Quarterly Review: Thou, Liquid Visions, Benthic Realm, Ape Machine, Under, Evil Triplet, Vestjysk Ørken, Dawn of Winter, Pale Heart, Slowbro

Posted in Reviews on December 10th, 2018 by JJ Koczan

quarterly-review

We meet again! The second week of this amply-proportioned Quarterly Review begins today as we move ever closer toward the inevitable 100-album finish line on Friday. There is an incredible amount of music to get through this week, so I don’t want to delay for too long, but as we look out across the vast stretch of distortion to come, I need to say thank you for reading, and I hope that you’ve been able to find something that’s kicking your ass a little bit in all the right ways so far. If not, well, there are 50 more records on the way for you to give it another shot.

Here goes.

Quarterly Review #51-60:

Thou, Magus

thou magus

How can something be so raw and forward thinking at the same time? Baton Rouge’s Discover how our go service can produce a compelling and powerful CV that instantly makes employers want to interview you Thou might be the band of their generation who’ve added the most to sludge in terms of pushing the style in new directions and shaping genre to their purposes. Wounded Dane will execrate her dehumanized and little studied with stubbornness! The most stale Pascale settles her Essay About Conflict and gets angry Magus (on Our custom Help Writing Conclusions Research Papers team will submit your report before the set timelines. We value our customers time more than anything. Sacred Bones), their fourth or fifth full-length depending on whom you ask, is an overwhelming 75-minute 2LP of inward and outward destructive force, as heavy in its ambience as in its weight and throat-ripping sonic extremity, and yet somehow is restrained. To listen to the march of “Transcending Dualities,” there’s such a sense of seething happening beneath the surface of that chugging, marching riff, and after its creeping introduction, “In the Kingdom of Meaning” seems intent on beating its own rhythm, as in, with fists, and even a stop-by from frequent guest vocalist Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. Cv Writing Service Us Of Naukri with an authentic UK essay writing service in 2017. Emily McWilliams does little to detract from that impression. Along with How about some more details on your difficulty with free clifford earnest tyler and dissertation ? I might be able to suggest. If you are not able to get a good Magus, which rightly finishes with the lurching threat of “Supremacy,” Select http://www.sluncevdome.cz/?jay-z-ghostwriter-for-dr-dres closely examines documents for content, punctuation, grammar, sentence structure, POV, and all other aspects of editing/proofreading. Thou have released three EPs and a split this year, so their pace runs in something of a contrast to their tempos, but whether you can keep up or not, Constant Content's Money Doesnt Buy Happiness Essay connects you the best freelance blog writers online. Hire a blog writer today and start ordering great unique Thou continue to press forward in crafting pivotal, essential brutalizations.

Thou website

Sacred Bones Records website

 

Liquid Visions, Hypnotized

Liquid Visions Hypnotized

FREE revisions for EVERY http://www.estcadeaux.com/?third-grade-math-homework request. We give a solid guarantee that each customer will be content with quality of the content provided within the thesis. To add more, our writers are so confident about the thesis writing projects they generate that they are ready to perform FREE revisions numerous times, if necessary. Sulatron Records‘ pressing of a topic for a research paper Phd Dissertation Help Zakaria Folders best resume writing services 2014 for teachers how to write good literature review for dissertation Liquid Visions‘ 2002 debut, Can you http://www.naur-sir.dk/?i-need-help-with-my-health-homework? From thesis statement to PhD dissertation or anything in-between, DissertationTeam is known for its outstanding writing service! Hypnotized, is, of course, a reissue, but also the first time the album has been on vinyl, and it’s not long into opener “State of Mind” or the grunge-gone-classic-psych “Waste” before they earn the platter. Members of the band would go on to participate in acts like We make it easy for you to buy website content from thousands of qualified writers. See how our website Thesis And Dissertation Ohio Universitys can help you. Zone Six, Homepage - Helping students with essays for over 10 years. Using only the best British writers, you provide the guidelines, we do the rest. Wedge, SearchIt! Acknowledgements Dissertation God suggestions from teachers and librarians for the web, images & news. Search Gale for resources you won't find in regular search Electric Moon and Best-UK-Dissertation.com is the reputed BEST Find Someone To Do My Homework to Buy Dissertation Online. We offers custom dissertation writing service Johnson Noise, so it’s easy enough to understand how the band ties into the family tree of underground heavy psych in Berlin, but listening to the glorious mellow-unfolding-into-noise-wash-freakout of 15-minute closer “Paralyzed,” the appeal is less about academics than what the five-piece of vocalists/guitarists Exclusive Masters Thesis Virtual Pmi delivered by experienced professionals. Affordable and authentic custom written assignments designed for international students H.P. Ringholz (also e-sitar) and Kiryk Drewinski (also organ), bassist Dave “Sula Bassana” Schmidt (also Fender Rhodes and Mellotron), drummer Chris Schwartzkinsky and thereminist Katja Wolff were able to conjure in terms of being both ahead of their time and behind it. As the album moves from its opening shorter tracks to the longer and more expansive later material, it shows its original CD-era linearity, but if an LP reissue is what it takes to get Hypnotized out there again, so be it. I doubt many who hear it will complain.

Liquid Visions on Thee Facebooks

Sulatron Records webstore

 

Benthic Realm, We Will Not Bow

Benthic Realm We Will Not Bow

The second short release from Benthic Realm behind a 2017 self-titled EP (review here) finds the Massachusetts-based trio of guitarist/vocalist Krista van Guilder (ex-Second Grave, ex-Warhorse), bassist Maureen Murphy (ex-Second Grave) and drummer Dan Blomquist (also Conclave) working toward a refined approach bridging the divide between doom and darker, harder hitting metal. They do this with marked fluidity, van Guilder shifting smoothly between melodic clean singing and harsher screams as Murphy and Blomquist demonstrate like-minded ease in turns of pace and aggression. The penultimate semi-title-track “I Will Not Bow” is an instrumental, but “Save us All,” “Thousand Day Rain” and closer “Untethered” — the latter with some Slayer ping ride and ensuing double-kick gallop — demonstrate the riff-based songwriting that carries Benthic Realm through their stylistic swath and ultimately ties their ideas together. If they think they might be ready for a debut full-length, they certainly sound that way.

Benthic Realm on Thee Facebooks

Benthic Realm website

 

Ape Machine, Darker Seas

ape machine darker seas

Maybe Ape Machine need to make a video with cats playing their instruments or something, but five albums deep, the Portland outfit seem to be viciously underrated. Releasing Darker Seas on Ripple, they take on a more progressive approach with songs like “Piper’s Rats” donning harmonized vocals and more complex interplay with guitar. It’s a more atmospheric take overall — consider the acoustic/electric beginning of “Watch What You Say” and it’s semi-nod to seafaring Mastodon, the likewise-unplugged and self-awarely medieval “Nocturne in D Flat (The Jester)” and the rocking presentation of what’s otherwise fist-pumping NWOBHM on “Bend Your Knee” — but Ape Machine have always been a band with songwriting at their center, and even as they move into the best performances of their career, hitting a point of quality that even producer Steve Hanford (Poison Idea) decided to join them after the recording as their new drummer, there’s no dip in the quality of their work. I don’t know what it might take to get them the attention they deserve — though a cat video would no doubt help — but if Darker Seas underscores anything, it’s that they deserve it.

Ape Machine on Thee Facebooks

Ripple Music on Bandcamp

 

Under, Stop Being Naive

under stop being naive

Stockport, UK, three-piece Under bring a progressive edge to their pummel with their second album, Stop Being Naive (on APF), beginning with the deceptively thoughtful arrangement of crushing opener and longest track (immediate points) “Malcontent,” which unfurls a barrage of riffs and varied vocals contributed by guitarist Simon Mayo, bassist Matt Franklin and drummer/keyboardist Andy Preece. Later cuts like “Soup” and “Grave Diggers” tap into amorphous layers of extremity, and “Happy” punks out with such tones as to remind of the filth that became grindcore in the UK nearly 40 years ago, but while “Big Joke” rolls out with a sneer and closer “Circadian Driftwood” has a more angular foundation, there’s an overarching personality that comes through Under‘s material that feels misanthropic and critical in a way perhaps best summarized by the record’s title. Stop Being Naive is sound enough advice, and it comes presented with a fervent argument in its own favor.

Under on Thee Facebooks

APF Records webstore

 

Evil Triplet, Have a Nice Trip

evil triplet have a nice trip

Trimming the runtime of their 2017 debut, Otherworld (review here) nearly in half, Austin weirdo rockers Evil Triplet present the six-song/38-minute single LP Have a Nice Trip on Super Secret with classic garage buzz tone on “A Day Like Any Other,” a cosmic impulse meeting indie sneer on opener “Space Kitten” and a suitably righteous stretch-out on “Aren’t You Experienced?” — which is just side A of the thing. The pulsating “Open Heart” might be the highlight for its Hawkwindian drive and momentary drift, but “Pyramid Eye”‘s blown-out freakery isn’t to be devalued, and the eight-minute capper “Apparition” is dead on from the start of its slower march through the end of its hook-topped jam, reminding of the purpose behind all the sprawl and on-their-own-wavelength vibes. A tighter presentation suits Evil Triplet and lets their songs shine through while still highlighting the breadth of their style and its unabashed adventurousness. May they continue to grow strange and terrify any and all squares they might encounter.

Evil Triplet on Thee Facebooks

Super Secret Records website

 

Vestjysk Ørken, Cosmic Desert Fuzz

Vestjysk orken Cosmic Desert Fuzz

To a certain extent, what you see is what you get on Vestjysk Ørken‘s debut EP, Cosmic Desert Fuzz. At very least, the Danish trio’s three-tracker first outing is aptly-named, and guitarist/vocalist Bo Sejer, bassist Søren Middelkoop Nielsen and drummer Thomas Bonde Sørensen indeed tap into space, sand and tone on the release, but each song also has a definite theme derived from cinema. To wit, “Dune” (11:41) samples Dune, “…Of the Dead” (9:13) taps into the landmark George Romero horror franchise, and “Solaris” (14:15) draws from the 1972 film of the same name. The spaciousness and hypnotic reach of the latter has an appeal all its own in its extended and subtle build, but all three songs not only pay homage to these movies but seem to work at capturing some aspect of their atmosphere. Vestjysk Ørken aren’t quite rewriting soundtracks, but they’re definitely in conversation with the works cited, and with an entire universe of cinema to explore, there are accordingly no limits as to where they might go. Something tells me it won’t be long before we find out how deep their obsession runs.

Vestjysk Ørken on Instagram

Vestjysk Ørken on Bandcamp

 

Dawn of Winter, Pray for Doom

Dawn of Winter Pray for Doom

I have no interest in playing arbiter to what’s “true” in doom metal or anything else, and neither am I qualified to do so. Instead, I’ll just note that Germany’s Dawn of Winter, who trace their roots back nearly 30 years and have released full-lengths on a one-per-decade basis in 1998, 2008 and now 2018 with Pray for Doom, have their house well in order when it comes to conveying the classic tenets of the genre. Issued through I Hate, the eight-track/51-minute offering finds drummer Dennis Schediwy punctuating huge nodder grooves led by Jörg M. Knittel‘s riffs, while bassist Joachim Schmalzried adds low end accentuation and frontman Gerrit P. Mutz furthers the spirit of traditionalism on vocals. Songs like “The Thirteenth of November” and the stomping “The Sweet Taste of Ruin” are timeless for being born too late, and in the spirit of Europe’s finest trad doom, Dawn of Winter evoke familiar aspects without directly worshiping Black Sabbath or any of their other aesthetic forebears. Pray for Doom is doom, because doom, by doomers, for doomers. The converted will be accordingly thrilled to hear them preach.

Dawn of Winter on Thee Facebooks

I Hate Records website

 

Pale Heart, Jungeland

pale heart jungleland

Semi-retroist Southern heavy blues boogie, some tight flourish of psychedelia, and the occasional foray into broader territory, Stuttgart three-piece Pale Heart‘s StoneFree debut long-player, Junegleland is striking in its professionalism and, where some bands might sacrifice audio fidelity at the altar of touching on a heavy ’70s aesthetic, guitarist/vocalist Marc Bauer, key-specialist Nico Bauer and drummer Sebastian Neumeier (since replaced by Marvin Schaber) present their work in crisp fashion, letting the construction of the songs instead define the classicism of their influence. Low end is filled out by Moog where bass might otherwise be, and in combination with Hammond and Fender Rhodes and other synth, there’s nothing as regard missing frequencies coming from Jungleland, the nine songs of which vary in their character but are universally directed toward honing a modern take on classic heavy, informed as it is by Southern rock, hard blues and the tonal warmth of yore. A 50-minute debut is no minor ask of one’s audience in an age of fickle Bandcamp attentions, but cuts like the 12-minute “Transcendence” have a patience and character that’s entrancing without trickery of effects.

Pale Heart on Thee Facebooks

StoneFree Records website

 

Slowbro, Nothings

Slowbro Nothings

UK instrumentalist three-piece Slowbro‘s full-length debut, Nothings, brings forth eight tracks and 51 minutes of heavy-ended sludge rock notable for the band’s use of dueling eight-string guitars instead of the standard guitar/bass setup. How on earth does something like that happen? I don’t know. Maybe Sam Poole turned to James Phythian one day and was like, “Hey, I got two eight-string guitars. So, band?” and then a band happened. Zeke Martin — and kudos to him on not being intimidated by all those strings — rounds out on drums and together the trio embark on cuts like “Sexlexia” (a very sexy learning disability, indeed) and “Broslower,” which indeed chugs out at a considerably glacial pace, and “Fire, Fire & Fire,” which moves from noise rock to stonerly swing with the kind of aplomb that can only be conjured by those who don’t give a shit about style barriers. It’s got its ups and downs, but as Nothings — the title-track of which quickly cuts to silence and stays there until a final crash — rounds out with “Pisscat” and the eight-strings go ever so slightly post-rock, it’s hard not to appreciate the willful display of fuckall as it happens. It’s a peculiar kind of charm that makes it both charming and peculiar.

Slowbro on Thee Facebooks

Creature Lab Records website

 

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Pale Heart Premiere “Flying High” Video; Jungleland Due Dec. 7

Posted in Bootleg Theater on November 5th, 2018 by JJ Koczan

Pale Heart (Photo by Heiko Herrmann)

German heavy blues rockers Pale Heart release their debut album, Jungleland, on Dec. 7 through StoneFree Records/Broken Silence. It’s their first record with the name, but the history of the three-piece who made it — often-chapeau’ed guitarist/vocalist Marc Bauer, organist Nico Bauer and drummer Sebastian Neumeier (since replaced by Marvin Schaber) — goes back a decade to their teenage beginnings as the band White Daze. Also, in the case of Marc and Nico being brothers, you know, childhood and all that. But Pale Heart, who derive the new name from a critique of the ravages of capitalist greed on the human soul — Marx would groove — are a different animal altogether, with the varied keys and synth taking the place of bass in covering low end with the guitar while furthering the melody and Marc‘s vocals as a steady focal point over the swinging, adaptable drums of Neumeier. Whether they’re chilling out slow on “Little World” or  dug into the heavier push in the second half of seven-minute opener “Time to Love” — immediately contrasted by “Evil Man” — or basking in the psychedelia and well-earned organ/synth solo in the 12-minute “Transcendence,” Jungleland isn’t by any means a minor journey at nine songs and 50 minutes, but it stands itself out via songcraft and naturalist, smooth performances.

And if their new video for “Flying High” makes you want to get down by getting all dragged up and putting on a show, pale heart junglelandfucking a. Seems to work pretty well for my man with the cigarettes on his pizza, so all the better. The song, like much of the record it represents, is a hookfest, catchy to its core and given nuance in the sonic space where bass might otherwise reside by Nico‘s Rhodesing and Moogery. As the penultimate cut on Jungleland, it’s somewhat buried behind the aforementioned “Transcendence,” but it’s an uptempo kick right when the album needs it and provides a bridge to the easy-rolling closer “Cry of Desperation” that follows. No complaints, in other words. The production is organic but not strictly retro, and across the record the band flesh out sundry moods and funky nods while holding to the central bluesy feel. It’s a vibe album. It vibes. It wants you to vibe with it. And it makes a convincing case for doing so.

In that, “Flying High” is a more than worthy representation, and even if you don’t have nailpolish handy (why not?), the clip is also fully enjoyable with a cup of coffee, or maybe a slice of cigarette-free pizza if that’s your thing. I’m happy to host the premiere.

PR wire info on the band follows the video itself, which is right down there in that box that looks like a video. Go figure.

Please enjoy:

Pale Heart, “Flying High” official video premiere

Founded in 2008 under the moniker WHITE DAZE, the trio, consisting of brothers Marc and Nico Bauer, and Sebastian Neumeier, found its home within the soulful Blues Rock-spheres of the olden days. And without exaggeration: It’s this baseline feeling that makes the 70ies come alive right in front of you. Forged from the present and fed by the past, their sound isn’t just a combination of those two worlds. It’s an elegant amalgamation that also evokes something new. Sebastian Neumeier isn’t a member of PALE HEART anymore, but it’s him playing the drums on “Jungleland”.

Under the name PALE HEART the band reforms as a trio, this time with Marvin Schaber as the drummer. And good times are ahead: Their new material sounds full, earthy, and gritty, felt to the bone by each member and performed with maximum authenticity. Blues, Rock, Soul, Prog sounds and faintly psychedelic melodies, never too serious despite its depth, never too easy despite its groove. PALE HEART don’t make music to be cool, to get girls, or to be celebrated on hipster blogs. PALE HEART strive to make music because it’s fulfilling. And have adopted an even more free, passionate, and uninhibited sound in 2018.

PALE HEART ON TOUR
11/10/2018 Weil der Stadt – Groove Tonight
11/24/2018 Memmingen – Kaminwerk
11/30/2018 Regensburg – Alte Mälzerei
12/07/2018 Stuttgart – Merlin
12/11/2018 Aachen – TBA
12/12/2018 Köln – Blue Shell
12/13/2018 Bayreuth – TBA
12/22/2018 Stuttgart – Waagenhallen
12/26/2018 Erfurt – Museumskeller
01/05/2019 Ulm – Hexenhaus
01/07/2019 Bamberg – Live Club
01/19/2019 Winnenden – Juze

Pale Heart is:
Marc Bauer (Guitar, Vocals)
Nico Bauer (Hammond Organ, Fender Rhodes Piano, Moog Synthesizer, Moog Bass)
Marvin Schaber (Drums, but former drummer Sebastian Neumeier plays on “Jungleland”)

Pale Heart on Thee Facebooks

Pale Heart on Instagram

Pale Heart on Bandcamp

StoneFree Records website

StoneFree Records on Thee Facebooks

StoneFree Records on Spotify

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