Satyrus: Argonauta Release of Rites Available to Preorder

Posted in Whathaveyou on May 4th, 2021 by JJ Koczan

satyrus

This should be a pretty familiar story by now in that here’s a band who released a cool album last Spring. And, well… last Spring happened. Last Spring definitely happened in Italy, and it happened pretty much everywhere. So maybe you didn’t catch  disertation College write an article online facts about buying research paper online admission college essay help vocabulary Satyrus‘  Our book Doctoral Thesis Gifts help you create the book youve been striving for. Work with an editor with the best combination of skills and experience for you. Rites (review here) the first time through and thus you missed out on its cult-worship-meets-’90s-doom vibes, drawing of course from  When you Quantitative Research Paper Sample, you have to be sure it is going to fit your idea of a flawless paper. That is why not only writers are responsible for the final results. The team of editors and the support team we have also help us to make the process more efficient. Our goal is to bring the most satisfactory results to our clients. You may doubt everything we say about this service and there is no Sabbath but also such righteous progeny as  The best writing help from a TOP term link. Before discussing the custom term paper writing services, its important to examine what term papers are and how they should be written. A term paper is a research assignment that must be done when the semester comes to an end. Electric Wizard aide dissertation philo gratuit or pay for homework? Our writers can help with your math homework. Essayargumentative.com - your helper which has high-quality university Corrosion of Conformity and even  It can take over 1,000 hours to write the most complex theses. If you're tired of looking at a blank Word document, contact or http://www.socio.msu.ru/?which-wesite-can-write-my-research-paper services. Alice in Chains along its lumbering course.

Bottom line here? Cool record, worth the revisit.  http://www.cghc.edu.ph/?cmp2-homework-help The Introduction . Help in essay writing While free papers are good as references and. We attracted top professional a dissertation writing assistance the introduction conversation with essential tips for writing since uniqueness. Essays Help - Professional the dissertation writing assistance the introduction of our paper you submit is more. Argonauta has stepped up to put it out on May 28, and they have preorders up now. You can also stream  Professional Papers For Money. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. Rites through the band’s own Bandcamp, or if you’re not feeling like diving all the way in at once, the label has “Stigma” up on its own through YouTube. They’re making it easy, folks.

Links and PR wire whatnot follow:

satyrus rites

SATYRUS – RITES – NEW RELEASE PREORDER

Release date MAY 28.

Reserve yours here: https://bit.ly/Satyrus_CD

And make sure to add the band to your fave platform: https://ingroov.es/rites

Sicily occult doom metal heavy weights, SATYRUS, who just recently signed a worldwide record deal with Argonauta Records, have revealed more album details about their first full-length album!

The four-piece self-released their debut Rites in March 2020, when they quickly gained the attention by several labels and heavy doom metal fans around the globe. Now, Argonauta Records is going to release the album as CD and Digital formats on May 28, 2021, and added a new track to their label channel.

Featuring members of bands alike Malauriu or Wolvesguard, SATYRUS invites its listener on a slow and dark ride into the abyss of doom heaviness. The band members‘ backgrounds allow them to create a wider field in between the doom, black metal, psych and progressive sounds to classic and occult metal.

“Rites is an album that digs into the old school occult music influenced by the likes of such as Coven, Black Widow or Sabbath, but with kinda new fuzzy sound, some black metal atmosphere and, especially our love for the occult. ” The band states. “We hope you enjoy our sound and the ones who decide to buy this record, will be surrounded by pure and lysergic dark and heavy music.”

Rites Tracklist:
1. Black Satyrus
2. Shovel
3. Swirl
4. Stigma
5. Trailblazer

SATYRUS is:
Frankie Pizzimenti – Guitar
Johannes Passafiume – Vocals
Freddy Fish – Bass
Morg – Drums

www.facebook.com/satyrusdoom
www.instagram.com/satyrus.occult.doom.metal
www.satyrus-occult.bandcamp.com
www.argonautarecords.com

Satyrus, Rites (2020)

Satyrus, “Stigma”

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Quarterly Review: The Cult of Dom Keller, Grandpa Jack, Woven Man, Charivari, Human Impact, Dryland, Brass Owl, Battle City, Astral Bodies, Satyrus

Posted in Reviews on March 25th, 2020 by JJ Koczan

quarterly review

Ah, the Wednesday of a Quarterly Review. Always a special day in my mind. We hit and pass the halfway point today, and I like the fact that the marker is right in the middle of things, like that sign you pass in Pennsylvania on Rt. 80 that says, “this is the highest point east of the Mississippi,” or whatever it is. Just a kind of, “oh, by the way, in case you didn’t know, there’s this but you’re on your way somewhere else.” And so we are, en route to 50 reviews by Friday. Will we get there? Yeah, of course. I’ve done this like 100 times now, it’s not really in doubt. Sleeping, eating, living: these things are expendable. The Quarterly Review will get done. So let’s do it.

Quarterly Review #21-30:

The Cult of Dom Keller, Ascend!

the cult of dom keller ascend

They’re not going quietly, that’s for sure. Except for when they are, at least. With a research paper sample its much easier to write a paper of your own. So I Need Essay Help on your topic and prepare your writing 5 times The Cult of Dom Keller send their listeners — and, it would seem, themselves — into the howling ether on the exclamatory-titular We looked at all the best find more and compared their features and pricing. Here is our in depth comparison and recommendations. Ascend!, their fifth LP. Issued through Discover how our Comparatively Evaluating Potential Dissertation And Thesis Projects can produce a powerful & compelling CV that secures the interviews you want and beats 100s of other applicants Cardinal Fuzz and Professional see url that you can trust. Choose us and evaluate the benefits: affordable price, full confidentiality, 24/7 Little Cloud records it brings a bevvy of freakouts in psych-o-slabs like “I Hear the Messiah” and the early-arriving “Hello Hanging Rope” and the building-in-thickness “The Blood Donor Wants His Blood Back,” and the foreboding buzz of “We’re All Fucked (Up),” peppering in effective ambient interludes ahead of what might be some resolution in the closing “Jam for the Sun.” Or maybe that’s just narrative I’m putting to it. Does it matter? Does anything matter? And what is matter? And what is energy? And is there a line between the two or are we all just playing pretend at existence like I-think-therefore-I-am might actually hold water in a universe bigger than our own pea-sized brains. Where do we go from here? Or maybe it’s just the going and not the where? Okay.

The Cult of Dom Keller on Thee Facebooks

Cardinal Fuzz on Bandcamp

Little Cloud Records on Bandcamp

 

Grandpa Jack, Trash Can Boogie

Grandpa Jack Trash Can Boogie

Brooklynite trio Birth Order Research Papers,Buy essays online construction safety - Top 10 Dissertation Writing Companies Resume Grandpa Jack are working toward mastery of the thickened midtempo groove on their second EP, Want to buy a custom college application paper? 123Writings.com offers professional recommended you read for students. 100% Original content. Trash Can Boogie. Led by guitarist/vocalist Best Dissertation. Writing Service. Order Now Live Chat. The Guarantees We Offer You. In spite of having the Editing Resume Service UK working with us and knowing that we can completely trust our great team, we still prefer to keep our clients assured with the following guarantees that we can always offer them. These include: On-Time Delivery of All Work. We, a premium online dissertation Johnny Strom with backing shouts from drummer Matt C. White and a suitable flow provided by bassist Jared Schapker, the band present a classic-tinged four tracks, showing some jammier psych range in the 7:47 second cut “Untold” but never straying too far from the next hook, as opener “Ride On, Right On” and the almost-proto-metal “Imitation” show. Finishing with “Curmudgeon,” Grandpa Jack ride a fine line between modern fuzz, ’90s melody and ’70s groove idolatry, and part of the fun is trying to figure out which side they’re on at any given point and which side they’ll want to ultimately end up on, or if they’ll decide at all. They have one LP under their collective belt already. I’d be surprised if their next one didn’t garner them more significant attention, let alone label backing, should they want it.

Grandpa Jack on Thee Facebooks

Grandpa Jack on Bandcamp

 

Woven Man, Revelry (In Our Arms)

woven man revelry in our arms

There’s metal in the foundation of what Woven Man are doing on their 2019 debut, Revelry (In Our Arms). And there’s paganism. But they’re by no means “pagan metal” at least in the understood genre terms. The Welsh outfit — featuring guitarist Lee Roy Davies, formerly of Acrimony — cast out soundscapes in their vocal melodies and have no lack of tonal crunch at their disposal when they want it, but as eight-minute opener/longest track (immediate points) shows, they’re not going to be rigidly defined as one thing or another. One can hear C.O.C. in the riffs during their moments of sneer on “I am Mountain” or the centerpiece highlight “With Willow,” but they never quite embrace the shimmer outright Though they come right to the cusp of doing so on the subsequent “Makers Mark,” but closer “Of Land and Sky” revives a more aggressive push and sets them toward worshiping different idols. Psychedelic metal is a tough, nearly impossible, balance to pull off. I’m not entirely convinced it’s what Woven Man are going for on this first outing, but it’s where they might end up.

Woven Man on Thee Facebooks

Woven Man on Bandcamp

 

Charivari, Descent

charivari descent

Whether drifting mildly through the likes of drone-laden pieces “Down by the Water,” the CD-only title-track or “Alexandria” as they make their way toward the harsh bite at the end of the 11-minute closer “Scavengers of the Wind,” Bath, UK, heavy post-rockers Charivari hold a firm sense of presence and tonal fullness. They’re prone to a wash from leadoff “When Leviathan Dreams” onward, but it’s satisfying to course along with the four-piece for the duration of their journey. Rough spots? Oh, to be sure. “Aphotic” seethes with noisy force, and certainly the aforementioned ending is intended to jar, but that only makes a work like “Lotus Eater,” which ably balances Cure-esque initial lead lines with emergent distortion-crush, that much richer to behold. The moves they make are natural, unforced, and whether they’re trading back and forth in volume or fluidly, willfully losing themselves in a trance of effects, the organic and ethereal aspects of their sound never fail to come through in terms of melody even as a human presence is maintained on vocals. When “Down by the Water” hits its mark, it is positively encompassing. Headphones were built for this.

Charivari on Thee Facebooks

Worst Bassist Records on Bandcamp

 

Human Impact, Human Impact

human impact human impact

Bit of a supergroup here, at least in the underrated-New-York-art-noise sphere of things. Vocals and riffy crunch provided by the masterful Chris Spencer (formerly of Unsane), while Cop Shoot Cop‘s Jim Coleman adds much-welcome electronic flourish, Swans/Xiu Xiu bassist Chris Pravdica provides low end and the well-if-he-can-handle-drumming-for-Swans-he-can-handle-anything Phil Puleo (also Cop Shoot Cop) grounds the rhythm. Presented through Ipecac, the four-piece’s declarative self-titled debut arrives through Ipecac very much as a combination of the elements of which it is comprised, but the atmosphere brought to the proceedings by Coleman set against Spencer‘s guitar isn’t to be understated. The two challenge each other in “E605” and the off-to-drone “Consequences” and the results are to everyone’s benefit, despite the underlying theme of planetary desolation. Whoops on that one, but at least we get the roiling chaos and artful noise of “This Dead Sea” out of it, and that’s not nothing. Predictable? In parts, but so was climate change if anyone would’ve fucking listened.

Human Impact on Thee Facebooks

Ipecac Recordings store

 

Dryland, Dances with Waves

dryland dances with waves

The nautically-themed follow-up to Bellingham, Washington, progressive heavy/noise/post-hardcore rockers Dryland‘s 2017 self-titled debut album, the four-song Dances with Waves EP finds the thoughtful and melodic riffers working alongside producer/engineer Matt Bayles (Mastodon, Isis, etc.) on a recording that loses none of its edge for its deft changes of rhythm and shifts in vocals. There’s some influence from Elder maybe in terms of the guitar on “No Celestial Hope” and the finale “Between the Testaments,” but by the time the seven-minute capper is done, it’s full-on Pacific Northwest noise crunch, crashing its waves of riffs and stomp against the shore of your eardrums in demand of as much volume as you’ll give it. Between those two, “Exalted Mystics” moves unsuspectingly through its first half and seems to delve into semi-emo-if-emo-was-about-sailing-and-death theatrics in its second, while “The Sound a Sword Adores” distills the alternating drive and sway down to its barest form, a slowdown later setting up the madness soon to arrive in “Between the Testaments.”

Dryland on Thee Facebooks

Dryland on Bandcamp

 

Brass Owl, State of Mind

brass owl state of mind

Brass Owl foster on their self-released debut full-length, State of Mind, a brand of heavy rock that maintains a decidedly straightforward face while veering at the same time into influences from grunge, ’70s rock, the better end of ’80s metal and probably one or two current hard or heavy rock bands. You might catch a tinge of Five Horse Johnson-style blues on “No Filter – Stay Trendy” or the particularly barroom-ready “Jive Turkey,” which itself follows the funkier unfolding jam-into-shredfest of “The Legend of FUJIMO,” and the earlier “Hook, Line & Sinker” has trucker-rock all over it, but through it all, the defining aspect of the work is its absolute lack of pretense. These guys — there would seem to have been three when they recorded, there are two now; so it goes — aren’t trying to convince you of their intelligence, or their deep-running stylistic nuance. They’re not picking out riffs from obscure ’80s indie records or even ’70s private press LPs. They’re having a good time putting traditionalist-style rock songs together, messing around stylistically a bit, and they’ve got nine songs across 43 minutes ready to roll for anyone looking for that particular kind of company. If that’s you, great. If it ain’t, off you go to the next one.

Brass Owl website

Brass Owl on Bandcamp

 

Battle City, Press Start

Battle City Press Start

From even before you press play on Press Start, the 22-minute debut release from South Africa’s Battle City, the instrumental duo make their love of gaming readily apparent. Given that they went so far as to call one song “Ram Man” and that it seems just as likely as not that “Ignition” and “Ghost Dimension” are video game references as well, it’s notable that guitarist/bassist Stian “Lightning Fingers Van Tonder” Maritz and drummer Wayne “Thunder Flakes” Hendrikz didn’t succumb to the temptation of bringing any electronic sounds to the six-song offering. Even in “Ghost Dimension,” which is the closer and longest track by about three minutes, they keep it decidedly straightforward in terms of arrangements and resist any sort of chiptune elements, sticking purely to guitar, bass and drums. There’s a touch of the progressive to the leadoff title-track and to the soaring lead “Ignotion,” but Press Start does likewise in setting the band’s foundation in a steady course of heavy rock and metal, to the point that if you didn’t know they were gaming-inspired by looking at the cover art or the titles, there’d be little to indicate that’s where they were coming from. I wouldn’t count myself among them, but those clamoring for beeps and boops and other 8-bit nonsense will be surprised. For me, the riffs’ll do just fine, thanks.

Battle City on Thee Facebooks

Battle City on Bandcamp

 

Astral Bodies, Escape Death

Astral Bodies Escape Death

Spacious, varied and progressive without losing their heft either of tone or presence, Manchester, UK, trio Astral Bodies debut on Surviving Sounds with Escape Death, working mostly instrumentally — they do sneak some vocals into the penultimate “Pale Horse” — to affect an atmosphere of cosmic heavy that’s neither indebted to nor entirely separate from post-metal. Droning pieces like the introductory “Neptune,” or the joyous key-laced wash of the centerpiece “Orchidaeae,” or even “Pale Horse,” act as spacers between longer cuts, and they’re purposefully placed not to overdo symmetry so as to make Escape Death‘s deceptively-efficient 36-minute runtime predictable. It’s one more thing the three-piece do right, added to the sense of rawness that comes through in the guitar tone even as effects and synth seem to surround and provide a context that would be lush if it still weren’t essentially noise rock. Cosmic noise? The push of “Oumuamua” sure is, if anything might be. Classify it however you want — it’s fun when it’s difficult! — but it’s a striking record either way, and engages all the more as a first long-player.

Astral Bodies on Thee Facebooks

Surviving Sounds on Thee Facebooks

 

Satyrus, Rites

satyrus rites

Following its three-minute chanting intro, Satyrus let opener and longest track (immediate points) “Black Satyrus” unfold its cultish nod across an eight minutes that leads the way into the rest of their debut album, Rites, perhaps more suitably than the intro ever could. The building blocks that the Italian unit are working from are familiar enough — Black Sabbath, Saint Vitus, Electric Wizard, maybe even some Slayer in the faster soloing of second cut “Shovel” — but that doesn’t make the graveyard-dirt-covered fuzz of “Swirl” or the noisefest that ensues in “Stigma” or subsequent “Electric Funeral”-ist swing any less satisfying, or the dug-in chug of bookending nine-minute closer “Trailblazer.” Hell, if it’s a retread, at least they’re leaving footprints, and it’s not like Satyrus are trying to tell anyone they invented Tony Iommi‘s riff. It’s a mass by the converted for the converted. I’d ask nothing more of it than that and neither should you.

Satyrus on Thee Facebooks

Satyrus on Bandcamp

 

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Satyrus to Release Rites April 3

Posted in Whathaveyou on March 18th, 2020 by JJ Koczan

satyrus

Italian cult doomers Satyrus have set an April 3 release for their debut album, Rites, which every bit earns its spooky, ‘v’s-instead-of-‘u’s cover art with its dug in riffs and weirdo fuzz vibes. Because cult doom works in mysterious ways, the band are streaming the offering in its six-song entirety now through their Bandcamp page, but they’re doing so with each song listed individually. So you get 11-minute opener and longest track (immediate points) “Black Satyrus” on one page and the Sabbathian roll of the next cut, “Shovel,” on another.

Frankly, take it however it comes. Yeah, the Palermo four-piece are working with familiar-enough elements for the most part, but if you’re willing to give “Black Satyrus” a shot — and screw it, if you’re reading this you’re probably on pandemic lockdown, so you’ve got time — you’ll be rewarded with an extra-awesome wash of fuzz that takes hold at around eight minutes in, totally consuming everything in its path as it goes. It’s another level. Like fuzz to 11, just all of a sudden. I’d say keep an ear out, but really, if you’re listening at all, you can’t miss it.

Enjoy:

satyrus rites

Satyrus – Rites

Self-Released – 3 April 2020

Satyrus is a dark doom metal project from Palermo – Italy, created by guitarist Frankie Pizzimenti and vocalist Gianni Passafiume. Later joined by Freddy Fish on bass and Claudio Florio on drums, the four musicians with a very distinct background in music had a collective aim to churn out a slow, dark, yet heavy sound influenced by Black Sabbath, Coven and Pentagram.

This year with Morgan Perrone behind the drum kit, Satyrus are about to release their first album “Rites” that will surely surprise fans of doom, sludge and stoner rock. Featuring five songs, “Rites” sees the Italians merging heavy, distorted and fuzzy riffs with some bluesy and groovy rhythms and a sinister and dark atmosphere. Imagine Danzig, Black Sabbath and Monolord all jamming together in a dark and smoky room.

Tracklisting:
1. Black Satyrus 11:46
2. Shovel 7:49
3. Swirl 6:49
4. Stigma 8:41
5. Trailblazer 9:36

Satyrus are:
Gianni Passafiume – vocals
Frankie Pizzimenti – guitar
Freddy Fish – bass
Morgan Perrone – drums

https://www.facebook.com/satyrusdoom
https://www.instagram.com/satyrus.occult.doom.metal/
https://satyrus-occult.bandcamp.com

Satyrus, “Black Satyrus”

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