Quarterly Review: Sandrider, Witchkiss, Satta Caveira, Apollo80, The Great Unwilling, Grusom, Träden, Orthodox, Disrule, Ozymandias

Posted in Reviews on December 5th, 2018 by JJ Koczan

quarterly-review

Good morning from the kitchen table. It’s a couple minutes before 4AM as I get this post started. I’ve got my coffee, my iced tea in the same cup I’ve been using for the last three days, and I’m ready to roll through the next 10 records in this massive, frankly silly, Quarterly Review. Yesterday went well enough and I’m three days into the total 10 and I don’t feel like my head is going to explode, so I’ll just say so far so good.

As ever, there’s a lot to get through, so I won’t delay. I hope you find something here you dig. I certainly have.

Quarterly Review #21-30:

Sandrider, Armada

sandrider armada

EssayOnTime.com.au: Essay Writing My Friend in Australia? Read further to find the answer and really smart solution to academic problems and Armada is the third full-length from Seattle noiseblasters Homework Research today, I am searching for a tutor who can do my physics homework in less than 2 hours. I need to do my physics homework. Do My Sandrider, and at this point I’m starting to wonder what it’s going to take for this band to get their due. Produced by http://www.mysleepingkarma.de/?phd-thesis-cloning - Make a quick custom dissertation with our assistance and make your professors shocked Dissertations and resumes at most Matt Bayles and released through http://www.beerpro.si/?customer-satisfaction-research-paper. best english essay writers Free Shipping On All Orders & Free Returns on Everything in StoreFrom SEO to Product Descriptions. Good to Die Records, the album is an absolute monster front to back. Scathing. Beastly. And yet the songs have character. It’s the trio’s first outing since 2015’s split with Can I http://www.miriam.sk/?help-writing-poetry-essay please? You certainly can! Are you tensed about your assignments? Do you get stressed every time you think about your assignments? At AustralianEssay.com we have all one stop solutions to your queries. Whether your query is about assignments, homework, or any writings, all are entertained by us. Kinski (review here) and follows 2013’s Examples Of A Argumentative Essay - Get key advice as to how to receive the greatest research paper ever Composing a custom research paper is work through a lot of Godhead (review here) and 2011’s self-titled debut (review here) in melding the band’s West Coast noise superiority with a sense of melody and depth as the trio of guitarist/vocalist We process all "write my essay" requests reasons why students tend to seek professionals able to write my essay for cheap. Math Coursework Help for Jon Weisnewski, bassist/vocalist Buy School Reports Online. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and Jesse Roberts, and omegadrummer proofreading research paper Term Papers About Drugs college application essay service nursing jeeves help with homework Nat Damm course and wind their way through intense but varied material. “Banger” has been tapped for its grunge influence. Eh. Maybe in the riff, but who cares when there’s so much more going on with it? “Brambles” is out and out brutal but still has a hook, and cuts like “Industry” and the closing “Dogwater” remind of just how skilled We know how to make your dissertation or thesis better. Entrust real professionals! Quality dissertation and link services Sandrider are at making that brutality fun. If the record was six minutes long and just had “Hollowed” on it, you’d still call it a win.

Sandrider on Thee Facebooks

Good to Die Records website

 

Witchkiss, The Austere Curtains of Our Eyes

witchkiss the austere curtains of our eyes

Goodness gracious. Cavernous echo accompanies the roars of guitarist student essays for college source site help critique research paper mla citation for websites machine Scott Prater that are offset by the more subdued melodies of drummer Good service to Homework Online.coms. Perfect format, outstanding quality, and affordable prices. Any deadlines and a number of disciplines. Amber Burns, but even in the most spacious reaches of 11-minute second cut “Blind Faith,” read here through online websites. Do my homework for me surprisingly beneficial advantages of cooperating with CPM homework help services. Witchkiss are fucking massive-sounding. Their debut album, EssayEmpire.com offers professional Recommended Site. 100% plagiarism free, from per page, 24/7 support, 100% money back guarantee. The Austere Curtains of Our Eyes, presents an especially crushing take on ritualistic volume, sounding its catharsis in a song like “Spirits of the Dirt” and sounding natural as it trades between a rolling assault and the atmospheres of its quieter moments. With the departure since the recording of bassist Professional research paper Albrecht Rohrmann Dissertation au help research paper service oriented . PLOS Medicine publishes research and commentary of general Anthony DiBlasi, the New York-based outfit will invariably shift in dynamic somewhat coming out of this record, but with such an obvious clarity of mission, I honestly doubt their core approach will change all that much. A band doesn’t make a record like this without direct intention. They may evolve, and one hopes they do just because one always hopes for that, but this isn’t a band feeling their way through their first record. This is a band who know exactly the kind of ferocity they want to conjure, and who conjure it without regret.

Witchkiss on Thee Facebooks

Witchkiss on Bandcamp

 

Satta Caveira, MMI

Satta Caveira MMI

Argentinian instrumentalist trio Satta Caveira make a point of saying they recorded MMI, their second or third album depending on what you count, live in their home studio without edits or overdubs, click tracks or anything else. Clearly the intention then is to capture the raw spirit of the material as it’s happening. The eight songs that make up the unmanageable 62-minute listen of MMI — to be fair, 14 of those minutes are opener “Kundalini” and 23 are the sludge-into-jam-into-sludge riffer “T.H.C.” — are accordingly raw, but that in itself becomes a component of their aesthetic. Whether it’s the volume swell that seems to consume “Don Santos” in its second half, the funk of closer “Afrovoid” or the drift in “Kalifornia,” Satta Caveira manage to hone a sense of range amid all the naturalism, and with the gritty and more aggressive riffing of the title-track and the rush of the penultimate “Router,” their sound might actually work with a more elaborate production, but they’ve got a thing, it works well, and I’m not inclined to argue.

Satta Caveira on Thee Facebooks

Satta Caveira on Bandcamp

 

Apollo80, Lizard! Lizard! Lizard!

apollo 80 lizard lizard lizard

Vocalized only by spoken samples of astronauts, the thrice-exclamatory Lizard! Lizard! Lizard! is the debut EP from Perth, Australia, three-piece Apollo80, who are given mostly to exploring an outpouring of heavy molten vibes but still able to hone a bit of cacophony following the “godspeed, John Glenn” sample in second cut “FFH.” There are four songs on the 26-minute offering, and its spaciousness is brought to earth somewhat by the dirt in which the guitar and bass tones are caked, but it’s more the red dust of Mars than anything one might find kicking around a Terran desert. Unsurprisingly, the high point of the outing is the 10:46 title-track, where guitarist Luke, bassist Brano and drummer Shane push farthest into the cosmos — though that’s debatable with the interstellar drone of closer “Good Night” — but even in the impact of “Apollo” at the outset, there’s a feeling of low-oxygen in the atmosphere, and if you get lightheaded, that’s exactly how it’s supposed to be.

Apollo80 on Thee Facebooks

Apollo80 on Bandcamp

 

The Great Unwilling, EP

the great unwilling ep

The prevailing influence throughout the untitled debut EP from Minnesota’s The Great Unwilling is Queens of the Stone Age, but listening to the layer of wah intertwine with the solo on “Sanguine,” there’s more to their approach than just that, however dreamy the vocal melodies from guitarist Jesse Hoheisel might be. Hoheisel, bassist Joe Ulvi and Mark Messina present a clean four tracks and 20 minutes on their first outing, and for having been together for about 18 months, their songwriting seems to have a firm grasp on what they want to do. “If 3 was 7” rolls along at a heavy clip into an effectively drifting midsection and second half jam before returning to the initial riff, while “Current” leads off with a particularly Hommeian construction, and soon gives way to the flowing pace and apparent lyrical references of the aforementioned “Sanguine.” They finish with the dirtier tonality of “Apostasy” and cap with no more pretense than they started, bringing the short release to a close with a chorus that seems to finish with more to say. No doubt they’ll get there.

The Great Unwilling on Thee Facebooks

The Great Unwilling on Bandcamp

 

Grusom, II

grusom ii

A prominent current of organ alongside the guitars gives Grusom‘s aptly-titled second album on Kozmik Artifactz, II, a willfully classic feel, and even the lyrics of “Peace of Mind” play into that with the opening lines, “I always said I was born too late/This future is not for me,” but the presentation from the Svendborg six-piece isn’t actually all that retro-fied. Rather, the two guitars and organ work in tandem to showcase a modern take on those classic ideas, as the back and forth conversation between them in the extended jam of “Skeletons” demonstrates, and with a steady rhythmic foundation and soulful vocals overtop, Grusom‘s craft doesn’t need the superficial trappings of a ’70s influence to convey those roots in their sound. Songs like “Dead End Valley” and “Embers” have a bloozy swing as they head toward the melancholy closer “Cursed from Birth,” but even there, the proceedings are light on pretense and the atmosphere is more concerned with a natural vibe rather than pretending it’s half a century ago.

Grusom on Thee Facebooks

Kozmik Artifactz website

 

Träden, Träden

traden traden

Having originated as Träd Gräs och Stenar, the group now known as Träden is the product of a psychedelic legacy spanning generations. Founder Jakob Sjöholm has joined forces with Hanna Östergren of Hills, Reine Fiske of Dungen and Sigge Krantz of Archimedes Badkar to create a kind of supergroup of serenity, and their self-titled is blissful enough not only to life up to Träd Gräs och Stenar‘s cult status, but to capture one of its own. It’s gorgeous. Presumably the painting used on the cover is the cabin where it was recorded, and its eight tracks — sometimes mellow, sometimes more weighted, always hypnotic — are a naturalist blueprint that only make the world a better place. That sounds ridiculous, I know. But the truth is that for all the terrible, horrifying shit humanity does on a daily basis, to know that there are people on the planet making music like this with such a genuine spirit behind it is enough to instill a bit of hope for the species. This is what it’s all about. I couldn’t even make it through the Bandcamp stream without buying the CD. That never happens.

Träden on Thee Facebooks

Träden on Bandcamp

 

Orthodox, Krèas

orthodox kreas

Last year, Spanish experimentalists Orthodox released Supreme and turned their free-jazz meets low-doom into a 36-minute fracas of happening-right-now creativity. Krèas, a lone, 27-minute track with the core duo of bassist Marco Serrato and drummer Borja Díaz joined by saxophonist Achilleas Polychronidis, was recorded in the same session but somehow seems even more freaked-out. I mean, it’s gone. Gone to a degree that even the hepcats who claim to appreciate free-jazz on anything more than a theoretical level (that is, those who actually listen to it) will have their hair blown back. The rest of the universe? Well, they’ll probably continue on, blissfully unaware that Orthodox are out there smashing comets together like they are, but wow. Challenging the listener is one thing. Krèas is the stuff of dissertations. One only hopes Orthodox aren’t holding their breath waiting for humanity to catch up to what they’re doing, because, yeah, it’s gonna be a while.

Orthodox on Thee Facebooks

Alone Records webstore

 

Disrule, Sleep in Your Honour

Disrule Sleep in Your Honour

Danish bruisers Disrule run a brash gamut with their second album, Sleep in Your Honour (on Seeing Red). Leading off with the earworm hook of the title-track (premiered here), the album puts a charge into C.O.C.-style riffing and classic heavy rock, but shades of Clutch-y funk in “Going Wrong” and a lumbering bottom end in “Occult Razor” assure there’s no single angle from which they strike. “(Gotta Get Me Some) Control” elicits a blues-via-Sabbath vibe, but the drums seem to make sure Disrule are never really at rest, and so there’s a strong sense of momentum throughout the eight-song/29-minute EP, perhaps best emphasized by two-minute second cut “Death on My Mind,” which seems to throw elbows as it sprints past, though even shouted-chorus closer “Enter the Void” has an infectious energy about it. If you think something can’t be heavy and move, Disrule have a shove with your name on it.

Disrule on Thee Facebooks

Seeing Red Records on Bandcamp

 

Ozymandias, Cake!

ozymandias cake

First clue that all is not what it seems? The artwork. Definitely not a picture of cake on the cover of Ozymandias‘ debut album, Cake!, and accordingly, things don’t take long before they get too weird. “Jelly Beans” hits on harshest Nirvana — before it goes into blastbeats. “Mason Jar” scathes out organ-laced doom and vicious screaming, before “Hangman” gets all danceable like “All Pigs Must Die” earlier in the record. The wacky quotient is high, and the keyboards do a lot to add to that, but one can’t really call “Doom I – The Daisies” or the later “Doom II – The Lilies” anything but progressive in the Devin Townsend-shenanigans-metal sense of the word, and as wild as some stretches of Cake! are, the trio from Linz, Austria, are never out of control, and they never give a sense that what they’re doing is an accident. They’re just working on their own stylistic level, and to a degree that’s almost scary considering it’s their first record. I won’t claim to know where they might be headed, but it seems likely they have a plan.

Ozymandias on Thee Facebooks

StoneFree Records website

 

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Wolf Blood Release Limited 12″ Single Tsunami / Home; Announce Recording Plans

Posted in Whathaveyou on May 3rd, 2018 by JJ Koczan

wolf blood

July, July, July. That’s when Minnesota riffers Wolf Blood head back into the studio to complete work on their second album. The as-yet-untitled offering will follow some four years behind the band’s incredibly well received self-titled debut (review here), which came out through Burning World in Europe and Outer Battery in the US — which is no minor shakes for a group marking their first release. As far as endorsements go, those are two good ones to have.

Before the new album arrives, maybe as a refresher or a lead-in or just because they happened to have them laying around — whatever gets it done — Wolf Blood have released the new two-songer single Tsunami / Home and set it up for streaming now and preorders for the month of May for the upcoming 12″ edition, limited in number and all that good stuff. The art, as you can see below, is pretty right on, and the sound of the two songs is duly huge and a fervent reminder of why I was so looking forward to hearing what this band did next.

Have at it:

wolf blood tsunami home

Minneapolis band WOLF BLOOD are heading back into the studio this July to finish their long awaited 2nd album. To tide fans over till then they’ll release a limited run 12” single for the haunting track “Tsunami” on colored vinyl. Backed by the crushing brand new song “Home”, this will be strictly limited to 200 copies. Pre-orders start May 1st through Qrates.com and run until May 30th. Stream both songs at wolfblood666.bandcamp.com starting May 1st.

Formed in a dank basement during one of the coldest winters on record in Duluth, Minnesota, guitarist Mike Messina and drummer Jake Paulsrud (Dirty Horse/Dad’s Acid) started writing psycho-sludge experiments that sounded too stoned to be metal, and too baneful to be indie-rock. They recruited renown hard-core guitar sorceress Mindy Johnson (The Keep Aways) and magi-roots bassist Luke to flesh-out the menacing sound, and Wolf Blood came to life.

Wolf Blood is:
Mike Messina – guitar
Jake Paulsrud – drums/vocals
Mindy Johnson – guitar/vocals
Luke – bass

Wolfblood666.bandcamp.com
Facebook.com/wbminneapolis
IG @wolfbloodmn
Twitter.com/wolfbloodmn

Wolf Blood, Tsunami / Home (2018

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Wolf Blood Announce East Coast Tour Dates

Posted in Whathaveyou on April 22nd, 2015 by JJ Koczan

wolf blood

One of the things that made Wolf Blood‘s 2014 self-titled debut (discussed here) so engaging was its complete unwillingness to settle on a genre or a unipolar sound. I can’t help but wonder if the Duluth, Minnesota, outfit will bring a similar restlessness to their onstage presentation when they head off on an East Coast tour next month. It’s a good round of dates, with a few still to be filled in — I’d say hit up The Depot in York, PA, but they’ve already got two dates in Pennsylvania, one in Philly, one in Pittsburgh — but wherever they wind up for those TBAs, they’ve got a few killer gigs spread throughout, some house shows and a stop in Brooklyn with GeezerThe Golden Grass and Bison Machine, so it should prove worth the road time.

To hear them tell it, they’ve got 30 copies of the debut left and they’ll have them on hand for the tour. Confirmation from the PR wire:

wolf blood tour poster 2

WOLF BLOOD East Coast Tour May 21-June 6th 2015

Duluth’s WOLF BLOOD (soon to be Minneapolis based) are hitting the road next month for 2 1/2 week tour to the East Coast. Starting in Duluth on a train(!) for “Blood on the Tracks” with The Black Eyed Snakes and culminating with a stacked show at Brooklyn’s Lucky 13 with Geezer, The Golden Grass and Bison Machine.

Also with less than 30 copies left this will be the last chance to grab a copy of their S/T debut on Burning World Records before it’s gone.

Wolf Blood Tour page
https://www.facebook.com/events/797490020337261/

East Coast Tour Dates
May 21 Duluth, MN @ Blood on the Tracks w/ The Black Eyed Snakes & more
May 22 Des Moines, IA @ The Fremont w/ Druids & Glass Ox
May 23 Kansas City, MO TBA
May 24 Cincinnati, OH @ Tacocracy w/ Temple & tba
May 25 Chattanooga, TN @ Sluggo’s
May 26 Harrisonburg, VA @ House show
May 27 TBA
May 28 Baltimore, MD @ Side Bar
May 29 D.C. @ The Pinch
May 30 Brooklyn, NY @ Lucky 13 w/ Geezer, Bison Machine & The Golden Grass
May 31 Philadelphia, PA @ Kung Fu Necktie w/ Hellrad, Heavy Temple & Toke
June 1 TBA
June 2 Pittsburgh, PA @ House show
June 3 Dekalb, IL @ house show
June 4 Milwaukee, WI TBA
June 5 Appleton, WI @ Xtra920 w/ Relentless, Attalla…
June 6 Duluth, MN @ Luce w/ Gay Witch Abortion & Strange

Wolfblood666.bandcamp.com
Facebook.com/wbduluthmn

Wolf Blood, Wolf Blood (2014)

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Wolf Blood Stream “Witch” from Self-Titled Debut

Posted in audiObelisk on August 26th, 2014 by JJ Koczan

wolf blood

The bell of the ride counts out a measure and soon enough the guitar starts in on “Witch,” the opening track from Wolf Blood‘s self-titled debut. Right away, something just seems bent. It’s like the sound is contorted somehow. It’s an otherworldly sensation and it continues throughout the Duluth, Minnesota, four-piece’s six-track offering, which follows through with a loosely cultish approach but is more geared toward general darkness and tonal space than trying to win you over to Team Lucifer. Driven by the riffs of guitarists Mike Messina and Mindy Johnson (the latter also vocals), “Witch” is the slowest of Wolf Blood‘s tracks until its complementary 12-minute closer “Procession of the Witch,” and it also provides one of the album’s signature hooks, so while it may not represent the High on Fire thrashy sensibility of “Exile,” MessinaJohnson, bassist Brian Wells and drummer/vocalist Jake Paulsrude are definitely putting their best foot forward, and they’re swinging it hard right at their audience.

Grooves and big riffs abound, but that’s nothing new to the converted, and where Wolf Blood really distinguish themselves is in the oddity of their aggression. Blending clean vocals, spoken parts and screams, they play off both metallic and heavy rock styles and craft something fluid and malevolent from them. There’s a sense of theatricality in side A finale “Dancing on Your Grave,” where much of the album’s second half seems to be more about pummel, but there’s an emerging personality at work across the board, and Wolf Blood emerge after “Procession of the Witch” unscathed by their own strangeness, having tread hard on a couple fine lines between subgenres. Ultimately, Wolf Blood is as satisfying for its brashness as it is for its density of groove.

The band released it earlier this year on two separate, sold-out tape pressings and the whole record is available to stream on the band’s Bandcamp in that original form, but Burning World Records and Outer Battery Records will have a vinyl out in October remixed and remastered by James Plotkin, and you can hear the new version of “Witch” on the player below. Please enjoy:

Wolf Blood‘s Wolf Blood is out in October through Burning World Records (EU preorder here) and Outer Battery Records (US preorder here). The band will tour beginning on Sept. 25 in support of the vinyl.

Wolf Blood Midwest Fall Tour Dates:
9/25- Duluth, MN @ The Red Star
9/26- Eau Claire, WI @ House of Rock
9/27- Dubuque, IA @ Eronel
9/28- TBA
9/29- Iowa City, IA @ TBA
9/30- Madison, WI @ The Wisco
10/1- Madison, WI @ Dragonfly Lounge
10/2- Milwaukee, WI @ Quarters
10/3- Chicago, IL @ TBA
10/4- St. Louis, MO @ TBA
10/5- Colombia, MO @ TBA
10/6- Kansas City, MO @ Vandals
10/7- Lawrence, KS @ TBA
10/8- Des moine, IA @ Vaudville Mews
10/9- Minneapolis, MN @ House show

Wolf Blood on Thee Facebooks

Wolf Blood on Bandcamp

Wolf Blood at Burning World Records

Wolf Blood at Outer Battery Records

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Wolf Blood to Release Self-Titled Debut on Burning World Records

Posted in Whathaveyou on August 20th, 2014 by JJ Koczan

Chaotic acid rockers Wolf Blood will issue their self-titled debut on Oct. 1 through Burning World Records. The Minnesota four-piece released the album earlier this year and have nearly sold through both of the tape runs they pressed, and the Burning World vinyl will be available to preorder starting Aug. 27, complete with new artwork that, well, is pretty badass.

That’s below, as well as the Bandcamp stream of the album, info and Midwestern tour dates, since it seems Wolf Blood will hit the road starting late next month and are still solidifying some of the dates for the tour. If you’ve got a place that needs loud in one of the cities below, hit the band up and pay them for playing, because that’s the right fucking thing to do.

Goes a little something like this:

Wolf Blood Debut Album Coming out October 1st, 2014 on Burning World (U.K.)/Road Burn (U.S.) Records.

Pre-order available August 27th at www.burningworldrecords.com.

Wolf Blood’s Midwest tour runs from Sept 25-Oct 11th.

Burning World Records is extremely proud to add another high quality act to the roster. After signing bands like Monomyth, Conan, Slomatics, Nihill and Altar Of Plagues (to name but a few) we can announce that WOLF BLOOD from Minnesota will join our label with their debut album this fall. The 4-piece band has the songs, the power and the riffs, like Windhand and Goatsnake before them.

After selling out the entire first cassette-pressing of their debut album in less than a week, WOLF BLOOD is set to release the vinyl version of the self-titled monster in October 1st 2014.

Formed in a dank basement during the infamous 2012 Duluth, Minnesota flood, guitarist Mike Messina and drummer Jake Paulsrude (Dad’s Acid) started writing psycho-sludge experiments that sounded too stoned to be metal, and too baneful to be indie-rock. They recruited renown hard-core guitar sorceress Mindy Johnson (The Keep Aways) and magi-roots bassist Brian Wells to flesh-out their menacing sound.

This seven-song recording opens with the haunting single Witch. From there…you’re on your own for the next 35 feral, blood stained minutes.

Midwest Fall Tour Dates:
9/25- Duluth, MN @ The Red Star
9/26- Eau Claire, WI @ House of Rock
9/27- Dubuque, IA @ Eronel
9/28- TBA
9/29- Iowa City, IA @ TBA
9/30- Madison, WI @ The Wisco
10/1- Madison, WI @ Dragonfly Lounge
10/2- Milwaukee, WI @ Quarters
10/3- Chicago, IL @ TBA
10/4- St. Louis, MO @ TBA
10/5- Colombia, MO @ TBA
10/6- Kansas City, MO @ Vandals
10/7- Lawrence, KS @ TBA
10/8- Des moine, IA @ Vaudville Mews
10/9- Minneapolis, MN @ House show

burningworldrecords.com
facebook.com/wbduluthmn
wolfblood666.bandcamp.com

Wolf Blood, Wolf Blood (2014)

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