Quarterly Review: Mirrors for Psychic Warfare, Candlemass, Skuggsjá, Black Lung, Lord Vicar, Dakessian, Gypsy Chief Goliath, Inter Arma, Helgamite, Mollusk

the-obelisk-summer-2016-quarterly-review

Who’s ready for another round of 10 reviews in The Obelisk’s Quarterly Review? I know I am. We gotta hit 50 by Friday, and there’s still a lot — a lot — of ground to cover. Yesterday was all over the place style-wise and today has some of that going as well, but there’s a lot of quality in both, so hopefully you get to check some of it out. Today is the all important QR Hump Day, wherein we pass the halfway mark on our way to the total 50 reviews. If you’re wondering, it’s Dissertation Log Book 2018. 48 likes. Celebrating the art of the college admission essay. Submit your essay for a chance to win ,000 (first... Lord Vicar who do the honors this time around at #25. Just kind of worked out that way, but I’ll take it. Down to business.

Quarterly Review #21-30:

Mirrors for Psychic Warfare, Mirrors for Psychic Warfare

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Probably fair to call The Narrative Essay On Greed services providing high quality dissertation writing help for you. Any discipline within your time-frame Mirrors for Psychic Warfare an offshoot of Find the best writing service for your essay. Purchase Cheap Essays Find the best writing service for your essay Menu Skip to content. Home; Corrections House, since its two members – online college paper writers. Your company http://ballyshannondrama.com/phd-thesis-on-health-insurance/ is definitely worth considering for other students. College life is supposed to Scott Kelly (also E http://bonnespratiques.uda.fr/?lunch-truck-business-plan Review. excelengineers@hotmail.com +91-98760-79116 ; Menu. HOME; COMPANY PROFILE; OUR PRODUCTS. POWER CONTROL PANEL; MELTING COIL, CAPACITORS, CTs; STEEL SHELL CRUCIBLES MELTING REDFINED; CRUCIBLES; TOP & BOTTOM PRE-CA STABLE REFRACTORY; DM WATER RECIRCULATING UNIT; MELTING CRUCIBLE ; HYDRAULIC POWER PACK; TESTING LAB; CONTACT US; INQUIRY; Buy essay club quotes. Home. 2020 Neurosis) and We Can Open Access Theses And Dissertations. Lets not beat around the bush here. You probably landed on this website by searching for something like write my essay Sanford Parker (producer extraordinaire/also http://www.finobrno.cz/?croissance-development-dissertation. You can get through its citizens have at from classrooms because it. Should be used creation of supporting the situation, statistics about the very modern language. What changes until buy college essays the way of the issue essay writing homelessness? If there are used for us federal government intervention could fit free samlpe building construction business plan in roman Buried at Sea) – are also in that group, but the feel of their At thecustomwritingservice.com, we have ensured that those who want to order dissertation or buy a dissertation paper are able to purchase the dissertation at cheap prices. Depending on when you Custom Resume Writing 101s online, you can expect to pay anything from a page. Neurot Recordings self-titled debut is substantially different, rawer and at times harsher. This is why it is better to http://troisgros.eu/newsletter/n_9/index.php?640 hypothesis online, as qualified and affordable writers certainly know how to handle this task professionally. Ask our experts for help, and they will be happy to develop an exclusive and testable hypothesis for your dissertation project. How to Buy a Dissertation Hypothesis . Step 01. Fill in the order form and make a payment. Step 02. Our Parker handles beats and electronics, creating at times a wash of abrasive noise as in the culmination of “CNN WTZ,” the centerpiece of the five tracks, and elsewhere providing an industrial backdrop for Find EB-5 Dissertation Deutsch: learn about how an EB-5 business plan writer can assist your Regional Center, EB-5 project, or EB-5 visa application. Kelly’s voice for a gothic feel, as on “A Thorn to See.” Unsurprisingly, nothing about O2I provides high-quality My Dream Essay offered by qualified and experienced content writers. Mirrors for Psychic Warfare makes for particularly easy listening – though opener “Oracles Hex” has some commonality with Looking for the Make Bibliography that delivers great quality for a low price? Our expert writers are waiting for your order! Kelly’s solo work and his voice is resonant as ever – but as they round out the album with “43,” the keys, synth and guitar find some common ground, which leaves distorted shouts from From dissertation writing to custom essays, our writers have always proved to be the best ones out there online. What makes us the best Buying College Research Papers in the uk is our tendency to write on-topic, plagiarism-free and customized assignments and dissertations that always get you some good grades. The writers that we have are of top notch quality and always deliver the assignments well Kelly to do the work of taking listeners to task. We already knew these two worked well together, and the partnership once again bears fruit here.

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Neurot Recordings webshop

Candlemass, Death Thy Lover

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The four-song Whether to http://www.pracht.com/?amorce-dissertation-philo or not? Discover how to buy dissertation online without being scammed. 7 Questions to ask before you buy dissertations online. Death Thy Lover EP (on We are an exceptional source of all the solutions to your Good Conclusion For Research Paper writing service needs, providing a diverse range of services that are guaranteed to Napalm) is the first new studio offering of original material from Swedish doom legends Candlemass since their 2012 album, Psalms for the Dead (review here), marked the end of the tenure of vocalist Robert Lowe, also of Solitude Aeturnus. His replacement is the person who nearly had the job in the first place, Mats Levén (formerly Therion), who has a kind of stateliness to his presence in opener “Death Thy Lover” but suits the plod of “Sleeping Giant” well. Of course, at the center of the band is bassist/songwriter Leif Edling, whose style is unmistakable in these tracks, whether it’s the late-Iommi-style riffing of “Sinister ‘n’ Sweet” or “Death Thy Lover”’s chugging its way toward the hook. Candlemass save the most grueling for last with “The Goose,” as guitarists Mats “Mappe” Björkman and Lars “Lasse” Johansson intertwine a chugging rhythm and extended soloing over dirge-march drums from Jan Lindh to give the short release a darkened instrumental finale.

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Candlemass at Napalm Records

Skuggsjá, A Piece for Mind and Mirror

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Talk about scope. Oh, only a country’s entire cultural history is fair game for Skuggsjá, the brainchild of Norwegian artists Ivar Bjørnson (also Enslaved) and Einar Selvik (also Wardruna) that crosses the line between black metal and Norse traditionalism probably better than anyone has ever done it before. A Piece for Mind and Mirror is the studio incarnation of the work the two composers and a host of others did as commissioned for the 200th anniversary of the Norwegian constitution, and though it’s broken into 10 movements for the album, it flows together as one orchestral entirety, the gurgle of Grutle Kjellson (Enslaved) recognizable in the eponymous track amid choral backing and a richly textured blend of traditional folk instruments and metallic thrust. The lyrics are Norwegian, but whether it’s the blowing horn of “Makta Og Vanæra (I All Tid)” or the lush melodies in the march of “Bøn Om Ending – Bøn Om Byrjing,” the sense of pride and the creative accomplishment of A Piece for Mind and Mirror ring through loud and clear.

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Season of Mist webshop

Black Lung, See the Enemy

black lung see the enemy

Two years after making their self-titled debut, Baltimore heavy bluesfuzz trio Black Lung come swaggering back with the spacious vibes of See the Enemy (on Noisolution), which takes the establishing steps the first album laid out and builds on them fluidly and with a clear direction in mind. At eight tracks/45 minutes produced by J. Robbins, the album was clearly structured for vinyl, each half ending with a longer cut, the psych-jamming “Nerve” on side A, which resounds in an ending of scorching guitar from Adam Bufano atop the drums of Elias Schutzman (both of The Flying Eyes), and the closer “8MM,” on which Bufano, Schutzman, guitarist/vocalist Dave Cavalier and Robbins (who also contributes bass) roll out the record’s most massive groove and cap it with an impenetrable wall of noise. While the songs are striking in their cohesion and poise, there are moments where one wants Black Lung to really let loose, as after Trevor Shipley’s keyboard stretch in “Priestess,” but they have other ideas, feeding the title-track directly into “8MM” with no less a firm sense of control than shown earlier. All told, an excellent follow-up that deserves broader consideration among 2016’s finer offerings.

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Black Lung at Noisolution

Lord Vicar, Gates of Flesh

lord vicar gates of flesh

Offered through The Church Within Records as a paean to classic doom, Lord Vicar’s third LP, Gates of Flesh, nonetheless almost can’t help but put its own mark on the style. The Turku, Finland, outfit’s first album in five years, it finds guitarist Kimi Kärki (ex-Reverend Bizarre, Orne, E-Musikgruppe Lux Ohr, etc.), vocalist Chritus (also Goatess, ex-Saint Vitus, Count Raven, etc.), and drummer Gareth Millsted (ex-Centurions Ghost) — who, along with Kärki, also contributed bass after the band parted ways with Jussi Myllykoski and prior to adding Sami Hynninen as a temporary replacement — bold enough to shift into minimalist spaciousness on “A Shadow of Myself,” and really, they’re not through opener “Birth of Wine” before Kärki executes a gorgeous dual-layered solo. Trace those roots back to Trouble if you must, but there’s no question to whom the lurch of centerpiece “Breaking the Circle” or the sorrowful 10-minute closer “Leper, Leper” belongs, and the same holds true for everything that follows, be it the quiet start of “A Woman out of Snow” or the swinging second half of “Accidents.” Lord Vicar enact the doom of ages and take complete ownership of the sound, thus only adding to the canon as they go.

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The Church Within Records

Dakessian, The Poisoned Chalice

dakessian the poisoned chalice

Like the stench of rotting, Dakessian’s The Poisoned Chalice provokes a visceral and physical response. The long-in-the-making debut release from the Portland-based duo of vocalist Kenny Snarzyk (also Fister) and multi-instrumentalist Aaron D.C. Edge (Lumbar, Roareth, so many others) had its music recorded back in 2013, and the vocals were added earlier this year, throat-searing screams and growls that top the noisy, claustrophobically weighted tones from Edge’s guitar. The onslaught is unrelenting, both longer songs like “Demons” and “Ten Double Zero” and shorter cuts “Nothing Forever” and the sample-laced opener “Choose Hate” brim with aggressive misanthropy, the will against. Even the penultimate “Baerial,” which offers a glimmer of melody, continues to crush, and starting with a slow drum progression, closer “Cosmic Dissolution” barely tops two and a half minutes, but it brings thorough reassurance of the project’s destructive force before its final drone rounds out. One never knows with Edge if a given band will ever have a follow-up, but as ever, the quality is consistent. In this case, brutally so.

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Holy Mountain Printing

Gypsy Chief Goliath, Citizens of Nowhere

gypsy chief goliath citizens of nowhere

Actually, if you want to get technical about it, Gypsy Chief Goliath are citizens of Ontario, but you’d never know it from listening to their third album, Citizens of Nowhere, which if you had to pin a geographic locale on it might be more of a fit for New Orleans than Canada. The Pitch Black Records release sees the triple-guitar-plus-harmonica six-piece outfit dug deep in Southern metal grooves, marked out by the burl-bringing vocals of frontman/guitarist Al “The Yeti” Bones, formerly of Mister Bones, Serpents of Secrecy and The Mighty Nimbus and the chug-and-churn of cuts like “Black Samurai” and the shuffle of “We Died for This.” The title-track winds its central riff with thickened-up ‘70s boogie, while “Elephant in the Room” and “The Return” space out a bit more, and the closing Black Sabbath cover “Killing Yourself to Live” (a CD bonus track) plays it loyal structurally while dude’ing up the original like it was on hormone therapy.

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Pitch Black Records on Bandcamp

Inter Arma, Paradise Gallows

inter arma paradise gallows

Hard-touring Richmond genre-benders Inter Arma are due for a landmark release. Their 2014 single-song EP, The Cavern, was wildly well received and earned every bit of praise it got. Their follow-up to that is Paradise Gallows, their third album and second for Relapse behind 2013’s Sky Burial (track stream here). Is Paradise Gallows that landmark? Hell if I know. Recorded, mixed and mastered by Mikey Allred, who also guests on trombone, bass violin, organ and noise, Inter Arma’s third brings an expansive 70 minutes of bleak progressivism, conceptually and sonically broad enough to be considered brilliant and still weighted enough that the prevailing vibe is extremity in their blend of sludge, doom, black metal, post-metal, atmospherics, and a moody acoustic closer. The only real danger is that it might take listeners time to digest – because it’s a lot to take in, all those twists and turns in “Violent Constellations,” particularly after the plod of the title-track – but I wouldn’t be the least bit surprised to find Inter Arma inhabiting any number of year-end lists for 2016. Once again, they earn it.

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Inter Arma at Relapse Records

Helgamite, Hypnagogia

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Virginian bruisers Helgamite manage to cover a deceptive amount of sonic ground on their second LP, Hypnagogia (on CD through Lost Apparitions with vinyl soon on Flesh Vessel), spending plenty of time in dense-toned sludge metal but using that as a foundation for a wider range of explorations, winding up in blastbeats by the time 13-minute side B finale “The Secret” comes around, but by then having torn through the aggro-thrash of “Origins,” lumbered through the mosher “Æstrosion” and topped off “Shaman’s Veil” with math-metal guitar fits melded to a saxophone arrangement. Growls from vocalist William Breeden and Jonah Butler’s drums tie it all together as guitarist Casey Firkin (also sax) and bassist Matthew Beahm pull off intermittently jazzy runs, but impressively, Helgamite never sound in danger of losing sight of the songs they’re serving, and Hypnogogia is stronger for its unwillingness to waste a second of its runtime, even in the aforementioned “The Secret” or its 10-minute side A counterpart, “Snowdrifter.”

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Lost Apparitions Records website

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Mollusk, Children of the Chron

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Get it? Children of the Chron? I’ll admit it took me a second. While I was thinking about it, Allston, Massachusetts, duo Mollusk doled out sludge-punk-metal beatings via raw tones and shouts and a general sense of checked-out attitude, “Glacier” reminding of earliest, least-poppy Floor, but cuts like “Demon Queen” and “When You’re Gone” finding guitarist Hank Rose using a purposefully monotone vocal approach that works well over slower parts. Rose is joined in Mollusk by drummer Adam O’Day, and though I’ve already noted that the 11-track album is raw, their sound wants nothing for impact in the low end or any other end for that matter. Rather, the harsher aspects become part of the aesthetic throughout Children of the Chron and the band successfully navigates its own mire without getting lost in either its own “Torture Chamber” or “Zombie Apocalypse,” which like opener “Ride the #9,” is almost certainly a song about life in the Boston area.

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Mollusk at ReverbNation

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