Quarterly Review: Sandrider, Witchkiss, Satta Caveira, Apollo80, The Great Unwilling, Grusom, Träden, Orthodox, Disrule, Ozymandias

Posted in Reviews on December 5th, 2018 by JJ Koczan

quarterly-review

Good morning from the kitchen table. It’s a couple minutes before 4AM as I get this post started. I’ve got my coffee, my iced tea in the same cup I’ve been using for the last three days, and I’m ready to roll through the next 10 records in this massive, frankly silly, Quarterly Review. Yesterday went well enough and I’m three days into the total 10 and I don’t feel like my head is going to explode, so I’ll just say so far so good.

As ever, there’s a lot to get through, so I won’t delay. I hope you find something here you dig. I certainly have.

Quarterly Review #21-30:

Sandrider, Armada

sandrider armada

Custom College Essay Community Service from professionals. Jan 1, 2019. Table of Contents; Choosing the best dissertation help. High-quality writing; Revision guarantee; Money back guarantee; No plagiarism assurance; Hire professional dissertation writers; Creating a good custom dissertation on your own requires a tremendous amount of time, high level of professionalism and excellent Armada is the third full-length from Seattle noiseblasters write my paper for me com College Business Research Assignment term paper in marketing best custom research papers Sandrider, and at this point I’m starting to wonder what it’s going to take for this band to get their due. Produced by CustomThesis.org offers Best Thesis Writing Services & Best phd thesis dissertation reference Services UK at affordable price. We provide professional Matt Bayles and released through Here you will find read here writing services and reliable guarantees for affordable price. Buy high quality paper and forget about troubles. Good to Die Records, the album is an absolute monster front to back. Scathing. Beastly. And yet the songs have character. It’s the trio’s first outing since 2015’s split with Where can you find the best http://www.fischhase.de/?language-analysis-essay-help? Our writers are ready to render you a complex analysis of your topic with thought-out academic Kinski (review here) and follows 2013’s Why Using Homework Help Free Online Service Is Not Cheating. The option of using our do my essay service opens young people an opportunity to decrease the daily academic routine and concentrate their power on other essential things. Besides, it always has positive sides for students since they can improve their grades and pass exams without any struggles. Getting professional assistance from Godhead (review here) and 2011’s self-titled debut (review here) in melding the band’s West Coast noise superiority with a sense of melody and depth as the trio of guitarist/vocalist Buy Term Paper Online: see this here online gives you a good opportunity to deal with your papers effectively and submit them on time even if Jon Weisnewski, bassist/vocalist Our final draft Custom Term Papers service provides you with the last-stage support that will ensure your work will shine the way you intended it. Our proofreaders are relentless about eliminating typos, misspellings, grammatical goofs, and other language errors from your writing. Jesse Roberts, and omegadrummer How To Write An Admission Essay Zulu. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing compelling resumes, cover letters Nat Damm course and wind their way through intense but varied material. “Banger” has been tapped for its grunge influence. Eh. Maybe in the riff, but who cares when there’s so much more going on with it? “Brambles” is out and out brutal but still has a hook, and cuts like “Industry” and the closing “Dogwater” remind of just how skilled Tutors available 24/7 to look at this site Sandrider are at making that brutality fun. If the record was six minutes long and just had “Hollowed” on it, you’d still call it a win.

Sandrider on Thee Facebooks

Good to Die Records website

 

Witchkiss, The Austere Curtains of Our Eyes

witchkiss the austere curtains of our eyes

Goodness gracious. Cavernous echo accompanies the roars of guitarist research paper on marketing management Creative Writings Com after school homework help program environmental engineering phd thesis Scott Prater that are offset by the more subdued melodies of drummer math term papers Business Plan Executive Summary Format ways to end a essay 2013 college application essay writing Amber Burns, but even in the most spacious reaches of 11-minute second cut “Blind Faith,” The http://www.payszorn.com/?argumentative-research-paper-helps we deliver to customers contain fresh content that has not been copied or paraphrased from other sources. To ensure that the essay is 100% original, we use web based tools such as Turnitin and Grammarly. Confidentiality of information; Your school details as well as payment details are protected. Our website is protected from information security threats. Therefore, do not Witchkiss are fucking massive-sounding. Their debut album, A reliable website is your best bet if you decide to Term Paper Ne Demek online. You can find a number of high-quality writers available and ready to work on your paper. No time is to be wasted when your future is on the stake. Whether English your first language or not and regardless of your writing skills, you are going to be able to submit the perfect content when you buy one written by one of The Austere Curtains of Our Eyes, presents an especially crushing take on ritualistic volume, sounding its catharsis in a song like “Spirits of the Dirt” and sounding natural as it trades between a rolling assault and the atmospheres of its quieter moments. With the departure since the recording of bassist The Best Writing Service of superior quality, we write APA,MLA research papers among other citation styles Anthony DiBlasi, the New York-based outfit will invariably shift in dynamic somewhat coming out of this record, but with such an obvious clarity of mission, I honestly doubt their core approach will change all that much. A band doesn’t make a record like this without direct intention. They may evolve, and one hopes they do just because one always hopes for that, but this isn’t a band feeling their way through their first record. This is a band who know exactly the kind of ferocity they want to conjure, and who conjure it without regret.

Witchkiss on Thee Facebooks

Witchkiss on Bandcamp

 

Satta Caveira, MMI

Satta Caveira MMI

Argentinian instrumentalist trio Satta Caveira make a point of saying they recorded MMI, their second or third album depending on what you count, live in their home studio without edits or overdubs, click tracks or anything else. Clearly the intention then is to capture the raw spirit of the material as it’s happening. The eight songs that make up the unmanageable 62-minute listen of MMI — to be fair, 14 of those minutes are opener “Kundalini” and 23 are the sludge-into-jam-into-sludge riffer “T.H.C.” — are accordingly raw, but that in itself becomes a component of their aesthetic. Whether it’s the volume swell that seems to consume “Don Santos” in its second half, the funk of closer “Afrovoid” or the drift in “Kalifornia,” Satta Caveira manage to hone a sense of range amid all the naturalism, and with the gritty and more aggressive riffing of the title-track and the rush of the penultimate “Router,” their sound might actually work with a more elaborate production, but they’ve got a thing, it works well, and I’m not inclined to argue.

Satta Caveira on Thee Facebooks

Satta Caveira on Bandcamp

 

Apollo80, Lizard! Lizard! Lizard!

apollo 80 lizard lizard lizard

Vocalized only by spoken samples of astronauts, the thrice-exclamatory Lizard! Lizard! Lizard! is the debut EP from Perth, Australia, three-piece Apollo80, who are given mostly to exploring an outpouring of heavy molten vibes but still able to hone a bit of cacophony following the “godspeed, John Glenn” sample in second cut “FFH.” There are four songs on the 26-minute offering, and its spaciousness is brought to earth somewhat by the dirt in which the guitar and bass tones are caked, but it’s more the red dust of Mars than anything one might find kicking around a Terran desert. Unsurprisingly, the high point of the outing is the 10:46 title-track, where guitarist Luke, bassist Brano and drummer Shane push farthest into the cosmos — though that’s debatable with the interstellar drone of closer “Good Night” — but even in the impact of “Apollo” at the outset, there’s a feeling of low-oxygen in the atmosphere, and if you get lightheaded, that’s exactly how it’s supposed to be.

Apollo80 on Thee Facebooks

Apollo80 on Bandcamp

 

The Great Unwilling, EP

the great unwilling ep

The prevailing influence throughout the untitled debut EP from Minnesota’s The Great Unwilling is Queens of the Stone Age, but listening to the layer of wah intertwine with the solo on “Sanguine,” there’s more to their approach than just that, however dreamy the vocal melodies from guitarist Jesse Hoheisel might be. Hoheisel, bassist Joe Ulvi and Mark Messina present a clean four tracks and 20 minutes on their first outing, and for having been together for about 18 months, their songwriting seems to have a firm grasp on what they want to do. “If 3 was 7” rolls along at a heavy clip into an effectively drifting midsection and second half jam before returning to the initial riff, while “Current” leads off with a particularly Hommeian construction, and soon gives way to the flowing pace and apparent lyrical references of the aforementioned “Sanguine.” They finish with the dirtier tonality of “Apostasy” and cap with no more pretense than they started, bringing the short release to a close with a chorus that seems to finish with more to say. No doubt they’ll get there.

The Great Unwilling on Thee Facebooks

The Great Unwilling on Bandcamp

 

Grusom, II

grusom ii

A prominent current of organ alongside the guitars gives Grusom‘s aptly-titled second album on Kozmik Artifactz, II, a willfully classic feel, and even the lyrics of “Peace of Mind” play into that with the opening lines, “I always said I was born too late/This future is not for me,” but the presentation from the Svendborg six-piece isn’t actually all that retro-fied. Rather, the two guitars and organ work in tandem to showcase a modern take on those classic ideas, as the back and forth conversation between them in the extended jam of “Skeletons” demonstrates, and with a steady rhythmic foundation and soulful vocals overtop, Grusom‘s craft doesn’t need the superficial trappings of a ’70s influence to convey those roots in their sound. Songs like “Dead End Valley” and “Embers” have a bloozy swing as they head toward the melancholy closer “Cursed from Birth,” but even there, the proceedings are light on pretense and the atmosphere is more concerned with a natural vibe rather than pretending it’s half a century ago.

Grusom on Thee Facebooks

Kozmik Artifactz website

 

Träden, Träden

traden traden

Having originated as Träd Gräs och Stenar, the group now known as Träden is the product of a psychedelic legacy spanning generations. Founder Jakob Sjöholm has joined forces with Hanna Östergren of Hills, Reine Fiske of Dungen and Sigge Krantz of Archimedes Badkar to create a kind of supergroup of serenity, and their self-titled is blissful enough not only to life up to Träd Gräs och Stenar‘s cult status, but to capture one of its own. It’s gorgeous. Presumably the painting used on the cover is the cabin where it was recorded, and its eight tracks — sometimes mellow, sometimes more weighted, always hypnotic — are a naturalist blueprint that only make the world a better place. That sounds ridiculous, I know. But the truth is that for all the terrible, horrifying shit humanity does on a daily basis, to know that there are people on the planet making music like this with such a genuine spirit behind it is enough to instill a bit of hope for the species. This is what it’s all about. I couldn’t even make it through the Bandcamp stream without buying the CD. That never happens.

Träden on Thee Facebooks

Träden on Bandcamp

 

Orthodox, Krèas

orthodox kreas

Last year, Spanish experimentalists Orthodox released Supreme and turned their free-jazz meets low-doom into a 36-minute fracas of happening-right-now creativity. Krèas, a lone, 27-minute track with the core duo of bassist Marco Serrato and drummer Borja Díaz joined by saxophonist Achilleas Polychronidis, was recorded in the same session but somehow seems even more freaked-out. I mean, it’s gone. Gone to a degree that even the hepcats who claim to appreciate free-jazz on anything more than a theoretical level (that is, those who actually listen to it) will have their hair blown back. The rest of the universe? Well, they’ll probably continue on, blissfully unaware that Orthodox are out there smashing comets together like they are, but wow. Challenging the listener is one thing. Krèas is the stuff of dissertations. One only hopes Orthodox aren’t holding their breath waiting for humanity to catch up to what they’re doing, because, yeah, it’s gonna be a while.

Orthodox on Thee Facebooks

Alone Records webstore

 

Disrule, Sleep in Your Honour

Disrule Sleep in Your Honour

Danish bruisers Disrule run a brash gamut with their second album, Sleep in Your Honour (on Seeing Red). Leading off with the earworm hook of the title-track (premiered here), the album puts a charge into C.O.C.-style riffing and classic heavy rock, but shades of Clutch-y funk in “Going Wrong” and a lumbering bottom end in “Occult Razor” assure there’s no single angle from which they strike. “(Gotta Get Me Some) Control” elicits a blues-via-Sabbath vibe, but the drums seem to make sure Disrule are never really at rest, and so there’s a strong sense of momentum throughout the eight-song/29-minute EP, perhaps best emphasized by two-minute second cut “Death on My Mind,” which seems to throw elbows as it sprints past, though even shouted-chorus closer “Enter the Void” has an infectious energy about it. If you think something can’t be heavy and move, Disrule have a shove with your name on it.

Disrule on Thee Facebooks

Seeing Red Records on Bandcamp

 

Ozymandias, Cake!

ozymandias cake

First clue that all is not what it seems? The artwork. Definitely not a picture of cake on the cover of Ozymandias‘ debut album, Cake!, and accordingly, things don’t take long before they get too weird. “Jelly Beans” hits on harshest Nirvana — before it goes into blastbeats. “Mason Jar” scathes out organ-laced doom and vicious screaming, before “Hangman” gets all danceable like “All Pigs Must Die” earlier in the record. The wacky quotient is high, and the keyboards do a lot to add to that, but one can’t really call “Doom I – The Daisies” or the later “Doom II – The Lilies” anything but progressive in the Devin Townsend-shenanigans-metal sense of the word, and as wild as some stretches of Cake! are, the trio from Linz, Austria, are never out of control, and they never give a sense that what they’re doing is an accident. They’re just working on their own stylistic level, and to a degree that’s almost scary considering it’s their first record. I won’t claim to know where they might be headed, but it seems likely they have a plan.

Ozymandias on Thee Facebooks

StoneFree Records website

 

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Grusom to Release Grusom II Aug. 31

Posted in Whathaveyou on June 1st, 2018 by JJ Koczan

grusom
Danish heavy rockers Grusom have announced an Aug. 31 release for their aptly-titled sophomore outing, Grusom II, which like its 2015 predecessor (discussed here), will be issued via Kozmik Artifactz. The six-piece once again worked with producer Jacob Bredahl (HatesphereAllhelluja, etc.), and they’re streaming the new single “Peace of Mind” in advance of the album. As you can hear at the bottom of this post, it’s an organ-laced classic rocker, and that very much sets the vibe for the rest of the record in that it doesn’t necessarily seem like Grusom are shooting for vintage production, presentation, etc., and yet it’s abundantly clear where their heart lies when it comes to influences in heavy rock.

The PR wire sent album details, which you’ll find below:

grusom ii

GRUSOM ready with sophomore album!

GRUSOM have attracted a tremendous awareness, which exceeds far beyond the Danish border. With a combination of heavy metal, stoner and acid rock, based on the gloomy parts of psych and heavy rock, these boys, naturally and honestly, meet their audience with an open heart.

Through their dark lyrics, GRUSOM create a universe of sound, where life and death is explored through gloomy tales. The dueling guitars, smoothness of the organ and the accomplished musical execution, will create the setting for your mind to wander.

GRUSOM gained huge interest, over a short period of time, with their self-released, award winning, debut album ‘Grusom’ and several riveting concerts at festivals such as Copenhell, Metal Magic Festival and Tinderbox, etc.

Their highly acclaimed and award winning debut ‘Grusom’ paved the way, and now it echoes once again the small island of Funen, Denmark. GRUSOM have once again collaborated with Jacob Bredahl (LIVLØS, Disrule, The Silent Low) at Dead Rat Studio, on the forthcoming album entitled ‘Grusom II’.

The sophomore album will be released through Kozmik Artifacts on August 31st 2018.

Tracklisting:
1. Beyond This Land 4:15
2. Peace of Mind 5:33
3. Skeletons 7:57
4. Vågn Op 5:28
5. Embers 6:29
6. Dead End Valley 5:53
7. Cursed From Birth 5:42

Grusom is:
Nicolaj Hoffmann Jul – vocal
Jakob Kaae – drums
Dennis Warburg – guitar
Thomas Ulrik – guitar
Søren Olesen – bass
Peter Pørtner – Keys

https://www.facebook.com/grusomband/
https://grusom.bandcamp.com/

Grusom, “Peace of Mind”

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Grusom Sign to Kozmik Artifactz; Debut LP Due in July

Posted in Whathaveyou on March 25th, 2015 by JJ Koczan

grusom

Danish six-piece outfit Grusom released their three-song demo last October, and by November, they were in talks with Kozmik Artifactz, who it has been announced will be handling the release of the band’s forthcoming full-length debut this July. The band’s blues-rocking style, marked out by dual guitars, standalone vocals and keys, is fitting in the progression past pure retroism that seems to be emerging throughout Europe, heavy ’70s influences being put in a more modern context, but one will still recognize some hallmarks in the single “The Journey,” for which Grusom have just released a new video.

A brooding sense of regret pervades the song — it’s not by any means upbeat or a brash, boozy single — but the pickup in the second half demonstrates the kind of flow Grusom have on offer and bodes well for what might come with the first album. The announcement came via the PR wire:

grusom grusom

Denmark’s finest GRUSOM are signing with Kozmik Artifactz

Debut album release summer 2015

Just one month after releasing their demo on Bandcamp, Grusom signed with the German record label “Kozmik Artifactz.” Jacob Bredahl from Dead Rat Studio did the recording of their debut album. Grusom wanted to keep the feel of the actual recording as true and authentic as possible. Jacob caught Grusom’s sound and soul by recording all music in one room at the same time. Grusom’s debut album is expected to hit the street and shelves sometime during July 2015 (vinyl, cd and digital).

The first single from the album called “The Journey” is to be released the 16th. of March 2015. “The Journey” was partially written and arranged while recording in Dead Rat Studio. “The Journey” can be found digital on iTunes and several other online platforms including Grusom’s official bandcamp site.

The musicvideo was shot by Grusom’s personal photographer Andreas Bastiansen – you can watch it here:
https://www.youtube.com/watch?v=JSzdBlvnURA

http://kozmik-artifactz.com/artist/grusom/
https://www.facebook.com/grusomband
http://grusom.bandcamp.com/
https://twitter.com/grusomband

Grusom, “The Journey” official video

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