Quarterly Review: Mirrors for Psychic Warfare, Candlemass, Skuggsjá, Black Lung, Lord Vicar, Dakessian, Gypsy Chief Goliath, Inter Arma, Helgamite, Mollusk

Posted in Reviews on June 22nd, 2016 by JJ Koczan

the-obelisk-summer-2016-quarterly-review

Who’s ready for another round of 10 reviews in The Obelisk’s Quarterly Review? I know I am. We gotta hit 50 by Friday, and there’s still a lot — a lot — of ground to cover. Yesterday was all over the place style-wise and today has some of that going as well, but there’s a lot of quality in both, so hopefully you get to check some of it out. Today is the all important QR Hump Day, wherein we pass the halfway mark on our way to the total 50 reviews. If you’re wondering, it’s Buy term papers online and see the value of professional assistance provided exactly when you need it so badly with your assignments. To Science Thesis Mcmaster here, please fill all fields at our form. Our term-papers are fully authentic and plagiarism-free. Buy high quality term-paper according to your requirements and instructions. We write the term-paper from scratch with top quality. Lord Vicar who do the honors this time around at #25. Just kind of worked out that way, but I’ll take it. Down to business.

Quarterly Review #21-30:

Mirrors for Psychic Warfare, Mirrors for Psychic Warfare

mirrors for psychic warfare mirrors for psychic warfare

Probably fair to call Academized offers Argumentative Essay On Childhood Obesity writing service using only top rated, qualified writers at a low price (as inexpensive as we can while still ensuring we can afford to pay for the best writers). Mirrors for Psychic Warfare an offshoot of Services Browse the individual hire writers we offer, invdividual chapters or the whole thing. How it Works Find out how the process works, the main steps involved, and how much it costs. Capabilities Evaluate the capability of our writers by seeing our standards. FAQ . Order Now ; Contact Us . Service guarantees . What you can count on from our dissertation writing services. With Corrections House, since its two members – Our marketing Accounting Coursework Helps produce compelling sales messages that are throat-grabbing, gut-punching, persuasive and emotional for digital and print. Scott Kelly (also http://www.spinrewriter.com/?ref=13a11- Spin Rewriter. Essay Help Melbourne Tool Totally free short article writing software can be found practically Neurosis) and If you tolerate nothing but excellence, our trustworthy writing service is ready to assist you in writing The Help Analysis Essays. Place an order and our Sanford Parker (producer extraordinaire/also Why does buying an essay online bring marvelous precedences? When the end of the training year comes, Is it my link online USA realizable for you? Buried at Sea) – are also in that group, but the feel of their Pros And Cons Of Online Shopping Essay online and save the night to yourself. We bet you have some exciting plans for it. Chill and watch Netflix, or take your date out, or rock the party your friend throws. Youth is the perfect time for those things. Well cover you with boring writing. The decision to buy term papers is not easy to make. You might be concerned about the quality of future writing, not mentioning Neurot Recordings self-titled debut is substantially different, rawer and at times harsher. master thesis business intelligence Best official site dissertation service business continuity plan help desk Parker handles beats and electronics, creating at times a wash of abrasive noise as in the culmination of “CNN WTZ,” the centerpiece of the five tracks, and elsewhere providing an industrial backdrop for Need Help Accounting Homework Nurses. Nursing remains one of the most competitive fields in health care regardless of many new courses that are being offered by top universities and colleges today. Many people still opt to do nursing because of the satisfaction and fulfillment that comes with the job of nursing needy people back to health. However, to be successful in this career, on needs to have Kelly’s voice for a gothic feel, as on “A Thorn to See.” Unsurprisingly, nothing about Our marketing Reflective Report Writings produce compelling sales messages that are throat-grabbing, gut-punching, persuasive and emotional for digital and print. Mirrors for Psychic Warfare makes for particularly easy listening – though opener “Oracles Hex” has some commonality with Expert check my blog for people who need help to Write Essay, Term Paper, Thesis or Homework. Hire an Expert Writer to Complete your Papers Online. Kelly’s solo work and his voice is resonant as ever – but as they round out the album with “43,” the keys, synth and guitar find some common ground, which leaves distorted shouts from Technical writing is performed by a http://www.stannol.de/?major-parts-of-research-paper (or technical author) and is the process of writing and sharing information in a professional setting.: 4 A technical writer's primary task is to convey information to another person or party in the most clear and effective manner possible. Kelly to do the work of taking listeners to task. We already knew these two worked well together, and the partnership once again bears fruit here.

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Neurot Recordings webshop

Candlemass, Death Thy Lover

candlemass-death-thy-lover

The four-song A team of writers capable of writing a custom term paper for a low If you decide to purchase a paper from our This Site, Death Thy Lover EP (on Get Your Desired Grade With Cheap Dissertation Writing Services Websites Services UK. We Are Offering Cheap Dissertation Writing Services UK With 100% Guaranteed Good Grades. Napalm) is the first new studio offering of original material from Swedish doom legends Candlemass since their 2012 album, Psalms for the Dead (review here), marked the end of the tenure of vocalist Robert Lowe, also of Solitude Aeturnus. His replacement is the person who nearly had the job in the first place, Mats Levén (formerly Therion), who has a kind of stateliness to his presence in opener “Death Thy Lover” but suits the plod of “Sleeping Giant” well. Of course, at the center of the band is bassist/songwriter Leif Edling, whose style is unmistakable in these tracks, whether it’s the late-Iommi-style riffing of “Sinister ‘n’ Sweet” or “Death Thy Lover”’s chugging its way toward the hook. Candlemass save the most grueling for last with “The Goose,” as guitarists Mats “Mappe” Björkman and Lars “Lasse” Johansson intertwine a chugging rhythm and extended soloing over dirge-march drums from Jan Lindh to give the short release a darkened instrumental finale.

Candlemass on Thee Facebooks

Candlemass at Napalm Records

Skuggsjá, A Piece for Mind and Mirror

skuggsja-a-piece-for-mind-and-mirror

Talk about scope. Oh, only a country’s entire cultural history is fair game for Skuggsjá, the brainchild of Norwegian artists Ivar Bjørnson (also Enslaved) and Einar Selvik (also Wardruna) that crosses the line between black metal and Norse traditionalism probably better than anyone has ever done it before. A Piece for Mind and Mirror is the studio incarnation of the work the two composers and a host of others did as commissioned for the 200th anniversary of the Norwegian constitution, and though it’s broken into 10 movements for the album, it flows together as one orchestral entirety, the gurgle of Grutle Kjellson (Enslaved) recognizable in the eponymous track amid choral backing and a richly textured blend of traditional folk instruments and metallic thrust. The lyrics are Norwegian, but whether it’s the blowing horn of “Makta Og Vanæra (I All Tid)” or the lush melodies in the march of “Bøn Om Ending – Bøn Om Byrjing,” the sense of pride and the creative accomplishment of A Piece for Mind and Mirror ring through loud and clear.

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Season of Mist webshop

Black Lung, See the Enemy

black lung see the enemy

Two years after making their self-titled debut, Baltimore heavy bluesfuzz trio Black Lung come swaggering back with the spacious vibes of See the Enemy (on Noisolution), which takes the establishing steps the first album laid out and builds on them fluidly and with a clear direction in mind. At eight tracks/45 minutes produced by J. Robbins, the album was clearly structured for vinyl, each half ending with a longer cut, the psych-jamming “Nerve” on side A, which resounds in an ending of scorching guitar from Adam Bufano atop the drums of Elias Schutzman (both of The Flying Eyes), and the closer “8MM,” on which Bufano, Schutzman, guitarist/vocalist Dave Cavalier and Robbins (who also contributes bass) roll out the record’s most massive groove and cap it with an impenetrable wall of noise. While the songs are striking in their cohesion and poise, there are moments where one wants Black Lung to really let loose, as after Trevor Shipley’s keyboard stretch in “Priestess,” but they have other ideas, feeding the title-track directly into “8MM” with no less a firm sense of control than shown earlier. All told, an excellent follow-up that deserves broader consideration among 2016’s finer offerings.

Black Lung on Thee Facebooks

Black Lung at Noisolution

Lord Vicar, Gates of Flesh

lord vicar gates of flesh

Offered through The Church Within Records as a paean to classic doom, Lord Vicar’s third LP, Gates of Flesh, nonetheless almost can’t help but put its own mark on the style. The Turku, Finland, outfit’s first album in five years, it finds guitarist Kimi Kärki (ex-Reverend Bizarre, Orne, E-Musikgruppe Lux Ohr, etc.), vocalist Chritus (also Goatess, ex-Saint Vitus, Count Raven, etc.), and drummer Gareth Millsted (ex-Centurions Ghost) — who, along with Kärki, also contributed bass after the band parted ways with Jussi Myllykoski and prior to adding Sami Hynninen as a temporary replacement — bold enough to shift into minimalist spaciousness on “A Shadow of Myself,” and really, they’re not through opener “Birth of Wine” before Kärki executes a gorgeous dual-layered solo. Trace those roots back to Trouble if you must, but there’s no question to whom the lurch of centerpiece “Breaking the Circle” or the sorrowful 10-minute closer “Leper, Leper” belongs, and the same holds true for everything that follows, be it the quiet start of “A Woman out of Snow” or the swinging second half of “Accidents.” Lord Vicar enact the doom of ages and take complete ownership of the sound, thus only adding to the canon as they go.

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The Church Within Records

Dakessian, The Poisoned Chalice

dakessian the poisoned chalice

Like the stench of rotting, Dakessian’s The Poisoned Chalice provokes a visceral and physical response. The long-in-the-making debut release from the Portland-based duo of vocalist Kenny Snarzyk (also Fister) and multi-instrumentalist Aaron D.C. Edge (Lumbar, Roareth, so many others) had its music recorded back in 2013, and the vocals were added earlier this year, throat-searing screams and growls that top the noisy, claustrophobically weighted tones from Edge’s guitar. The onslaught is unrelenting, both longer songs like “Demons” and “Ten Double Zero” and shorter cuts “Nothing Forever” and the sample-laced opener “Choose Hate” brim with aggressive misanthropy, the will against. Even the penultimate “Baerial,” which offers a glimmer of melody, continues to crush, and starting with a slow drum progression, closer “Cosmic Dissolution” barely tops two and a half minutes, but it brings thorough reassurance of the project’s destructive force before its final drone rounds out. One never knows with Edge if a given band will ever have a follow-up, but as ever, the quality is consistent. In this case, brutally so.

Dakessian on Bandcamp

Holy Mountain Printing

Gypsy Chief Goliath, Citizens of Nowhere

gypsy chief goliath citizens of nowhere

Actually, if you want to get technical about it, Gypsy Chief Goliath are citizens of Ontario, but you’d never know it from listening to their third album, Citizens of Nowhere, which if you had to pin a geographic locale on it might be more of a fit for New Orleans than Canada. The Pitch Black Records release sees the triple-guitar-plus-harmonica six-piece outfit dug deep in Southern metal grooves, marked out by the burl-bringing vocals of frontman/guitarist Al “The Yeti” Bones, formerly of Mister Bones, Serpents of Secrecy and The Mighty Nimbus and the chug-and-churn of cuts like “Black Samurai” and the shuffle of “We Died for This.” The title-track winds its central riff with thickened-up ‘70s boogie, while “Elephant in the Room” and “The Return” space out a bit more, and the closing Black Sabbath cover “Killing Yourself to Live” (a CD bonus track) plays it loyal structurally while dude’ing up the original like it was on hormone therapy.

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Pitch Black Records on Bandcamp

Inter Arma, Paradise Gallows

inter arma paradise gallows

Hard-touring Richmond genre-benders Inter Arma are due for a landmark release. Their 2014 single-song EP, The Cavern, was wildly well received and earned every bit of praise it got. Their follow-up to that is Paradise Gallows, their third album and second for Relapse behind 2013’s Sky Burial (track stream here). Is Paradise Gallows that landmark? Hell if I know. Recorded, mixed and mastered by Mikey Allred, who also guests on trombone, bass violin, organ and noise, Inter Arma’s third brings an expansive 70 minutes of bleak progressivism, conceptually and sonically broad enough to be considered brilliant and still weighted enough that the prevailing vibe is extremity in their blend of sludge, doom, black metal, post-metal, atmospherics, and a moody acoustic closer. The only real danger is that it might take listeners time to digest – because it’s a lot to take in, all those twists and turns in “Violent Constellations,” particularly after the plod of the title-track – but I wouldn’t be the least bit surprised to find Inter Arma inhabiting any number of year-end lists for 2016. Once again, they earn it.

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Inter Arma at Relapse Records

Helgamite, Hypnagogia

helgamite hypnagogia

Virginian bruisers Helgamite manage to cover a deceptive amount of sonic ground on their second LP, Hypnagogia (on CD through Lost Apparitions with vinyl soon on Flesh Vessel), spending plenty of time in dense-toned sludge metal but using that as a foundation for a wider range of explorations, winding up in blastbeats by the time 13-minute side B finale “The Secret” comes around, but by then having torn through the aggro-thrash of “Origins,” lumbered through the mosher “Æstrosion” and topped off “Shaman’s Veil” with math-metal guitar fits melded to a saxophone arrangement. Growls from vocalist William Breeden and Jonah Butler’s drums tie it all together as guitarist Casey Firkin (also sax) and bassist Matthew Beahm pull off intermittently jazzy runs, but impressively, Helgamite never sound in danger of losing sight of the songs they’re serving, and Hypnogogia is stronger for its unwillingness to waste a second of its runtime, even in the aforementioned “The Secret” or its 10-minute side A counterpart, “Snowdrifter.”

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Lost Apparitions Records website

Flesh Vessel Records on Thee Facebooks

Mollusk, Children of the Chron

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Get it? Children of the Chron? I’ll admit it took me a second. While I was thinking about it, Allston, Massachusetts, duo Mollusk doled out sludge-punk-metal beatings via raw tones and shouts and a general sense of checked-out attitude, “Glacier” reminding of earliest, least-poppy Floor, but cuts like “Demon Queen” and “When You’re Gone” finding guitarist Hank Rose using a purposefully monotone vocal approach that works well over slower parts. Rose is joined in Mollusk by drummer Adam O’Day, and though I’ve already noted that the 11-track album is raw, their sound wants nothing for impact in the low end or any other end for that matter. Rather, the harsher aspects become part of the aesthetic throughout Children of the Chron and the band successfully navigates its own mire without getting lost in either its own “Torture Chamber” or “Zombie Apocalypse,” which like opener “Ride the #9,” is almost certainly a song about life in the Boston area.

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Mollusk at ReverbNation

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Mirrors for Psychic Warfare to Release Self-Titled Debut on Neurot

Posted in Whathaveyou on January 19th, 2016 by JJ Koczan

mirrors for psychic warfare (Photo by John Sturdy)

Not that either Scott Kelly or Sanford Parker really needed another line on their CV, but the Mirrors for Psychic Warfare collaboration between the two Corrections House bandmates who also count Neurosis (Kelly) and Buried at Sea (Parker) in their pedigree does sound pretty god damn awesome. Info on the forthcoming self-titled debut on Neurot Recordings is down to the essentials — tracks, art, “Spring” release date — but if you want to get introduced to the project, and yes, you do, there are a couple live videos around the TubesofYou and I found a particularly awesome full set from last March in Toulouse, France, that you can see below. Apparently it was a house show? I’d have these dudes play my living room. Any night of the week.

The PR wire fills in even as it teases the prospect of droned-out glories to come:

mirrors for psychic warfare mirrors for psychic warfare

MIRRORS FOR PSYCHIC WARFARE Featuring Neurosis’ Scott Kelly And Buried At Sea’s Sanford Parker To Release Self-Titled Debut Via Neurot Recordings

Scott Kelly (Neurosis) and producer/engineer/sonic warlord Sanford Parker (Buried At Sea) are restless. This inquietude has culminated into another collaboration. The two work together in Corrections House, a project that also features the talents of Mike IX Williams of Eyehategod, and Bruce Lamont of Yakuza. While Corrections House seem hell-bent on impersonal bludgeon and unfettered terror, the pair’s latest project — MIRRORS FOR PSYCHIC WARFARE — is far more restrained.

The band’s haunting self-titled debut is the sonic manifestation of insomnia, complete with the tossing, the turning, and the perennial dread that comes with facing another shabby daylight. The five songs lurch and pulsate across a desolate landscape with an almost curious obsessiveness. While Mirrors For Psychic Warfare may remind some of the best work on the classic Cold Meat Industry label, there is enough familiar Kelly/Parker-isms scattered throughout to keep the album stimulating. It is a work with more in common with a fever or a fitful wraith than a record.

Mirrors For Psychic Warfare was realized and recorded by both Kelly and Parker at Actual 13 Studio and Hypercube respectively over the course of 2015. The record was mixed and mastered by Parker and will see release this Spring via Neurot Recordings.

Mirrors For Psychic Warfare Track Listing:
1. Oracles Hex
2. A Thorn To See
3. CNN WTZ
4. I’ll Try You All
5. 43

Further info on Mirrors For Psychic Warfare – including final street date, preorders and track teasers – to be unveiled in the weeks to come. Until then, ache.

http://www.neurotrecordings.com
http//www.facebook.com/neurotrecordings

Mirrors for Psychic Warfare, Live in Toulouse, France, March 2015

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