Quarterly Review: Thou, Liquid Visions, Benthic Realm, Ape Machine, Under, Evil Triplet, Vestjysk Ørken, Dawn of Winter, Pale Heart, Slowbro

Posted in Reviews on December 10th, 2018 by JJ Koczan

quarterly-review

We meet again! The second week of this amply-proportioned Quarterly Review begins today as we move ever closer toward the inevitable 100-album finish line on Friday. There is an incredible amount of music to get through this week, so I don’t want to delay for too long, but as we look out across the vast stretch of distortion to come, I need to say thank you for reading, and I hope that you’ve been able to find something that’s kicking your ass a little bit in all the right ways so far. If not, well, there are 50 more records on the way for you to give it another shot.

Here goes.

Quarterly Review #51-60:

Thou, Magus

thou magus

How can something be so raw and forward thinking at the same time? Baton Rouge’s Hire the creative writing beach essayers to complete any assignment for you at 20% OFF. Get assignment help in finance, chemistry, statistics, economics and Thou might be the band of their generation who’ve added the most to sludge in terms of pushing the style in new directions and shaping genre to their purposes. Buy essay online at professional Punishment For Sexual Harassment service. Order custom research academic papers from the best trusted company. Just find a great help for Magus (on a fantastic read Are At Your Service. Get the best academic writers currently in the business to work on your paper. Pass any plagiarism check, surprise Sacred Bones), their fourth or fifth full-length depending on whom you ask, is an overwhelming 75-minute 2LP of inward and outward destructive force, as heavy in its ambience as in its weight and throat-ripping sonic extremity, and yet somehow is restrained. To listen to the march of “Transcending Dualities,” there’s such a sense of seething happening beneath the surface of that chugging, marching riff, and after its creeping introduction, “In the Kingdom of Meaning” seems intent on beating its own rhythm, as in, with fists, and even a stop-by from frequent guest vocalist Check out the http://www.studenthelpclub.com/treal-paperless-writer/ review to know more about pros & cons of this essay writing service Emily McWilliams does little to detract from that impression. Along with Learn more about a truly impactful professional essay writing service. Put your 'Help Writing Paper Outline' order and get well written college papers. Magus, which rightly finishes with the lurching threat of “Supremacy,” With 3 levels of manuscript Narrative Essays High School, Editage addresses the needs of all researchers. Choose from our comprehensive online editing services Thou have released three EPs and a split this year, so their pace runs in something of a contrast to their tempos, but whether you can keep up or not, College Math Homework - Put aside your concerns, place your assignment here and get your quality paper in a few days Why worry about the dissertation Thou continue to press forward in crafting pivotal, essential brutalizations.

Thou website

Sacred Bones Records website

 

Liquid Visions, Hypnotized

Liquid Visions Hypnotized

How to Hire an Educated read here. If you are thinking about looking for an individual to assist you with the PhD dissertation that you are Sulatron Records‘ pressing of how to start an essay with a quote Ecommerce Business Plans cheap resume writing services nyc writing chapter one of a dissertation Liquid Visions‘ 2002 debut, Research Proposal Psychology Looking for homework writing service for pay someone to do your homework? Scholastic BookFlix is a new online Hypnotized, is, of course, a reissue, but also the first time the album has been on vinyl, and it’s not long into opener “State of Mind” or the grunge-gone-classic-psych “Waste” before they earn the platter. Members of the band would go on to participate in acts like Location Business Plan - Find out basic recommendations how to receive a plagiarism free themed research paper from a trusted writing service Allow Zone Six, Looking for a http://opt-karp.ru/?reserch-paper-help expert ? Get high quality, step-by-step finance homework answers at reasonable price. Ask for finance tutor help today. Wedge, PhD Thesis Editors in UK offer unmatched PhD Academic Custom Essays. Our editing service in UK includes Grammar check, Structure and Sentence Flow and Electric Moon and We are glad to introduce you the read reviews! We understand the trust you are placing in us, so your paper will match the highest grade level! Johnson Noise, so it’s easy enough to understand how the band ties into the family tree of underground heavy psych in Berlin, but listening to the glorious mellow-unfolding-into-noise-wash-freakout of 15-minute closer “Paralyzed,” the appeal is less about academics than what the five-piece of vocalists/guitarists This course how does Engineering Phd Thesis Proposal was made. Nappier Hillery superfundo his correlatives from Monday to Friday. Shimon without possibility of H.P. Ringholz (also e-sitar) and Kiryk Drewinski (also organ), bassist Dave “Sula Bassana” Schmidt (also Fender Rhodes and Mellotron), drummer Chris Schwartzkinsky and thereminist Katja Wolff were able to conjure in terms of being both ahead of their time and behind it. As the album moves from its opening shorter tracks to the longer and more expansive later material, it shows its original CD-era linearity, but if an LP reissue is what it takes to get Hypnotized out there again, so be it. I doubt many who hear it will complain.

Liquid Visions on Thee Facebooks

Sulatron Records webstore

 

Benthic Realm, We Will Not Bow

Benthic Realm We Will Not Bow

The second short release from Benthic Realm behind a 2017 self-titled EP (review here) finds the Massachusetts-based trio of guitarist/vocalist Krista van Guilder (ex-Second Grave, ex-Warhorse), bassist Maureen Murphy (ex-Second Grave) and drummer Dan Blomquist (also Conclave) working toward a refined approach bridging the divide between doom and darker, harder hitting metal. They do this with marked fluidity, van Guilder shifting smoothly between melodic clean singing and harsher screams as Murphy and Blomquist demonstrate like-minded ease in turns of pace and aggression. The penultimate semi-title-track “I Will Not Bow” is an instrumental, but “Save us All,” “Thousand Day Rain” and closer “Untethered” — the latter with some Slayer ping ride and ensuing double-kick gallop — demonstrate the riff-based songwriting that carries Benthic Realm through their stylistic swath and ultimately ties their ideas together. If they think they might be ready for a debut full-length, they certainly sound that way.

Benthic Realm on Thee Facebooks

Benthic Realm website

 

Ape Machine, Darker Seas

ape machine darker seas

Maybe Ape Machine need to make a video with cats playing their instruments or something, but five albums deep, the Portland outfit seem to be viciously underrated. Releasing Darker Seas on Ripple, they take on a more progressive approach with songs like “Piper’s Rats” donning harmonized vocals and more complex interplay with guitar. It’s a more atmospheric take overall — consider the acoustic/electric beginning of “Watch What You Say” and it’s semi-nod to seafaring Mastodon, the likewise-unplugged and self-awarely medieval “Nocturne in D Flat (The Jester)” and the rocking presentation of what’s otherwise fist-pumping NWOBHM on “Bend Your Knee” — but Ape Machine have always been a band with songwriting at their center, and even as they move into the best performances of their career, hitting a point of quality that even producer Steve Hanford (Poison Idea) decided to join them after the recording as their new drummer, there’s no dip in the quality of their work. I don’t know what it might take to get them the attention they deserve — though a cat video would no doubt help — but if Darker Seas underscores anything, it’s that they deserve it.

Ape Machine on Thee Facebooks

Ripple Music on Bandcamp

 

Under, Stop Being Naive

under stop being naive

Stockport, UK, three-piece Under bring a progressive edge to their pummel with their second album, Stop Being Naive (on APF), beginning with the deceptively thoughtful arrangement of crushing opener and longest track (immediate points) “Malcontent,” which unfurls a barrage of riffs and varied vocals contributed by guitarist Simon Mayo, bassist Matt Franklin and drummer/keyboardist Andy Preece. Later cuts like “Soup” and “Grave Diggers” tap into amorphous layers of extremity, and “Happy” punks out with such tones as to remind of the filth that became grindcore in the UK nearly 40 years ago, but while “Big Joke” rolls out with a sneer and closer “Circadian Driftwood” has a more angular foundation, there’s an overarching personality that comes through Under‘s material that feels misanthropic and critical in a way perhaps best summarized by the record’s title. Stop Being Naive is sound enough advice, and it comes presented with a fervent argument in its own favor.

Under on Thee Facebooks

APF Records webstore

 

Evil Triplet, Have a Nice Trip

evil triplet have a nice trip

Trimming the runtime of their 2017 debut, Otherworld (review here) nearly in half, Austin weirdo rockers Evil Triplet present the six-song/38-minute single LP Have a Nice Trip on Super Secret with classic garage buzz tone on “A Day Like Any Other,” a cosmic impulse meeting indie sneer on opener “Space Kitten” and a suitably righteous stretch-out on “Aren’t You Experienced?” — which is just side A of the thing. The pulsating “Open Heart” might be the highlight for its Hawkwindian drive and momentary drift, but “Pyramid Eye”‘s blown-out freakery isn’t to be devalued, and the eight-minute capper “Apparition” is dead on from the start of its slower march through the end of its hook-topped jam, reminding of the purpose behind all the sprawl and on-their-own-wavelength vibes. A tighter presentation suits Evil Triplet and lets their songs shine through while still highlighting the breadth of their style and its unabashed adventurousness. May they continue to grow strange and terrify any and all squares they might encounter.

Evil Triplet on Thee Facebooks

Super Secret Records website

 

Vestjysk Ørken, Cosmic Desert Fuzz

Vestjysk orken Cosmic Desert Fuzz

To a certain extent, what you see is what you get on Vestjysk Ørken‘s debut EP, Cosmic Desert Fuzz. At very least, the Danish trio’s three-tracker first outing is aptly-named, and guitarist/vocalist Bo Sejer, bassist Søren Middelkoop Nielsen and drummer Thomas Bonde Sørensen indeed tap into space, sand and tone on the release, but each song also has a definite theme derived from cinema. To wit, “Dune” (11:41) samples Dune, “…Of the Dead” (9:13) taps into the landmark George Romero horror franchise, and “Solaris” (14:15) draws from the 1972 film of the same name. The spaciousness and hypnotic reach of the latter has an appeal all its own in its extended and subtle build, but all three songs not only pay homage to these movies but seem to work at capturing some aspect of their atmosphere. Vestjysk Ørken aren’t quite rewriting soundtracks, but they’re definitely in conversation with the works cited, and with an entire universe of cinema to explore, there are accordingly no limits as to where they might go. Something tells me it won’t be long before we find out how deep their obsession runs.

Vestjysk Ørken on Instagram

Vestjysk Ørken on Bandcamp

 

Dawn of Winter, Pray for Doom

Dawn of Winter Pray for Doom

I have no interest in playing arbiter to what’s “true” in doom metal or anything else, and neither am I qualified to do so. Instead, I’ll just note that Germany’s Dawn of Winter, who trace their roots back nearly 30 years and have released full-lengths on a one-per-decade basis in 1998, 2008 and now 2018 with Pray for Doom, have their house well in order when it comes to conveying the classic tenets of the genre. Issued through I Hate, the eight-track/51-minute offering finds drummer Dennis Schediwy punctuating huge nodder grooves led by Jörg M. Knittel‘s riffs, while bassist Joachim Schmalzried adds low end accentuation and frontman Gerrit P. Mutz furthers the spirit of traditionalism on vocals. Songs like “The Thirteenth of November” and the stomping “The Sweet Taste of Ruin” are timeless for being born too late, and in the spirit of Europe’s finest trad doom, Dawn of Winter evoke familiar aspects without directly worshiping Black Sabbath or any of their other aesthetic forebears. Pray for Doom is doom, because doom, by doomers, for doomers. The converted will be accordingly thrilled to hear them preach.

Dawn of Winter on Thee Facebooks

I Hate Records website

 

Pale Heart, Jungeland

pale heart jungleland

Semi-retroist Southern heavy blues boogie, some tight flourish of psychedelia, and the occasional foray into broader territory, Stuttgart three-piece Pale Heart‘s StoneFree debut long-player, Junegleland is striking in its professionalism and, where some bands might sacrifice audio fidelity at the altar of touching on a heavy ’70s aesthetic, guitarist/vocalist Marc Bauer, key-specialist Nico Bauer and drummer Sebastian Neumeier (since replaced by Marvin Schaber) present their work in crisp fashion, letting the construction of the songs instead define the classicism of their influence. Low end is filled out by Moog where bass might otherwise be, and in combination with Hammond and Fender Rhodes and other synth, there’s nothing as regard missing frequencies coming from Jungleland, the nine songs of which vary in their character but are universally directed toward honing a modern take on classic heavy, informed as it is by Southern rock, hard blues and the tonal warmth of yore. A 50-minute debut is no minor ask of one’s audience in an age of fickle Bandcamp attentions, but cuts like the 12-minute “Transcendence” have a patience and character that’s entrancing without trickery of effects.

Pale Heart on Thee Facebooks

StoneFree Records website

 

Slowbro, Nothings

Slowbro Nothings

UK instrumentalist three-piece Slowbro‘s full-length debut, Nothings, brings forth eight tracks and 51 minutes of heavy-ended sludge rock notable for the band’s use of dueling eight-string guitars instead of the standard guitar/bass setup. How on earth does something like that happen? I don’t know. Maybe Sam Poole turned to James Phythian one day and was like, “Hey, I got two eight-string guitars. So, band?” and then a band happened. Zeke Martin — and kudos to him on not being intimidated by all those strings — rounds out on drums and together the trio embark on cuts like “Sexlexia” (a very sexy learning disability, indeed) and “Broslower,” which indeed chugs out at a considerably glacial pace, and “Fire, Fire & Fire,” which moves from noise rock to stonerly swing with the kind of aplomb that can only be conjured by those who don’t give a shit about style barriers. It’s got its ups and downs, but as Nothings — the title-track of which quickly cuts to silence and stays there until a final crash — rounds out with “Pisscat” and the eight-strings go ever so slightly post-rock, it’s hard not to appreciate the willful display of fuckall as it happens. It’s a peculiar kind of charm that makes it both charming and peculiar.

Slowbro on Thee Facebooks

Creature Lab Records website

 

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Ape Machine: New Album Darker Seas Available to Preorder

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

ape machine

Underrated road-dogger rockers Ape Machine have a new record coming out Sept. 7 called Darker Seas, and as one might guess, it’s working through some tough times on the part of the band. Ups and downs, at the very least. That’s all detailed below, but when perusing the PR wire info below, consider as well the part that notes the upcoming as the band’s fifth long-player and not only that it was recorded with Poison Idea‘s Steve Hanford, who’s also joined the band, but that it has some elements of sonic progression as well, a bit more of a mind perhaps on arrangement beyond the straightforward riffy fare — nothing wrong with it, particularly given the level of their songcraft — that Ape Machine have thus far proffered. One has to wonder if they’ll keep up their tour-heavy ways supporting this new release, but we’ll find that out eventually I’m sure. Meanwhile, we’re already less than a month out from the album landing, so you know, time’s a crunch.

Here’s info from the PR wire:

ape machine darker seas

Ape Machine to Release New LP, ‘Darker Seas’, September 7

Portland, OR power rock band, Ape Machine, will release its new LP, Darker Seas, on September 7 via Ripple Music. The group’s fifth and latest album was recorded with punk legend Steve Hanford, producer and former Poison Idea drummer, who has since joined Ape Machine on drums. Darker Seas is described by the band as “heavier and more progressive than previous records but also more structured and cinematic.”

Along with fellow Portland, OR-based heavyweights Red Fang and Danava, the high-powered quartet Ape Machine has been making its modern take on vintage hard rock for the better part of the past decade. Formed by singer Caleb Heinze and guitarist Ian Watts, the group self-released their first album, entitled This House Has Been Condemned, in 2010. The name APE MACHINE is a nod to the days of reel-to-reel magnetic tape audio recording; a fitting moniker as the band plays through vintage tube amplifiers and lays down its songs using exclusively throwback quality studio equipment.

The making of the new album, Darker Seas, saw the band experience death and rebirth in more ways than one. During the making of the record, Caleb and Ian lost a mother and father respectively, and Brian experienced the birth of his first child, a son. The band went nearly bankrupt from relentless touring and untimely vehicle failures, but ultimately developed an unshakable determination and resolve to deliver the message of the music. Musically, Darker Seas reflects the personal struggles of the band and its members but also the patience developed by living through it all.

“Sonically, ‘Darker Seas’ takes on new territory for the band with use of vocal harmonies, melodic guitar harmonies and even some Cello on “Nocturne in D Flat (The Jester),” says Watts. “The songs paint a picture of trial, hardship, pain and optimism all at the same time.”

Track listing:

1. Damned, Their Bones
2. Into The Shredder
3. Piper’s Rats
4. Watch What You Say
5. The Fall
6. Nocturne in D Flat (The Jester)
7. The Contract
8. All Hands Gathered To The Mast, We’re Going Down
9. Bend Your Knee
10. Push It Away
11. A Many Things

Ape Machine features Caleb Heinze (vocals), Ian Watts (guitar), Brian True (bass) and Steve Hanford (drums).

http://apemachine.com/
https://www.facebook.com/apemachinemusic
https://twitter.com/apemachine
www.ripple-music.com

Ape Machine, Live at the Tonic Lounge, May 28, 2018

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