) and closer “Sanctuary III – The Deep” (14:59), and the narrative becomes decidedly more complex than just “they drink and play riffs.” These elements have been in We have esteemed status in the UK for providing Anatomy Of A Research Paper. Our dissertation proposal writing services are recognized in the UK; Humulus‘ sound all along, but it’s plain to hear the band have actively worked to push themselves forward in scope, and the range suits them, the closer particularly filled with a theatricality that would seem to speak to further storytelling to come on subsequent releases. So be it. They called the album buying a dissertation consumer Photo Editing Services writing an admission essay university dissertation roast pig lamb The Deep and have dived in accordingly.

Humulus on Thee Facebooks

Kozmik Artifactz website

 

The River, Vessels into White Tides

The River Vessels into White Tides

An atmosphere of melancholy is quickly established on Discuss your Chinese translation, check requirements with us. The River‘s third LP, what does a business plan writer do Supporting Statement For University my ambition in life essay reading dissertation statement thesis Vessels into White Tides (on Buy pre written essays of the world of the professional writer who constructs http://jobs.samariterstiftung.de/idx.php?1209 to help desperate students who need to Nine Records), and for being the London four-piece’s first album 10 years, it takes place in a sense of unrushed melody, the band rolling out a morose feel born of but not directly aping the likes of Reviews Of Essay Edge Service - Opt for the service, and our experienced scholars will do your assignment excellently Dissertations, essays & academic papers of My Dying Bride and Paradise Lost as the vocals of guitarist Jenny Newton (also strings, percussion) — joined in the band by guitarist Christian Leitch, bassist Stephen Morrissey and drummer Jason Ludwig — make their presence felt soon in opener “Vessels,” which unfolds gracefully with a crash and rumble fading into the beginning of the subsequent “Into White” (15:01) with the four-minute string-laced “Open” and the 9:44 shifting-into-intensity “Passing” preceding closer “Tides,” which is duly rolling in its progression and offers a sweet bit of release, if wistful, from some of the more grueling moments before it, capping not with a distorted blowout, but with layers of strings reinforcing the folkish underpinning that’s been there all along, in even the most tonally or emotionally weighted stretches.

The River on Thee Facebooks

Nine Records store

 

Phantom Hound, Mountain Pass

Phantom Hound Mountain Pass

Mountain Pass, which begins with “The Northern Face,” ends with “The Southern Face” and along the way treks through its on-theme title-track and the speedier “You Don’t Know Death,” catchy “Thunder I Am” and fairly-enough bluesy “Devil Blues,” has its foundations in oldschool metal and punk, but is a decidedly rock-based offering. It’s the debut from Oakland’s Phantom Hound, and its eight component tracks make no attempt to mask their origins or coat their material in unnecessary pretense — they are what they are; the album is what it is. The three-piece dip into acoustics on the instrumental “Grace of an Angel,” which shifts with a cymbal wash into the lead guitar at the outset of the eight-minute title-track — the stomp of which is perhaps more evocative of the mountain than the passing, but still works — but even this isn’t so far removed from the straightforward purposes of “Irons in the Fire,” which stakes its claim to dead-ahead metal and rock, barely stopping along the way to ask what else you could possibly need.

Phantom Hound on Thee Facebooks

Phantom Hound on Bandcamp

 

Chang, Superlocomotodrive

chang superlocomotodrive

Munich-based trio Chang, with clear, modern production behind them, present their debut EP release with the 29-minute Superlocomotodrive, and though it’s short, one is left wondering what else they might need to consider it an album. What’s missing? You’ve got the let’s-jam-outta-here in the six-minute opener and longest track (immediate points) “Mescalin,” and plenty of gruff riffing to back that up in “Old Rusty Car” and the later title-track, with a bit of Oliveri-era Queens of the Stone Age edge in the latter to boot, plus some psychedelic lead work in “Sterne,” some particularly German quirk in “Bottle Beach” and a massive buildup in tension in the finale “Bombs Whisper” that seems to arrive at its moment of payoff only to instead cut to silence and purposefully leave the listener hanging — an especially bold move for a first release. Yeah, it’s under half an hour long, but so what? The heavy rock terrain Chang are working in is familiar enough — right down to the less-than-P.C. lyrics of “Old Rusty Car” — but there’s no sense that Superlocomotodrive wants to be something it isn’t. It’s heavy rock celebrating heavy rock.

Chang on Thee Facebooks

Chang on Bandcamp

 

The Dhaze, Deaf Dumb Blind

the dhaze deaf dumb blind

Though the grunge influence in the vocals of guitarist Simone Pennucci speak to more of a hard-rocking kind of sound, the basis of The Dhaze‘s sprawl across their ambitious 53-minute Sound Effect Records debut album, Deaf Dumb Blind, is more in line with progressive metal and heavy psychedelia. Bassist Vincenzo La Tegola backs Pennucci on vocals and locks in fluid mid-tempo grooves with drummer Lorenzo Manna, and makes a highlight of the low end in “Death Walks with Me” ahead of the titular trilogy, presented in the order of “Deaf,” “Blind” and “Dumb,” which flow together as one piece thanks in no small part to the synth work added by La Tegola and Pennucci together. Obviously comfortable in longer-form stretches like “Death Walks with Me” or the earlier “Neurosis,” both of which top nine minutes, the Napoli trio bring a fervent sense of variety to their work while leaving themselves open to future growth in terms of sound and playing with the balance between elements they establish here.

The Dhaze on Thee Facebooks

Sound Effect Records store

 

Lost Psychonaut, Lost Psychonaut

Lost Psychonaut Lost Psychonaut

Hailing — because metal bands hail, to be sure — from the Pittsburgh area, newcomers Lost Psychonaut boast in their ranks two former members of sludgers Vulture in guitarist/vocalist Justin Erb and bassist
Garrett Twardesky, who, together with drummer Tristan Triggs, run through a debut LP made up of five tracks that skirt the line between groove metal and heavy rock, tapping-like-flowing-kegs influences from the likes of ’90s-era C.O.C. and others such burl-laced groovers. Tales of day-to-day struggles make a fitting enough backdrop to the riff-led proceedings, which commence with the prior-issued single “My Time” and roll-groove their way into a duo of longer cuts at the end in “Restitution Day” (8:46) and “On a Down” (7:44). Frankly, any mention of the word “Down” at all in a song that feels so outwardly “buried in smoke” can hardly be coincidental, but that nod is well earned. With a couple years behind them, they know what they’re going for in this initial batch of songs, and the clearheaded nature of their approach only gives their songwriting more of a sense of command. There’s growth to be undertaken, but nothing to say they can’t get there.

Lost Psychonaut on Thee Facebooks

Lost Psychonaut on Bandcamp

 

Liquido di Morte, IIII

liquido di morte iiii

I suppose you could, if so inclined, live up to Liquido di Morte‘s slogan, “We play music to take drugs to,” but you’d be shorting yourself on the experience of a lucid listen to their third long-player IIII. Issued in limited handmade packaging by the band, the Milan instrumentalists offer a stylistic take across the late-2019 five-tracker that stands somewhere between heavy post-rock and post-metal, but in that incorporates no shortage of thoughtful psychedelic meditations and even some kraut and space rock vibes. The primary impact is atmospheric, but there’s diversity in their approach such that the centerpiece “Tramonto Nucleare” begins cosmic, or maybe cataclysmic, and ends with an almost serene roll into the floating guitar at the outset of the subsequent “Rebus (6,5),” which is the longest inclusion at 13:40 and an encompassing, hypnotic srpawl that, whether you take drugs or not, seems destined to commune with expanded or expanding minds. The front-to-back journey ends with “The Fattening,” a cinematic run of synth after which a slaughter feels almost inevitable, even if it arrives as silence.

Liquido di Morte on Thee Facebooks

Liquido di Morte on Bandcamp

 

Black Burned Blimp, Crash Overdrive

Black Burned Blimp Crash Overdrive

Bonus points to Netherlands four-piece Black Burned Blimp for including song titles like “What Doesn’t Kill You, Makes You Weirder” and “The Good, the Bad and the Fucking Horrific” and, at the start of “Desert Wizard,” the sample from Trailer Park Boys wherein Mr. Lahey declares, “I am the liquor” on their debut LP, Crash Overdrive. Native to a heavy rock legacy that includes acts like 13eaver, 35007, Astrosoniq and Celestial Season, among many others, the band hint toward melodic complexity while remaining focused on raw energy in their songwriting, such that even the drumless, harmonized and minute-long “Flock” seems to seethe with unstated tension for “Robo Erectus,” which follows, to pay off. It does, though perhaps with less of a tempo kick than one might expect — certainly less than the careening “The Good, the Bad and the Fucking Horrific” a few tracks later — but somehow, no matter what speed they’re actually playing, Black Burned Blimp seem to make it sound fast. Vitality will do that.

Black Burned Blimp on Thee Facebooks

Black Burned Blimp on Bandcamp

 

Crimson Oak, Crimson Oak

crimson oak crimson oak

Though their arrival comes amid a German heavy rock underground that’s nothing if not well populated, Fulda-based five-piece Crimson Oak present with their self-titled debut long-player a stylistic take that’s both modern and genuine sounding, finding solid ground in well-crafted songs drawing more from ’90s-era heavy and punk in “Danger Time,” which follows the contemplative “Of My Youth,” the bulk of what surrounds expressing a similar level of self-awareness, up to and including the nine-minute side B opener “Brother of Sleep,” which sets psychedelic guitar against some of the album’s biggest riffs (and melodies). There’s middle ground to be had in cuts like “Displace” and “Sunset Embrace” still to come and “Fulda Gap” earlier, but Crimson Oak seem to touch that middle ground mostly en route to whichever end of the spectrum next piques their interest. At seven songs and 42 minutes, it’s not an insubstantial LP, but they hold their own with confidence and a poise that speaks to the fact that some of this material showed up on prior EPs. That experience with it shows but does not hold the band or songs back.

Crimson Oak on Thee Facebooks

Crimson Oak on Bandcamp

 

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The Obelisk Show on Gimme Radio Playlist: Episode 29

Posted in Radio on March 6th, 2020 by JJ Koczan

the obelisk show banner

Everything here is new. All of it. I didn’t do a classic track or anything like that. Just straight up new music. This playlist originally started coming together before I did the last episode, and I wound up scrapping it and going with the Reed Mullin tribute instead. Certainly no regrets there, but it’s not like I didn’t want to play new Candlemass, so here it is a couple weeks later.

So everything is new. Some of it is instrumental. Cegvera, Kanaan, Saturno Grooves and Kungens Män at least, and if I think a full two-hour show with 13 songs might be the fewest I’ve ever done, which means that, on average, these are the longest songs. Whatever. I thought the show hit a good flow with some rocking stuff early in new Geezer and the Maryland doom of Galactic Cross, gets super-heavy for a minute and then trips out, but whatever. If you don’t agree, don’t listen I guess. I don’t get ratings figures or anything, but I don’t imagine I’m busting the doors down at Gimme Radio every Friday at 5PM.  I know that’s drive-time, but do the ancient ways of broadcast timeslots still apply when people are using apps to hear it? Rest assured, I have no idea.

Either way, thanks if you can listen. Sorry to be a bother if you can’t. If you want to look at this is as a list of bands I think you should check out, then fine. I ain’t trying to sell anyone anything, but of course appreciate your support.

The Obelisk Show airs 5PM Eastern today at http://gimmeradio.com

Full playlist:

The Obelisk Show – 03.06.20

Geezer Dig Groovy*
Galactic Cross Spellbound Galactic Cross*
Candlemass The Pendulum The Pendulum*
DOOL Sulfur & Starlight Summerland*
BREAK
Cegvera Red Swarm Beyond The Sixth Glare*
Dwaal Like Rats Gospel of the Vile*
Voidlurker Rotten Seed Industrial Nightmare*
Ryte Monoilth Ryte*
BREAK
Kanaan Seemingly Changeless Stars Odense Sessions*
Saturno Grooves Forever Zero Cosmic Echoes*
Foot Green Embers The Balance of Nature Shifted*
Humulus Hajra The Deep*
BREAK
Kungens Män Trappmusik Trappmusik*

The Obelisk Show on Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is March 20 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Humulus Announce Spring Tour Dates & Post “Gone Again” Video; The Deep out Tomorrow

Posted in Whathaveyou on February 27th, 2020 by JJ Koczan

humulus

You can still preorder Humulus‘ new album, The Deep, but the fact that it is out as of tomorrow, Feb. 28, might actually make it more of an “order” without the “pre-” part — at least in terms of shipping. Either way, it’s not too late. The Italian rockers-of-riff-and-beer have been steadily building toward the release over the last couple weeks, first unveiling a video for the track “Gone Again” as taken from the still-technically-upcoming LP and then just a few days ago putting out word that this Spring they’ll take their message to the people directly, playing mostly in Germany — which seems to be how it goes these days for a lot of bands; I guess you go where the good shows are, but I have to think poor Latvia is getting the shaft, not to mention the Iberian peninsula or Scandinavia up north, or I guess all those parts of Europe that aren’t Germany — but with a couple shows in Switzerland as well. Fair enough. One doubts it’ll be the last round of shows Humulus undertake to support the record anyhow.

Based in Brescia, in Italy, the trio have a release party scheduled for March 7 close to home, and their ties with independent brewery Elav will apparently result in some show there, unless they’re just going drinking — which is possible — but you can find out about all that kind of whatnot on the social medias. The tour dates and that preorder/order link follow here, with the “Gone Again” video at the bottom:

humulus the deep tour

HUMULUS – THE DEEP – 2020 SPRING TOUR

16.04.2020 – CH Basel, Sommercasino Basel
17.04.2020 – CH Winterthur, Gaswerk
18.04.2020- DE Karlsruhe, P8
19.04.2020- DE Leipzig, Ost-Passage Theater
20.04.2020 – DE Frankfurt am Main, Nachtleben Frankfurt
21.04.2020 – DE Dresden, Chemiefabrik
22.04.2020 – DE Berlin, Toast Hawaii
23.04.2020- DE Köln, Mongogo Cologne
24.04.2020- DE MĂĽnster, RARE GUITAR
25.04.2020 -DE Jena, Kulturbahnhof Jena

Artwork by ROBS -Dotwork Tattoo-

Massimiliano Boventi on The Deep release:

We are super excited about the release of the new LP. We are very satisfied about the sound of the record and the guys from our label Kozmik Artifactz are doing an amazing job with this new release. The most important thing for us is to find the good combination with the new and the old songs to do the best live show possible. So we are working hard in the rehearsal room for arrive at this point.

When we write new songs we always try something new… we need this to not get bored. So every time we really don’t know how our fanbase can react to the new elements, the new sound etc. This is our way and we hope to satisfy old and new listeners’ expectations.

‘The Deep’ Pre-Order: https://bit.ly/3bV8Itu

Humulus are:
Andrea Van Cleef – Guitar/Vocals
Giorgio – Bass
Massimiliano – Drums

www.facebook.com/humulusband
www.humulus.bandcamp.com
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Humulus, “Gone Again” official video

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Humulus Set Feb. 28 Release for The Deep

Posted in Whathaveyou on January 23rd, 2020 by JJ Koczan

On about a daily basis, I run into promo copy about records that tries to, at least in some way, sell the product. That’s what it’s ultimately about, right? Even a name-your-price download is competing against an entire universe of distraction for someone’s limited attention, so yeah. One way or the other, we’re all complicit in the big capitalist slaughterhouse. So. That said, there are few things I see that I find as genuinely encouraging about a record than what you see in the quote below from drummer Massimiliano Boventi, who explains that Humulus set out to write shorter songs for their new album, The Deep, and wound up doing exactly the opposite.

To be clear, I’m all about bands consciously trying to bring new ideas and dynamics to their work. It’s how progression happens much of the time, and it keeps creative people interested in the creative process. What’s great about the below, however, is that when the material let the players know what it wanted to be, they went with it, took the songs in their more natural direction, and put the record together the way the record needed to be put together. They didn’t force it, in other words. A band being recognize that let the material develop as it will is pivotal.

The Deep is out Feb. 28 through Kozmik Artifactz. Preorders are up now:

humulus the deep

Italian Heavy-Stoner Rockers, Humulus, Return With New Record ‘The Deep’

It is with great pride that we can finally announce our first Kozmik release of 2020!

Beer-loving Italian rockers, Humulus, return with mighty new album “The Deep” out 28th of February on vinyl and CD on Kozmik Artifactz.

Speaking of the new record, drummer Massimiliano Boventi said:

“The title will be “The Deep”. We started working on this record less or more one year ago between tours and gigs around … one fun fact: when we met the first time for taking decisions about the direction of the new songs we said like “let’s try to compose shorter songs”, maybe just for make something easier to listen for more people … so not too much later the first 2 songs were ready, the first was 9 minutes long the second 15 minutes – so in a totally spontaneous and natural way we realized that this is our direction … we love to jam and make different atmosphere during our rehearsal and the result is that we can’t cut our songs. So I can say the one of the detail of the new record is that more than in the previous one songs are more and more a mix between doom and stoner rock riffs and psychedelic and trippy atmospheres.”

The Deep will be released on limited edition heavyweight vinyl 7 CD on the 28th of February on Kozmik Artifactz.

VINYL FACTZ
– Plated & pressed on high performance vinyl at Pallas/Germany
– limited & coloured vinyl
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Devil’s Peak (We Eventually Eluded Death)
2. Gone Again
3. Hajra
4. Into The Heart
Of The Volcano Sun
5. Lunar Queen
6. Sanctuary III – The Deep

Humulus are:
Andrea Van Cleef – Guitar/Vocals
Giorgio – Bass
Massimiliano – Drums

www.facebook.com/humulusband
www.humulus.bandcamp.com
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Humulus, Reverently Heading into Nowhere (2017)

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Humulus Announce New Album The Deep out Next Year on Kozmik Artifactz

Posted in Whathaveyou on September 18th, 2019 by JJ Koczan

Brew-loving Italian heavy rockers Humulus will release their next album, The Deep, in Feb. 2020 through Kozmik Artifactz. Sounds like something that’s going to happen way, way in the future when we have flying cars and colonies on Alpha Centauri and not-at-all a rising tide of right wing fascism? Well, it’s like five months from now, so unless we’re in for the most condensed stretch of awesome progress ever — and not to play the cynic but I’m guessing we’re not — it’ll probably just be more of that rising tide thing. The good part, however, is new Humulus. Keep up. Also, it’s happening on Kozmik Artifactz, which seems like a fair jump for the Bergamo/Brescia three-piece, who’ve worked with Kozmik-offshoot Oak Island Records in the past, including for 2017’s Reverently Heading into Nowhere (review here), as well as with Taxi Driver Records.

Drummer Massimiliano Boventi had some cool stuff to say about The Deep, so you’ll find below what he sent to me. They did some light touring for the last record, so I’d expect no different this time out:

humulus

Humulus – The Deep

Our new LP will be out in february 2020 for german label Kozmik Artifactz Records. The title will be “The Deep”.

We started working on this record less or more one year ago between tours and gigs around…one fun fact : when we met the first times for take decision about the direction of the new songs we said like “let’s try to compose shorter songs”, maybe just for make something easier to listen for more people…so not too much later the first 2 songs were ready, the first was 9 minutes long the second 15 minutes — so in a totally spontaneous and natural way we realized that this is our direction… we love to jam and make different atmosphere during our rehears and the result is that we can’t cut our songs.

So I can say the one of the detail of the new record is that more than in the previous one songs are more and more a mix between doom and stoner rock riffs and psychedelic and trippy atmospheres…

For the first time there will be also an acoustic song in the record.

As the last works (Reverently Heading Into Nowhere and Walrus EP) this record was recording during this summer at Indiebox Music Hall in Brescia by Giovanni Bottoglia.

Humulus is:
Andrea Van Cleef: guitar, voice
Giorgio Bonacorsi: bass
Massimiliano Boventi: drums

www.facebook.com/humulusband
www.humulus.bandcamp.com
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Humulus, Reverently Heading into Nowhere (2017)

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Elav Stoner Open Air 2018: Mars Red Sky, Samavayo, Belzebong, Papir and More Set to Play

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

Holy shit this looks like a good time. Don’t get me wrong, I post about a lot of festivals all over the place and often say the same, but if you’ve got two minutes and 45 seconds — and if you make it to the end of this run-on-ass sentence, let’s face it, you do — go ahead and check out the recap video at the bottom of this post of last year’s Elav Stoner Open Air in Bergamo, Italy. I know it’s edited together to look cool and I know rocking out in slow motion is universally awesome and blah blah blah, but even so, look at that space. Look at the vibe. Look how relaxed everything seems, everybody just having a good time, downing some beers and watching killer bands play. What the hell is life about if not that very thing?

That was the first edition of the festival, and it’s grown significantly since. Elav Stoner Open Air 2018 features Bergamo’s own beer aficionados Humulus in a returning role, and alongside them are the likes of Mars Red Sky, Samavayo, Sonic Wolves, Papir playing a special jam set and a regular set, Belzebong, Weedpecker, Da Captain Trips and more. Just absolutely killer. I don’t want to say “job well done” before it happens and jinx anything, but seriously, this looks like an incredible time. It’s free to get in if you can get there, and it’s three nights of killer shows back to back to back. I’m sorry I won’t get to see it, but I’ll look forward to the video after the fact.

Lineup info and links follow here, as seen on the social medias:

ELAV STONER OPEN AIR FESTIVAL 2018

13-14-15 September 2018

@ Birrificio Indipendente Elav (Comun nuovo – Bergamo, Italy)

\\\\ FREE ENTRY ////

LINE UP:

Gio 13 ::: Da Captain Trips + Sonic Wolves + Samavayo
Ven 14 ::: RAIKINAS + Papir (jam set) + Humulus + Mars Red Sky
Sab 15 ::: The Black Lodge + Dead Man’s Blues Fuckers + Weedpecker + Papir + BelzebonG

https://www.facebook.com/Elav-Stoner-Open-Air-1558381127592263/
https://www.facebook.com/events/390670014767206/
https://www.elavbrewery.com/it/birre-elav

Elav Stoner Open Air 2017 recap

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Up in Smoke 2018 Adds Electric Wizard, Ancestors, Dopethrone, Messa, Child, Humulus and Giant Sleep to its Lineup

Posted in Whathaveyou on May 28th, 2018 by JJ Koczan

Very cool that Electric Wizard are headlining Up in Smoke 2018. Very cool. Not saying it isn’t. And right on that Dopethrone, Messa, Child, Humulus — have to wonder if they’ll bring their own beer — and Giant Sleep are playing too. Awesome. The name I want to focus on here, however, is Ancestors. The returned/reactivated Los Angeles unit will have their new album out on Pelagic Records by the time they head to Europe to play Up in Smoke presumably as part of a larger round of touring, and I’m pretty sure I’ve said this already, but watch out for that fucking record. Really. It’s a stunner.

2018 has already seen a fair share of righteous outings — I’d list them here, but you know, stolen laptop — and a couple real landmarks are still to come, but don’t let the new Ancestors get by you just because it’s been a while since they put anything out. I’ll have more to say about it, I’m sure, because it’s the kind of record about which one doesn’t easily shut up, but yeah. Take it as an(other) early heads up.

Here’s Up in Smoke‘s announcement:

up in smoke 2018 poster

UP IN SMOKE 2018 – ELECTRIC WIZARD & 6 MORE ACTS CONFIRMED!

GET YOUR CHANCE TO WIN A WEEKEND PASS!

Up In Smoke Indoor Fest 2018 has just announced a bunch of new bands, including their second headliner: The almighty ELECTRIC WIZARD, bringing their new album “Wizard Bloody Wizard” to make Pratteln tremble once again! Also confirmed:

DOPETHRONE (CAN) – The riff comes in many forms. Sometimes it’s clean and elegant… sometimes it’s filthy, grimy and about as elegant as a sledgehammer to the sternum. “Dopethrone are the kind of humans that eat the blues for lunch and wash it all down with a giant jug of crust punch! This is one of those bands that will have the crusty punks head banging right next to the stoners, both united under the bad sign of doom.” (CVLT NATION) The Canadian trio released their new album “Transcanadian Anger” few days ago!

ANCESTORS (USA) – Ancestors formed in 2006 and instead of “choosing between prog rock or heavy rock,” merged the styles to create music rife with atmosphere, tension and raw human emotion. They create mighty, modern music that dovetails innovative arrangement, crushing primordial riff interplay and melodic instrumental passages with textural atmospherics. They will release their long-awaited new album this summer via Pelagic Records.

MESSA (IT) – Messa play evoking doom metal with a dark jazz twist. Deliciously haunting female vocals, rhodes piano and 70’s fuzz guitars combine to conjure a sound that is all of their own. With influences as diverse as Windhand, Bohren Und Der Club Of Gore, The Devil’s Blood, Jex Thoth, Angelo Badalamenti, Bellwitch, John Coltrane and Aluk Todolo, the band has moved from the droning occult doom of their first LP “Belfry” to a new, darker and more atmospheric approach clearly showcased in their new record “Feast for Water”, released in March!

CHILD (AUS) – Hailing from the urban wilds of Melbourne, Australia, Child combine the heavy emotion of the blues with the tone and raw power of hard rock to create a visceral musical experience that reaches right into the chest of listeners. Since the release of their runaway self-titled debut in 2014, Child have continued to develop their unique brand of heavy blues through constant writing and extensive touring. The band released their latest EP “I” a few months ago!

HUMULUS (IT) – Humulus is a Psych-Stoner power trio from Brescia/Bergamo (Italy), formed in 2009. Their first self titled album was released by Go Down Records in December 2012. The ten tracks of this first work fully reflect the stoner attitude of the band and their aggressive sound that is best expressed during their live shows. Their latest LP “Reverently Heading Into Nowhere”, more psychedelic and heavier than ever, came out in the Spring of 2017.

GIANT SLEEP (GER/CH) – Giant Sleep are five guys from Germany and Switzerland, worshipping the power of the riff. The sound of the quintet penetrates the worlds of the subconscious and incomprehensible with no regard for genres nor boundaries. Modern post- and prog-rock elements meet the classic sound of the 70s; an original mixture of lively and creative music. On their second album “Move A Mountain” Giant Sleep takes you on a journey through rock history and beyond.

Taking place October 5th & 6th 2018 at Z7 in Pratteln, Switzerland, highclass acts such as JOHN GARCIA & THE BAND OF GOLD, ACID KING or SASQUATCH have already been confirmed with many more to come. Tickets for Up In Smoke are available HERE!

SHARE & WIN: To get another chance to win a weekend pass for Up In Smoke 2018, please visit the Facebook page for more info!

www.upinsmoke.de
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.sol-tickets.com/produkte
https://soundofliberation.com

Ancestors, “Gone”

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Humulus Touring Germany Next Week

Posted in Whathaveyou on November 17th, 2017 by JJ Koczan

Beer-guzzling Italian heavy rockers Humulus might be a little late for Oktoberfest, but one imagines they’ll find plenty to keep their livers busy with anyway as they trek through Germany next week on a Noisolution-booked six-day jaunt supporting earlier-2017’s Reverently Heading into Nowhere (review here). The band offers a quick check-in ahead of the run, and it turns out they’ve almost completely sold through the first pressing of their second long-player, and though more are reportedly 200 more on the way, if you happen to be in the path of the tour and want a copy, now would seem to be the time to pick it up. Fair enough.

Reverently Heading into Nowhere was released through Taxi Driver Records and Oak Island Records. Here’s that update from the band, some cool art and the dates for next week’s stint:

Humulus – Humulus Germanicus Tour

We really can’t wait to hit the road and have a blast in this 6 days tour in Germany. In the past we had 2 shows in Germany (one at Keep it Low in 2015) and were always very nice situations. When our last LP came out it was well reviewed by German magazines and blogs and our German label (Oak Island Records) and promoting agency (Noisolution) are doing a great work with us. We really expect to having good time, nice shows and meet old and new friends.

We have only few copies left of our last LP in limited edition vinyl for this tour… then new 200 copies will be repressed by the label in black version and they will be available from spring 2018. So don’t be shy German people: come to our shows, enjoy our music, and grab the last copies of our R.H.I.N.O.

20.11.2017 – Munich, Rumours
21.11.2017 – Wiesbaden, Kesselhaus w/ The Flying Eyes
22.11.2017 – Düsseldorf, District 6
23.11.2017 – Berlin, Jägerklause Berlin w/ Dead Kittens
24.11.2017 – Jena, Kulturbahnhof Jena w/ Nap
25.11.2017 – Ulm, Kradhalle

Tour is booked and promote by Noisolution

Humulus is:
Andrea Van Cleef: guitar, voice
Giorgio Bonacorsi: bass
Massimiliano Boventi: drums

www.facebook.com/humulusband
www.humulus.bandcamp.com
www.taxidriverstore.com
www.taxidriverstore.bandcamp.com
https://www.facebook.com/oakislandrecords/

Humulus, Reverently Heading into Nowhere (2017)

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