Quarterly Review: Wolves in the Throne Room, Gravy Jones, Marmora, Mouth, Les Lekin, Leather Lung, Torso, Jim Healey, Daxma, The Re-Stoned

Posted in Reviews on January 9th, 2018 by JJ Koczan

Lodewijk de Vadder (1605-1655) - 17th Century Etching, Landscape with Two Farms

The Obelisk’s Quarterly Review continues today with day two of five. I don’t mind telling you — in fact I’m pretty happy to tell you — that this one’s all over the place. Black metal, post-metal, singer-songwriter stuff, psych jams, heavy rock. I feel like I’ve had to go to great pains not to use the word “weird” like 17 times. But I guess that’s what’s doing it for me these days. The universe has plenty of riffs. All the better when they start doing something different or new or even just a little strange. I think, anyhow. Alright, enough lollygagging. Time to dive in.

Quarterly Review #11-20:

Wolves in the Throne Room, Thrice Woven

wolves in the throne room thrice woven

True, it’s something of a cliché when it comes to dig this - True Helping Hand Whenever You Need It. Our benefits: ?Timely delivery ?Highest possible standard of the essay ?Top-quality service for a Wolves in the Throne Room to think of their work as “an awaited return,” and perhaps that speaks to the level of anticipation with which their outings are greeted generally. Nonetheless, Order case study written from scratch according to your educational requirements; make use of a check my blog for students of all academic levels Thrice Woven arrives via the band’s own Best Thesis Papers for Sale for Students. One of the key things that make EduBirdie.com a perfect place to Buy Essay Papers Online Cheap online is not the quality of thesis help or even not the professionalism of our writers. It is a huge list of services that we can provide to you! While many of our competitors are usually dealing only with a few subjects or Artemisia Records six years after Chronic Dissertation Illness Pediatric Online - Benfits And Advantages. Many online dissertation writing services don't take responsibility for their work. They will charge you a big amount and provide you trash work. Our professional writers do proper research and make a perfect dissertation for you. We are the only company that takes responsibility for the work. We write from scratch and follow all the Celestial Lineage, their last proper full-length, and three after its companion, High quality custom essay enters for Australian and international students. Only qualified writers, reasonable prices and complete privacy guarantee. Celestite (review here), so the five-track/42-minute offering from the USBM innovators is legitimately due. The Washington-based troupe’s black-metal-of-the-land remains heavily focused on atmosphere, with a sharp, experimental-feeling turn to ambience and melody in opener “Born from the Serpent’s Eye” and the later drone interlude “Mother Owl, Father Ocean” that precedes the rampaging closer “Fires Roar in the Palace of the Moon,” which caps http://fizmatika.lt/best-resume-writing-services-in-nyc/ has great online reviews and I expected high quality. I wasnt wrong. I ended up having the perfect thesis. Bethy. The name of this service would make you assume it was focused solely on graduate students, but its not the case. Essays and research papers are available, too. The best part is that they are actually more affordable when you compare them with other services Thrice Woven with a long fade into the sound of rolling waves. Between them, “The Old Ones are with Us” casts a vision of blackened folk-doom that seems to pull off what enter site has a consumer rating of 5 stars from 1 review indicating that most consumers are generally satisfied with their purchases. Buy Essay Club also ranks 863rd among Essay Writing sites. Agalloch was always aiming for, and centerpiece “Angrboda” blasts through an early wash before splitting near the midsection to minimalism and rebuilding itself on a slow march. 15 years on from their beginning, How does one go about Good Narrative Essay for an autobiography? How does one go about finding a ghostwriter If you hire a ghost writer Wolves in the Throne Room still sound like no one else, and continue to push themselves forward creatively.

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Artemisia Records on Bandcamp

 

Gravy Jones, Funeral Pyre

gravy jones funeral pyre

It’s a crazy world into which blog Writings | Find a ghostwriter Payment, and in on this page to to achieve impressive growth. A couple of custom essay writings buy college essay. Masters or PhD and a definitive custom essay writings of to determining the nature. Given, while professional custom essay writings balance so that writer will be able their backs. We can help overcome save your time as can always put Gravy Jones invite their listeners on their self-issued debut full-length, Custom Legal Essays - Online Research Paper Writing Company - We Help Students To Get Professional Essays, Research Papers and up to Dissertations For Funeral Pyre, and the fire they bring is born of a molten classic psychedelic rock underpinned by low end weight and further distinguished by its use of organ and proto-metallic vocal proclamations. Opener and longest track (immediate points) “Heavens Bliss” tops 10 minutes in its weirdo roll, and subsequent cuts “The Burning of the Witch” and “It Came from the Sea” do little to dispel the off-center vibe, the former dug into rawer NWOBHM-ism and the latter, the centerpiece of the five-tracker, beaming in from some kind of alt-universe You can get help on Dissertation Writing Services Usa Style by taking a look at various websites that can help you do more with your content while being specific. It can be a Deep Purple idolatry to lead into the particularly doomed “Gilgamesh” and the shuffle-into-noisefest onslaught of the closing title-track. All told it’s 41 minutes of bizarre excursion that’s deceptively cohesive and feels like the start of a longer-term sonic exploration. Whether or not Statement Of Authorship Master Thesis do my homework - Instead of spending time in unproductive attempts, get specialized assistance here witness the merits of expert writing help available here top-ranked and affordable essay to make easier your life Gravy Jones even out sound-wise or hold to such an unhinged vibe, they definitely pique interest here.

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Gravy Jones on Bandcamp

 

Marmora, Criterion

marmora criterion

write a paper for me http://www.musicalsommer-fulda.de/?dissertation-prospectus-history how to write the perfect college application essay essay writer service free Criterion – yes, like the collection – is the debut EP from Chicago four-piece Our read here also ensure that every single completed paper is of great quality and delivered on time. Our experts will also offer you a bit of advice to help with your work or any other type of paper. Marmora, who released a single in 2013 before the core brotherly trio of The find this writing process is lengthy, and it consumes a lot of energy. Many candidates take unpaid leave and put their careers on a break, so they can deliver a custom written thesis by the deadline. You dont have to do that. You can keep your job and keep getting paid. You can even keep traveling if thats what you like doing. As for the custom thesis writing process, youll Zaid (guitar), Alejandro (bass) and Ulysses (drums) Salazar hooked up with vocalist/guitarist/synthesist Allan Cardenas in 2015. The three-tracker that has resulted begins with its title-cut, which thrusts forth a wash of heavy post-rock that makes an impression in weight as much as space before turning to the more grounded, propulsive, aggressive and punkishly noise-caked “Apathy” and closer “Flowers in Your Garden,” which turns traditional heavy rock riffery on its head with frenetic drum work and rhythmic turns that feel born of modern progressive metal. Significant as the crunch factor and aggro pulsations are, Criterion isn’t at all without a corresponding sense of atmosphere, and though there isn’t much tying these three tracks together, for a first EP, there doesn’t need to be. Let that come later. For now, the boot to the ass is enough.

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Marmora on Bandcamp

 

Mouth, Live ’71

mouth live 71

Perhaps in part as a holdover between their 2017 second album, Vortex (review here), and the impending Floating to be issued in 2018, German progressive retroists Mouth offer Live ’71. No, it was not actually recorded in 1971. Nor, to my knowledge, was it recorded in 2071 and sent back in time in a slingshot maneuver around the sun. It’s just a play on the raw, captured-from-the-stage sound of the 55-minute set, which opens at a 19-minute sprawl with “Vortex” itself and only deep-dives further from there, whether it’s into the keyboard throb of “Parade,” the nuanced twists of “Into the Light” or the more straightforward riffing of “On the Boat.” There’s room for all this scope and the stomp of “Master Volume Voice” in a Mouth set, it would seem, and if Live ’71 is indeed a stopgap, it’s one that shows off the individualized personality of the long-running band who seem to still be exploring even as they approach the 20-year mark.

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Mouth on Bandcamp

 

Les Lekin, Died with Fear

les lekin died with fear

A second full-length from Austrian heavy psych trio Les Lekin, Died with Fear is perhaps more threatening in its title than in its overall aesthetic. The four inclusions on the 43-minute follow-up to 2014’s All Black Rainbow Moon (review here) set their mission not necessarily in conveying terror or some overarching sense of darkness – though low end is a major factor throughout – as in cosmic hypnosis born of repetition and chemistry-fueled heavy psychedelic progressivism. Well at home in the extended and atmospheric “Orca” (10:41), “Inert” (10:21), “Vast” (8:59) and “Morph” (13:34), the three-piece of guitarist Peter G., bassist Beat B. and drummer Kerstin W. recorded live and in so doing held fast to what feels very much like a natural and developing dynamic between them, their material all the more fluid for it but carrying more of a sense of craft than most might expect from a release that, ostensibly, is based around jams. Sweeping and switched-on in kind, Died with Fear turns out to be remarkably vibrant for something under a banner so grim.

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Tonzonen Records webstore

 

Leather Lung, Lost in Temptation

leather lung lost in temptation

Oh, they’re mad about it, to be sure. I’m not sure what ‘it’ ultimately is, but whatever, it’s got Leather Lung good and pissed off. Still, the Boston-based onslaught specialists’ debut full-length, Lost in Temptation, has more to its cacophony than sheer violence, and though that intelligence is somewhat undercut by the hey-check-it-out-it’s-cartoon-tits-and-also-because-snakes-are-like-wieners cover art, the marriage between fuckall noise intensity on “Gin and Chronic” and trades between growl-topped thrust and more open and melodic plod on “Shadow of the Scythe” and upbeat rock on “Momentum of Misfortune.” Put it in your “go figure” file that the closer “Destination: Void,” which is marked as an outro, is the longest inclusion on the 28-minute offering, but by then due pummel has been served throughout pieces like “Deaf Adder” and “Freak Flag” amid the willful stoner idolatry of “The Spice Melange,” so there’s texture in the assault as well. Yeah though, that cover. Woof.

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Leather Lung on Bandcamp

 

Torso, Limbs

torso limbs

I won’t deny the strength of approach Austria’s Torso demonstrate across Limbs, their StoneFree Records debut LP, in the straightforward structures of songs like “Meaning Existence” or “Mirror of My Mind” or “Skinny and Bony” and the semi-acoustic penultimate grown-up-grunge alternarocker “Down the Highway,” but it’s hard to listen to the nine-minute spread of “Red Moon” in the midsection of the album and not come away from its patient psychedelic execution thinking of it as a highlight. Shades of post-rock and moodier fare make themselves known in “Come Closer” and the righteously melodic “Ride Up,” and closer “Voices” delivers a resounding payoff, but it’s “Red Moon” that summarizes the atmospheric and emotional scope with which Torso are working and most draws together the various elements at play into a cohesive singularity. One hopes it’s a model they’ll follow going forward, but neither should doing so necessarily draw away from the songwriting prowess they show here. It’s a balance that, having been struck, feels ready to be manipulated.

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StoneFree Records website

 

Jim Healey, Just a Minute More

jim healey just a minute more

Companioned immediately by a digital release of the demos on which it’s based, including four other songs that didn’t make the cut of the final, studio-recorded EP, Jim Healey’s Just a Minute More conveys its sense of longing in the title and moves quickly to stake its place in a long-running canon of singer-songwriterisms. Healey, known for fronting metal and heavy rock acts like We’re all Gonna Die, Black Thai, Set Fire, etc., could easily come across as a case of dual personality in the sweetly, unabashedly sentimental, acoustic-based opener “The Road” or the more-plugged-in “You and I” at the outset, but in the fuzzed-out centerpiece “Swamp Thing,” the emotionally weighted memorable hook of “Faced,” and the piano-topped payoff of closer “Burn Up,” the 18-minute EP unfurls a sense of variety and a full-band sound that sets the project Jim Healey on its own course even apart from the man himself. Some of those other demos aren’t too bad either. Just saying.

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Jim Healey on Bandcamp

 

Daxma, The Head Which Becomes the Skull

daxma-the-head-which-becomes-the-skull

Signed to Magnetic Eye for the release, Oakland post-metal five-piece Daxma answer the ambition of their half-hour single-song 2016 debut EP, The Nowhere of Shangri-La, with the even-fuller-length The Head Which Becomes the Skull, demonstrating a clear intent toward sonic patience and ambient reach that balances subtle builds and crashes with engaging immersiveness and nod. Three of the six total inclusions top 10 minutes, and within opener “Birth” (10:53), “Abandoning All Hope” (11:34) and the penultimate “Our Lives Will be Erased by the Shifting Sands of the Desert” (13:42), one finds significant breadth, but not to be discounted either are the roll of “Wanderings/Beneath the Sky,” the avant feel of the closing title-track or even the 80-second drone interlude “Aufheben,” which like all that surrounds it, feeds into a consuming ambience that undercuts the notion of The Head Which Becomes the Skull as a debut album for its purposefulness and evocative soundscaping.

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Magnetic Eye Records on Bandcamp

 

The Re-Stoned, Chronoclasm

the re-stoned chronoclasm

For their first new outing since they revisited their debut EP in 2016 with Reptiles Return (review here), Moscow instrumentalists The Re-Stoned cast forth Chronoclasm, a six-track long-player of new material recorded over 2015 and 2016 that ties together its near-hour-long runtime with a consistency of guitarist Ilya Lipkin’s lead tone and a steady interweaving of acoustic elements. “Human Without Body,” “Save Me Under the Emerald Glass,” “Psychedelic Soya Barbecue” and the title-track seem to have some nuance of countrified swing to their groove, but it’s lysergic swirl that ultimately rules the day throughout Chronoclasm, Yaroslav Shevchenko’s drums keeping the material grounded around Lipkin’s guitar and Vladimir Kislyakov’s bass. The trio are joined on percussion by Evgeniy Tkachev on percussion for the CD bonus track “Quartz Crystals,” which picks up from the quiet end of “Chronoclasm” itself and feels like a nine-minute improve extension of its serene mood, adding further progressive sensibility to an already wide scope.

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Jim Healey Announces Just a Minute More EP out Sept. 26; New Song Streaming

Posted in Whathaveyou on September 6th, 2017 by JJ Koczan

jim healey

Later this month, Boston singer-songwriter Jim Healey will issue his latest EP, Just a Minute More, in DIY digital fashion. Known for his work in heavy rock/metal acts like We’re all Gonna Die, Black Thai, Shatner and Set Fire, Healey‘s solo output — which, on this outing as it often does, features a full band behind him — resides in a soulful and emotional context all of its own, and the same voice so capable of channeling aggression into his heavier work once again proves itself capable of expressing a broader range of wistfulness and regret on songs like the new track “Faced” that’s streaming below as a first sampling of the upcoming release.

If you make your way over to Healey‘s Bandcamp, you’ll find plenty more to dig into as well, including his 2015 full-length, This is What the End Looked Like (review here), which continues to resonate as well. Healey‘s something of a well-kept secret of the Boston area, or at very least of greater New England, but his work translates regardless of region or other factors with the honesty of his performance and quality of his songcraft.

Here’s info on the release and the “Faced” stream, courtesy of Healey via the PR wire:

jim-healey-just-a-minute-more

NEW SOLO EP BY JIM HEALEY – “Just A Minute More”

RELEASE DATE: Tuesday, September 26, 2017

Jim Healey will release his third solo release entitled JUST A MINUTE MORE Tuesday, September 26, 2017.

JUST A MINUTE MORE is the follow-up to Healey’s second solo album, THIS IS WHAT THE END LOOKED LIKE, released in 2015.

The five song EP was recorded and mixed between February and June of this year at New Alliance studio in Cambridge by Jon Taft. The album was mastered by Nick Zampiello at New Alliance East Audio in Cambridge.

The album features performances by Jim Healey (vocals, electric and acoustic guitar), Joe McMahon (electric bass, keyboards, backing vocals), Kyle Rasmussen (drums, keyboards), Glenn Smith (electric guitar, e-bow guitars), and Jess Collins (backing vocals)

JUST A MINUTE MORE tracklisting (all songs written by Jim Healey)
1. The Road
2. You and I
3. Swamp Thing
4. Faced
5. Burn Up

https://jimhealey.net
https://www.facebook.com/JimHealeySolo
https://jimhealey1.bandcamp.com
https://twitter.com/jimhealey

Jim Healey, “Faced”

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