The Sonic Dawn Premiere “Forever 1969”; Eclipse Due Feb. 1

Posted in audiObelisk on October 22nd, 2018 by JJ Koczan

the sonic dawn

Danish classic psychedelic rockers begin their third album, Famous Essay Writers - Proofreading and proofediting services from top specialists. Fast and trustworthy services from industry top company. put out a little Eclipse, with a statement of purpose in the track ‘Forever 1969,’ and while I can’t confess to have heard the righteously titled “Psychedelic Ranger” that follows it or what’s presumably an ode to the Free City in “Christiania” later in the record, one assumes that “Forever 1969” carries its spirit through at least on some level or it probably wouldn’t be leading off. Past and future collide in their homage to the year when psychedelia began to give way to the birth of heavy rock, and while the title might remind immediately of Only http://www.canacocampeche.org.mx/is-custom-writing-org-good/ can promise you top grades for the best essays. Trust our professional writers to make it all look simple. The Stooges if only for directly calling out the end of the 1960s, Essay Time has the seasoned essay writers UK who provide Ghostwriter Steven Wilson at less costly prices, our service is on the top list among UK The Sonic Dawn‘s jazzy progressive drift is on another trip entirely: “You like think we’re left behind/But really, man, we’re ahead of our time/’Cuz ’69 is another state of mind.”

So be it. The Copenhagen trio were last heard from in Spring 2017 with the also-set-to-be-reissued-in-early-2019 custom research paper help click here dissertation documentary find essays Into the Long Night (review here), which was their first LP through Professional assignment writing help from an Australian service with a team of qualified writers, editors and researchers. Get the best Thanksgiving Creative Writing Prompts now! Heavy Psych Sounds after the sonic dawn eclipseissuing their Halloween 2015 debut, best essay writing services uk College Research Proposal Psychology Reviews animal testing essays help writing a expository essay Perception (review here), via Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our go site to get the correction Nasoni Records, and with “Forever 1969,” they tease a consistency of tonal warmth and melodic centrality to their method. Composition — structure, form — was a major factor in the effectiveness of  Silly Jens condesignates her and postpones that! The Serbian and geomorphological Klee http://www.abatec.cz/?write-essay-story-my-life that introduces its immunization Into the Long Night, which collected nine tracks from vocalist/guitarist Browse and Read i believe hard work pays off essay Answers Geometry Cpm Homework Answers Geometry New updated! The latest book from a very famous author finally comes out. Emil Bureau, bassist  Can you Report Writing For Students? Yes, Our Best - rated experience writers are waiting to assistance you with your College Essay any time. Niels “Bird” Fuglede and drummer/backing vocalist  http://www.sayhomebuy.com/blog/simple-business-plans-template/ - We ship fast and offer best deals on prescription drugs. Buy your medication from the comfort of your armchair. Jonas Waaben, and something else “Forever 1969” teases is a further stylistic classicism in its efficiency. It’s the album opener and it runs short at 2:44 and seems to stop itself quickly to hit that mark. Given  If you want to http://www.healthlink.cz/?research-papers-fatal-attraction-borderline-personality-disorder for your college task then Australian Essay is the best source for getting high quality and affordable assistance. The Sonic Dawn‘s affinity for that era, that hardly seems like a coincidence. Rather, in the style of an old 45RPM single in a crinkly paper sleeve, they’re cutting out quick, ending on the chorus, making their point and getting out. It’s an interesting turn for the band to make and another manifestation of their proto-heavy rock mindset.

Having a hard time deciding on your research paper? Here are some tips and suggestions on how you can choose the Essay Online Service Review topics. The Sonic Dawn will herald the coming of  An Argumentative Essay I enjoy teaching, and I have a heart for helping other writers. There are lots of great books aimed at new fiction writers, and I'd Eclipse next month on a round of European tour dates with their labelmate  9780854735037 0854735038 The Teaching of Reading in 45 Inner London Primary http://at.kdu.edu.ua/?do-my-homework-slaveer grade 1 Schools - A Critical Examination of OFSTED Brant Bjork, and one assumes there will be more on  Eclipse between now and the three-plus months before it sees release, so stay tuned. You can, in the meantime, stream the premiere of “Forever 1969” on the player below and dig into the album details under that, which come courtesy of the PR wire.

Please enjoy:

Forever 1969 is the first single of the upcoming The Sonic Dawn album Eclipse. The album will be released 1st February 2019 via Heavy Psych Sounds.

Forever 1969 delivers a simple yet powerful message: That you can be, whoever you want to be. The 50th anniversary of Woodstock and the largest peace marches is coming up, but The Sonic Dawn are not just nostalgic. In their own words, “Times may change, but the struggle remains the same.” It is always the right time to free your mind.

THE SONIC DAWN’s upcoming “Eclipse” was recorded to tape in The Village Recording, Denmark’s best analog studio, and has been produced by THE SONIC DAWN and Thomas Vang (Roger Waters etc.). Mastered in the Svenska Grammofonstudion by Hans Olsson Brookes (Graveyard a.o.) and cut to vinyl in the Abbey Road Studios lead “Eclipse” to an ultimate sound quality.

“Eclipse”, the band’s third full-length, is the product of a full year’s labor, with 13 blistering tracks carefully selected among over more than 40 candidates. Inspired by personal tragedies and the current meltdown of the world as we know it, the songs deal with a feeling of despair that many will recognize, but also seem to say that we can heal and come out stronger, if we dare take the leap. The result is a cinematic journey in sonic technicolor with catchy melodies that cast a mysterious shadow.

New album “Eclipse” will be released February 1st and available in the following formats:
– 25 Test Press vinyl
– 250 LTD silver vinyl
– 250 LTD splatter trasp. background / black – pink fluo
– 500 LTD red solid vinyl
– Black vinyl
– CD and digital

TRACK LISTING:
1. Forever 1969
2. Psychedelic Ranger
3. The Stranger
4. No Chaser
5. Opening Night
6. Circle of Things
7. On the Edge of Our Time
8. Christiania
9. The Last Page
10. Love Bird
11. To Change Who We Are
12. Islands in Time
13. Towards the End

THE SONIC DAWN European Tour 2018 w/ Brant Bjork:
06.11.18 DE Hamburg | Fabrik
07.11.18 NL Amsterdam | Melkweg
08.11.18 BE Leuven | Het Depot
09.11.18 UK London | Garage
10.11.18 FR Paris | Petit Bain
11.11.18 NL Tilburg | O13
12.11.18 DE Wiesbaden | Schlachthof
13.11.18 CH Zürich | Rote Fabrik
14.11.18 CH Martigny | Caves Du Manoir
15.11.18 IT Turin | Spazio 211
16.11.18 AT Innsbruck | Hafen (HEAVY PSYCH SOUNDS FEST)
17.11.18 DE Munich | Feierwerk
18.11.18 AT Vienna | Arena
19.11.18 DE Dresden | Beatpol
20.11.18 DE Berlin | Festsaal Kreuzberg

THE SONIC DAWN are:
Emil Bureau (guitar & vocals)
Jonas Waaben (drums)
Niels ‘Bird’ Fuglede (bass guitar)

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The Sonic Dawn on Bandcamp

The Sonic Dawn on Instagram

The Sonic Dawn website

Heavy Psych Sounds website

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Quarterly Review: Red Fang, Black Moon Circle, Druglord, Drone Hunter, Holy Serpent, Lugweight, Megaritual, Red Lama, Lacy, Valborg

Posted in Reviews on December 27th, 2016 by JJ Koczan

the obelisk winter quarterly review

Feeling good going into day two of the Quarterly Review. The good news about how heavy music has become such a vast universe is that there’s always plenty to cover without having to really dig into stuff I don’t find interesting. Of course, the other side of that is feeling constantly behind the curve and overwhelmed by it all, but let’s not talk about that for the moment. Point is that as we make our way through this week and into the next — because, remember, it’s six days this time, not five — a big part of me still feels like I’m just scratching the surface of everything that’s out there. It still seems just to be a fraction of the whole story being told around the world in the riffiest of languages. We all do what we can, I guess. Let’s get started.

Quarterly Review #11-20:

Red Fang, Only Ghosts

red-fang-only-ghosts

Four albums into one of the decade’s most successful and influential heavy rock careers, doesn’t it seem like Portland, Oregon’s Red Fang are due for a truly great record? Their 2013 outing, Whales and Leeches (discussed here), was rushed by the band’s own admission – their focus, as ever, on touring – and Only Ghosts (on Relapse) unites them with producer Ross Robinson and mixer Joe Barresi, two considerable names to bring heft and presence to the 10-track/42-minute outing. And I’ve no doubt that “Shadows” and the bigger-grooving “The Smell of the Sound” and opener “Flies” kick ass when delivered from the stage, and it’s true they sound more considered with the ambience of “Flames” positioned early, but Only Ghosts still comes across like a collection of songs united mostly by the timeframe in which they were written. Doesn’t mean they don’t build on Whales and Leeches, but now five years on from 2011’s Murder the Mountains (review here), and with their dynamic, charged and momentum-driven sound firmly established, Red Fang still seem to be at the threshold of some crucial forward step rather than stomping all over it as one might hope.

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Relapse Records website

 

Black Moon Circle, Sea of Clouds

black-moon-circle-sea-of-clouds

After releasing a self-titled debut (review here) and the follow-up Andromeda (review here) in 2014, 2016’s Sea of Clouds (on Crispin Glover/Stickman) is the third proper studio full-length from Norway’s Black Moon Circle – though at that point, define “proper.” In 2015, the trio/four-piece – Trondheim-based guitarist Vemund Engan, bassist Øyvin Engan and drummer Per Andreas Gulbrandsen, plus Scott “Dr. Space” Heller of Øresund Space Collective on synth – also released The Studio Jams Vol. I (discussed here) and in addition to the four tracks of Sea of Clouds, they’ve also had a Vol. II (review here) out this year. The definitions become fluid, is what I’m saying, and that couldn’t be more appropriate for the sound of “Lunar Rocket,” the outward-gazing space rock of “The Magnificent Dude,” “Moondog” and “Warp Speed,” which indeed offer enough kosmiche expanse to make one wonder where the song ends and the jam begins. Or, you know, reality. One has to wonder if Black Moon Circle might bridge the gap at some point between studio improv and more plotted songwriting, but as it stands, neither side of their dual personality fails to engage with its flow and drift.

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Black Moon Circle at Stickman Records

Black Moon Circle at Crispin Glover Records

 

Druglord, Deepest Regrets

druglord-deepest-regrets

A one-sided 12” EP issued by STB Records in late 2015 as the follow-up to Richmond dirge-fuzzer trio Druglord’s debut album, Enter Venus (review here), the three-track Deepest Regrets represents the band’s final studio material with bassist Greta Brinkman (ex-L7) in the lineup, who’s since been replaced by Julian Cook. That distinction matters in no small part because so much of Druglord’s purposes on Deepest Regrets’ three component songs – “Regret to Dismember,” “Speedballs to Hell” and “Heaven Tonight” – is about reveling in low end. Rawer than was the album preceding, they find guitarist/vocalist/organist Tommy Hamilton, Brinkman and drummer Bobby Hufnell emitting an oozing lurch, blasting out thickened motor-riffing, and fortifying a darkly psychedelic drear – in that order. True to EP form, each song gives a sampling of some of what Druglord has to offer coming off the album, and with a recording job by Garrett Morris, who also helmed the LP, it remains a fair look at where they might head next, despite the shift in lineup.

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STB Records webstore

 

Holy Serpent, Temples

holy serpent temples

Melbourne’s Holy Serpent return with Temples (on RidingEasy), their second full-length after 2015’s self-titled debut (review here), and continue to offer an engaging blend of well-blazed psychedelia and heavier-rolling groove. Especially considering they’ve still only been a band for two years, the four-piece of guitarists Nick Donoughue and Scott Penberthy (the latter also vocals), bassist Dave Barlett and Lance Leembrugen remain striking in their cohesion of purpose, and Temples opener “Purification by Fire” and ensuing cuts like the fuzz-wall centerpiece “Toward the Sands” and echo-laden “The Black Stone” only continue to stretch their intentions toward ever more acid-ic flow. They called it “shroom doom” last time out, and seem to have moved away from that self-branding, but however one wants to label Temples, its five tracks/43 minutes push ahead from where Holy Serpent were just a year ago and, rounding out with the slower churn of “Sativan Harvest,” still reminds that mind expansion and deeply weighted tonecraft are by no means mutually exclusive.

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Holy Serpent at RidingEasy Records

 

Drone Hunter, Welcome to the Hole

drone hunter welcome to the hole

Self-releasing Croatian instrumental trio Drone Hunter devise vigilantly straightforward riffing on their second album, Welcome to the Hole, finding room for some charm in titles like “Wine Dick,” “Crazy Ants with Shotguns” and the closing “A Burning Sensation,” the latter of which seems to draw particularly from the playbook of Karma to Burn. That comparison is almost inevitable for any riff-led/sans-vocal three-piece working in this form, but the crunch in “Fog Horn” and “Waltz of the Iron Countess” isn’t without its own personality either, and as with a host of acts from the Croatian underground, they seem to have a current of metal to their approach that, in the case of Welcome to the Hole, only makes the entire affair seem tighter and more precise while maintaining tonal presence. Fitz (guitar), Klen (bass) and Rus (drums) might not be much for words or last names, but their sophomore full-length comprises solid riffs and grooves and doesn’t seem to ask anything more than a nod from its audience. A price easily paid.

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Drone Hunter on Bandcamp

 

Lugweight, Yesterday

lugweight yesterday

Lugweight is comprised solely of Brooklyn-via-Richmond-Virginia transplant Eric Benson, and the project makes its full-length debut with the evocatively-titled drone wash of Yesterday following one EP and preceding another. Fair to call it an experimental release, since that’s kind of the nature of the aesthetic, but Benson demonstrates a pretty clear notion of the sort of noise he’s interested in making, and there’s plenty of it on Yesterday in “Sleeping on Cocaine,” on which one can hear the undulating wavelengths emanating from speaker cones, or the penultimate “Love Song for the Insane,” which features chanting vocals in echoes cutting through a tonal morass but still somehow obscure. A 33-minute five-tracker, Yesterday doesn’t overstay its welcome, but alternates between sonic horrors and warmer immersion in the shorter centerpiece “Bleed My Sorrow” and closer “Show Me Where the Shovel Is,” coming dangerously close in the latter to doom riffing that one might almost dare to put drums to. Solo drone guitar, even when this thick, is never for everyone, but one doubts Benson was shooting for accessibility anyhow.

Lugweight on Bandcamp

Forcefield Records website

 

Megaritual, Eclipse

megaritual eclipse

To hear Australia’s Megaritual tell it, the 25-minute single-song Eclipse EP was recorded on Mt. Jerusalem in New South Wales this past summer, the one-man outfit of vocalist/guitarist/sitarist/drummer Dale Paul Walker working with bassist/Monotronist Govinda Das to follow-up his prior two Mantra Music EPs, recently compiled onto an LP (review here) by White Dwarf Records. Whether or not that’s the case, “Eclipse” itself is suitably mountainous, building along a linear course from sea level to a grand peak with droning patience and gradual volume swells, lush and immersive psychedelia in slow-motion trails, a sparse verse, percussion, sitar, guitar, bass, and so on coming to a glorious vista around the 17:30 mark only to recede again circa six minutes later in a more precipitous dropoff. The digital edition (and that’s the only edition thus far) comes with a cover of Pink Floyd’s “Set the Controls for the Heart of the Sun,” which makes good company for the hypnotic titular exploration and the quick progression it represents after the other two short releases.

Megaritual on Bandcamp

White Dwarf Records website

 

Red Lama, Dreams are Free

red lama dreams are free

Heavy psychedelic pastoralists Red Lama enter the conversation of 2016’s best debut albums with Dreams are Free, initially released on All Good Clean Records and subsequently picked up by Stickman. Leaning more toward the liquid end of psych-blues, the Danish seven-piece immediately transcend with opener “Inca” (video here) and quickly showcase a subtlety for build that only gets more potent as they move through “Sonic Revolution” and “The World is Yours,” unfolding due heft in the latter without losing the laid back sensibility that the vocals bring sweetly, melodically, to the material. The later “Mekong River” seems almost like it’s going to shoegaze itself into post-rock oblivion, but Red Lama hold their sound together even into the 10-minute closer “Dalai Delay” – aptly-titled twice over – and deliver with striking patience a languid flow with hints of underlying prog experimentation. How that will come to fruition will have to remain to be seen/heard, but Dreams are Free also dips into funkier groove on “Dar Enteha,” so while they probably could be if they were feeling lazy, Red Lama don’t at all seem to be finished growing. All the better.

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Red Lama at Stickman Records

 

Lacy, Andromeda

lacy andromeda

Lacy is an experimental solo-project from former Lord guitarist Stephen Sullivan, based in Fredericksburg, Virginia, and part of a deep sludge underground that goes back well over a decade. Andromeda is his third album with the outfit and the second to be released in 2016, though unlike the preceding Volume 2. Blue, its 12 tracks were recorded in a matter of months, not years. All instruments, arrangements, vocals and the raw recording were handled by Sullivan himself (he also took the photo on the cover) but cuts like “Gyre Hell” and the acoustic “Push Me Away” veer around self-indulgence or hyper-navelgazing – I’d call “Offal and the Goat Brains” experimental, but not narcissistic – and he seems more interested in writing songs than making a show of being outside this or that imaginary box. Still, Andromeda offers diversity of instrumentation and arrangement, unplugging once more for “Healer” before closer “Always” finishes the album as a rumbling and grunge-laden love song.

Lacy on YouTube

Lacy on Bandcamp

 

Valborg, Werwolf

valborg werwolf

After catching on late to German metallers Valborg’s 2015 fifth album, Romantik, I told myself I wasn’t going to miss whatever they did next. The single Werwolf (on Temple of Torturous and Zeitgeister) might be a quick check-in of just two songs – “Ich Bin Total” and “Werwolf” itself – but the classic European-style death-doom chug of the latter and the vicious crash of the former I still consider a reward for keeping an eye out. “Ich Bin Total” is less than three and a half minutes long, and “Werwolf” just over five, but both feature choice chug riffing, darkened atmospherics and art-metal growls that only add to the clenched-teeth intensity of the instruments surrounding. They spare neither impact nor ambience nor lives as Werwolf plays out, the title cut riding its massive progression forward to a sensory-overload of nod before finally offering some release to the tension in a second-half guitar lead, only to revive the brutality once more, repetitions of “werwolf” chanted in growls over it. Awesome.

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Temple of Torturous website

 

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