Friday Full-Length: Kylesa, Exhausting Fire

Posted in Bootleg Theater on January 15th, 2021 by JJ Koczan

 

Savannah, Georgia’s  What Is Culture Essay . Written by experts Professionals You Can Rely on to Buy Thesis Online. It is inevitable to write a thesis in school. However, it can be a real pain since the majority of students lack the natural aptitude to handle this kind of paper. Although such an assignment especially, does not initially seem like a very challenging one at a glance, it can lead to a lot of trouble Kylesa released their final album,  Our http://fedac.org/evaluating-sources-for-research-papers/ service online provides affordable prices and ensures your money. After you set an order and your personal solver accepts it, he/she is obliged to fulfill them as promised. If we fail your expectations, your money will be returned. Unique content. One of the priorities, which makes our agency reliable, is the uniqueness of the orders. We assign special editors to check every text written by our writers. Thanks to a reliable plagiary-checking application, its easy Exhausting Fire, on Oct. 2, 2015. The record came out on  kite runner comparison essay Dissertation Regarding Social Networking For Me gender pay gap thesis miranda vs arizona essay Season of Mist, and as was their wont, they did a bunch of touring to support it before and after it came out, including playing what was then If you want to buy Elementary School Homework Help, then you have found great writing service for this purpose! Order paper now and get original work from our Psycho California and I’m sure five or sixty others. By the time  Become a published ebook author to leverage the viral power of the web and boost your online lead generation with RightlyWritten's Homework Helper Rhyme. Exhausting Fire was six months old, though, in April 2016, they announced they were essentially on permanent hiatus, “no set date to reconvene.”

Don’t get me wrong, I’ve seen worse, but that was kind of a bummer way for  Doctoral study is unique, as such our http://www.plusea.at/?phd-dissertation-help-youtube have been designed for students to be customised to each customer and based on full collaboration; Our PhD writing support service is fully inclusive of background reading and research. We will collaborate with you on an outline to include the key elements UK universities require to form a robust doctoral dissertation ; When you Kylesa to end, and to even look at the title  Get the Best: Quality, Value and Service. Thousands of students around the world have trusted http://www.turnierhundesport.at/?custom-essay-org-discount-code, with all their academic Exhausting Fire, one gets the sense that the group — who had already pared down from being a two-drummer five-piece to just guitarist/vocalists  Dissertation Consultation Services Michigan. Explicitly identify and write out your career goals, as well as how you intend to get there. Your success our Laura Pleasants and  In need of a professional Recommended Site service? We offer RAPID returns and affordable prices! Whether youve just completed your thesis, are submitting Philip Cope (the latter also bass and keys) and drummer Buy http://www.adil25.org/?need-help-with-college-essays. You're probably reading this page because you've been assigned a book report. Take a minute and wipe the sweat off your Carl McGinley ( In such times, seeking an appropriate Time Order In Expository Essays writing services UK saves a lot of time and money. We are all prone to illnesses and all kinds of emergencies at any point in our lives. Similarly, if any student who has signed up for their doctorate program and afterwards, they are stricken with any kind of illness, which hinders with their dissertation writing UK process, all of their Jay Matheson also plays bass on the bulk of the outing) — saw it coming. They’d spent years road-dogging. My prevailing memory of them live will always be sitting on grass watching them play with the two drummers set up on a flatbed trailer on a little hill behind a now-gone record store at O2I provides high-quality Custom Essays Paper offered by qualified and experienced content writers. SXSW one year, but I saw them plenty of times and they always delivered. From their second album, 2005’s  get started phd thesis Escort Service Business Plan help with application essay web resumes To Walk a Middle Course and 2006’s  Best Custom Essay - Papers and essays at most attractive prices. 100% non-plagiarism guarantee of unique essays & papers. Benefit from our Time Will Fuse its Worth through 2009’s  essay writing service guarantee Read My College Essay online essay finder a research paper on tornado Static Tensions (review here) and the increasingly progressive trio of recordings for  Season of Mist in 2010’s Spiral Shadow (review here), 2013’s Ultraviolet (review here) and Exhausting Fire, they never put out the same album twice, and though their fire may have been exhausting — while the lyrics in bulk feel more about personal relationships (not that a band isn’t one), “Night Drive” could easily be read to be about touring — they still pushed themselves forward in their approach and style.

That resulted in some righteously heavy moments, as with the opener “Crusher,” or the riff-forward side A closer “Shaping the Southern Sky,” or the oboe-inclusive “Blood Moon” on side B, but also a more brazenly and more confidently melodic take than they’d ever shown before. Granted, their reemergence from having two drummers was inherently going to realign the dynamic of the group as a whole, making room for that melody to flourish, but one of the overarching narratives of Kylesa‘s discography is the ratio of shared vocals between Cope and Pleasants becoming a defining element of the band. More even than on Ultraviolet, there’s a sense of individual authorship in the songs — he brought this part, she brought this one, etc. — but both parties are still evolving in this material. Cope takes on an almost gothic New Wave aspect with “Moving Day,” backing himself on keys, while Pleasants offers an ahead-of-its-time heavy post-rock with side B leadoff “Falling,” underscored by the weighted punctuation of McGinley‘s drumming.

Songs like “Inward Debate” and “Lost and Confused” find one or the other in the forward position, or effectively switching or working in a thoughtfully constructed arrangement, and by the time they get to the penultimate kylesa exhausting fire“Growing Roots,” they manage to pull together a sound like heavy Weezer — which I have to imagine that, if they saw this, they’d take as the compliment it’s intended to be, since “Growing Roots” sounds like heavy Weezer is what they were going for. With Cope at the helm as ever at The Jam Room in Columbia, South Carolina, Kylesa‘s exploration never really ended — until of course it did — and even while there were signature elements of their style in their deceptively angular riffing resulting in the mounting rhythmic tension of their verses headed toward a chorus release, or even the touches of psychedelia worked into “Shaping the Southern Sky” or the arrival of the last shove in album finale “Out of My Mind,” those came accompanied by evident growth that was no less an essential component of the band’s work.

The melodic burst at the end of “Lost and Confused.” The conveyed monotony of “Night Drive.” The boldness of the verses in “Crusher” and the simple fact that that song leads off while being so dynamic rather than just an up-front rocker. There’s so much on Exhausting Fire to argue for Kylesa as an undervalued, taken-for-granted band. It’s not their heaviest album or their most rawly aggressive — maybe that would be their 2002 self-titled, with Cope fresh off his time in Damad; recall their split with Meatjack if you dare — but Exhausting Fire is also more than a band burning themselves out or already being burnt. It’s them turning exhaustion into expression, and it still resonates effectively.

I didn’t review Exhausting Fire when it came out. I don’t remember why. I’d spent a decade at that point listening to them and considered myself a fan, but I was a little scared off by the title, and it goes back to what I was saying before about the band knowing the end was coming. I wasn’t sure I wanted to hear that from a group whose work I’d enjoyed so much. Like how Abbey Road is bittersweet because you know they knew it was over, one last blowout. That’s kind of the vibe that hindsight puts to work across Exhausting Fire, but even in that, their work as songwriters and the chemistry between Pleasants and Cope continued to move forward from where it was a couple years before. It wasn’t until earlier this week that I actually gave Exhausting Fire a fair shot. Now I want the CD. Go figure.

Both Philip Cope and Laura Pleasants have remained active since Kylesa called it a day. Cope produces a swath of acts at The Jam Room and features in the band Oakskin, who have a few singles up on Bandcamp and took part in last year’s Mutants of the Monster virtual festival, while Pleasants has pursued more New Wave and post-punk-inspired atmospheric songcraft with The Discussion, who reissued the 2017 EP Movement Towards a New Beginning (originally just called the European Tour EP) and offered the new single Deathtripper B/W A Forest in 2020. There’s been no word of a reunion and I wouldn’t expect any anytime soon — so it’ll probably happen five minutes after this is posted; that’s how it usually goes when I say something like that — but Kylesa merch continues to be available and their albums still sound vibrant these years after the fact, like they were made to do.

As always, I hope you enjoy. Thanks for reading.

Okay. Everything is awful. Mostly me. I’m the worst. Let the record show.

Oh man, I miss the record show.

Anyway. It was just one of those weeks. Muddling, middling, head down, just-get-through-the-day-to-another-one-for-fucking-what kind of week. I mentioned last week the telehealth appointment about meds. Holy fucking shit that was weird. And awkward, and uncomfortable. Dude was asking me questions like I’m supposed to sit there and do Depression Theater for him and talk about how I don’t want to get out of bed or how daily tasks are hard for me and I just said fuck it. “I’m sorry, this is making me really uncomfortable and I’m going to end the call. Thanks for your time.”

Nothing resolved, but at least pulling myself out of that situation felt good. I was weirded out the rest of the day though. Is this really how people do medicine? I’m a fucking stranger tell me about the time you spend curled up on the floor? Shit. I said to him, “I’ve been in treatment long enough to know when things aren’t right.” Fine. So dance for me, you pill-seeking monkey.

I recorded some vocals last Sunday. Sang clean a bit, which is hard for me because I know I’m not good at it and that’s like the omega of self-fulfilling prophecies. A vocal coach once quickly cut to the core of me and said, “Someone in your life once told you you couldn’t sing,” and that’s true. Anyway, I got through it and then went back on Wednesday and added a bunch more screams to the track, because that I can do and of course that’s what the person whose project it is was into. Can’t blame him. Anyway, it came out fine and I think the song will be out in a couple weeks. It’s a Joni Mitchell cover, but I rewrote most of the lyrics so they didn’t feel misogynist coming out of my mouth.

The Patient Mrs.’ semester begins next week. She’s back on campus not quite full-time, I think. I don’t know. Shit changes daily. She’s worried about getting tenure, trying to get writing done while teaching. The Pecan has been in virtual preschool the last couple weeks because the fucking plague is a thing and he maybe goes back next week too to in-person instruction. We don’t even know yet and it’s Friday. He was just finally sitting in the chair long enough to sing the days of the week (which is to the tune of the old Addams Family theme song, hilariously enough) and months of the year (to the tune of something else I can’t put my finger on just now; if The Patient Mrs. reads this as she sometimes does, she’ll probably tell me and I’ll slap my forehead, which is how I do).

I’m sure there’s more, but between that and the general overhang of dread resulting from impending fascist insurrection, is any more really necessary? Look out for a video interview with Lupus from Kadavar on Monday. I talked to him yesterday. Had never interviewed him before and probably should’ve by now, but he was nice.

Great and safe weekend. Don’t forget to hydrate and wear your mask and social distance and all that stuff.

FRM.

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The Discussion Announce Inaugural European Tour Dates this Fall

Posted in Whathaveyou on June 27th, 2017 by JJ Koczan

the discussion laura pleasants

Former Kylesa guitarist/vocalist Laura Pleasants recently announced the formation of a subsequent project, The Discussion, and it seems that she’s diving headfirst into the new band. Though no music has yet to surface from the outfit, which consists thus far of Pleasants alone in the studio but will perform as a live three-piece including bassist Derek Lynch and drummer/sampler Richard Adams, a first live incursion has been announced that’s set to take place over the bulk of Fall 2017 across a considerable swath of Europe.

A band’s first tour covering a span of three months on a route of multiple countries on foreign shores? Some might prefer to test the waters with a weekender here or there, but hitting the road hard is nothing new for Pleasants, who did so for years as a member of Kylesa. And with that band’s increasingly progressive output leading up to their 2015 swansong, Exhausting Fire, which you can hear in full below, I have the feeling I won’t be the only one interested to find out where Pleasants takes The Discussion sound-wise. All the better she’s taking the project out to get it into as many ears as possible.

Dates, many of which are still to be announced, follow here, as posted on the social medias:

the discussion euro tour

The Discussion – European Fall Tour 2017

Updates are happening all the time, so please keep checking with us!

Wed 6/9: Hamburg, DE @ Hafenklang
Thurs 7/9: Stockholm, SE @ Undergången
Fri 8/9: Gothenburg, SE @ Truckstop Alaska
Sat 9/9 Oslo, NO @ Revolver
Sun 10/9 Copenhagen, DK @ Beta
Mon 11/9 Berlin, DE @ Tiefgrund
Tues 12/9 Leipzig, DE @ AKKO
Wed 13/9 TBC
Thurs 14/9 Vienna, AT @ Das Bach
Sat 16/9 Budapest, HU
Sun 17/9 Belgrade, RS
Thurs 21/9 Sofia, BG
Fri 22/9 Thessalonik, i Greece
Sat 23/9 Athens Greece
Sun 24/9 Ioannina Greece
Thurs 28/9 – 7/10 : ITALY TBA
Sun 8/10 Lyon, FR
Tues 10/10 Barcelona, ES TBC
Wed 11/10 Castellón, ES
Thurs 12/10 Madrid TBC
Fri 13/10 Langreo, Asturias, ES
Sat 14/10 Bilbao, ES TBC
Tues 17/10 Paris, FR TBC
Thurs 19/10 UK TBC
Fri 20/10 UK TBC
Sat 21/10 UK TBC
Sun 22/10 UK Stonehenge
Tues 24/10 Ghent or Antwerp, BE TBC
Wed 25/10 Amsterdam, NL TBC
Thurs 26/10 NL TBC
Fri 27/10 NL TBC
Sat 28/10 Belgium or Germany TBC
Sun 29/10 Belgium or Germany TBC
Tues 31/10 Karlsruhe, DE Dudefest
Wed 1/11 Switzerland TBA
Thurs 2/11 Munich TBC
Fri 3/11 Leanna’s b-day / off
Sat 4/11: TBC Southern Germany

The Discussion is:
Laura Pleasants – Vocals, Guitar, Bass, Keyboards, etc
LIVE:
Richard Adams – Drums, Percussion, Samples
Derek Lynch – Bass

https://www.facebook.com/thediscussion.laurapleasants/
http://www.kylesa.com/

Kylesa, Exhausting Fire (2015)

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Kylesa Set April 22 Release for Live at Maida Vale Studios

Posted in Whathaveyou on April 3rd, 2017 by JJ Koczan

kylesa

I know this is probably the least-relevant measure that’s ever been applied to the band, but I’ll take a Kylesa live performance 150 times before I go see Mastodon. The two groups, who pretty much have in common Georgian lineage and a move from the heavier end of sludge thrust into more progressive and melodically conscious fare — not nothing — aren’t really comparable at this point, with Mastodon having gotten a major label push a significant-enough difference to make them largely apples and oranges and Kylesa pretty much having broken up (at least for now) last year following the release of the apparently-aptly-titled Exhausting Fire through Season of Mist in 2015, but still. I’m just saying. Kylesa were fucking awesome live every time I saw them.

They’ll release Live at Maida Vale Studios on April 22. It’s their fourth outing for Season of Mist, which makes me wonder what the terms of their contract with the label might’ve been after three studio outings in Exhausting Fire, 2013’s Ultraviolet (review here) and 2010’s Spiral Shadow (review here). For some reason, three-album deals and five-album deals seem more likely in my head than four-album deals, which of course Live at Maida Vale Studios would fulfill. Odd.

Okay. Whatever happens with Kylesa in the future, remember they never stopped progressing. PR wire has art and details:

kylesa-live-at-maida-vale-studios

KYLESA release Record Store Day exclusive, “Live at Maida Vale Studios”

Savannah’s genre-defying heavy rock group KYLESA will see the release of ‘Live at Maida Vale Studios’ as part of Record Store Day 2017. ‘Live at Maida Vale…’ captures KYLESA’s February 2014 BBC Radio 1 Rock Show session in its entirety, and has never been commercially available before. The session was recorded with BBC DJ Daniel P. Carter for the BBC program “Rock Show with Daniel P Carter”.

The track list for ‘Live at Maide Vale…’ is:
1. Quicksand
2. Long Gone
3. Don’t Look Back
4. To Forget

‘Live at Maida Vale…’ is a one time pressing of 1500 12″ LPs, 1000 CDs, and 150 cassettes and will be available on April 22 2017 at independent record stores worldwide. A full list of confirmed Record Store Day special releases and more can be found here.

Maida Vale Studios is a complex of seven BBC sound studios in London.The historic set of studios have seen musical performances dating back from 1946 to the present. Past performances have include music from legendary rock icons such as DAVID BOWIE, LED ZEPPELIN, JIMI HENDRIX and many more.

KYLESA’s most recent studio release is their critically acclaimed record ‘Exhausting Fire’. ‘Exhausting Fire’, which is available across several CD and LP formats at the Season of Mist E-Shop. The album is streaming via Bandcamp, and is also available on Spotify.

https://www.facebook.com/KYLESAmusic
https://twitter.com/kylesamusic
https://www.instagram.com/kylesa_band/
https://kylesasom.bandcamp.com/
https://shopusa.season-of-mist.com/catalogsearch/result/?q=kylesa

Kylesa, Exhausting Fire (2015)

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Kylesa to Release Exhausting Fire on Oct. 2

Posted in Whathaveyou on July 30th, 2015 by JJ Koczan

kylesa

Yeah, yeah, Kylesa have a new album coming, that’s very cool. Look at that frickin’ list of tour dates! Kylesa don’t need to be touring like that at this point. I mean, there are breaks in there, but if they wanted, the Savannah, Georgia, outfit could probably take it down a little bit in terms of the road work. People know who they are, have a pretty good idea of what they do — as much as one can as regards Kylesa from one album to the next — so it’s not like they’re going door-to-door-punk-rock spreading the word two ears at a time. Point is it looks like a lot of shows. I guess they’ve found a way to make it sustainable. Not everyone does.

And while the album title Exhausting Fire — which is the follow-up to 2013’s Ultraviolet (review here) — doesn’t do much to capture the energy they bring to the stage, no doubt it will prove of its own merit, Kylesa having yet to stagnate in what seems a creative progression as unrelenting as their touring cycle.

The PR wire brings album details, tour dates and the new song “Lost and Confused” for previewy enjoyment:

kylesa exhausting fire

KYLESA announce new album, ‘Exhausting Fire’

Savannah’s genre-defying quintet KYLESA have announced a new album titled ‘Exhausting Fire’, to be released by Season of Mist on Oct. 2. The band are streaming the first track from the new record titled “Lost and Confused.” Pre-orders for ‘Exhausting Fire’ will be available across several CD and LP formats at the Season of Mist E-Shop.

Regarding the new album, KYLESA vocalist/guitarist Phil Cope comments: “‘Exhausting Fire’ is an album we really put our hearts on our sleeves for. We’ve always done that, but emotionally, it’s probably the most honest and raw album we’ve ever done.”

Guitarist/vocalist Laura Pleasants continues, “No band sounds like us and we don’t sound like any other band. After all these years of experimenting with different styles and sounds, we’ve really developed our own thing and I can faithfully say that we sound like us. With this album, we’ve successfully made a record that incorporates all the elements we’ve always played with into a record that works on its own.”

The album artwork and track list for ‘Exhausting Fire’ can be found below:

Track List:
1. Crusher
2. Inward Debate
3. Moving Day
4. Lost and Confused
5. Shaping The Southern Sky
6. Falling
7. Night Drive
8. Blood Moon
9. Growing Roots
10. Out Of My Mind
11. Paranoid (bonus track)

KYLESA have announced a tour across the U.S. The tour, which begins on August 29 sees the band traveling throughout August and September, before concluding in Seattle on November 22.

KYLESA tour dates:
8/29 Durham, NC @ Motorco
8/31 Charlottesville, Va @ The Southern
9/1 New York, NY @ Gramercy Theater
9/2 Montreal, QC @ Cafe Campus
9/3 Toronto, ON @ Mod Club Theater
9/4 Chicago, IL @ Reggie’s
9/5 St. Louis, MO @ Ready Room
9/6 Louisville, KY @ Zanzabar
9/7 Augusta, GA @ Sky City
10/6 St. Petersburg, FL @ State Theatre
10/7 Miami, FL @ Grand Central
10/8 Orlando, FL @ The Social
10/9 Savannah, GA @ Jinx
10/10 Asheville, NC @ New Mountain
10/13 Columbus, OH @ The Basement
10/14 Grand Rapids, MI @ Pyramid Scheme
10/16 Cleveland, OH @ Grog Shop
10/17 Pittsburgh, PA @ Altar Bar
10/19 Boston, MA @ Brighton Music Hall
10/20 Philadelphia, PA @ Black Box @ Underground Arts
10/23 Richmond, VA @ The Broadberry
10/24 Washington, DC @ Rock & Roll Hotel
10/25 Atlanta, GA @ The Drunken Unicorn
11/6 Pomona, CA @ The Glass House
11/7 Los Angeles, CA @ The Fonda Theatre
11/8 San Francisco, CA @ The Fillmore
11/10 San Diego, CA @ The Irenic
11/11 Phoenix, AZ @ Club Red
11/13 Austin, TX @ Red 7
11/14 Houston, TX @ Warehouse Live
11/15 Dallas, TX @ The Prophet Bar
11/17 Colorado Springs, CO @ The Black Sheep
11/18 Denver, CO @ Summit Music Hall
11/19 Salt Lake City, UT @ The Complex
11/20 Boise, ID @ Neurolux
11/21 Portland, OR @ Hawthorne Theatre
11/22 Seattle, WA @ The Crocodile
11/6 Pomona, CA @ The Glass House
11/7 Los Angeles, CA @ Fonda Theater
11/8 San Francisco, CA @ The Filmore
11/10 San Diego, CA @ The Irenic
11/11 Phoenix, AZ @ Club Red
11/13 Austin, TX @ Red 7
11/14 Houston, TX @ Warehouse Live
11/15 Dallas, TX @ Prophet Bar
11/17 Colorado Springs, CO @ Black Sheep
11/18 Denver, CO @ Summit Music Hall
11/19 Salt Lake City UT @ The Complex
11/20 Boise, ID @ Neurox
11/21 Portland, OR @ Hawthrone Theater
11/22 Seattle, WA @ Crocodile

http://shopusa.season-of-mist.com/predefined-search?id_list=65
https://www.facebook.com/KYLESAmusic
http://season-of-mist.com/

Kylesa, “Lost and Confused”

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Sleep, Pentagram and Cult of Luna to Headline Psycho California 2015

Posted in Whathaveyou on January 15th, 2015 by JJ Koczan

True to their word, it’s Jan. 15 and Psycho California 2015 has announced the headliners for what looks like the best American festival lineup I’ve seen since the days of Emissions from the Monolith. That’s not to take away from the hard work anyone else is doing, but just look at the list of bands. It’s unreal. You’d want to be everywhere at the same time to see all of it. Absolutely wild.

Sleep and Pentagram were pretty clear choices to headline. Not only for being legends in the heavy underground, but for also being just about two of the only bands left. Sweden’s Cult of Luna were something of a surprise, but for a festival already showing a European reach in bringing aboard the likes of Samsara Blues Experiment and Stoned Jesus, they make sense. Hell of a bill. Kudos to anyone who actually gets to go to the thing.

Announcement follows, courtesy of the PR wire:

PSYCHO-CALIFORNIA-2015-POSTER-1400

PSYCHO CALIFORNIA ANNOUNCES HEADLINERS: SLEEP, PENTAGRAM AND CULT OF LUNA

WEST COAST METAL FESTIVAL HAPPENING MAY 15, 16 & 17 AT THE OBSERVATORY IN SANTA ANA

FIRST WAVE OF ARTISTS ANNOUNCED INCLUDED KYLESA, EARTH, OM AND RUSSIAN CIRCLES

Psycho California, the west coast’s first annual metal festival and a must see for fans of doom, heavy psych and sludge, has announced the headliners for this year’s event: Cult of Luna (May 15), Sleep (May 16) and Pentagram, who will perform First Daze Here in its entirety (May 17).

“2015 is going to be a slow year for Cult of Luna. However as much as we are musicians we are also fans,” said Cult of Luna’s Johannes Persson. “Evaluating if the offer to play Psycho California was worth dusting off our instruments was not hard after looking on the line-up. Being on the same bill as Pentagram, Sleep and a festival packed with the best bands around is a privilege in itself and we’ll try to live up to that honor.”

The lineup for Psycho California is: Sleep, Pentagram, Cult of Luna, Kylesa, OM, Earth, Russian Circles, Bedemon, Conan, Wrench, Eyehategod, Indian, Earthless, Pallbearer, Stoned Jesus, Old Man Gloom, Cave In, Acid Witch, Truckfighters, Tombs, Bang, Electric Citizen, Coffinworm, SubRosa, Eagle Twin, Mammatus, True Widow, Anciients, Bellwitch, Dead Meadow, Lord Dying, Death By Stereo, Radio Moscow, Ancient Altar, Samsara Blues Experiment, Atriarch, Elder, Mothership, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Goatsnake, Crypt Trip, Wrench, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet and Loom.

Festival interludes will be provided by Housecore Records’ artist Author & Punisher and vinyl DJ set from Bob Lugowe (Relapse Records) and Sean Pellet (Last Daze Here).

Previously announced early bird tickets sold out immediately. Tickets for the festival are on-sale this morning with both a 3-day pass ($149.50) and a 3-day VIP pass available ($256.66)

VIP packages include a 3-day festival pass, a signed screen print concert poster by David D’Andrea, express entry via artist check-in booth, access to artist VIP lounge, a limited edition Thief X Obey festival tee, a Psycho record bag and patch as well as access to a complimentary craft tequila bar, premium microbrews and artisan snacks.

www.psychoca.com
www.facebook.com/psychocalifornia
https://www.facebook.com/Thiefpresents

Sleep, “The Clarity/Dragonaut” Live in Chicago, Aug. 28, 2014

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Psycho California 2015 Announces Initial Lineup

Posted in Whathaveyou on December 15th, 2014 by JJ Koczan

The list of bands, quite frankly, is astonishing, but even more astonishing is the fact that  Thief Presents‘ Psycho California 2015 (formerly Psycho de Mayo) hasn’t announced its headliners yet, because these sure as shit look like headliners to me.

A three-day festival set to take place at The Observatory in Santa Ana, CA, Psycho California will feature the following acts:

psycho california

Here’s that list again: Kylesa, Om, Earth, Russian Circles, Orange Goblin, Bedemon, Conan, Indian, Pallbearer, Cave In, Old Man Gloom, Tombs, Earthless, Truckfighters, Bang, Eyehategod, Crowbar, SubRosa, Lord Dying, Acid Witch, Electric Citizen, Coffinworm, Eagle Twin, Stoned Jesus, Mammatus, True Widow, Bell Witch, Death by Stereo, Radio Moscow, Samsara Blues Experiment, Anciients, Elder, Mothership, Ancient Altar, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Crypt Trip, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet, Loom.

Plus interludes by Author and Punisher.

God damn.

Not only does it cover both coasts, huge bands, legends and up and comers, but the reach is international. Take special note of Conan, since their appearance means that Maryland Deathfest won’t be their only US date, and also Samsara Blues Experiment and Stoned Jesus — two killer European bands that you don’t even go after unless you know what the fuck you’re doing. That also hugely extends the possibilities for headlining acts. It’s an assemblage that’s beyond impressive, and if you haven’t already looked up flights to Southern California, I don’t know what to tell you. As I write this it’s after one in the morning on Sunday night, and you know I wouldn’t be doing that if my mind wasn’t leaking out of my ears at the thought of experiencing this thing.

Stay tuned for more to come, since as the poster says, headliners will be announced on Jan. 15. I’ll be looking forward to finding out who else is in store.

Psycho California on Thee Facebooks

Thief Presents on Twitter

Thief Presents on Thee Facebooks

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Southwest Terror Fest Starts Tonight

Posted in Whathaveyou on October 10th, 2013 by JJ Koczan

If you’re gonna book your flight to get to Tucson for the Southwest Terror Fest, you might want to get on it. There are only a few hours left till the four-dayer kicks off and time’s a wastin’! There’s a good chance this’ll be the only all-ages show some of these bands play this year,  so for the kids, all the better, but even for an aged cave ogre such as myself, an assemblage that culls toghether Kylesa, Ancestors (one day I will bring them East for a show and it will be glorious; mark my words), SubRosa and Red Fang is worthy of note. In just their second year out, the Southwest Terror Fest crew have not only outdone what they were able to make happen last year, but set the bar pretty high for 2014. Would be nice to make the trip to the desert one of these days…

Until then, I live vicariously through the PR wire:

SOUTHWEST TERROR FEST – Year Of The Snake; Four Days Of Mayhem Takes Over Tucson Tonight

SOUTHWEST TERROR FEST 2013: Year Of The Snake, the second annual installment of the Tucson-based extreme underground music gathering featuring over sixty bands in four days, begins tonight.

A fully DIY undertaking, envisioned and organized by Tucson-based sludgecore instigators GODHUNTER, the SOUTHWEST TERROR FEST is a low-cost event for all ages and brings a one-of-a-kind festival to the Southwestern sector of America. Following the dominant 2012 debut of SWTF, this year’s installment of the now annual outing has more than doubled in duration and has expanded to include a more sizable roster of national acts and dozens more crushing newcomers.

Beginning tonight, October 10th, and running through Sunday the 13th at The Rock, the SOUTHWEST TERROR FEST 2013: Year Of The Snake lineup features Sacred Reich Vehemence, Kylesa, Red Fang, Demon Lung, Ancestors, Subrosa, Landmine Marathon, Early Graves, Theories, Transient, Pinkish Black, Helms Alee, Dog Shredder, Children Of God, ACxDC and literally dozens of other acts hailing from across the vast extreme music subgenre spectrum.

SOUTHWEST TERROR FEST 2013: Year Of The Snakeis sponsored by Earsplit PR, Moon Smoke Shops, Lace Pickups, Cvlt Nation, Zombie Effects Lab, Ear/Splitters, Axe Of Contrition, Acid Reflux Records, Violent Resonance.com, Lindy’s on 4th, Black Rose Tattoo and Sticks N’ Strings Music Center

Any metalhead with an internet connection can stay current with the fest action via Cvlt Nation who will be running day-to-day coverage throughout the entire ordeal.

SOUTHWEST TERROR FEST 2013: Year Of The Snake
10/10-13/2013 The Rock – Tucson, AZ

Thursday, October 10th: Kylesa, Pinkish Black, Sierra, Ancestors, Demon Lung, Godhunter, Anakim, Vanish Twin, Goatroper

Friday, October 11th: Sacred Reich, Landmine Marathon, Vehemence, Transient, Magguts, Cave Dweller, Angelic To Ashes, Necrambulant, Sovereign, Our Daily Trespasses, Lethal Dosage, Casket Birth, Kvasura, Evasion, Eight Legged Horse, Napalm Strike

Saturday, October 12th: Red Fang, Helms Alee, Dog Shredder, Subrosa, Deathkings, Crankbait, Aseethe, Thorncaster, North, Sorxe, Goya, Ladybird, Oryx, Skulldron, Bhorelord, Acidalia, Funerary, Methra, Conqueror Worm, Destroy Her

Sunday, October 13th: Early Graves, Children Of God, Theories, ACxDC, Lost Lands, GAT ROT, Territory, Inoculara, Magnum Force, Sex Prisoner, Seas Will Rise, Sorrower, American Standards, Biocidio, Berith, Freedom Assault, Swamp Wolf, Wookiee Rage, Get A Grip, SLUG

http://southwestterrorfest.bigcartel.com
https://www.facebook.com/southwestterrorfest

Godhunter, Wolves (2011)

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Kylesa, Ultraviolet: Grounded in Drift

Posted in Reviews on May 21st, 2013 by JJ Koczan

Almost nothing is certain, and when it comes to doubly-drummed Georgian progressive sludgers Kylesa, even less than that. Yet when it comes to approaching their sixth full-length and second for Season of Mist, the 11-track Ultraviolet — or really any new Kylesa album — the one thing the listener can be sure of going into it is that it will be a step beyond its predecessor. At this point, I don’t think the band would release a record that wasn’t. Ultraviolet‘s predecessor was 2010’s Spiral Shadow (review here), which changed their course from jagged, crunching sludge to a more smoothed out and progressive sound — a shift that they’d built toward on 2009’s Static Tensions (review here) in some ways but come nowhere near materializing as completely — and one that, as ever, divided their fanbase into those who could get on board and those who couldn’t. This seems to happen on a nearly per-album basis with the Savannah natives.

While we’re talking about expectation, I’d anticipate no less for Ultraviolet in the long run, but Kylesa have never had a problem picking up new fans along the way to fill the spots of those who couldn’t get past one period or another of their ongoing progression; they’ve maintained a reputation as a hard-touring band for years and rightly so. Rooted in the work of guitarists/vocalists Phillip Cope (also theremin and production) and Laura Pleasants, there are consistencies of sound to be heard between full-lengths, and sure enough between Spiral Shadow and Ultraviolet as well, but save for very few moments throughout the latest, the band would be all but unrecognizable to anyone who jumped from 2005’s To Walk a Middle Course or 2006’s Time Will Fuse its Worth right to it, and no doubt that’s the intent: Progress. Joined by drummers Carl McGinley and Eric Hernandez and bassist Chase Rudeseal (the latter of whom may or may not have actually played on the recording), Pleasants and Cope have never failed to draw a distinct line from one outing to the next, and though it’s an outgrowth of elements from Spiral Shadow like the pop hook of “Don’t Look Back” or the dreamy ambience underlying “To Forget,” that’s no less true of Ultraviolet than it has ever been.

Single-word titles on five of the 11 cuts on the 39-minute album — namely opening trio “Exhale,” “Unspoken,” “Grounded,” and closing duo “Quicksand” and “Drifting” — would seem to hint at some stripped-down sensibility or simplicity of approach, but the fact is Kylesa have never been so melodically switched on or engaged. Cope and Pleasants trade vocal parts immediately and effectively on the insistently-riffed “Exhale,” chugging distortion creating a jabbing tension topped by call and response shouts before a swirl takes hold that the drums(s) underscore with a thud less frantic than it has been in the past, but still indicative of two players at work. I suppose on a structural level, Ultraviolet‘s opening salvo is somewhat simplified, but the atmosphere becomes more complex as “Unspoken” opens with subdued guitar and a wash of effects, Cope coming in as the song kicks off with a semi-spoken line that Pleasants — whose ascent as a vocalist continues unabated — answers back with layered melodies. The most memorable stretches of Ultraviolet are still to come, but the momentum “Unspoken” helps create and its prog-toned guitar solo in the second half act as a precursor to some of the album’s most intriguing moments, giving way to the familiar winding structure of “Grounded”‘s central riff, readily accessible to anyone who’s followed the post-Mastodon course of Southern US heavy metal, Pleasants handling the verse and Cope taking what probably would be the ensuing chorus if it was ever repeated. Instead, they build on the instrumental for a bit and round out with layers of Pleasants‘ vocals, ending with just her voice to set up the shift to the more thickly toned and aggressive “We’re Taking This.”

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