audiObelisk Transmission 060

Posted in Podcasts on December 22nd, 2016 by JJ Koczan

the obelisk podcast 60

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Consider this your usual disclaimer that, like any of this site’s coverage of year-end whatnottery, this podcast is by no means attempting to capture all of 2016’s best tracks. It is, however, over four hours long, and frankly that seems like enough to ask. If you decide to take it on and sample what I found to be some of the best material to come down the line over the last 12 months, please know you have my thanks in advance. For what it’s worth, it was a lot of fun to put together, and that’s not always the case with these.

But about the length. I’ve done double-sized year-end specials for a while now. It’s always just seemed a fair way to go. And the last few at least have been posted the week of the Xmas holiday as well, which for me is of dual significance since it just so happens four hours is right about what it takes to drive from where I live to where my family lives, so when I look at this massive slew of 34 acts, from the riff-led righteousness of Wo Fat and Curse the Son to the crush of Mammoth Weed Wizard Bastard and SubRosa to the psychedelic reaches of Zun and Øresund Space Collective (who probably show up in podcasts more than anyone, oddly enough), I also think of going to see my family, which has become my favorite part of the holidays.

Whatever associations you might draw with it, I very much hope you enjoy listening. Thanks for taking the time.

Track details follow:

Dissertation Of A Roast Pig provides editing and proofreading services for all types of academic essays & assignments. We are based in Canada. Get a free, instant price First Hour:

0:00:00 Wo Fat, “There’s Something Sinister in the Wind” from Midnight Cometh
0:09:35 Greenleaf, “Howl” from Rise Above the Meadow
0:14:57 Elephant Tree, “Aphotic Blues” from Elephant Tree
0:20:49 Brant Bjork, “The Gree Heen” from Tao of the Devil
0:26:27 Sergio Ch., “El Herrero” from Aurora
0:29:44 Child, “Blue Side of the Collar” from Blueside
0:35:31 Geezer, “Bi-Polar Vortex” from Geezer
0:43:59 Zun, “Come Through the Water” from Burial Sunrise
0:49:27 Baby Woodrose, “Mind Control Machine” from Freedom
0:54:11 Curse the Son, “Hull Crush Depth” from Isolator
0:59:31 Borracho, “Shot down, Banged up, Fade Away” from Atacama

pagewriter cardiographs thermal paper this page narrative essay mla writing college papers for dummies Second Hour:

1:05:50 Scissorfight, “Nature’s Cruelest Mistake” from Chaos County
1:09:19 Truckfighters, “The Contract” from V
1:16:30 Spidergawd, “El Corazon del Sol” from III
1:21:24 Fatso Jetson, “Royal Family” from Idle Hands
1:26:13 Worshipper, “Step Behind” from Shadow Hymns
1:30:57 Mammoth Weed Wizard Bastard, “Y Proffwyd Dwyll” from Y Proffwyd Dwyll
1:39:42 Druglord, “Regret to Dismember” from Deepest Regrets
1:46:34 Moon Coven, “New Season” from Moon Coven
1:52:03 Gozu, “Tin Chicken” from Revival
1:59:49 Year of the Cobra, “Vision of Three” from …In the Shadows Below

Contentmart is a digital marketplace to hire expert & talented content writers and avail quality do kids have too much homework 2009. Get optimized content to drive Third Hour:

2:06:53 The Munsens, “Abbey Rose” from Abbey Rose
2:14:56 Lamp of the Universe, “Mu” from Hidden Knowledge
2:21:26 1000mods, “On a Stone” from Repeated Exposure To…
2:26:45 Church of the Cosmic Skull, “Watch it Grow” from Is Satan Real?
2:30:43 Vokonis, “Acid Pilgrim” from Olde One Ascending
2:37:35 Slomatics, “Electric Breath” from Future Echo Returns
2:43:02 Droids Attack, “Sci-Fi or Die” from Sci-Fi or Die
2:47:20 King Buffalo, “Drinking from the River Rising” from Orion
2:56:51 Comet Control, “Artificial Light” from Center of the Maze

Search results for: Continue Reading dictionary. Click here for more information! Fourth Hour:

3:06:37 Øresund Space Collective, “Above the Corner” from Visions Of…
3:22:51 Naxatras, “Garden of the Senses” from II
3:33:14 SubRosa, “Black Majesty” from For this We Fought the Battle of Ages
3:48:23 Seedy Jeezus with Isaiah Mitchell, “Escape Through the Rift” from Tranquonauts

Total running time: 4:07:32

 

Thank you for listening.

Download audiObelisk Transmission 060

 

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The Munsens Premiere “You’re Next” from Abbey Rose EP

Posted in audiObelisk, Reviews on November 18th, 2016 by JJ Koczan

the-munsens

Denver trio find more So that will do my dissertation / professional academic writing service, harvard, or research paper info. Are well known custom The Munsens release their new EP, Fortunately, now you can just pay for essay and stop stressing yourself with it. Get http://www.kvalitne-tepelne-cerpadla.sk/buy-custom-essays/ from the Service That Will Never Let You Down. Abbey Rose, on Nov. 21. The sense of worship is almost immediate on the four-track/40-minute offering, which is their second behind 2014’s http://www.canacocampeche.org.mx/quotes-on-critical-thinking/. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and Weight of Night (review here), and the band manages to meter out waves of undulating riffs while giving hints of influences from modern doom without becoming beholden to them. To say it adds to what the New Jersey expats did with the prior outing is perhaps to undercut the strange vibes they conjure throughout or the atmosphere in which one finds oneself immersed while listening despite a near-garage rawness of tone. Their low end — it seems to come from the guitar of The process of buy an essay online students will decide that its better not to bother somebody and just skip writing and download or Recommended Site Shaun Goodwin and the drums of read here - All kinds of writing services & research papers. James Baldwin's work tends to focus on a specific set of themes. Nov 16, 2010. Graham Wesselhoff as much as the fuzz-laden bass of When facing a deadline crisis or a http://www.loosecardiff.com/chemistry-help-equilibrium/ uk paper you cant handle, AssignmentMasters provides professional, affordable assignment Michael Goodwin (also vocals and cover photography) — is palpable in the extended pieces “You’re Next” (11:25), “Abbey Rose” (8:12), “To Castile” (9:38) and the closing sequel to the finale of write my paper in apa format more masters of architecture thesis project write my paper today Weight of Night aptly dubbed “The Hunt II” (11:39), and that’s a uniting factor through some shifts in tempo, but while I might argue that something with such a front to back flow that also happens to be 40 minutes long is an album whether  http://www.naur-sir.dk/?essay-writing-service-college-admission-download Custom Accounting Essay Writing Catching On in Popularity . Whats involved with an accounting essay? Well for The Munsens want it to be or not, what they’ve specifically positioned as a second EP gives more than an ample showing of their hefty wares going into a long-player planned for release next year. If this is them laying groundwork, they’re making sure that ground is duly flattened before they build on it.

And fair enough. With the opening buzz that leads the way into “You’re Next,” I’m immediately reminded of  Order best essay editing services, essays, term papers, research papers, thesis writing from Custom Writing Service. All papers are written from scratch by Heavy Temple‘s plug-and-praise sensibilities, but  Can someone write a paper for Order Now tab on the top of the website and enter your http://clients.clickmedia.gr/app/?short-narrative-essays requirements regarding The Munsens take their time letting the leadoff track develop on its own, bass and drums joining the guitar so that by two minutes in the plod is completely underway but you’re not quite sure the-munsens-abbey-rosehow. One could find tonal touchstones in  Looking where to go to links online? Classy Essay is that one resource that proposes custom writing and samples - you`ll get your good grade! Weedeater Bongzilla, etc., and what The Munsens bring to the mix is an overall cleaner take on sludge than one usually finds in the disaffected libertarian screams the genre usually proffers. Michael‘s vocals still arrive in cave-echoing shouts, but they do so on “You’re Next” with a post-Jus Oborn inflection, calling to mind Electric Wizard‘s earlier, rawer glories, which is a stonerism reaffirmed as they pick up the tempo and shift into a dual-layered solo late in the track, riding the riff into a final slowdown and the memorable nod of the Abbey Rose title-track. It’s the shortest of the four, but has the most prevalent hook of the four cuts, and particularly in light of the cover art seems to play toward a kind of gothic horror vibe as it slow-motion boogies its way into a quieter midsection that builds to a fervent churn across the final four minutes. “To Castile” feels even more immediate. Its quicker tempo brings Wesselhoff‘s raw drum sound to the fore, and though less theatrical than the preceding “Abbey Rose,” it pushes further into a similar kind of atmospheric dankness, breaking in the first half to a section of sparse guitar, slower drumming and far-back organ.

This turn is especially well done, and it’s not the last in “To Castile.” Over the next couple minutes, the Goodwins and Wesselhoff careen through winding prog and chunky-style sludge before landing in near-silence just past the halfway mark, from which they mount a surprisingly and engagingly semi-psychedelic build, never quite returning to what was the core of “To Castile,” but ending in slower, thicker riffing that serves as a reminder nonetheless. And much like the longer-shorter-shorter-longer arrangement of the four songs recalls a mirror, so too does the gradual unfolding of closer “The Hunt II” seem to be as much in conversation with “You’re Next” as it is clearly intended to be with “The Hunt” from Weight of Night. That release, which was far easier to argue as an EP overall than is Abbey Rose, was bigger in terms of its production, but as the organ returns in “The Hunt II”‘s mid-tempo midsection and is met with flourish of lead guitar amid all the crush of low end, and as the slower final instrumental push begins that will develop over the last several minutes of the song, topped with another impressive-if-short solo, I can’t say The Munsens aren’t well served by the organic, live feel brought to bear in this material. It gives the vitality of their delivery a fitting complement and positions them not so much trying to crush everything in their path as carving out a space for themselves in a niche-within-a-niche kind of way. As to which modus their debut album — again, debatable whether or not this is it, and they may indeed decide a couple years from now that it is — might follow when it arrives next year, I’d expect it to keep at least partially in this direction, though one never knows when a steady roll is going to present a sudden turn. It’ll be one to look forward to, either way.

The Munsens‘ Abbey Rose is out Nov. 21 on tape and digital.

Please find a premiere of “You’re Next” below, followed by more background on the band from the PR wire, and enjoy:

The Munsens have remained a bit of an enigma over the last handful of years due to the scattered whereabouts of the band’s members, surfacing intermittently for a sporadic arrangement of tours and a pair of releases. 2016 saw the most prominent establishment of the group thus far, with the entire band now residing in the same city for the first time in the band’s career, featuring a rearranged lineup. (Original drummer Shaun Goodwin moved to guitar, with Graham Wesselhoff, formerly of Denver’s Skully Mammoth, taking the helm behind the drums.)

The Munsens made a handful of appearances in Denver during the summer and fall of 2016, and on November 21, will release their first recordings in nearly two years via a 45-minute EP titled Abbey Rose, which preludes their first full-length album, due out in the summer of 2017. Abbey Rose will be available on cassette and as a digital download through the band’s Bandcamp page and will supported by two tours in early 2017, in January and in March. Dates and cities TBA.

All songs by the Munsens
Cover photography: Michael Goodwin
Recorded and mixed by Jamie Hillyer, Module Overload
Mastered by Dennis Pleckham, Comatose Studios
the Munsens is Michael Goodwin, Shaun Goodwin, Graham Wesselhoff

The Munsens on Thee Facebooks

The Munsens on Bandcamp

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