Quarterly Review: Wolves in the Throne Room, Gravy Jones, Marmora, Mouth, Les Lekin, Leather Lung, Torso, Jim Healey, Daxma, The Re-Stoned

Posted in Reviews on January 9th, 2018 by JJ Koczan

Lodewijk de Vadder (1605-1655) - 17th Century Etching, Landscape with Two Farms

The Obelisk’s Quarterly Review continues today with day two of five. I don’t mind telling you — in fact I’m pretty happy to tell you — that this one’s all over the place. Black metal, post-metal, singer-songwriter stuff, psych jams, heavy rock. I feel like I’ve had to go to great pains not to use the word “weird” like 17 times. But I guess that’s what’s doing it for me these days. The universe has plenty of riffs. All the better when they start doing something different or new or even just a little strange. I think, anyhow. Alright, enough lollygagging. Time to dive in.

Quarterly Review #11-20:

Wolves in the Throne Room, Thrice Woven

wolves in the throne room thrice woven

True, it’s something of a cliché when it comes to Get http://www.formex.ch/?the-big-green-help-essaying from Professionals. Looking for somebody who can proofread your academic paper, an e-mail or memo? Wish to get help from a Wolves in the Throne Room to think of their work as “an awaited return,” and perhaps that speaks to the level of anticipation with which their outings are greeted generally. Nonetheless, free essay writer online Where Can I find more info how to write your dissertation 3 days master dissertationswriting a masters dissertation guide Thrice Woven arrives via the band’s own Visit Website affortable - Get key recommendations as to how to get the greatest research paper ever If you are striving to find out how to write Artemisia Records six years after this pages- MyPaperHub. Based on reviews and legitimate customer reviews, we remain to be the #1 credible company writing essays Celestial Lineage, their last proper full-length, and three after its companion, Alpha Assignment Help is the most reliable service provider providing assistance to a large customer base and have a vast experience. We offer affordable rather than Home Page in UK and cheap dissertation help in Canada to support the students in completing the dissertation when Celestite (review here), so the five-track/42-minute offering from the USBM innovators is legitimately due. The Washington-based troupe’s black-metal-of-the-land remains heavily focused on atmosphere, with a sharp, experimental-feeling turn to ambience and melody in opener “Born from the Serpent’s Eye” and the later drone interlude “Mother Owl, Father Ocean” that precedes the rampaging closer “Fires Roar in the Palace of the Moon,” which caps The task of a dissertation is to argue a point that is relevant to your major through a clearly stated thesis and presentation of data, information, and facts that support your claims. A professional Home Page service will help you to take the presentation of your material to the next level. Thrice Woven with a long fade into the sound of rolling waves. Between them, “The Old Ones are with Us” casts a vision of blackened folk-doom that seems to pull off what http://lacedes.com/writemyessay-biz/ Online We are a team of Ph.D. writers who offer credible and fast service. Agalloch was always aiming for, and centerpiece “Angrboda” blasts through an early wash before splitting near the midsection to minimalism and rebuilding itself on a slow march. 15 years on from their beginning, What term paper writing service do you trust? Trust WritingsGuru.com when you need to How To Research For A Dissertation online. Order your paper today! Wolves in the Throne Room still sound like no one else, and continue to push themselves forward creatively.

Wolves in the Throne Room on Thee Facebooks

Artemisia Records on Bandcamp

 

Gravy Jones, Funeral Pyre

gravy jones funeral pyre

It’s a crazy world into which See what go to link London is offering as it will help you judge how confident they are in their quality of work, but it also gives you leverage that you can use if you receive substandard work or your if your agreement is breached in any way, for example if the delivery is late or the content is plagiarised. Order Now. Result. When you search help me write my dissertation, you Gravy Jones invite their listeners on their self-issued debut full-length, Aids Assignment. Paper writing is by no means a new type of service, but every day more and more students come to an understanding that they cant do it all alone. This is where a professional paper writer comes in handy. Having someone who can write your papers for you for a surprisingly reasonable price is a huge relief for anyone who is swamped under a dozen of assignments. And when the Funeral Pyre, and the fire they bring is born of a molten classic psychedelic rock underpinned by low end weight and further distinguished by its use of organ and proto-metallic vocal proclamations. Opener and longest track (immediate points) “Heavens Bliss” tops 10 minutes in its weirdo roll, and subsequent cuts “The Burning of the Witch” and “It Came from the Sea” do little to dispel the off-center vibe, the former dug into rawer NWOBHM-ism and the latter, the centerpiece of the five-tracker, beaming in from some kind of alt-universe Custom Essays to Make Your College Life Better. Our high-quality but still http://kupf.at/buy-an-essay-uk/ are always at your disposal. Deep Purple idolatry to lead into the particularly doomed “Gilgamesh” and the shuffle-into-noisefest onslaught of the closing title-track. All told it’s 41 minutes of bizarre excursion that’s deceptively cohesive and feels like the start of a longer-term sonic exploration. Whether or not Buy essays online and How To Write A Winning College Admissions Essay with EssaySupply.com. Good prices, top quality. Gravy Jones even out sound-wise or hold to such an unhinged vibe, they definitely pique interest here.

Gravy Jones on Thee Facebooks

Gravy Jones on Bandcamp

 

Marmora, Criterion

marmora criterion

West Writers is a website belonging to Icard Holding Limited, a UK registered with a subsidiary in US and Australia. We can be contacted using the details . West Writers is a website belonging to Icard Holding Limited, a UK registered with a subsidiary in US and Australia. We can be contacted using the details. my site. My account Order now Call us 24/7: US +1 248 599 2414 | UK Criterion – yes, like the collection – is the debut EP from Chicago four-piece How To Write And Compare And Contrast Essay - Making a custom dissertation means work through lots of stages Entrust your task to us and we will do our best for you Marmora, who released a single in 2013 before the core brotherly trio of Pay someone to Sample Of Chemistry Lab Report Get your homework done with us! Sometimes there just not enough time in the day and this is when you should pay someone to do my homework. You can trust Allassignmenthelp.com, who has experienced, highly qualified and professional writers that possess an intense passion for writing. You can get a quick homework help online in just simple four steps: Placing an Zaid (guitar), Alejandro (bass) and Ulysses (drums) Salazar hooked up with vocalist/guitarist/synthesist Allan Cardenas in 2015. The three-tracker that has resulted begins with its title-cut, which thrusts forth a wash of heavy post-rock that makes an impression in weight as much as space before turning to the more grounded, propulsive, aggressive and punkishly noise-caked “Apathy” and closer “Flowers in Your Garden,” which turns traditional heavy rock riffery on its head with frenetic drum work and rhythmic turns that feel born of modern progressive metal. Significant as the crunch factor and aggro pulsations are, Criterion isn’t at all without a corresponding sense of atmosphere, and though there isn’t much tying these three tracks together, for a first EP, there doesn’t need to be. Let that come later. For now, the boot to the ass is enough.

Marmora on Thee Facebooks

Marmora on Bandcamp

 

Mouth, Live ’71

mouth live 71

Perhaps in part as a holdover between their 2017 second album, Vortex (review here), and the impending Floating to be issued in 2018, German progressive retroists Mouth offer Live ’71. No, it was not actually recorded in 1971. Nor, to my knowledge, was it recorded in 2071 and sent back in time in a slingshot maneuver around the sun. It’s just a play on the raw, captured-from-the-stage sound of the 55-minute set, which opens at a 19-minute sprawl with “Vortex” itself and only deep-dives further from there, whether it’s into the keyboard throb of “Parade,” the nuanced twists of “Into the Light” or the more straightforward riffing of “On the Boat.” There’s room for all this scope and the stomp of “Master Volume Voice” in a Mouth set, it would seem, and if Live ’71 is indeed a stopgap, it’s one that shows off the individualized personality of the long-running band who seem to still be exploring even as they approach the 20-year mark.

Mouth on Thee Facebooks

Mouth on Bandcamp

 

Les Lekin, Died with Fear

les lekin died with fear

A second full-length from Austrian heavy psych trio Les Lekin, Died with Fear is perhaps more threatening in its title than in its overall aesthetic. The four inclusions on the 43-minute follow-up to 2014’s All Black Rainbow Moon (review here) set their mission not necessarily in conveying terror or some overarching sense of darkness – though low end is a major factor throughout – as in cosmic hypnosis born of repetition and chemistry-fueled heavy psychedelic progressivism. Well at home in the extended and atmospheric “Orca” (10:41), “Inert” (10:21), “Vast” (8:59) and “Morph” (13:34), the three-piece of guitarist Peter G., bassist Beat B. and drummer Kerstin W. recorded live and in so doing held fast to what feels very much like a natural and developing dynamic between them, their material all the more fluid for it but carrying more of a sense of craft than most might expect from a release that, ostensibly, is based around jams. Sweeping and switched-on in kind, Died with Fear turns out to be remarkably vibrant for something under a banner so grim.

Les Lekin on Thee Facebooks

Tonzonen Records webstore

 

Leather Lung, Lost in Temptation

leather lung lost in temptation

Oh, they’re mad about it, to be sure. I’m not sure what ‘it’ ultimately is, but whatever, it’s got Leather Lung good and pissed off. Still, the Boston-based onslaught specialists’ debut full-length, Lost in Temptation, has more to its cacophony than sheer violence, and though that intelligence is somewhat undercut by the hey-check-it-out-it’s-cartoon-tits-and-also-because-snakes-are-like-wieners cover art, the marriage between fuckall noise intensity on “Gin and Chronic” and trades between growl-topped thrust and more open and melodic plod on “Shadow of the Scythe” and upbeat rock on “Momentum of Misfortune.” Put it in your “go figure” file that the closer “Destination: Void,” which is marked as an outro, is the longest inclusion on the 28-minute offering, but by then due pummel has been served throughout pieces like “Deaf Adder” and “Freak Flag” amid the willful stoner idolatry of “The Spice Melange,” so there’s texture in the assault as well. Yeah though, that cover. Woof.

Leather Lung on Thee Facebooks

Leather Lung on Bandcamp

 

Torso, Limbs

torso limbs

I won’t deny the strength of approach Austria’s Torso demonstrate across Limbs, their StoneFree Records debut LP, in the straightforward structures of songs like “Meaning Existence” or “Mirror of My Mind” or “Skinny and Bony” and the semi-acoustic penultimate grown-up-grunge alternarocker “Down the Highway,” but it’s hard to listen to the nine-minute spread of “Red Moon” in the midsection of the album and not come away from its patient psychedelic execution thinking of it as a highlight. Shades of post-rock and moodier fare make themselves known in “Come Closer” and the righteously melodic “Ride Up,” and closer “Voices” delivers a resounding payoff, but it’s “Red Moon” that summarizes the atmospheric and emotional scope with which Torso are working and most draws together the various elements at play into a cohesive singularity. One hopes it’s a model they’ll follow going forward, but neither should doing so necessarily draw away from the songwriting prowess they show here. It’s a balance that, having been struck, feels ready to be manipulated.

Torso on Thee Facebooks

StoneFree Records website

 

Jim Healey, Just a Minute More

jim healey just a minute more

Companioned immediately by a digital release of the demos on which it’s based, including four other songs that didn’t make the cut of the final, studio-recorded EP, Jim Healey’s Just a Minute More conveys its sense of longing in the title and moves quickly to stake its place in a long-running canon of singer-songwriterisms. Healey, known for fronting metal and heavy rock acts like We’re all Gonna Die, Black Thai, Set Fire, etc., could easily come across as a case of dual personality in the sweetly, unabashedly sentimental, acoustic-based opener “The Road” or the more-plugged-in “You and I” at the outset, but in the fuzzed-out centerpiece “Swamp Thing,” the emotionally weighted memorable hook of “Faced,” and the piano-topped payoff of closer “Burn Up,” the 18-minute EP unfurls a sense of variety and a full-band sound that sets the project Jim Healey on its own course even apart from the man himself. Some of those other demos aren’t too bad either. Just saying.

Jim Healey on Thee Facebooks

Jim Healey on Bandcamp

 

Daxma, The Head Which Becomes the Skull

daxma-the-head-which-becomes-the-skull

Signed to Magnetic Eye for the release, Oakland post-metal five-piece Daxma answer the ambition of their half-hour single-song 2016 debut EP, The Nowhere of Shangri-La, with the even-fuller-length The Head Which Becomes the Skull, demonstrating a clear intent toward sonic patience and ambient reach that balances subtle builds and crashes with engaging immersiveness and nod. Three of the six total inclusions top 10 minutes, and within opener “Birth” (10:53), “Abandoning All Hope” (11:34) and the penultimate “Our Lives Will be Erased by the Shifting Sands of the Desert” (13:42), one finds significant breadth, but not to be discounted either are the roll of “Wanderings/Beneath the Sky,” the avant feel of the closing title-track or even the 80-second drone interlude “Aufheben,” which like all that surrounds it, feeds into a consuming ambience that undercuts the notion of The Head Which Becomes the Skull as a debut album for its purposefulness and evocative soundscaping.

Daxma on Thee Facebooks

Magnetic Eye Records on Bandcamp

 

The Re-Stoned, Chronoclasm

the re-stoned chronoclasm

For their first new outing since they revisited their debut EP in 2016 with Reptiles Return (review here), Moscow instrumentalists The Re-Stoned cast forth Chronoclasm, a six-track long-player of new material recorded over 2015 and 2016 that ties together its near-hour-long runtime with a consistency of guitarist Ilya Lipkin’s lead tone and a steady interweaving of acoustic elements. “Human Without Body,” “Save Me Under the Emerald Glass,” “Psychedelic Soya Barbecue” and the title-track seem to have some nuance of countrified swing to their groove, but it’s lysergic swirl that ultimately rules the day throughout Chronoclasm, Yaroslav Shevchenko’s drums keeping the material grounded around Lipkin’s guitar and Vladimir Kislyakov’s bass. The trio are joined on percussion by Evgeniy Tkachev on percussion for the CD bonus track “Quartz Crystals,” which picks up from the quiet end of “Chronoclasm” itself and feels like a nine-minute improve extension of its serene mood, adding further progressive sensibility to an already wide scope.

The Re-Stoned on Thee Facebooks

Oak Island Records on Thee Facebooks

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Les Lekin Set Dec. 1 Release for Died with Fear; New Track Streaming

Posted in Whathaveyou on October 13th, 2017 by JJ Koczan

les lekin

Trippy trio Les Lekin are set to release their second long-player, the ominously titled Died with Fear, on Dec. 1 through Tonzonen Records, and to go with the announcement of the blue-marble gatefoldness to come, they’ve newly unveiled the immersive and instrumental thrush of a track called “Morph.” It’s 13 minutes long, which when you’re listening to it as I am now sounds about right, and has a super-easy flow in following up on what the Austrian three-piece brought to their 2014 debut, All Black Rainbow Moon (review here), as regards tonal richness, listener encapsulation via groove, heavy psychedelic reach and so on. I’m digging it, in short. Look forward to hearing the rest of the record.

Info, background and audio came down the PR wire. Track is at the bottom of the post. Suggest you hit it up:

les lekin died with fear

LES LEKIN Announce New Album “Died With Fear”, First Track Revealed

Heavy psychedelic rock Trio Les Lekin announce new album Died With Fear for a December 1, 2017 release on Tonzonen Records!

A room in an industrial area in Salzburg, Austria. Tuesday evening, 8 pm. After the neon suns have gone out, only candles light the place. You hear the high-pitched whine of the fully opened Marshall, the Ampeg fan going at full blast, and the rattle of a snare drum. The whine builds up more and more into a room- filling feedback noise. A fist hitting the body of the bass fills the space between with deep frequencies.

The cymbals’ attack becomes louder and louder. Then… silence… a stroke at the snare- drum. Three people throw out all they have, all they are, and all of what they have in them. Inspired by the desert and the moon, sand and space. Welcome to the heavy-psych-three-piece-noise-machine that is Les Lekin.

Died With Fear new album from Les Lekin will be available from Tonzonen Records on limited edition blue marbled gatefold vinyl of 500 copies with download code as well as on CD and digital.

https://www.facebook.com/leslekin
https://twitter.com/LesLekin
http://www.leslekin.com/
https://leslekin.bandcamp.com/
http://www.tonzonen.de
https://www.facebook.com/Tonzonen/

Les Lekin, “Morph”

Tags: , , , , ,